Intaglio Prints and Multiples

'Un Barbier Distrait' A Distracted Barber Photogravure by Goupil after Jules Worms, 1879. Jules Worms (1832-1924) was a 19th century French painter. He was born in Paris and began ...

In this project, Vladimir Clavijo-Telepnev draws a line between sensuality and explicit sexuality in depicting a woman's body. Modern photography offers two main approaches to the su...

'Nereid' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. 260...

Medium: Intaglio and Chine Colle Year: 2022 Image Size: 18 x 12 inches Edition of 15 A decorated vase with tulips on a patternd tablecloth. While Hiratsuka's images have some resemb...

after Salvador DALI (1904-1969) Butterfly suite : Les Alpes, 1969 Lithograph and heliogravure after original compositions by Dali Printed signature in the plate bottom right Larger ...

Heliogravure on light weight Japan paper, full margins. Titled in pencil in the lower right margin. In good condition with some minor handling creases, dog-eared lower right corner, ...

Artist: Gino Scarpa, Italian/Norwegian (1924 - ) Title: Untitled 148 Year: circa 1970 Medium: Aquatint Etching and Carborundum Intaglio print Signed and numbered in pencil, Numbe...

Glowing Tree Etching, engraving & lift ground, 1958 Signed, titled and annotated in pencil (see photos) Edition: Artist Proof (there was a published addition of 30 with five stencil ...

This piece titled "Spacial Studies III" is an original artwork made from relief, chine colle, intaglio on Rives BFK by Katie VanVliet. This piece is shipped in the pictured white fra...

Danseuse et Picador is an artwork realized after Pablo Picasso (Malaga, 1881 - Mougins, 1973) in 1960. Phototype print. Dated, 06.06.60, and signed on the plate. Good condition. ...

Classical Nude, 2016 by Roberta Fineberg (RF) is a 13" x 10.75" photopolymer chine-colle monoprint on rag paper - signed, titled, and dated by the artist on verso (back of the work)....

Myril Adler "Reconstruction" c.1960s Collagraph ink on paper 2.25"x2.25" ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 inches (202 ...

'Asclepios' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. ...

Represented by George Billis Gallery, NYC & LA -- Kiki Smith is one of the most widely recognized people in the art world today, and one of the most prolific artists of her generati...

'Demeter of Cnidos' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the i...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

'Strangford Apollo' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the i...

'Maenad in Frenzy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the im...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

Beth Ganz, 'Mount Kenya, Kenya', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked im...

Myril Adler "Jerusalem" c.1960s Collagraph ink on paper 2.75"x2.75 ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vi...

'Equestrian Torso from the Mausoleum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top rig...

intaglio with a la poupée on Somerset paper, unframed, edition of 6 Please message us directly if you are interested in a framed print. Bio // Katie VanVliet is a sculptor and printmaker based in Philadelphia, PA. Found and collected objects are the main component of her work, as the drawn components of her prints and the physical components of her sculptures and installations. After studying at Moore College of Art & Design, she founded BYO Print as a collective studio with the mission to keep artists printing on their own time, within a reasonable budget. More than 30 printmakers have been involved with the shop over the years, with 15 current members. She studied with Shelley Thorstensen at Moore as well as at Printmakers' Open Forum in Oxford, PA. She occasionally teaches workshops about about using reclaimed objects effectively in an art practice. In her studio, she is interested in engaging her audience in narrative. Like many artists, she has always been a collector of things. Aside from unique curiosities, she collects leftovers of routines and rituals, and incorporates them into ongoing bodies of work, most notably, the pill project. "The Only Reason I'm Still on The Pill is for the Art Project" began in 2006, when classmates started giving her empty birth control...

Heliogravure with soft varnish on Japan paper, 7 5/8 x 6 1/2 inches (192 x 164 mm), full margins. In good condition with some very minor handling wear, uniform toning, and one spot ...

'Panorama of the Battle of Colenso, Showing Positions, December 15, 1899, 8AM. Drawn by J Finnemore, RI, and Enoch Ward, RBA, from a full sketch by Rene Bull, our special correspondent on the Eastern Border'. Photogravure fold-out illustration published as a Supplement to 'Black and White', January 13th, 1900. Australia fought at the Battle of Colenso in the Boer War...

In the artist's Art and Design original print series, Many Fans by a.muse, 2017 is 12.5" x 10.25" -- dated, titled, signed recto (on front) by artist. Made on the etching press th...

Medium: collotype (after the woodcut). Printed in 1925 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. Image size: 8 x 4 3/4 inches (205 x 11...

Myril Adler "Crusade" c.1960s Intaglio etching ink on paper 2"x2" ash wood gallery frame 9.5"x9.5" Titled in pencil, estate stamp Myril Adler, was born on September 22, 1920 in Vite...

Henri Matisse (1869-1954) - Divagations Photogravure from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. Text on the verso. The work is in Excellent condition. ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 4 3/4 inches (...

