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Nicolaes Maes Art

Dutch, 1634-1693

Nicolaes Maes was a Dutch Golden Age painter of genre and portraits. He was born in Dordrecht, the son of Gerrit Maes, a prosperous merchant, and Ida Herman Claesdr. In about 1648, he went to Amsterdam, where he entered Rembrandt's studio. Before his return to Dordrecht in 1653, Maes painted a few Rembrandtesque genre pictures, with life-size figures and in a deep glowing scheme of color, like The Reverie at the Rijksmuseum in Amsterdam, The Card Players at the National Gallery, and The Children with a Goat Carriage. So closely did his early style resemble that of Rembrandt, that the last-named picture, and other canvases in the Leipzig and Budapest galleries and in the collection of Lord Radnor, were or are still ascribed to Rembrandt. In his best period, from 1655–65, Maes devoted himself to the domestic genre on a smaller scale, retaining to a great extent the magic of color he had learned from Rembrandt. Only on rare occasions did he treat scriptural subjects, as in Hagar's Departure, which has been ascribed to Rembrandt. His favorite subjects were women spinning, or reading the Bible, or preparing a meal. Maes had a particular fascination with the subject of lacemaking and made almost a dozen versions on this subject. While he continued to reside in Dordrecht until 1673, when Maes settled in Amsterdam, he visited or even lived in Antwerp between 1665–67. His Antwerp period coincides with a complete change in style and subject. He devoted himself almost exclusively to portraiture and abandoned the intimacy and glowing color harmonies of his earlier work for a careless elegance which suggests the influence of Van Dyck. So great indeed was the change, that it gave rise to the theory of the existence of another Maes, of Brussels. His registered pupils were Justus de Gelder, Margaretha van Godewijk, Jacob Moelaert, and Johannes Vollevens. Maes died in Amsterdam. Maes is well represented at the London National Gallery by five paintings: The Cradle, The Dutch Housewife, The Idle Servant, The Card Players, and a man's portrait. At Amsterdam, besides the splendid examples to be found at the Rijksmuseum, is The Inquisitive Servant of the Six collections. At Buckingham Palace is The Listening Girl (repetitions exist), and at Apsley House Selling Milk and The Listener. Other notable examples are at the Berlin, Brussels, St Petersburg, the Hague, Frankfort, Hanover, Ottawa and Munich galleries.

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Artist: Nicolaes Maes
A pair of Dutch 17th century old master portraits of a husband and wife
By Nicolaes Maes
Located in Bath, Somerset
A rare pair of three-quarter length 'marriage' portraits by one of the foremost dutch portrait painters of the 17th century, Nicolaes Maes (Dordrecht 1634-1693 Amsterdam). The gentleman signed middle left 'Maes 1679'. Oil on canvas in dutch style ebonised frames. Dimensions 58 x 47.5cms each. The gentleman is shown in a landscape at dusk, leaning against a stone capital, wearing a white chemise decorated with lace, a black coat and a brown silk cloak draped across his body. The lady is elegantly dressed in an ivory silk gown decorated with jewels on the neckline and shoulders, the contrasting sleeves in gold fabric, with a rose pink silk cloak draped over her shoulder and bodice. She wears a pearl necklace and earrings with her fair hair worn up with ringlets falling down onto her chest in the fashionable style of the day. She stands with one hand touching a lock of her hair as she rests her arm on the bowl of a stone water drinking fountain...
Category

17th Century Old Masters Nicolaes Maes Art

Materials

Canvas, Oil

17th century portrait of a lady
By Nicolaes Maes
Located in Bath, Somerset
Portrait of a lady richly dressed in a purple silk gown with white sleeves, a gold coloured cloak draped across one shoulder, her blonde curls worn up...
Category

17th Century Old Masters Nicolaes Maes Art

Materials

Canvas, Oil

17th century portrait of a lady
By Nicolaes Maes
Located in Bath, Somerset
Portrait of a lady by Dutch Golden Age painter Nicolaes Maes (1634-1693). Half-length, within a feigned oval, the lady wears a pearl necklace and earrings, an ivory silk gown adorned...
Category

