H. Gallery Seating

This pair of Danish cabinetmaker chairs, is a great example of the Danish mid-century modern aesthetic. With their architectural, da...

In 1920, the term "Nieuwe Haagse School" was first mentioned by the architect C.J. Blaauw. And not in a positive way, incidentally. Blaauw thought nothing of the latest developments ...

Danish Modern is a recognized term around the world, and pieces from the mid-century era, like this daybed, are characterized by clarity in design and extremely high-quality craftsma...

In the bustling design landscape of 1960s Italy, this pair of elegant yet striking armchairs embody the aesthetic innovation that defined the era. Crafted in the 1960s, these chairs ...

The Italian furniture and interior designer, Federico Munari is known as a master of elegantly organic forms. His seating models - including these easy chairs - were created to highl...

This famous model, known as the “Pragstolen or Pragh” (literally: The Prague Chair) by Danish designer duo Madsen & Schubell was designed by Henry Hans Schubell...

From Charlotte Perriand to Axel Einar Hjorth, stools have been staples in European design history. Modernist stools, like this organic model, stem from one of the earliest forms of s...

Italian Modern furniture is defined by unique design, perfect execution, and exclusivity. This pair of armchairs is attributed to Italian design icon, Paolo Buffa. Coinciding with contemporary debates about the role of design and its responsibility to the larger population, Buffa reworked the presiding neoclassical idiom. The architect incorporated simplified forms into his designs in order to streamline production techniques, whilst always retaining a high regard for materials and harmonious portions. This pair of armchairs is said to have been designed by Buffa during the 1950s and elegantly balances comfort and functionality with high-quality craftsmanship and materials: the refined, articulated lines of the armchairs’ frames counter the volume of its cushions and uniquely patterned upholstery. By the mid-1930s, Buffa had established his own studio, where the Milanese architect designed expertly crafted furniture featuring intricate details and combined luxurious materials for an elite clientele. Buffa developed close relationships with cabinetmaking workshops in Brianza, renowned for their traditional furniture manufacturing, and during the following decades collaborated with some of the period’s most skilled artisans. These relationships enabled Buffa to introduce a modern vocabulary into his work whilst adhering to Milan’s heritage of artisan furniture production, in order to realize inventive furniture designs that revealed a skilful union of design and execution. These chairs embody this patently, with their most intricate feature being the upholstery covering the elegant, stylish shape of the solid wood frames. The elaborate pattern invites the eyes to spend time observing and exploring it, therefore the overall impression is interesting and stylish, while it also makes these chairs a one-of-a-kind pair. The exposed architectural, tapered legs supporting the comfortable seats and curved backs complement the design of this model greatly. The slim look serves as a counterweight to the voluptuous bodies, and the colour of the wood complements the pattern as well. The overall design is focused on elegant and measured proportions, balanced compositions, and refined décor elements including the exclusive materials. Besides the upholstery, the versatile shapes, from the curving, rounded edges on the top to the characteristic armrests and tapered legs, make these chairs stand out. Buffa’s designs were featured in important publications, such as Roberto Aloi’s L’arredamento moderno series, through which a coherent evolution can be traced in Buffa’s work as he interpreted the formal elegance of Italian design with a subtle yet recognizably modern rigour evidenced by this pair. Paolo Buffa was especially passionate about furniture and product design, an area where he remained faithful to a figurative repertoire of substantial classicism, while not disdaining impulses of authentic modernity. He was extremely active in the Milanese design scene that was just as vibrant and unique as these armchairs. In an atmosphere committed to the reinterpretation of the Lombard classicism and Milanese architecture, exceptional pieces were created, as this pair shows. Condition: In good vintage condition. Wear consistent with age and use. Small scratches and marks on the wood. The chairs have been reupholstered recently in a premium patterned fabric. Each of our items can be reupholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 29.52 in W x 34.44 in D x 37 in H; Seat height 15.15 in; Arm height 22.44 in 75 cm W x 87.5 cm D x 94 cm H; Seat height 38.5 cm; Arm height 57 cm Literature: 'Alcuni Mobili di Paolo Buffa', Domus, no. 178, October 1942, p. 431 for a similar example Roberto Aloi, L’Arredamento Moderno, quarta serie, Milan, 1949, fig. 366 for a similar example Roberto Rizzi, I mobile di Paolo Buffa, exh. cat., Mostra Internazionale dell'Arredamento, Cantù, 2002, pp. 30, 34-35 for a drawing and images of a similar example About the (attributed) designer: Paolo Buffa (born 1903, Milan – died 1970, Milan) was an Italian furniture designer who defined his own unique design aesthetic to become one of the most sought-after Italian designers of his day. Renowned for pairing elements from both the opulent Neoclassical and the streamlined Art Deco styles around a more modern sensitivity, Buffa excelled in creating high quality pieces that spoke to the well-to-do clientele of the time. Born in Milan in 1903, Buffa trained at the Politecnico di Milano. Following his graduation in 1927, he worked briefly for Gio Ponti, and in 1928, he partnered with architect Antonio Cassi to establish their own design studio in Milan. By 1936, Paolo Buffa opened his own independent studio where he became particularly successful, in part because he had already tapped into his unique combination of stylistic elements. His incorporation of more traditionally Neoclassical motifs or materials – for example, rich rosewoods or supple, velveteen fabrics – with the relatively avant-garde forms and themes of a lighter Art...

