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Medium: Intaglio
1960s "Greenscape" Green, Pink, Yellow Collage Intaglio Etching NY Artist
Located in Arp, TX
Myril Adler
"Greenscape"
c.1960s
Intaglio etching collage, ink on paper
6"x3" site unframed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (...
Category
1960s Abstract Intaglio Prints and Multiples
Materials
Paper, Ink, Intaglio
"Untitled"
Located in Southampton, NY
Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...
Category
1940s Surrealist Intaglio Prints and Multiples
Materials
Archival Paper, Engraving, Aquatint, Intaglio
Set of Three Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "Le Pied de Griffon (Griffin's Foot)", "La Laureole (The Laurel)", and "Le Cabaret d'Europe (The European Cabaret)"
Portfolio: Herb...
Category
1780s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
L'Avant-Foyer de l'Opera /// French Impressionist Etching Figurative Lady Man
By Tony Minartz
Located in Saint Augustine, FL
Artist: Tony Minartz (French, 1873-1944)
Title: "L'Avant-Foyer de l'Opera"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1903
Medium: Original Etching on cream laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Framing: Not framed, but matted with 100% cotton rag matting from Holland, gold filet from Italy, and foam board backing. All archival
Matted size: 17" x 14.5"
Sheet size: 12" x 9"
Image size: 9" x 7.25"
Condition: In excellent condition
Notes:
Printed in one color: bistre.
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
Tony Minartz, pseudonym of Antoine Guillaume, born 8 April 1873 to Cannes and died in that city on 13 December 1944 Is a painter, draftsman , illustrator and engraver French.
Painter autodidact , Tony Minartz starts to become known in 1896 by exhibiting paintings at the Salon of the National Society of Fine Arts , and then decorates the Pompadour theater of painted panels for fashion shows " Grand Guignol ", directed by L. Darthenay. In 1903, Henri Béraldi , with whom he worked, praised him in The Journal of ancient and modern art, writing that "it was thirty years ago," and he has received advice from Paul Renouard to be formed the technique of etching ; Béraldi adds that his favorite subjects are "Paris at night Paris at night, always." Minartz also gives them some high-remarkable in The Journal of ancient and modern art until 1910: balls, cafe concerts, Parisian in their most beautiful dresses, but also music-halls, music halls, restaurants, large and small theaters, are the preferred settings of his compositions.
Its fertile period seems to end in 1914. In addition to the National Salon, Minartz exhibited in Paris at the gallery Bartholomew (1903), the Independent Living (1905, 1906) and the gallery Devambez (1909) and received the Academic Palms . He occasionally collaborates with periodic illustrated as The Almanac Sports (Ollendorff, 1899), or satirical as Gil Blas...
Category
Early 1900s Impressionist Intaglio Prints and Multiples
Materials
Etching, Laid Paper, Intaglio
1960s "Sunscape III" Green, Pink, Yellow Collage Intaglio Etching NY Artist
Located in Arp, TX
Myril Adler
"Sunscape III"
c.1960s
Intaglio etching collage, ink on paper
5.75"x2.5" site unframed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, R...
Category
1960s Abstract Intaglio Prints and Multiples
Materials
Paper, Ink, Intaglio
Architectural Design - Photogravure after Johann Stubner - Early 20th Century
Located in Roma, IT
Architectural Design is a vintage photogravure on ivory-colorated paper after a sketch by Johann Stubner.
In excellent conditions: As good as ne...
Category
Early 20th Century Intaglio Prints and Multiples
Materials
Photogravure, Paper
Ange Déchu - after Odilon Redon - 1923
By Odilon Redon
Located in Roma, IT
Ange Déchu is a prototype reproduction realized after Odilon Redon.
They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923.
Tit...
Category
1920s Symbolist Intaglio Prints and Multiples
Materials
Photogravure
1960s "Night Magic" Teal, Pink, Yellow Collage Intaglio Etching NY Artist
Located in Arp, TX
Myril Adler
"Night Magic"
c.1960s
Intaglio etching collage, ink on paper
3"x6" framed
Signed and titled in ink
Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (now Be...