17th Century Old Masters Nicolaes Maes Art

Materials

Canvas, Oil

Portrait of Noble Lady
By Nicolaes Maes
Located in New Orleans, LA
Signed and dated "N MAE / 1691" (lower right) Oil on canvas A masterful example of 17th-century Dutch portraiture, this magnificent oil on canvas comes alive with luminous color, dramatic contrast and extraordinary detail. The work was composed by Nicolaes Maes, an artist widely regarded as the most prominent portrait painter of his era in Amsterdam. Fashionably styled, Portrait of a Noble Lady exemplifies the mature style of Maes, executed with the same artistry and attention to detail he imparted on his most important private commissions. This work by Maes comes from the second half of his career and follows in the rich tradition of the great Flemish Baroque painters Peter Paul Rubens and Anthony van Dyck. Like these artists, Maes excels at not only capturing his subjects with a technical perfection but also their inherent elegance and grace. The sitter is draped in luxurious white and red silks and pearls, underscoring the importance and prosperity of his wealthy clientele. She is placed against a dark backdrop, enabling a striking chiaroscuro effect characteristic of the artist’s portraits. Maes’s immense talent for detail and composition is clearly evident. In both palette and proportion, it embodies the somewhat austere style preferred by the artist, which emphasized a painstaking study of the costumes, hairstyles and accessories of his subjects. Such elaborate and highly detailed costuming in portraiture was a fashionable way to show one's wealth in the 17th century, particularly among the emerging class of wealthy merchants. Similar works by the painter can be found in the Rijksmuseum (Amsterdam), National Gallery (London), National Gallery of Art (Washington, D.C.), Metropolitan Museum of Art (New York) and Philadelphia Museum of Art, among others. Nicolaes Maes was born in Dordrecht in 1634 to a prosperous cloth merchant. Around 1848, he moved to Amsterdam to study under Rembrandt for several years before returning to his native Dordrecht, where he established himself as a painter of genre scenes and portraits. In the 1650s, Maes traveled to Antwerp where he studied the work of Flemish artists such as Peter Paul Rubens, Anthony van Dyck and Jacob Jordaens...
Category

17th Century Baroque Nicolaes Maes Art

Materials

Oil, Canvas

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Portrait of Lady Anne Tipping née Cheke c.1705, English Aristocratic Collection
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Titan Fine Art present this exquisite portrait, that formed part of a historic collection of an English aristocratic family, Lord and Lady Sandys at their magnificent baroque and Regency Grade-I listed family home, Ombersley Court. The house was among the most fascinating survivals of its kind in this country. The atmospheric interiors were distinguished above all for the works of art associated with two key moments in national history and, more specifically, to the roles of Colonel the Hon. John Russell in the Civil War and the reign of King Charles II and of Lord Arthur Hill, later 2nd Baron Sandys, in the Peninsular War. The collection was acquired or commissioned over five centuries and remained at Ombersley Court until its recent sale, the first in 294 years. The full provenance of our painting, which hung in The Saloon (see photo), is known from its creation right through to now – an extraordinary fact considering its age. This exquisite Grand Manner work is an evocative example of the type of portrait in vogue during the seventeenth and eighteenth centuries. Beautifully composed, the sitter has been depicted full length within surroundings that conveyed cultivation and an elite status – a classical porch with a colossal column. The beautiful colour combination of the azure silks of the dress, the mauve curtain and the sumptuous scarlet wrap imbue the portrait with a sense of luxury and emphasise the fact that this lady was a paragon of the wealthy and privileged society that she belonged to, with the means to commission a notable artist. Portrayed without the use of excessive props and jewellery, the artist knew that the sitter’s beauty was more than enough to captivate the audience. The clothing and hairstyle help to date the portrait to circa 1705. For any respectable woman at this time her skin is sheet white which was highly end vogue. A remarkable care is exercised in rendering of the flesh and the treatment of the drapery, with its delicate folds and virtuoso in the art of conveying the texture of the fabrics. The clear fresh palette, bright eyes, and rendering is exquisite. On the lower right of the portrait is an identifying inscription: 'Lady Tipping / Daughter of Coll. Cheek'. Anne Tipping, née Cheke, was the daughter of Colonel Thomas Cheke (1628-1688) and his wife Letitia, née Russell (1649-1722). Her father was appointed Lieutenant of the Tower of London under King Charles II in 1679 and he held that position until 1687 when James II removed him from office. At the age of 22 Lady Tipping married Sir Thomas Tipping, 1st Bt. (1653-1718) with whom she had three children, Catherine, Letitia, and Thomas. Through her father, Anne inherited the manor of Pyrgom in the village of Havering-atte-Bower, Essex. The house had previously belonged to Henry VIII, and it was here that he made the decision to restore the princesses Mary and Elizabeth to the succession to the throne. In 1724, Anne helped to found the Dame Tipping school in Havering-atte-Bower, which was endowed from her death in 1728 by a legacy in her will. Anne was lucky to have independent means, as her husband led a tumultuous life, dying in debt in Southwark prison. Anne died when she was just forty-eight years of age and is buried at Havering. Our sitter’s daughter, Letitia Tipping, married Samuel 1st Lord Sandys in 1725. In 1727, she inherited her family’s heirlooms including the possessions of her great uncle Admiral Russell, Earl of Orford. The 1st Earl of Orford (1653-1727) was one of the Immortal Seven who issued the invitation to William III to take the throne. Commander in Chief of the Royal Navy in the Nine Years War, he defeated the French fleet at Barfleur and La Hogue and is an important historic figure. Once owned by Evesham Abbey, the manor of Ombersley was acquired by the Sandys family in the early 1600s, when Sir Samuel Sandys, the eldest son of Edwin Sandys, Bishop of Worcester and later Archbishop of York, took a lease on the manor, before receiving an outright grant in 1614. The present house, Ombersley Court, dates from the time of Samuel, 1st Lord Sandys, between 1723 and 1730. The house itself is a fine example of an English Georgian country house set in rolling countryside and surrounded by Wellingtonias, planted to commemorate the Battle of Waterloo by Arthur Hill, 2nd Baron Sandys, who played a distinguished part in the battle and was one of the Duke of Wellington’s aides de camp. The Duke also stayed in the house and in the Great Hall, was the Waterloo banner which was brought to the house by Sir Arthur Hill, aide-de-camp to the Duke of Wellington, who succeeded his mother, the Marchioness of Downshire as 2nd Lord Sandys. 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18th Century Old Masters Nicolaes Maes Art

