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Intaglio Prints and Multiples

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Medium: Intaglio
Recent Still Life (1966 limited edition, Hand signed and dated by Jasper Johns)
Located in New York, NY
Jasper Johns Recent Still Life (Hand signed and dated by Jasper Johns), 1966 Collotype. Hand signed and dated by Jasper Johns Edition of 2100 (this work is, exceptionally, hand signed & dated by Johns; the regular edition is not) Signed and dated lower right front by Jasper Johns in graphite pencil August, 27, 2008 Provenance: Estate of artist and noted collector Rick Collar Framed This scarce early (1966) limited edition collotype was published on the occasion of the exhibition "Recent Still Life" at the Museum of Art, Rhode Island School of Design. The regular unsigned edition was 2100, and the official signed edition was 100; however, exceptionally, Jasper Johns signed...
Category

1960s Pop Art Intaglio Prints and Multiples

Materials

Photogravure

The Ears - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Ears is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Greenshank (View of St. Augustine & Spanish Fort East Florida) /// Bird Audubon
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Greenshank (View of St. Augustine & Spanish Fort East Florida)" (Plate CCLXIX - 269; part No. 54) Portfolio: The Birds of America, Havell Edition Year: 1835 Medium: Original Hand-Colored Engraving with Aquatint on double-elephant folio, J. Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Recently framed in an ornate black and gold moulding with fabric rag matting and gold filet Framed size: 26.25" x 31.75" Sheet size: 21.75" x 27.25" Platemark size: 15" x 20.63" Image size: 12" x 18" Condition: The sheet is laid down to board. Light toning and discoloration to sheet. The occasional pinhole or faint surface abrasion. In otherwise good condition with good colors Rare Notes: Provenance: private collection - Denver, CO. Engraved, printed, and hand-colored by English artist Robert Havell Jr. (1793-1878). Comes from Audubon's monumental book volume "The Birds of America", (Havell Edition, 1827-1838), which consists of 435 hand-colored, life-size prints, made from engraved plates, with each sheet originally measuring around 39" x 26". The would be "J. Whatman 1835" watermark is likely missing due to its trimming. The composition was probably painted in England in 1835, using a preserved specimen. Since no other than Audubon has ever claimed to have seen this European...
Category

1830s Victorian Intaglio Prints and Multiples

Materials

Watercolor, Engraving, Aquatint, Intaglio

Profiles and Fingers - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Profiles and Fingers is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and ...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Figures - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Figures is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchi...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Kevin B. O'Callahan, (Street Scene) (Rochester, NY?)
Located in New York, NY
This (Street Scene) is undoubtedly O'Callahan's hometown of Rochester, NY, where he lived and spent most of his career. The artist's name appears in pencil at the bottom edge on the ...
Category

1930s Aesthetic Movement Intaglio Prints and Multiples

Materials

Intaglio

Foot - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Foot is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

The Eyes - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Eyes is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Crossing Paths
Located in Breckenridge, CO
Enjoy this scene that captures a winter wonderland and the lively creatures you might find outside in the winter! This whimsical piece is a perfect addition to your home.
Category

2010s Contemporary Intaglio Prints and Multiples

Materials

Intaglio, Monotype

"Moor Tower" and "Kirkham Priory" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331) Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales Year: 1726-1739 Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: Robert Sayer, London, UK Reference: Lowndes page 303-304; Upcott page 33 Sheet size (each): approx. 11.13" x 18.25" Image size (platemark) (each): approx. 7.5" x 14.5" Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition Notes: Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins. Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some O...
Category

1740s Old Masters Intaglio Prints and Multiples

Materials

Intaglio, Engraving, Laid Paper, Watercolor

"Conisborough Castle" and "Morlashe Castle" from "Buck's Antiquities" /// UK Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Conisborough Castle" (Plate 323) and "Morlashe Castle" (Plat...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Pasta - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Pasta is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Profile - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Profile is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. Good conditions with slight foxing. The artwork is depicted thro...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Saying Goodbye
Located in New York, NY
Tracey Emin Saying Goodbye, 2018 Polymer gravure on Somerset 300gsm Pencil signed, titled, dated, and numbered 71/100 by Tracey Emin on the front Frame Included: Elegantly floated an...
Category