Category
1960s Abstract Intaglio Prints and Multiples
Materials
Paper, Ink, Intaglio
Les Pavots Noirs - after Odilon Redon - 1923
By Odilon Redon
Located in Roma, IT
Les Pavots Noirs is a prototype reproduction realized after Odilon Redon.
They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923....
Category
1920s Symbolist Intaglio Prints and Multiples
Materials
Photogravure
Pegase Captif - after Odilon Redon - 1923
By Odilon Redon
Located in Roma, IT
Pegase Captif is a prototype reproduction realized after Odilon Redon.
They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923.
...
Category
1920s Symbolist Intaglio Prints and Multiples
Materials
Photogravure
Lepidoptera (Butterflies) /// Scottish Natural History Zoology Animal Engraving
Located in Saint Augustine, FL
Artist: William MacGillivray (Scottish, 1796-1852)
Title: "Lepidoptera (Butterflies)" (Plate XII)
Portfolio: The Edinburgh Journal of Natural History, and of The Physical Sciences
Ye...
Category
1830s Victorian Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
1780s Victorian Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Three Etchings by Bertram Buchanan /// English Modern Land City Sky Scape
Located in Saint Augustine, FL
Artist: Bertram George Buchanan (English, 1873-1962)
Titles: "The Seven Sisters", "Rye from the Hills", and "Pett Level"
*Each work is signed by Buchanan in pencil lower right
Circa ...
Category
1920s Modern Intaglio Prints and Multiples
Materials
Laid Paper, Mezzotint, Etching, Aquatint, Intaglio
Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265)
Portfolio: Histoire Naturel...
Category
1740s Naturalistic Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Brown, Blue, Green Composition, Abstract Geometric Screenprint and Intaglio
Located in Long Island City, NY
Gottfried Honegger (Swiss, 1917 - ) - Brown, Blue, Green Composition, Year: circa 1988, Medium: Screenprint and Intaglio, signed and numbered in pencil, Edition: EA, Image Size: 38...
Category
1980s Abstract Geometric Intaglio Prints and Multiples
Materials
Intaglio, Screen
Moses Recites the Commandments - Héliogravure by Marc Chagall - 1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, no signature.
Héliogravure on bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro...
Category
1940s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the rare portfolio "The Prints of Joan Miro...
Category
1940s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Nineteen Famous People, Twenty-Two Friends, and Six Nudes
By Mark Beard
Located in New York, NY
Handmade portfolio of 47 Polaroid transfer prints with accompanying text by Mark Beard, handwritten in pencil (Edition of 10 + 5 APs)
Signed and numbered in pencil
15.75 x 11.75 x ...
Category
1990s Other Art Style Intaglio Prints and Multiples
Materials
Photogravure
Origin-Metamorphosis #4
Located in Palm Springs, CA
Signed and numbered from the edition of 20. Seiko's prints take their inspiration from nature, a meditation on the forms and shapes water, ferns and the basic elements of life. Other...
Category
Early 2000s Abstract Intaglio Prints and Multiples
Materials
Intaglio
The Bubble Blower
Located in New York, NY
Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...
Category
21st Century and Contemporary Contemporary Intaglio Prints and Multiples
Materials
Photogravure
"OWL ROCK", print, hand-tooled aluminum intaglio, abstract contemporary, etching
Located in Toronto, Ontario
OWL ROCK is a hand-tooled aluminum intaglio print on Rives BFK 250g paper with deckle edge. It is currently unframed. Like Wortsman's own sculptures, the abstract components here mix the organic with roughly-hewn geometric forms. Note the dialogue between the colors umber, green and white, with the 3 perforations tying it all in – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the indigenous art of Africa, the Middle East, India and Asia, his forms are organic and geometric abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
OWL ROCK was exhibited at Tabla Rasa Gallery, Brooklyn, New York in 2013. And at Made In Brooklyn, Hanson Gallery, Honesdale, Pennsylvania, 2015.