The iconic “Soriana” three-seater sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophist...

The iconic “Soriana” three-seater sofa was designed by the Italian designer duo, Afra and Tobia Scarpa in 1969. Besides its innovative manufacturing, visually, Soriana brings sophist...

Scandinavian Modernism can be visually described by this beautiful armchair: sleek, organic and timeless. These attributes are met with high quality materials and the famous craftsma...

The post-war period in France saw a wide array of inventive and creative contributions to the history of design. What made this particular period so prolific and influential is that ...

This unique curved sofa is simple and striking. Despite the understated, elegant colours, this model is still an accent piece that stands out thanks to its materials and appearance. The structure relies on an interior frame covered by the upholstered fabric. In contrast to the constructivist models produced by the members of the Bauhaus, this aesthetic is more in favour of a relaxed and welcoming look. The design uses essentially geometric forms that exude warmth by the nature of the materials. The absence of arms and the ergonomic angle at which the seat and back meet creates an impression as if the sofa is opening up, enhancing both the visual and sitting comfort of the design. The crisp lines are ever so softly rounded on the edges adhering to the modernist design idioms, while the wooden lower structure and tapered legs showcase straighter lines. The black cow hide...

In much of Europe the desire for functionalism went hand in hand with understatement, refinement, and elegance for much of the mid-century era. Still, there was also room for playful...

This elegant armchair by Dutch designer, Bas Van Pelt is a classically luxe model with a level of craftsmanship that’s immediately visible to any eye. The construction of this rare 1940s design is simple at its core, but thanks to the details, it is a unique representation of early Dutch modernism. While Bas Van Pelt's creative work was primarily influenced by the 1920s straight lines dominated by The Hague School, this armchair is the result of his more mature design era, which was primarily dominated by natural materials and more curvature. While made of solid wood, this armchair has an open feel to it thanks to the airy arrangement of the arms and legs. The curved lines of the armrests are beautifully crafted and follow the raised seat’s angle. The curves nicely contrast with the straight lines of the frame, keeping it from appearing too strict. Apart from the expert woodwork, the upholstered seat and back stand out as well. The light bouclé fabric is tightly fitted around the frame, and the seat’s thick shape is an especially pleasing element that offers plenty of comfort both figuratively and literally. The overreaching backs further enhance the back’s widening shape and thus allow the individual loops of the yarn to stand out. The block legs blend seamlessly into the back and form a gentle angle. Thanks to the well-chosen proportions and the luxurious upholstery, this armchair provides great comfort. This model can be easily used as an accent chair thanks to its characteristic details, but can also complement a wide variety of interior styles with it refined and elegant style. Bas van Pelt’s progressive designs were, in many ways, ahead of his era. The Dordrecht-born designer’s furniture models are quite rare, a few are preserved in the Stedelijk Museum Amsterdam for modern art, contemporary art, and design. Condition: In good vintage condition. Wear consistent with age and use. The chair has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 24.6 in W x 24.4 in D x 37 in H; Seat height 15.35 in; Arm height 23.22 in 62.5 cm W x 62 cm D x 94 cm H; Seat height 39 cm; Arm height 59 cm About the Designer: Bas Van Pelt (1900 Dordrecht (NL) - 1945 Sandbostel (DE) was a well-known Dutch interior and furniture designer, known for the clarity and quality of his designs. His works created in the 1930s and 1940s are regarded for their progressive design and quality. While he is most well-known for his chair designs, van Pelt was also active as an interior designer. He also designed fabrics for window coverings...