2010s Pop Art Intaglio Prints and Multiples

Materials

Engraving, Photogravure

Set of Two Hand-Colored Ornithological Engravings by George Edwards /// Bird Art
Located in Saint Augustine, FL
Artist: George Edwards (English, 1694-1773) Title: "Set of Two Hand-Colored Ornithological Engravings by George Edwards" Portfolio: A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals / Gleanings Of Natural History Year: 1743-1764 Medium: Set of Two Original Hand-Colored Engravings on watermarked laid and wove papers Limited edition: Unknown Printer: C. Rickaby, London, UK Publisher: William Gardiner and Messrs. Robinson, London, UK Reference: Mullens and Swann page 194-195; Anker No. 124-126; Fine Bird Books page 93; Lisney page 128-144; Nissen IVB No. 286-288; Zimmer page 192-198 Sheet size (each): approx. 11.25" x 9" Image size (each): approx. 8.63" x 7.38" Condition: "90" has faint offsetting to sheet. "308" has one foxmark center right. They are both otherwise in excellent condition with strong colors Notes: Comes from Edwards seven volume portfolio "A Natural History of Uncommon Birds, and of Some Other Rare and Undescribed Animals" / "Gleanings Of Natural History" (1743-1764), which consists of 362 hand-colored engravings. "90" is on laid paper with a "fleur-de-lis" watermark at center left edge. "308" is on wove paper with no watermark. The last image of the cover title sheets is for reference/provenance; it is not included. Biography: George Edwards FRS (3 April 1694 – 23 July 1773) was an English naturalist and ornithologist, known as the "father of British ornithology". Edwards was born at West Ham...
Category

1740s Old Masters Intaglio Prints and Multiples

Materials

Intaglio, Engraving, Laid Paper, Watercolor

Don Quixote
Located in Santa Monica, CA
ERNEST FREED (1908 – 1974) DON QUIXOTE 1956 Color intaglio, Signed, dated and titled in pencil. Image, 14 ¾ x 8 3/4 sheet, 16 1/2 x 10 ¼ inches. In good condition. The following i...
Category

1950s Abstract Expressionist Intaglio Prints and Multiples

Materials

Intaglio

Carolyn McArthur, (New York City Park)
Located in New York, NY
This is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...
Category

1930s American Modern Intaglio Prints and Multiples

Materials

Intaglio

"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.25" x 8.88" Image size (each): approx. 5.75" x 4.75" Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

1820s Victorian Intaglio Prints and Multiples

Materials

Intaglio, Engraving, Watercolor

Composition - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

"Knaresborough Castle" and "Sawley Abbey" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Knaresborough Castle" (Plate 330) and "Sawley Abbey" (Plate ...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

"Louth Park Abbey" and "Easby Abbey" from "Buck's Antiquities" /// Architecture
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Louth Park Abbey" (Plate 172) and "Easby Abbey" (Plate 324) Portfolio: Buck's Antiquities or Venerabl...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

Time Goes On Limited Edition of 52 (Color intaglio) by Yoshitomo Nara E-2004-006
Located in Hong Kong, HK
Time Goes On 2002 - 2004 Color intaglio (photogravure, aquatint) Signed, dated and numbered Sheet 48.0 × 38.0 cm (18⅞ × 15 in.) AP 11/11 aside from ED. 52 Provenance: Tomio Koyama G...
Category

Early 2000s Contemporary Intaglio Prints and Multiples

Materials

Aquatint, Photogravure

Portrait - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Portrait is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Lily (Readers Digest Association Art Collection)
Located in New York, NY
Arnold Iger Lily (Readers Digest Association Art Collection), 1988 Intaglio (Hand Signed, Dated, Titled, Numbered & Framed) Signed in pencil lower right recto Numbered "77/350" on lo...
Category

1980s Realist Intaglio Prints and Multiples

Materials

Etching, Intaglio

God of the Mother Superior
Located in Middletown, NY
Heliogravure with soft varnish on Japan paper, 7 5/8 x 6 1/2 inches (192 x 164 mm), full margins. In good condition with some very minor handling wear, uniform toning, and one spot ...
Category

Late 19th Century French School Intaglio Prints and Multiples

Materials

Photogravure

Butterfly suite : Normandy - heliogravure - 1969 (Field #69-2 B)
Located in Paris, FR
after Salvador DALI (1904-1969) Butterfly suite : Normandy, 1969 Heliogravure / Photogravure after an original design by Dali Blind stamp signature bottom right Numbered / 1700 copi...
Category

1960s Surrealist Intaglio Prints and Multiples

Materials

Photogravure

The Face - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867) Title: "Near Stoneleigh, Warwickshire" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland *Monogram signed by Strutt in the plate (printed signature) lower right Year: 1828 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.25" x 21.13" Image size: 10.38" x 13.94" Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category