From Harold Wortsman – "I was introduced to printmaking in the 1990s by legendary printmaker, the late Sheila Marbain. Printer to the masters of Pop Art, like Oldenberg, Lichtenstein and Warhol, she tired of conventional silkscreen and developed her own silkscreen monotype technique. Several years of work with Marbain led to etching and hand-tooled aluminum intaglio with the great printer Sheila Goloborotko. I currently work with master printer Kathy Caraccio. While working together on a difficult project, Caraccio exclaimed: “This is not a print; it’s a painting.” Printmaking is now an integral part of the work I do."
From Jonathan Goodman, Art Critic – "There are certain kinds of art that endure beyond the novel effect, demonstrating an awareness of time-honored methods and even historically potent imagistic biases, and Wortsman's work belongs to this ongoing vision." – Fronterra D, October 2016.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Intaglio Prints and Multiples
Materials
Printer's Ink, Archival Paper, Intaglio, Etching
Modern British Surrealist Abstract Bold Color Aquatint Etching Print Yellow Eye
Located in Surfside, FL
Alistair Grant was a familiar feature of the London art scene. Best known as a printmaker, his entire teaching career was spent in the printmaking department at the Royal College of Art, where he was to become Professor. Over the years he taught printmaking to many who were to become leading UK artists. Grant was at the top of his profession and a groundbreaker in his explorations of mixed media techniques. Grant was also a wonderful painter. In the early 1980s his imagery had turned to an open expressionist style, with sweeping brush marks and the introduction of new vibrant colour.
Inspired by the Normandy coastline around Etaples and Le Touquet. Grant would create cyphers from the shapes and forms in the landscape, which he would offset against curtains of colour.
They evoke bright or misty days, blazing skies or sunsets, beaches or harbours. The paintings and prints are descriptions of places he loved and constantly returned to. One could describe him as a French reflection of the St. Ives School where painters explored the landscape in similar fashion, as they still do. There is a wonderful sense of freedom in these images, and a great joie de vivre.
Grant was a supreme colourist. He also co-authored an important book on the life and works of fellow English artist Henry Moore, whom his abstract figurative style resembles. This print is from the late 1960s and show the strong influence of figurative abstraction and surrealist elements in his work. Although best known as a printmaker, Grant also painted throughout his career and in the 1980s he adopted an expressionist style using vibrant colours. He was born in London and studied at Birmingham College of Art (1941-43). After serving during the war, Grant returned to art school and the Royal College, where he was taught by Carel Weight and Ruskin Spear. Grant was to work in the printmaking department of the Royal College for 35 years (1955-90), ending his career as Emeritus Professor of Printmaking at the RA. He showed with Julian Trevelyan.
Grant showed at the Royal Academy, Artists International Association, and New English Art Club, and was a prize-winner at the Krakow Print Biennale in 1972. The TATE, The Victoria & Albert Museum, British provincial and many overseas galleries hold Grant’s work. His work is amongst the finest of modern British printmaking alongside richard smith, joe tilson, peter blake, patrick caulfield, alan davie, terry frost, david hockney and howard hodgkin.
Select Group Exhibits
1951 New Editions Group,Auckland,New Zealand
1952-54,78 Redfern Gallery, London
80,83,84,86
1956 Nutida Engelsk Grofik, Stockholm
1957 National Arts Council of Southern Rhodesia
'Looking at People', South London Art gallery
1959 Tel Aviv Museum, Israel
Arte Britonico Maderno Figurotiro,
Galeria,Buchloz, Bogota
The London Group
1960 Graven Image, Whitechopel Gallery, London
Sixteen Pointers, A I.A. Gallery, London
1961 Museo de Arte, Barcelona
Senfelder Group, Arts Council, London
1962 Towards Art Gulbenkian,R.C.A .London
Contemporary British Pointers, Birmingham
1964-66 Curwen Gallery
1966 Crabowski Gallery, London
1967 A.A.A. Gallery, New York
Schuman Gallery, New York
1968 Camden Arts Centre, London
1969 Pratt Centre, New York
Art for lndustry, Arts Council, London
1970 University of South Florida, Miami
1971 Portland Museum,Oregon
1972 Art Gallery of Ontario, Toronto, Canada
1976 R.C.A.Printmakers,Waddington Gallery,London
1988 'Exhibition Road',R.C.A,London
1989 Berkeley Square Gallery, London
1989,90 Austin Desmond Gallery, london
1990 Scottish Gallery, London
1991 Big Little Picture-Show,W.Jackson,London
1992 'Winter Seen III',W.Jackson Gallery,London
1993 1 st Egyptian Print Triennale, Giza, Egypt
1994 Art '94, london, with Art First
La Galerie du Touquet (with Alain Morcot)