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Previously Available Items
17th century Dutch old master portrait of a noble lady ca. 1680
By Nicolaes Maes
Located in Antwerp, BE
Very fine Dutch 17th century old master portrait of a young lady by Nicolaes Maes This three-quarter length portrait depicts a raven-haired beauty, seated in an elegant and mysterio...
Category

17th Century Old Masters Nicolaes Maes Art

Materials

Canvas, Oil

Portrait of a Young Dutch Gentleman by Nicolaes Maes, Oil on Panel, Old Master
By Nicolaes Maes
Located in Stockholm, SE
In late 17th century Amsterdam, no one could rival Nicolas Maes (1634– 1693) in the art of portraiture. As one of Rembrandts most accomplished pupils, Maes explored both genre painti...
Category

1680s Old Masters Nicolaes Maes Art

Materials

Oil, Oak, Panel

Portrait of a Gentleman, Dutch , 17th century.
By Nicolaes Maes
Located in Bath, Somerset
Portrait of a gentleman, half-length, in a feigned oval wearing a red velvet coat under a brown cloak in a landscape. Signed and dated lower right 'N. ...
Category

17th Century Old Masters Nicolaes Maes Art

Materials

Oil

The Cradle
By Nicolaes Maes
Located in Saint Augustine, FL
An original hand-colored copperplate engraving on wove paper after Dutch artist Nicolaes Maes (1632-1693) titled "The Cradle". Engraved by English artist Le...
Category

1870s Old Masters Nicolaes Maes Art

Materials

Copper

Portrait of a Young Lady Beside a Fountain
By Nicolaes Maes
Located in Bath, Somerset
Portrait of a young lady, half-length in a landscape, wearing a red cloak, beside a fountain. Signed and dated lower right 'N. Maes 1675'. Oil on canvas in a painted oval. Provenance: Agnes Duncan Miller, London Anonymous sale, Christie's London, 4th December 1936, lot 32, sold to Mitchell Edward B. Taggart, by whom gifted to the Indianapolis Museum of Art in 1963 and deaccessioned, Christie's New York, 16th June 2009, lot 20 Private collection, Dallas, USA Nicolaes Maes (1634-1693) was born in Dordrecht and was the son of Gerrit Maes, a prosperous merchant. In c.1648 he went to Amsterdam and became a pupil of Rembrandt, learning from his masters use of deep intensity of colour in his work. In this period he painted mostly genre scenes such as women lacemaking or reading the Bible, before returning to Dordrecht in 1653. In c. 1660 Maes began specialising in portraits, moving away from the Rembrandt style...
Category

18th Century and Earlier Nicolaes Maes Art

Materials

Oil

Nicolaes Maes art for sale on 1stDibs.

Find a wide variety of authentic Nicolaes Maes art available for sale on 1stDibs. You can also browse by medium to find art by Nicolaes Maes in oil paint, paint, canvas and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Nicolaes Maes art, so small editions measuring 14 inches across are available. Customers who are interested in this artist might also find the work of Studio of Sir Peter Lely, Sir Godfrey Kneller, Flemish School, and 17th Century. Nicolaes Maes art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $20,386 and tops out at $88,500, while the average work can sell for $50,965.

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