1820s Victorian Intaglio Prints and Multiples

Materials

Intaglio, Etching

La Reine Marie d'Angleterre (Queen Mary of England) /// Old Masters Royal Family
Located in Saint Augustine, FL
Artist: Georges Henri Manesse (French, 1854-1940) Title: "La Reine Marie d'Angleterre (Queen Mary of England)" Portfolio: Gazette des Beaux-Arts Year: 1893 Medium: Original Etching on cream laid paper Limited edition: approx. 1,500 Printer: Chardon Wittman, Paris, France Publisher: Gazette des Beaux-Arts, Paris, France Reference: Sanchez/Seydoux 1893-7 Sheet size: 10.69" x 7.13" Image size: 7" x 5.25" Condition: Light discoloration at edges. It is otherwise a strong impression in excellent condition Notes: This etching is after a painting from 1554 by Dutch artist Anthonis Mor (c. 1517-1577). Comes with its original tissue cover sleeve. This etching was published by Gazette des Beaux-Arts. The Gazette des Beaux-Arts was a French art review, found in 1859 by Édouard Houssaye, with Charles Blanc as its first chief editor. Assia Visson Rubinstein was chief editor under the direction of George Wildenstein from 1928 until 1960. Her papers, which include all editions of the Gazette from this period, are intact at the Cantonal and University Library of Lausanne in Dorigny. The Gazette was a world reference work on art history for nearly 100 years - one other editor in chief, from 1955 to 1987, was Jean Adhémar. It was bought in 1928 by the Wildenstein family, whose last representative was Daniel Wildenstein, its director from 1963 until his death in 2001. The review closed in 2002. Mary I...
Category

1890s Old Masters Intaglio Prints and Multiples

Materials

Intaglio, Etching, Laid Paper

Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837) Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer" Portfolio: A General History of Birds Year: 1821-1828 (second edition) Medium: Set of Four Original Hand-Colored Engravings on wove paper Limited edition: Unknown Printer: Jacob & Johnson, Winchester, UK Publisher: John Latham, Winchester, UK Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376 Sheet size (each): approx. 11.13" x 8.75" Image size (each): approx. 4.75" x 4.5" Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors Rare Notes: Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right. Biography: John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category

1820s Victorian Intaglio Prints and Multiples

Materials

Engraving, Intaglio, Watercolor

Composition - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Fernando Pagola Marin Spanish Artist 2006 Original Hand Signed intaglio monotype
Located in Miami, FL
Fernando Pagola Marín (Spain, 1961) 'Sin título (serie II)', 2006 intaglio monotype on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 104 ID: PAG1785-002-104 Unframed Hand-signed b...
Category

Early 2000s Contemporary Intaglio Prints and Multiples

Materials

Paper, Intaglio, Monotype, Screen

The Face - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Face is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Portrait and Hand - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Portrait and Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perf...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Fernando Pagola Marin Spanish Artist 2006 Original Hand Signed intaglio monotype
Located in Miami, FL
Fernando Pagola Marín (Spain, 1961) 'Sin título (serie III)', 2006 intaglio monotype on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 104 ID: PAG1785-003-104 Unframed Hand-signed ...
Category

Early 2000s Contemporary Intaglio Prints and Multiples

Materials

Paper, Intaglio, Monotype, Screen

Fernando Pagola Marin Spanish Artist 2006 Original Hand Signed intaglio monotype
Located in Miami, FL
Fernando Pagola Marín (Spain, 1961) 'Sin título (serie I)', 2006 intaglio monotype on paper 39.4 x 27.6 in. (100 x 70 cm.) Edition of 104 ID: PAG1785-001-104 Unframed Hand-signed by...
Category

Early 2000s Contemporary Intaglio Prints and Multiples

Materials

Paper, Screen, Intaglio, Monotype

Kevin B. O'Callahan, (Backyard with Snow) (Rochester, NY?)
Located in New York, NY
This (Backyards with Snow) is monogrammed and dated in the plate at the lower right. The artist's name appears in pencil at the bottom edge on the reverse, in another hand. A Roches...
Category

1930s Aesthetic Movement Intaglio Prints and Multiples

Materials

Intaglio

Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category

1780s Old Masters Intaglio Prints and Multiples

Materials

Intaglio, Engraving, Laid Paper

Kevin B. O'Callahan, (Exotic Temple)
Located in New York, NY
This (Exotic Temple) is monogrammed in the plate at the lower right. A Rochester, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is k...
Category

