Howgego Historic & Modern

Map Suffolk including many popular destinations on the coast Southwold, Dunwich, Aldeburgh bawdsey felixstowe harwich ipswich. Charming topography and colouring. In the original fr...

Map of Nottinghamshire with engravings of Worksop Manor Nottingham Castle Newstead Abbey BIBLIOGRAPHY published in Barclay's Universal English Dicti...

Map of the County of Berkshire from an Actual Survey made in the Years 1822 & 1823 by C&J Greenwood Published by the Proprietors Greenwood & Co 13 Regent Street Pall Mall London Ju...

A new map of the southern part of Scotland containing the counties of Stirling, Lanerk, Renfrew, Linlithgow, Edinburgh, Peebles, Haddingtoun, Berwick, Selkirk, Roxburgh, Dumfries, Wigtoun, Kirkudbright & Air Published by Alex Hogg at the Kings Arms...

Rare map of The Islands of Guernsey and Jersey, including Alderney & the Scilly Islands just purchased more information to follow In the original cream mount and gilded frame.

Cambridgeshire published may 1 1814 engraver no 181 strand Maker John Cary c. 1754 – 1835.

A Map of Kyle & Carrick Aireshire Thomas Kitchen 1749 In original black and gold frame Just purchased more information to follow MAKER Thomas Kitchin (1718-1784) English engrave...

Just purchased more information to follow. In unrestored condition, the sheet can be cleaned.

Re-purposed as a holder for large candle or delicacies. Conceived as a Gothic Revival architectural ornament probably a finial. Shaped t...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. The road from London to Kings Lynn, showing Royston to Downham. In oak and gilded frame. In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman...

In original condition. Page 33, 'The History of London from its Foundation by the Romans to the Present Time', by William Maitland, published in 1739....

In original condition. Page 624, 'The History of London from its Foundation by the Romans to the Present Time', by William Maitland, published in 1739...

In original condition. Page 452, 'The History of London from its Foundation by the Romans to the Present Time', by William Maitland, published in 1739...

A road map from Britannia, by John Ogilby Esq., Cosmographer and Geographick Printer to Charles II. Containing 293 miles. No 32. From Standard in Cornhill London to Andover thence to Amesbury, to Shruton, to Warminster, to Maiden-Bradley, to Bruton, to Weston, to Ascot and to Bridgewater Hand coloured, some foxing and creasing, commensurate with age. Floated in a cream mount with a gilded linear border within a burr walnut, ebonised and gilded frame. Provenance : purchased as pair from a collector with no 15 London to St Davids. Framed as a pair. Measures: Black Linear Border around Map Length 44cm., 17 1/8" Height 36cm., 14". Full Sheet Length 51cm., 20" Height 39cm., 15 1/4" Frame Length 62cm., 24 1/2 " Height 52cm., 20 1/2" Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

John Ogilby (British 1600-1676) Cosmographer and Geographick Printer to Charles II. A road map from Britannia, 1675/6. No 15. The continuation of the r...

The continuation of the road from London to St Davids, commencing at Abingdon Com Berks and extending to Monmouth By John Ogilby Esq, His Majesties Cosmographer. From Abingdon to Farringdon, to Lechlade, to Fairford, to Barnsley to Gloucester showing Monmouth as the destination. A road map from Britannia, 1675/6. No 15. Hand coloured and floated on a cream mount within a brown painted and gilded ogee frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 25 London to Lands End. Framed as a pair. Sheet width 46.5cm., 18 ¼ ”., height 37.5cm., 14 ¾ “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The road from London to the lands end. Commencing at the Standard in Cornhill and extending to Senan in Cornwall. By John Ogilby His Majesties Cosmographer. A road map from Britannia, 1675/6. No 25. Continuing 308 miles, 3 furlongs. London Southwark to Brentford, to Hampton Court, to Hounslow, to Windsor, to Cobham, to Farnham, to Basingstoke to Winchester The handcoloured sheet free floated. In a brown painted and gilded, ogee moulded frame. Some foxing and creasing, uneven edge of sheet, all commensurate with age Provenance : purchased as pair from a collector with no 15 London to St David's. Framed as a pair. Sheet width 48cm., 19 ”., height 38cm., 15 “ Frame width 66.5cm., 26”., height 56cm., 22 ” In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started i Black Linear Border around Map Length 44cm., 17 1/8" Height 32cm., 12 1/2" Full Sheet Length 58cm., 22 3/4" Height 38cm., 15" Frame Length 66cm., 26"., Height 56cm., 22" In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a "sworn viewer", whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