Over the 20th century, European designers fused traditional crafting techniques and styles with modern materials, design, and industry. The ladder-back chair was one of the most popu...

The postwar boom years of the 1950s through to the 1960s were one of the periods of greatest influence of Italian designers. Design in the 50s paved a way to a more aesthetical approach to products as opposed to its utilitarian predecessors, resulting in exceptional pieces like these lounge chairs. Giovanni “Nino” Zoncada was an Italian furniture designer who worked extensively designing furniture and interiors for luxury ships. In the late 1940s, Zoncada collaborated with Gio Ponti in the interior design of the cruise liners Conte Biancamano and Conte Grande. Among his most famous furniture designs are these iconic and richly upholstered lounge chairs with relatively high and curved armrests. This pair of lounge chairs combines a luxurious dark velvet fabric...

European Cabinetmaker seating pieces from the mid-century era were style-forming like none before, and raised the standard of the European home and to improve the taste for a better ...

This pair of club chairs from the 1970s stands as a captivating blend of timeless design influences. Fully upholstered in a luxurious white bouclé fabric, these chairs epitomize the ...

In the design-wise glamorous world of 1930s Europe, exceptional seating pieces emerged and still embody Art Deco elegance. These lounge chairs, with their distinctive features, exude the spirit of the era and remain stylish examples of this influential design movement. The most striking aspect of these chairs is their characteristic, scalloped backs, which add a touch of opulence and Art Deco flair. With their symmetrical, curved lines, these type of backs were hallmarks of Art Deco furniture design, epitomizing the aesthetic of the period. The large, enveloping backrests dictate the shape of these chairs, as they visually form most of the structure. Similarly to club chairs - that are favourites for Art Deco enthusiasts - these chairs’ arms constitute a single piece with the backs resulting in a wide design profile. The chairs feature fully upholstered bodies, embracing the era’s ruling principle of luxurious comfort without sacrificing style. The upholstery has a rich green texture with multicoloured, curly strands that add a tactile dimension to the design. This tactile quality was characteristic of Art Deco design, as designers of the time were keen on exploring different materials and textures to create visually stunning and sensorially pleasing pieces. The well-chosen material thus cleverly highlights the curves and creates extra depth. The chairs' solid wood legs provide gentle contrast to the textile, while also providing a sense of stability and durability, ensuring that this pair will keep standing the test of time. Art Deco design often incorporated geometric and angular elements, however, in these lounge chairs, there is a harmonious blend of curves and straight lines, resulting in a balanced and inviting aesthetic. With their scalloped backs, symmetrical curves, green upholstery, and rich texture, this pair represents some of the best qualities of Art Deco era furniture...

This rare set bears the unmistakeable oak structures created Danish designer and craftsman, Henning Kjaernulf with the distinctive “razorblade” backs. This set was manufactured by th...

This three-seater mid-century modern sofa is a timeless statement piece. In the world of interior design, few furniture pieces captivate the imagination quite like the mid-century mo...

The European perspective on cabinetmaking is exceptional, and wood is omnipresent in mid-century modernism. This sumptuous curved sofa features the immediately recognizable touches o...

In the realm of mid-century furniture, there exist turned furniture with a historical charm that exudes timeless elegance and craftsmanship, harkening back to the design sensibilitie...

This Italian sofa from the 1950s exudes timeless charm and elegance. Cloaked in rich red velvet, this three-seater sofa visually demonstrates why the appeal of Italian mid-century fu...

The “Rialto” easy chair is an exceptional model thanks to its amazing woven back. The design showcases the expertly calculated balance of functionality and form that defined the desi...

