Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
2010s Contemporary Mary Lee Bendolph Art
Etching, Intaglio
Although she is among the best known of Alabama’s famed Gee’s Bend quilters, influential textile artist Mary Lee Bendolph is also regarded as an icon of American folk art. Using bold-colored strips of discarded cloth in the richly kaleidoscopic and dazzling geometric patterns that define her work, Mary Lee Bendolph created extraordinary quilts that represent a tradition of Deep South quiltmaking that stretches back generations.
Bendolph was born in 1935, the seventh of 17 children, in Gee’s Bend (now Boykin), a geographically isolated community located in a remote bend of the Alabama River. In the early 19th century, Gee’s Bend was populated by enslaved laborers, tenant farmers and sharecroppers. It wasn’t until the Great Depression and the 1940s that the residents could be free landowners under the Franklin D. Roosevelt administration.
Like many of the young girls living in Gee’s Bend, Bendolph learned quiltmaking from her mother at the age of 12. While she continued quilting throughout her adulthood, Bendolph was dedicated mainly to looking after her family and working as a professional seamstress.
Bendolph participated in events related to the struggle for Civil Rights during the 1960s, marching to Camden in 1965 after Martin Luther King Jr.’s visit to Gee’s Bend. In 1968, she also briefly worked for the Freedom Quilting Bee, a community-led cooperative that organized quilters and saw them forging commercial partnerships and earning museum exhibitions. Decades later, in 1999, Bendolph’s story of life in Gee’s Bend was featured in “Crossing Over,” a Pulitzer Prize-winning story in the Los Angeles Times. While she had stopped quilting by the 1990s, Bendolph’s passion was renewed in 2002 after seeing the critically acclaimed exhibition “The Quilts of Gee’s Bend” at the Museum of Fine Arts, Houston.
Bendolph’s quilts are characterized by her use of strong colors, abstract arrangements and rhythmic yet unpredictable patterns. In addition to quiltmaking, Bendolph has also experimented with printmaking, producing limited-edition, intaglio abstract prints such as Lonnie’s Flag, Fields and Snaggletooth.
During the 2000s, Bendolph’s quilts and prints were the subject of exhibitions throughout the United States such as “Mary Lee Bendolph, Gee’s Bend Quilts and Beyond” at the Austin Museum of Art from 2007 to 2010. More exhibitions have been staged at Turner Contemporary, the Philadelphia Museum of Art, the Museum of Modern Art and the Virginia Museum of Fine Arts.
Bendolph’s quilts are also found in numerous public collections including the National Gallery of Art, the Metropolitan Museum of Art, the Dallas Museum of Art, the High Museum of Art and the Huntington Library, Art Museum and Botanical Gardens.
On 1stDibs, find a range of Mary Lee Bendolph prints and other art.
Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
Lonnie's Flag
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition 50
Etching, Intaglio
Snaggletooth
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
$75,000
H 37.25 in W 48.88 in
Fields I /// Joan Mitchell Large Diptych Etching Aquatint Female Abstract Artist
By Joan Mitchell
Located in Saint Augustine, FL
Artist: Joan Mitchell (American, 1925-1992) Title: "Fields I" Portfolio: Fields *Signed and numbered by Mitchell in pencil (on second sheet) lower right Year: 1992 Medium: Original E...
Etching, Aquatint, Intaglio, Handmade Paper
Salvador Dali "Tulip (Lips)" Etching, 1972
By Salvador Dalí
Located in Astoria, NY
Salvador Dali (Spanish, 1904-1989), "Tulipa Crudeliter Basiantes" [Tulips Cruelly Kissing], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Florals (Surrealist Fl...
Paper, Etching, Photogravure
$14,500
H 33.375 in W 28.5 in D 1.25 in
Joan Miró “L’Oiseau du Forgeron” 1963 Signed Etching and Aquatint with Debossing
By Joan Miró
Located in Miami, FL
JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...
Etching, Aquatint, Intaglio
Untitled
By Jasper Johns
Located in New York, NY
Jasper Johns Untitled 2010 Intaglio on Revere Standard White 19 x 21 1/2 inches 48 x 55 cm Edition of 50 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery...
Intaglio, Etching
$3,600
H 62.5 in W 24 in
Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
By Francesco Clemente
Located in Surfside, FL
Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Drypoint, Etching, Aquatint, Intaglio
$1,200
H 27 in W 34 in
Large Contemporary Annette Lemieux Photo Etching Aquatint Censor Abstract Print
By Annette Lemieux
Located in Surfside, FL
Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...
Etching, Aquatint, Photogravure
Salvador Dali "Anemone (Forks)" Etching, 1972
By Salvador Dalí
Located in Astoria, NY
Salvador Dali (Spanish, 1904-1989), "Anemone per Anti-Pasti" [Anemone for Antipasto], Etching and Heliogravure in Colors on Arches Paper, 1972, from the "Florals (Surrealist Flowers)...
Paper, Etching, Photogravure
$1,950
H 24.5 in W 28 in
Stanley Boxer Aquatint Intaglio Etching Elephant Herd Abstract Expressionist
By Stanley Boxer
Located in Surfside, FL
Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over thi...
Etching, Aquatint, Intaglio
$12,000
H 22.25 in W 17.75 in
Untitled, Planche 16 (Plate 16) [Set of 2] /// Le Corbusier Surrealist Etching
By Le Corbusier
Located in Saint Augustine, FL
Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Untitled, Planche 16 (Plate 16)" [Set of 2] Portfolio: Unité *Signed by Le Corbusier in pencil lowe...
Etching, Aquatint, Intaglio
$12,000
H 22.25 in W 17.75 in
Untitled, Planche 8 (Plate 8) [Set of 2] /// Le Corbusier Surrealism Modern Art
By Le Corbusier
Located in Saint Augustine, FL
Artist: Le Corbusier (Charles-Édouard Jeanneret) (Swiss-French, 1887-1965) Title: "Untitled, Planche 8 (Plate 8)" [Set of 2] Portfolio: Unité *Signed by Le Corbusier in pencil lower ...
Etching, Aquatint, Intaglio
$480
H 14.5 in W 17.5 in
"This Must Be the Place VE 5/7" Intaglio, hand colored, patterns
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "This Must Be the Place VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...
Archival Paper, Color, Etching, Intaglio
$1,200
H 27 in W 34 in
Large Contemporary Annette Lemieux Photo Etching Aquatint Censor Abstract Print
By Annette Lemieux
Located in Surfside, FL
Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...
Etching, Aquatint, Photogravure
Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition 50
Etching, Intaglio
Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
Hope
By Mary Lee Bendolph
Located in Fairlawn, OH
Signed, titled, dated, and editioned in pencil by the artist Edition: 34/100 References And Exhibitions: The Flint Institute of Arts Print Society presentation print for 2010 Printed and published by Paulson Bott Press, Berkeley, CA (their blindstamp lower right corner of sheet) The artist is also celebrated for her quilts as seen in "The Quilts of Gees Bend...