The continuation of the road from London to Barwick beginning at York and extending to Chester in ye Street. Plate ye 4th continuing 76 ½ miles. No 8. York to Burrowbridge, to Top...

The Road from Ipswich com Suffolk to Norwich and thence to cromer on the sea coast com Norfolk. By John Ogilby, Esq, His Majesties Cosmographer. Containing...

The Road from London to Yarmouth com. Norfolk. By John Ogilby, His Majesties Cosmographer. Containing 122 miles, 5 furlongs. No 54. From Standard in Co...

The Road from Kings Lyn Co Norfolk to Harwich Co Essex. By John Ogilby His Majesties Cosmographer. Containing 76 miles, 1 furlong. From Lyn to Swaffam, to Stanford, to Thetford, To Icksworth, to Stowmarket, to Ipswich and to Harwich including ye Ferry, No 75, inscribed in pencil 1698 Hand colored and floated in the original black and gold frame, c1961. Some creasing commensurate with age. The back of the frame inscribed May 1961. Provenance : Private Collection, acquired c1961, along with No 74 Ipswich to Norwich & No 54 London to Yarmouth. All in the original black and gold frames. Sheet width 45cm., 17 ¾”., height 34.5cm., 13 ½“ Frame width 50cm 19 ¾”., height 40cm., 15 ¾” Literature: In a remarkable life John Ogilby pursued, several careers, each ending in misfortune, and yet he always emerged undeterred, to carry on. His modern reputation is based on his final career, started in his sixty-sixth year, as a publisher of maps and geographical accounts. Ogilby was born outside Dundee, in 1600, the son of a Scottish gentleman. While he was still a child, the family moved to London. When the elder Ogilby was imprisoned for debt, the young John invested his savings in a lottery, won a minor prize, and settled his father's debts. Unfortunately, not enough money was left to secure John a good apprenticeship; instead, he was apprenticed to a dance master. Ogilby was soon dancing in masques at court but, one day, while executing a particularly ambitious leap, he landed badly. The accident left him with a permanent limp, and ended his dancing career. However, he had come to the attention of Thomas Wentworth, later Earl of Strafford, Charles I's most senior minister. Ever one to exploit his contacts, Ogilby became a dance instructor in Strafford's household. When Strafford was sent to Ireland, Ogilby accompanied him as Deputy-Master of the Kings Revels, and then Master of Revels. In Dublin, he built the New Theatre, in St. Werburgh Street, which prospered at first, but the Irish Rebellion, in 1641, cost Ogilby his fortune, which he estimated at £2,000, and almost his life. After brief service as a soldier, he returned to England, survived shipwreck on the way, and arrived back penniless. On his return, Ogilby turned his attention to the Latin classics, as a translator and publisher. His first faltering attempt, in 1649, was a translation of the works of Virgil, but after his marriage to a wealthy widow the same year, his publishing activities received a considerable boost. One means by which Ogilby financed these volumes was by subscription, securing advance payments from his patrons, in return for including their name and coats-of-arms on the plates of illustrations. Another approach was to secure a patron, preferably in the court circle. Ogilby's first patron was Strafford, who found out too late that all leading ministers are dispensable when Charles I assented to his execution in 1641. As he re-established himself, Ogilby sought a new patron, the King himself. In 1661, Ogilby was approached to write poetry for Charles II's coronation procession; he later published 'The Relation of His Majesties Entertainment Passing Through the City of London', and a much enlarged edition the following year, which included a Fine set of plates depicting the procession. Royal favour was bestowed in 1674 when John Ogilby received the title of 'His Majesty's Cosmographer and Geographick Printer' with a salary of £13.6s.8d per annum. In 1665, Ogilby left London to avoid the Plague then ravaging the capital. The following year, in the Great Fire of London, Ogilby claimed that he lost his entire stock of books valued at some £3,000, as well as his shop and house, leaving him worth just £5. As he sought to restore his fortunes, Ogilby was already looking in new directions. The initial opportunity he seized on was the reconstruction of London's burnt-out centre. He secured appointment as a 'sworn viewer', whose duty was to establish the property boundaries as they existed before the Fire. Ogilby was assisted in the project by his step-grandson, William Morgan...