In the midst of the swinging 1960s, a remarkable design style emerged, a kind of mature mid-century modernism that captivated the essence of the era's design trends. These lounge cha...

‎This set of six dining chairs are attributed to the Danish designer and master cabinetmaker, Jacob Kjær. He was a true “snedkermester”, a title given to the most excellent furniture...

Dyrlund, a renowned Danish furniture manufacturer founded in 1960, was instrumental in shaping the mid-century modern movement with impeccable attention paid to detail and timeless d...

Swedish furniture design is a modernist story of enduring style. With its elegant shell shape, this lounge chair embodies the timeless appeal of Swedish furniture that was set in the...

This daybed is a masterpiece of the artistic collaboration between architect Tauno Haroma, master builder Pentti Saarinen and architect Ilkka Salo. The design of this one-off, exquis...

The influence of the Art Deco movement was significant on early Scandinavian modernism, resulting in a unique aesthetic mixture based on traditional craftsmanship and quality. In thi...

This one-of-a-kind pair stands as evidence to the enduring charm of handcrafted furniture. These chairs tell a story of craftsmanship, history, and the timeless appeal of rustic beau...

“There is no border between craftsmanship and design. What we do on the model, which will then be reproduced a thousand times, is an activity in which we bring all our experience.” s...

In the realm of mid-20th century Swedish furniture design, Carl Cederholm is known as a furniture designer who favoured the classic elegance of Swedish furniture design and combined ...

Danish Modern designers are the undisputed masters of mid-century modern chair design. As this pair shows, their furniture generally united form and function; in every design, they p...

What makes wood so appealing besides its natural beauty is the ease in which it can be cut and the array of beautiful shapes that can be sculpted from it. These mid-century stools, r...

These mid-century modern Italian high-back chairs are exquisite examples of the timeless elegance that defines the era’s design in Italy. Crafted during the peak of the movement, the...

Swedish furniture design is a modernist story of enduring style. With their elegant shell shape, these lounge chairs embody the timeless appeal of Swedish furniture that was set in t...

Danish Modern designers are the undisputed masters of mid-century modern chair design. As this chair shows, their furniture generally united form and function; in every design, they ...

This elegant pair of lounge chairs is attributed to the Italian designer Gio Ponti and was produced by ISA Bergamo in Italy during the 1950s. Several of Ponti’s designs had been manu...

Designed in the early phase of what we know today as mid-century modern, this charming sofa is a unique evidence of how traditional Swedish craftsmanship was brought into modernism. ...

This oaken “Grand Repos” lounge chair deserves its title of iconic, both in terms of quality and design. This model visually represents the very reason Votre Maison, the French duo, ...

The designs of Borge Mogensen aimed at functionality, minimalist appearance and easy accessibility. This pair of slatback chairs is perhaps one of the best examples of these principles of the Danish master with a rustic yet modern design. The most attention-grabbing visual element of this rare model is the backrest with eight wooden spindles that create an airy look that recalls the traditional slatback chair style. The curved top rails have a sculptural look mimicked by the armrests that are also supported by individual slats. This creates a unified appearance that highlights the diverse shapes and the natural beauty of the beech wood and its versatile grain. Interesting details are to be found everywhere in the design, including the perfectly fitted seat cushions and the uniquely arranged stretchers connecting the legs. As the lower structure with the legs and stretchers combine straight lines with round shapes, the design gains a sculptural look that is appealing from all angles. The structure displays a beautiful contrast between the smooth beech frame and the elegant and textured bouclé fabric of the cushions. The chair’s manufacturer, FDB Møbler is a Danish furniture company established in 1942, and Børge Mogensen served as the design studio’s manager. Mogensen and the designers he employed came from the Copenhagen Cabinetmaker's Guild tradition and were unwilling to prioritize anything over craftsmanship and quality. Extremely modest and confident at the same time is how these chairs can be best described. Mogensen preferred to work with traditional and natural materials, but also liked to experiment with new techniques; the resulting models are Danish Modern classics. Condition: In good vintage condition. The chairs’ cushions have been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 23.42 in W x 24.4 in D x 32.48 in H; Seat height 18.11 in; Arm height 25.39 in 59.5 cm W x 62 cm D x 82.5 cm H; Seat height 46 cm; Arm height 64.5 cm About the designer: Borge Mogensen is without a doubt one of the most famous Danish designers. Born in 1914 in Aalborg, Mogensen was trained as a cabinetmaker and studied at the Danish School of Arts and Crafts in Copenhagen from 1936 to 1938, and architecture at the Royal Danish Academy of Fine Arts’ School of Architecture between 1938 and 1942. At the beginning of his career, he became head of F.D.B. Mobler’s furniture design studio. In 1950, he started his own design studio, collaborating with manufacturers Soborg, the Swedish company Karl Andersson and the famous manufacturer Fredericia from 1955. The collaboration with the latter resulted in many of Mogensen’s most famous furniture pieces, including the “Spanish Chair” and the “Ambassador Sofa...