1995 Art...
Category
1960s Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
The Cherub - Héliogravure by Marc Chagall - 1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, no signature.
Héliogravure on bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Fern-12
Located in Palm Springs, CA
Signed and numbered from the edition of 25.
Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan.
Her distinctive work balances Asian tradition with minimalist modernity. Tachibana’s work is exhibited internationally and has been acquired by many museum collections, including the Los Angeles County Museum, Fine Art Museums of San Francisco, The Portland Art...
Category
Early 2000s Contemporary Intaglio Prints and Multiples
Materials
Etching, Aquatint, Intaglio
Signed 1963 ROBERT INDIANA print (Robert Indiana prints)
Located in NEW YORK, NY
Robert Indiana ERR 1963:
A rare, sought-after early Robert Indiana print defined by surreal, experimental cinematic-like energy. Hand-signed by Indiana on the lower right.
Medium: Photoengraving and etching on Rives BFK.
Dimensions: 4 1/2x6 inches (including margins).
Very good overall vintage condition.
Signed, dated and inscribed "Artist's Proof 'E'" and "CHI" in pencil, lower margin.
Rare Trial proof, aside from the main edition of 60.
Printed by the artist at the School of the Art Institute of Chicago.
Further background:
According to Susan Sheehan, Indiana printed only six progressive trial proofs at the School of the Art Institute of Chicago, where he learned printmaking from 1949 to 1952, under the supervision of Vera Berdich (inscribed "CHI"). Additionally 13 trial proofs were printed at the Pratt Graphic Art Center, New York (these inscribed "NYC"). The regular edition was printed by Atelier Georges Lablanc, Paris and published by Galleria Schwarz, Milan to be included in International Anthology of Contemporary Engraving: The International Avant-Garde: America Discovered, Volume 5. The plate used for this print was originally given to the School of the Art Institute of Chicago by the R.R. Donnelly Company, printers of Life magazine. Indiana discovered the plate while visiting Berdich at the school and decided to use it in his contribution to the Avant-garde portfolio. Sheehan 29.
Robert Indiana 1991:
"When I went back to the Art Institute of Chicago at that particular time - I think I was judging a show - I learned that Vera Berdich (Indiana's former teacher) was still there and the idea occurred to me, wouldn't it be fun to do a visiting artist etching, and she concurred. There on the floor was a box of copper plates and the images had been defaced on each one. These copper plates had been donated by the R.R. Donnelly Company, which put out Life magazine. I used to work for Donnelly. My only commercial art job was with them doing the little drawing that appear in the Yellow Pages, like lawnmowers and vacuum cleaners and things like that. Anyway, the idea being that the student was supposed to turn the plate over to use the back side and forget about the image on the front. But I found this image of this actress sitting on her bed with her ironing board and decided it was only very lightly defaced, so I asked if I could use it. And the word "Err" was actually added in New York; it was not in the first proofs in Chicago. Two weeks later, I was thumbing through LIFE magazine and there was this actress in the same page..."
About the artist:
Robert Indiana is best known for his iconic “LOVE” image, which has appeared across media including sculptures, prints, and paintings and epitomizes the artist’s graphic, predominantly text-based Pop art practice. Throughout his career, Indiana reimagined the aesthetics of American advertisements...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Black and White, Engraving, Etching, Photogravure, Lithograph, Screen
Jeune fille
Located in OPOLE, PL
Henri Matisse (1869-1954) - Jeune fille
Photogravure from 1937.