Stunning, monumental, Italian, wrought iron torchere with 5 torch or candle holders and decorative scrollwork. Measures: length 56cm., 22" height 162cm. 64" 5ft 4" depth 15cm., 6"...

A South German oak, shaped X' ended table with detachable fruitwood top with decorative cleated band This table is easily dismantled and retains the original pegs The cleated edge ...

Pine farmhouse table with a single plank top Rare to find a piece of vernacular or folk furniture with sophisticated features like the leg turnings on this table Length 206cm 81...

A rare, inlaid Court cupboard bearing the initials RR & KL and the date 1731 suggesting this is a commemorative piece celebrating marriage or the birth of a child just purchased mor...

Striking, Mid-Century Modern, multi-function circular rosewood and chrome table The adjustable rosewood top repurposes the function with the height from dining, centre, occassional ...

A pair of 19th century, brass candlesticks, upcycled into table lamps, measures: 46cm, 18” high Practical and suitable for everyday use. The brass has developed a mellow, patina ...

A pair of 19th century, brass candlesticks, upcycled into table lamps, 46cm, 18” high Practical and suitable for everyday use. The brass has developed a mellow, patina which can ...

A rare, late-18th century, silk, embroidered, double hemisphere, world map, blackwork, sampler, showing the tracks of captain cook’s three voyages - Illustrating public understanding of the world in the late-18th century and the recent discoveries of the time delineating the tracks of Captain Cook’s three voyages. - Shows the incentive for further exploration during the 19th century as no mass is indicated within the southern polar region, the interior portions of western North America, Africa, and Australia are still relatively void of detail even though California is no longer shown as an island. - Includes beautifully worked allegories of the four continents Asia, the Americas, Africa & Europe, a cartouche being supported by two angels and a compass - The cream, silk ground is finely embroidered with a variety of stiches in black, silk threads emulating the black ink on maps. -“Recent international conflicts and voyages by Captain Cook and others made the study of geography exciting at the time this map was made. Elaborate embroidered maps...

Surviving pieces of vernacular lighting are extremely rare and it is hard to source convincing re-creations. These are copies of a period sconce from Longfellows Wayside Inn S Sudbur...

Chased with a wivern rampant above the initials ‘WJ’. Stamped 'IS' makers mark, the duty mark of 1795 with the King's profile and a lion passant (guardant) mark of London and other E...

There is no letter date demonstrating that this seal was made before 1697 when the letter date became mandatory. This seal is an early shape, engraved with the owners coat of arms. ...