Svensk design, “Swedish design”, is unquestionably a conventional and popular branding device, with many companies explicitly promoting their products as examples of god design, “goo...

With an elegantly cosy appearance, this chair is a stylish example of the soft, curved aesthetic side of mid-century modernism in Europe. Adopting the trend of abandoning ornamentati...

This beautiful European cabinetmaker armchair recalls the peak of Mid-Century Modern design on the continent. Cabinetmakers led the way in furniture design during the 1950s, combinin...

Time has not diminished the relevance of Danish design, especially of the pieces that were created in the middle of the last century, like this lounge chair. This mainly because the ...

This armchair is an elegant and comfortable evidence of the mastery and artistry of the Danish master cabinetmakers who defined mid-20th century modern seating design. Danish Modern ...

Over the 20th century, European designers fused traditional crafting techniques and styles with modern materials, design, and industry. The ladder-back chair was one of the most popular chairs of its time. Today, classic ladder-back chairs and their more modern reiterations are desirable, collectible pieces thanks to their distinctive look, quality, and history. Since Gio Ponti’s “Fireside” chair...

This chair is in many ways the definition of a unique piece both in visual terms and from a historic aspect. It hasn’t a single aspect that is usual, making it a fascinating and hist...

Wood is the most traditional material for furniture, it is organic, elemental, sturdy, and has become very stylish. The Swedish efforts to create applied art attuned to modern man an...

This “Lilla Eva” model is from the timeless and iconic Paradise Collection, which was created by Kerstin Hörlin-Holmquist during her time as a designer at Nordiska Kompaniet. The nam...

This so-called “deck or cruise chair” is not only visually arresting, but also interesting thanks to its historical use. Folding chairs have been used as seating in the Mediterranean...

This armchair is an early and rare piece representing Dutch Modernism. Slanting, oblique lines characterize the frame, which gives this chair a distinctive shape. Jan den Drijver des...

This exceptional three-seater sofa is eccentric in the best way possible; with a large curved body and a one of a kind upholstery, both of which recall the Art Deco style of the 1930...

These artistic chairs have a sculptural look that is often refereed to as an “oyster”. From Finn Juhl’s “France chair” to Seymour “James” Weiner’s “Oyster” chair, this style has been...

These individualistic chairs possess a playful and stylish look that Italian Modern furniture is beloved and coveted for. Defined by the stylish silhouette of the design covered in a...

One of the most significant contributions of the Scandinavian countries to the European fine arts has been in the field of design. The Scandinavian countries have achieved world-wide...

Like the “Laila” model, these chairs were designed by Finnish designer, Ilmari Lappalainen for Asko in 1948, and become a beloved model. So much so, that during the 1990s, it was put back into production by Asko. With Ilmari Tapiovaara, who was the artistic director of Asko from 1938 to 1941, the modernization of the company’s range began, and the wooden designs were joined by modern, upholstered furniture pieces, including “Rex”. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. These armchairs have a cosy modern style, modelled on the Swedish and Danish furniture of the time, including the round edges, the generous back with tufted buttons, and the tapered, wooden legs. The body has the classic Nordic look, which explains its contemporary popularity both among the public and institutions. The cosy open design is dominated by the gently enveloping back and arms that appear to welcome the sitter. Thanks to the large seat cushion, the armchairs’ comfort lives up to Lappalainen’s famous standards. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the small lacquered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. These chairs were created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s “Laila...