Paul Emile Léon Perboyre Art

Wonderful Scottish 19th century Highland landscape, with a figure and cattle on a pathway overlooking a Loch This piece is signed lower right and is framed in a Vintage Gold Leaf fr...

Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...

Francis Jamieson was a painter in oil and watercolor of highland landscapes and coastal scenes. (The work of this highly prolific artist is curious since the oils and watercolors have two quite distinctive styles and subject matter. The oil paintings are most frequently seen and these are highland landscapes or loch scenes - sometimes they appear to be signed with pseudonyms such as 'W. Richards' and 'Phil Hips' - the location is usually inscribed on the reverse. The watercolors are often coastal scenes with boats and figures on a shore, painted in a more traditional Victorian style, and possibly pre-date the oils. F. E. Jamiesons's beach scenes were published as postcards around 1920 by G. Ajelli & Co. of London on a textured card to give the appearance of oils. Jamieson is known to have traveled widely in the South of England between the wars selling his work but does not appear to have exhibited.) This quote in parentheses is taken from Jeremy Wood's excellent book 'Hidden Talents - A Dictionary of Neglected Artists Working 1880-1950'. - Work by Francis Jamieson can be seen at the usual sites. Please note that on all these sites you will find F. E. Jamieson variously listed as Francis E. Jamieson, F.E.Jamieson, Frank E. Jamieson, Frederick E. Jamieson etc. You may also find some listings under his various pseudonyms of Arnould Pienne, Charles Maurice, Graham Williams...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang with two studs. Medium : Oil on mounted linen on wood. Artist : Gabriel Riesnert Subject : Ciel d'été (Tit...

Work : Original Oil Painting, Handmade Artwork, Unique Work. Ready to Hang. Medium : Oil on coated wood. Artist : Raphaël Renaud Subject : Coin de VH (Title), (EN : Corner of VH). T...

DESCRIPTION: Perhaps the best Romney in private hands. If Vogue Magazine existed in the late 18th century, this image of Lady Caroline Price would be ...

Provenance: Alfred (1883-1961) and Hermine Stiassni (1889-1962), Brno, Czech Republic, by 1925; thence London, 1938-1940; thence Los Angeles, 1940-1962; thence by descent to: Susanne Stiassni Martin and Leonard Martin, San Francisco, until 2005; thence by descent to: Private Collection, California Exhibited: Künstlerhaus, Brünn (Brno), 1925, as by Ribera. “Art of Collecting,” Flint Institute of Art, Flint, Michigan, 23 November 2018 – 6 January 2019. Literature: Alte Meister...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocative portrayal of a bygone era, captur...

Breton Fisherfolk on the Shore French School, early 1900's signed with initials HB oil on canvas, unframed canvas: 15.5 x 20 inches provenance: private collection, France condition: ...

Francis Moltino (1818–1888) was a 19th-century English landscape painter. Most biographical accounts give his place of birth as Milan, Italy but this is incorrect. Francis Moltino was in fact born Frank George Owen Moulton in Norfolk and no doubt changed his name and reinvented himself in order to sound more exotic. Moltino married Elizabeth Nockold in 1834 and moved to London in the 1840s. Between 1847 and 1867 he exhibited at the Royal Academy, the British Institution, and the Royal Society of British Artists. Moltino specialized in atmospheric cityscapes of the river Thames and Victorian London, and in particular scenes of Venice in the style of J. M. W. Turner. Moltino died in Wandsworth, South London in April 1888. This is a bright well-painted example of the artist's work and is framed in its original Antique English frame.

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

A very well-painted Dutch 19th century marine scene. The small boat is full of men who are rowing hard to get to the larger vessels, possibly to either take goods on or off the large...