Surviving pieces of vernacular lighting are extremely rare and it is hard to source convincing re-creations. A recreation of an historic sconce from Rockingham House, George Washington's Headquarter's Rockingham NJ. with a plausible antiqued patina. Tapering single candle, tin wall sconce with shaped cresting and antiqued patina. Electrified with Girard Sudron candle lamps. Height - 37cm., 14 1/2" Width - 11.5cm., 4 1/4" Depth - 6.5cm Rockingham is believed to be the second oldest house in the Millstone River Valley, its original rooms built about 1710. The house was originally a two-story, two-room frame house with a one and one-half story lean-to at its back, situated high on a rocky hillside above the river. The house and about 100 acres were purchased by 1735 by John Berrien, who later served as Somerset County Judge, Trustee for the College of New Jersey (present day Princeton University), New Jersey Supreme Court Justice and Colony Assemblyman. He greatly enlarged the house for his growing family in the 1760s and added land gradually to total over 360 acres, making it a substantial farm appropriate for a prosperous, well-established man. In June of 1783, a small number of Pennsylvania troops of the Continental Army, not having received their back pay for almost a year, went into revolt and marched upon Philadelphia. Congress removed themselves to Princeton, New Jersey, after being assured of New Jersey's protection. Elias Boudinot, President of the Continental Congress, called upon General George Washington to send a loyal detachment of troops to Philadelphia which Washington did. In late July, Congress requested the General's presence in Princeton. Washington was in Newburgh, New York, near West Point with the remains of the standing army. Until he received the message and was able to reply, it was August. When accommodations were sought for Washington and his retinue at that time, there was little still available for a short-term stay. The only suitable home sat four miles away and belonged to the widow of John Berrien. Mrs. Margaret Berrien (who was living in a townhome in Princeton and had Rockingham up for sale) agreed to rent Rockingham and furnishings to the General and his entourage on a monthly basis. On August 23rd of 1783, General Washington, accompanied by his wife, three aides-de-camp, a small guard of two to three dozen soldiers including dragoons (the equivalent of military police today), and "domestics" (servants and slaves), took up residence. The General would ultimately stay there over two and one-half months from late August to early November. It must have been a pleasant stay with Rockingham's varied orchards and spacious grounds, although Mrs. Washington was ill at times and, due to winter approaching, returned to Mount Vernon in early October. Washington entertained frequently including Congressmen such as James Madison and Elias Boudinot, military personnel such as General Benjamin Lincoln, Revolutionaries Robert Morris ("Financier of the Revolution") and Thomas Paine...

Surviving pieces of vernacular lighting are extremely rare and it is hard to source convincing re-creations. These are copies of a period sconce from Longfellows Wayside Inn S Sudbur...

Regina Heinz B. 1957 ENTRANCE 1999 Monumental wall piece made in six sections Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

Rodney Alan Blumenfeld South African B.1953. Square Earthenware Platter Earthenware clay, press moulded, with metalic oxides and matt glazes South African B.1953. Rodney Alan Blumenfeld creates deeply textured, sensual and motif-laden ceramic forms. Each innovative and unique art piece strives to maintain a traditional tribal identity transposed into contemporary art,craft and design. Within each singular expression of creativity lies a precious reminder of ritual and custom, exuding presence of age-old mystery while spontaneously arousing vital powers of the imagination. Training Bachelor of Architecture – University Natal South Africa, 1980 Ceramic Science – Technikon, Durban, Natal, 1986 Awards Judges Award – Ceramic Artists Association of W.A. Annual Exhibition – September 2009 City of Melville Art Awards – Highly Commended 2009 – WA Longhouse Reserve – New York – USA Klenot/Dekora – Palace of Culture, Prague – Czechoslovakia 2000 Art for Asia – Hong Kong – China 1997 Design Award National Ceramics Biennale 1996 – South Africa 1st Prize Corobrik Ceramic Expo – South Africa 1989 Private Collections Bill Clinton – Former President USA Nelson Mandela – Former President of South Africa Tina Turner – Singer and song writer Peter Gabriel – Musician King Goodwill Zwelitini – King of the Zulu Nation Sir Niall Fitzgerald – Global Chairman Unilever – UK Public & Corporate Collections K.H. Eberle Museum – Basel Switzerland Longhouse Reserve – New York Museum of Modern Art – Montreal Canada Fort Lauderdale Airport – Florida USA Durban Art Gallery – Johannesburg Art Gallery Hilton Hotel – Johannesburg Hyatt Regency Hotel – Johannesburg Unilever Corporate Headquarters – South Africa U.S. Embassy – Pretoria, South Africa Ernst & Young – La Lucia Ridge – South Africa Sibaya Casino Complex – Natal, South Africa Exhibitions T.V.H.Gallery – Sydney – September 2009 Fremantle Contemporary Art Gallery – Fremantle W.A. Margaret River Gallery – Margaret River W.A. Aspects of Kings Park – Perth W.A. “Klostere” Gallery – Freiburg – Germany 2002 Longhouse Reserve – The Hamptons – New York – USA Klenot / Dekora – Palace of Culture – Prague – Czechoslovakia 2000 The Westminster Craft Show – London – UK 1999 Art for Asia – Hong Kong – China 1997 Casa...