Dimensions of work: 35 x 26 cm
Publisher: Tériade, Paris.
The work is in Excellent condition.
Fast and secure shi...
Category
1930s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Bird and Moon, Surrealist Etching by Rita Simon (aka Atirnomis)
By Rita Simon
Located in Long Island City, NY
Rita Simon (aka Atirnomis), American (1938 - ) - Bird and Moon, Year: 1979, Medium: Hand Colored, Intaglio Etching and Airbrush, signed, dated and numbered in pencil, Edition: 4/50...
Category
1970s Surrealist Intaglio Prints and Multiples
Materials
Etching, Intaglio
Captain Mazin Rides, and the Marquis Gives the Lesson /// Equestrian Horse Art
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676)
Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, Page 76)
Portfolio: Methode et Invention Nouvelle de Dresser ...
Category
1730s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Etching, Intaglio
Fractal-ssi-1a
Located in Palm Springs, CA
Carborundum and intaglio. Signed and numbered from the edition of 24.
Tachibana’s prints take their inspiration from nature, a meditation on the forms and shapes of water, ferns an...
Category
2010s Contemporary Intaglio Prints and Multiples
Materials
Intaglio
Balthasar and the Mystery of the Writing - Héliogravure by Marc Chagall - 1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, so signature.
On bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris.
Ref. Mourlot,...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Sarah and the Angels - Héliogravure by Marc Chagall - 1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, so signature.
On bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris.
Ref. Mourlot,...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Rachel leaves with Jacob - Héliogravure by Marc Chagall - 1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, so signature.
Héliogravure on bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris.
...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Rebekah Gives Abraham's Servants Something...-Héliogravure by Marc Chagall-1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, so signature.
On bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris.
Ref. Mourlot,...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Rebecca Leaves for Her Wedding - Héliogravure by Marc Chagall - 1960
By Marc Chagall
Located in Roma, IT
Héliogravure on brown-toned paper, so signature.
Héliogravure on bot sheets, recto and verso.
Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris.
...
Category
1960s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Bayros-Mappe III - Héliogravure by Fraz von Bayros - 1913
Located in Roma, IT
Héliogravure on japanese paper realized by Fraz von Bayros in 1913 for Ex Libris Verlag K. Th. Senger, Munich.
Mounted on passepartout. Edition of 260, hand signed in pencil by the ...
Category
1910s Symbolist Intaglio Prints and Multiples
Materials
Photogravure
Ephemera
Located in New York, NY
Available individually ($2500), and as a suite of five ($12,000).
Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...
Category
Late 20th Century Modern Intaglio Prints and Multiples
Materials
Aquatint, Photogravure
John Duke of Somerset /// Medieval Knight Soldier Warrior Sword Spear Pike Art
Located in Saint Augustine, FL
Artist: Samuel Rush Meyrick (English, 1783-1848)
Title: "John Duke of Somerset" (Vol. 2, Plate XLIX)
Portfolio: A Critical Inquiry into Antient Armour
Year: 1824 (First edition)
Medi...
Category
1820s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Aquatint, Intaglio, Etching
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "The Plan of this New Design to the Earl of Islay" (Vol. 1, Plate 53) and "This New Design to the Earl of Islay" (Vol. 1, Plate 5...
Category
1710s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Various Weapons & Implements of War /// Edward Barnard's "History of England"
Located in Saint Augustine, FL
Artist: Edward Barnard (English, 1717-1781)
Title: "Various Weapons & Implements of War ... Which have been Employed Against the English, by Different Enemies: Now Deposited in the Tower of London"
Portfolio: New Complete and Authentic History of England
Circa: 1785
Medium: Original Hand-Colored Etching on laid paper
Limited edition: Unknown
Printer: Alex Hogg, London, UK
Publisher: Alex Hogg, London, UK
Sheet size: 15.38" x 9.63"
Image size: 11.75" x 7.94"
Condition: Slight toning to edges. Has been professionally stored away for decades. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Cheltenham, UK. Engraved by English artist George Walker (1781-1856) after a drawing by English artist William Hamilton (1751-1801). Comes from Barnard's one volume "New Complete and Authentic History of England", (1783, 1785, 1790) (First - third editions), which consists of 105 engravings. Printed in one color from one copper plate: black.