'Oriental Head Dress (Persia)' Photogravure after Donald Macbeth (1865-1943). Donald Macbeth was a commercial photographer who seems to have held a quasi-official position at the B...

'Caryatid of the Erechtheum' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner...

'Late Spring' is in all likelihood picturing the area around O'Callahan's hometown of Buffalo, NY, where he lived and spent most of his career. It is signed, titled, and dated, in p...

"Pueblo Portals" - Intaglio Print in Ink on Archival paper, #3/15 Tan interior intaglio print with blue accents by Marcia Pagels (American, 1930-2010). This piece shows a stark interior of a Pueblo building, with two bright blue accents - the window and the door. This piece also has an asymmetrical trapezoid border that is imprinted (but not printed) around the edge. Titled, numbered, signed, and dated along the bottom edge: Pueblo Portals 3/15 Marcia Pagels © 1989 Presented in a new brown mat Mat size: 12"H x 16"W Paper size: 11"H x 14"W Impression size: 7.5"H x 10"W Marcia Pagels (American, 1930-2010) was born in Taft, California, and moved to Glendale in her early teens. She attended Stanford University, where she earned her BA in Art, and then went on to study at the Sorbonne in Paris. She later moved to East Palo Alto with her husband and children, where she studied with Richard Bowman...

Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...

'Sculptured Drum, Temple of Artemis, Ephesus' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above...

Intaglio and acrylic on Saunders Waterford, St Cuthberts Mill paper. Paper size: 37 x 25 inches. Inscription: Hand signed and numbered, 143/160, as issued. Notes: Published and print...

Myril Adler "Magic Journeys" c.1960s Intaglio etching collage, ink on paper 6"x3" mahogany wood gallery frame 11.25"x8.25" Signed and titled in ink Myril Adler, was born on Septemb...

Intaglio and acrylic on Saunders Waterford, St Cuthberts Mill paper. Paper size: 37 x 25 inches. Inscription: Hand signed and numbered, 43/175, as issued. Notes: Published and printe...

Beth Ganz, 'Mount Vesuvius, Italy', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Vesuvius (Italian: Vesuvio) is a somma-stratovolcano located on the Gulf of Naples in Campania, Italy, about 9 km (5.6 mi) east of Naples and a short distance from the shore. It is one of several volcanoes forming the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera, resulting from the collapse of an earlier, much higher structure. The eruption of Mount Vesuvius in AD 79, one of the most catastrophic eruptions of all time, destroyed the Roman cities of Pompeii, Herculaneum, Oplontis, Stabiae, and several other settlements. The eruption ejected a cloud of stones, ashes and volcanic gases to a height of 33 km (21 mi). More than 1,000 people are thought to have died in the eruption. Vesuvius has erupted about three dozen times since. It is the only volcano on Europe's mainland to have erupted in the last hundred years (1929 and 1944). It is regarded as one of the most dangerous volcanoes in the world—3,000,000 people live near enough to be affected by an eruption, with at least 600,000 in the danger zone, the most densely populated volcanic region in the world. Eruptions tend to be violent and explosive; these are known as Plinian eruptions. Vesuvius has a long historical and literary tradition. It was considered a divinity of the Genius type (a divine nature much like a guardian angel) at the time of the eruption of AD 79: it appears under the inscribed name Vesuvius as a serpent in the decorative frescos of many household shrines, surviving from Pompeii. The Romans regarded Mount Vesuvius as being devoted to Hercules. The historian Diodorus Siculus relates a tradition that Hercules, in the performance of his labors, passed through the country of nearby Cumae on his way to Sicily and found there a place called 'the Phlegraean Plain' ('plain of fire') 'from a hill which anciently vomited out fire ... now called Vesuvius.' It was inhabited by giant bandits, 'the sons of the Earth'. With the gods' assistance, he pacified the region and continued his journey. The area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors, and the park authorities maintain a small network of paths around the volcano. There is access by road to within 200 meters (660 ft) of the summit and a spiral walkway around the volcano from the road to the crater. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

This piece titled "(Love's) Ring of Fire" is a limited edition piece by Kate VanVliet and is made from intaglio with aquatint, soft ground, and drypoint on Rives BFK. This piece is a...

'Choiseul-Gouffier Apollo' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner o...

'Westmacott Boy' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...

'Apotheosis of Homer' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

'Head of Demeter of Cnidos' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner ...

'Diadumenos of Vaison' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of th...

'The Portland Vase' Photogravure after Donald Macbeth (1865-1943). Donald Macbeth was a commercial photographer who seems to have held a quasi-official position at the British Muse...

'Farnese Hermes' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

Medium: heliogravure (after the drawing). This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by S...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Artist: John Sell Cotman (English, 1782-1842) Title: "Cathedral Church of Notre Dame, at Séez (West Front)" (Vol. 2, Plate 99) Portfolio: Architectural Antiquities of Normandy Year: ...

This piece titled "Extraordinary Machine VE 4/6" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground and chine colle on Rives BFK. This piece is a...