1920s Aesthetic Movement Intaglio Prints and Multiples

Materials

Intaglio

Set of Six Hand-Colored Engravings from Curtis's Botanical Magazine /// Botany
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine Year: 1796-1829 Medium: Set of Six Original Hand-Colored Engra...
Category

1790s Victorian Intaglio Prints and Multiples

Materials

Intaglio, Engraving, Watercolor

Figure
By Joan Semmel
Located in Long Island City, NY
This abstract figure by feminist modern artist Joan Semmel is almost grotesque in its depiction of a nude body crouched on the floor. Their hands brace against the ground, shoulders ...
Category

1960s Intaglio Prints and Multiples

Materials

Etching, Intaglio

"Oakham Castle" and "Nottingham Park/Castle" from "Buck's Antiquities" /// UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Oakham Castle" (Plate 242) and "Nottingham Park/Castle" (Plate 226) Portfolio: Buck's Antiquities or ...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

American Artist signed limited edition original art print intaglio monotype n1
Located in Miami, FL
Nicholas Woods (United States, 1971) 'Sin título I', 2005 intaglio monotype on paper 27.6 x 39.4 in. (70 x 100 cm.) Edition of 76 Unframed ID: WOO1529-00...
Category

Early 2000s Contemporary Intaglio Prints and Multiples

Materials

Monotype, Intaglio, Paper

"Pendragon Castle" and "Lincoln Castle" from "Buck's Antiquities" /// British UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Pendragon Castle" (Plate 312) and "Lincoln Castle" (Plate 170) Portfolio: Buck's Antiquities or Vener...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

"Torksey Hall" and "Newark Castle" from "Buck's Antiquities" /// Architecture UK
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Torksey Hall" (Plate 179) and "Newark Castle" (Plate 226) Portfolio: Buck's Antiquities or Venerable ...
Category

1720s Old Masters Intaglio Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio

The Hand - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Foot - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Foot is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

The Hand - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

L'Amour Montrant Psyche Aux Graces /// Renaissance Mythology Raphael Classics
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in Saint Augustine, FL
Artist: (after) Raphael (Italian, 1483-1520) Title: "L'Amour Montrant Psyche Aux Graces" Portfolio: Gazette des Beaux-Arts Year: 1883 Medium: Original Etching on chine appliqué on wo...
Category

1880s Old Masters Intaglio Prints and Multiples

Materials

Etching, Intaglio

The Hand - Print by Renzo Vespignani - 1960s
Located in Roma, IT
The Hand is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Portrait - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Portrait is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatch...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Figures - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Figure is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Composition - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Composition is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect ha...
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Figure - Print by Renzo Vespignani - 1960s
Located in Roma, IT
Figure is a phototype print reproducing drawing by Renzo Vespignani of the 1960s Signed on the plate lower right. The artwork is depicted through strong strokes and perfect hatchings.
Category

1960s Modern Intaglio Prints and Multiples

Materials

Photogravure

Dorothy Morton, Marianne
Located in New York, NY
Dorothy Morton was born in New Zealand. The date is usually listed as 1905, but it also appears at 1890. She died there in 1983. It's hard to look at an mid-twentieth century intagl...
Category

Mid-20th Century Modern Intaglio Prints and Multiples

Materials

Intaglio

Shopping for Intaglio Prints?

There are many good reasons for an art lover to venture into the world of intaglio prints and other types of fine art prints. For one, art is a smart investment if the print-collecting bug has bitten you. But maybe you’re merely looking to bring art into your home — if so, prints and other art can help enhance your space while supporting your effort to tie an interior design together.

Making a print can be as straightforward as pressing one painted surface to another or as complex as triggering a chemical reaction to create an image. Intaglio is a broad term for the variety of techniques used to create images by incising a metal plate, either with a sharp instrument (engraving, drypoint and mezzotint) or with acid (etching, aquatint and photogravure). 

In intaglio printmaking, after the artist incises the image, the plate is covered with ink then wiped clean, leaving pigment only in the marks that have been made on the plate. The plate is then covered with a piece of damp paper and run through a press to transfer the ink. Different intaglio techniques are often combined to create varying effects of line and tone.

OK, so what is the difference between a woodcut print and an intaglio print?

“It is the opposite of relief printingwoodcut, linoleum cut, letterpress, and rubber or metal stamping,” says Rhea Fontaine of Paulson Fontaine Press. “With relief printing, the raised areas of the printing surface are inked and printed, while the areas that have been cut away do not pick up the ink. Often these prints are made by hand.”

Find intaglio prints and other types of fine art prints for sale on 1stDibs.

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