Biography:
Edward Barnard (1717-1781) was an English cleric and academic, provost of Eton from 1764. Barnard was second son of Rev. George Barnard...
Category
1780s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52)
...
Category
1710s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Venere e Amore sui Delfini (Venus and Cupid on Dolphins) /// Old Masters Raphael
Located in Saint Augustine, FL
Artist: Marco Dente da Ravenna (Italian, 1493-1527)
Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)"
*Monogram signed by Dente in the plate (printed signature) lower left
Circa: 1515-1520 (second state of three)
Medium: Original Engraving on laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Antonio Salamanca, Rome, Italy
Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10
Sheet size: 10.63" x 6.94"
Condition: Thread margins. A strong impression in excellent condition
Very rare
Notes:
Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520).
"This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London
Biography:
Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...
Category
16th Century Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Engraving, Intaglio
Ardea, Nycticorax (Black-crowned Night Heron) /// Dutch Ornithology Bird Animal
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Ardea, Nycticorax (Black-crowned Night Heron)" (Plate 78)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: ...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Recollections
Located in Palm Springs, CA
Signed and numbered from the edition of 10.
Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in printmaking at New Mexi...
Category
2010s Contemporary Intaglio Prints and Multiples
Materials
Intaglio
King David from our Historical Heritage Suite by Salvador Dali
Located in Long Island City, NY
Artist: Salvador Dali, Spanish (1904 - 1989)
Title: King David from Our Historic Heritage Portfolio
Year: 1975
Medium: Intaglio Etching and Color Pochoir on Arches, signed and number...
Category
1970s Surrealist Intaglio Prints and Multiples
Materials
Etching, Intaglio
Salvador Dali -- Return of Ulysses, from Hommage à Homère
Located in BRUCE, ACT
Salvador Dalí
Return of Ulysses, from Hommage à Homère, 1977
Photolithograph in colors on Arches paper
Hand signed lower right
Edition AP lower left
Sheet size 76 x 56 cm
Reference F...
Category
1970s Intaglio Prints and Multiples
Materials
Photogravure
Larus, Cinereus (European Herring Gull) /// Dutch Ornithology Bird Animal Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Larus, Cinereus (European Herring Gull)" (Plate 101)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Origi...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Intaglio, Laid Paper
Corvus, Cornix (Hooded Crow) /// Dutch Ornithology Bird Animal Engraving Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Corvus, Cornix (Hooded Crow)" (Plate 106)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original Hand-Co...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category
1940s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727)
Title: "The New Testament"
Portfolio: Holy Bible
*Signed by Burghers in the plate (printed signature) lower left
Year: 1680
Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper
Limited edition: Unknown
Printer: John Baskett, London?, UK
Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK
Sheet size (irregular margins): 17.25" x 10.5"
Image size: 14.75" x 9.5"
Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK.
In the foreground, John the Evangelist, holding a pen and writing...
Category
1680s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Etching, Laid Paper, Intaglio
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300)
Portfolio: Histoire Nature...
Category
1740s Naturalistic Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Figure Allongée devant un Carrelage (Figure Lying in front of a Tiled Floor)
Located in Saint Augustine, FL
Artist: Henri Matisse (French, 1869-1954)
Title: "Figure Allongée devant un Carrelage (Figure Lying in front of a Tiled Floor)"
*Signed and numbered by Matisse in pencil lower right
...
Category
1920s Modern Intaglio Prints and Multiples
Materials
Etching, Intaglio
La Reine Marie d'Angleterre (Queen Mary of England) /// Old Masters Royal Family
Located in Saint Augustine, FL
Artist: Georges Henri Manesse (French, 1854-1940)
Title: "La Reine Marie d'Angleterre (Queen Mary of England)"
Portfolio: Gazette des Beaux-Arts
Year: 1893
Medium: Original Etching on cream laid paper
Limited edition: approx. 1,500
Printer: Chardon Wittman, Paris, France
Publisher: Gazette des Beaux-Arts, Paris, France
Reference: Sanchez/Seydoux 1893-7
Sheet size: 10.69" x 7.13"
Image size: 7" x 5.25"
Condition: Light discoloration at edges. It is otherwise a strong impression in excellent condition
Notes:
This etching is after a painting from 1554 by Dutch artist Anthonis Mor (c. 1517-1577). Comes with its original tissue cover sleeve.
This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002.
Mary I...
Category
1890s Old Masters Intaglio Prints and Multiples
Materials
Laid Paper, Etching, Intaglio
Eagle /// Antique Ornithology Bird Saverio Manetti Italian Watercolor Engraving
Located in Saint Augustine, FL
Artist: Saverio Manetti (Italian, 1723-1785)
Title: "Eagle" (Plate V - 5)
Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds)
Year: 1767-1776
Medium: Original Hand-Colored Engraving on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy
Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588
Sheet size: 16.75" x 14.5"
Platemark size: 13.63" x 10.88"
Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet.
Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa.
Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...
Category
1770s Old Masters Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Handmade Paper, Laid Paper, Intaglio
Valpicon Bather
Located in New York, NY
Known for their work in painting, photography, sculpture, and film, McDermott & McGough comprises visual artists David McDermott and Peter McGough, who formed their partnership on th...
Category
20th Century Contemporary Intaglio Prints and Multiples
Materials
Photogravure
La Loge (The Lodge) /// Post-Impressionist Figurative French Paris People Art
Located in Saint Augustine, FL
Artist: Louis LeGrand (French, 1863-1951)
Title: "La Loge (The Lodge)"
Portfolio: Gazette des Beaux-Arts
*Issued unsigned, though signed by LeGrand in the plat...
Category
1910s Post-Impressionist Intaglio Prints and Multiples
Materials
Drypoint, Etching, Intaglio
Quivisia; Portesia /// Antique Botanical Botany Plants Science Engraving Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302)
Portfolio: Histoire Naturelle
Year: 1749-1789
Medium: Original Hand-Colored Engraving on laid paper
Limited edition: Unknown
Printer: Imprimerie Nationale, Paris, France
Publisher: Georges-Louis Leclerc, Comte de Buffon, Paris, France
Framing: Not framed, but beautifully double matted with hand decorated archival French matting...
Category
2010s Naturalistic Intaglio Prints and Multiples
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Surrealist composition
Located in Henderson, NV
Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...
Category
1940s Surrealist Intaglio Prints and Multiples
Materials
Photogravure
Shopping for Intaglio Prints?
There are many good reasons for an art lover to venture into the world of intaglio prints and other types of fine art prints. For one, art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, prints and other art can help enhance your space while supporting your effort to tie an interior design together.
Making a print can be as straightforward as pressing one painted surface to another or as complex as triggering a chemical reaction to create an image. Intaglio is a broad term for the variety of techniques used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure).
In intaglio printmaking, after the artist incises the image, the plate is covered with ink then wiped clean, leaving pigment only in the marks that have been made on the plate. The plate is then covered with a piece of damp paper and run through a press to transfer the ink. Different intaglio techniques are often combined to create varying effects of line and tone.
OK, so what is the difference between a woodcut print and an intaglio print?
“It is the opposite of relief printing — woodcut, linoleum cut, letterpress, and rubber or metal stamping,” says Rhea Fontaine of Paulson Fontaine Press. “With relief printing, the raised areas of the printing surface are inked and printed, while the areas that have been cut away do not pick up the ink. Often these prints are made by hand.”
Find intaglio prints and other types of fine art prints for sale on 1stDibs.
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