Rodney Alan Blumenfeld South African B.1953. Round earthenware platter, 1995. Earthenware clay, press moulded, with metalic oxides and matt glazes. Rodney Alan Blumenfeld South African B.1953. creates deeply textured, sensual and motif-laden ceramic forms. Each innovative and unique art piece strives to maintain a traditional tribal identity transposed into contemporary art,craft and design. Within each singular expression of creativity lies a precious reminder of ritual and custom, exuding presence of age-old mystery while spontaneously arousing vital powers of the imagination. Training Bachelor of Architecture – University Natal South Africa, 1980. Ceramic Science – Technikon, Durban, Natal, 1986. Awards Judges Award – Ceramic Artists Association of W.A. Annual Exhibition – September 2009. City of Melville Art Awards – Highly Commended 2009 – WA. Longhouse Reserve – New York – USA. Klenot/Dekora – Palace of Culture, Prague – Czechoslovakia 2000. Art for Asia – Hong Kong – China 1997. Design Award National Ceramics Biennale 1996 – South Africa. 1st Prize Corobrik Ceramic Expo – South Africa 1989. Private Collections Bill Clinton – Former President USA. Nelson Mandela – Former President of South Africa. Tina Turner – Singer and song writer. Peter Gabriel – Musician. King Goodwill Zwelitini – King of the Zulu Nation Sir Niall Fitzgerald – Global Chairman Unilever – UK. Public & Corporate Collections K.H. Eberle Museum – Basel Switzerland Longhouse Reserve – New York Museum of Modern Art – Montreal Canada Fort Lauderdale Airport – Florida USA Durban Art Gallery – Johannesburg Art Gallery Hilton Hotel – Johannesburg Hyatt Regency Hotel – Johannesburg Unilever Corporate Headquarters – South Africa U.S. Embassy – Pretoria, South Africa Ernst & Young – La Lucia Ridge – South Africa Sibaya Casino Complex – Natal, South Africa Exhibitions T.V.H.Gallery – Sydney – September 2009 Fremantle Contemporary Art Gallery – Fremantle W.A. Margaret River Gallery – Margaret River W.A. Aspects of Kings Park – Perth W.A. “Klostere” Gallery – Freiburg – Germany 2002 Longhouse Reserve – The Hamptons – New York – USA Klenot / Dekora – Palace of Culture – Prague – Czechoslovakia 2000 The Westminster Craft Show – London – UK 1999 Art for Asia – Hong Kong – China 1997 Casa Nova...

Rodney Alan Blumenfeld B.1953. Totem 63 cm high Earthenware clay, press moulded, with metalic oxides and matt glazes South African B.1953. Rodney Alan Blumenfeld creates deeply textured, sensual and motif-laden ceramic forms. Each innovative and unique art piece strives to maintain a traditional tribal identity transposed into contemporary art,craft and design. Within each singular expression of creativity lies a precious reminder of ritual and custom, exuding presence of age-old mystery while spontaneously arousing vital powers of the imagination. Training Bachelor of Architecture – University Natal South Africa, 1980 Ceramic Science – Technikon, Durban, Natal, 1986 Awards Judges Award – Ceramic Artists Association of W.A. Annual Exhibition – September 2009 City of Melville Art Awards – Highly Commended 2009 – WA Longhouse Reserve – New York – USA Klenot/Dekora – Palace of Culture, Prague – Czechoslovakia 2000 Art for Asia – Hong Kong – China 1997 Design Award National Ceramics Biennale 1996 – South Africa 1st Prize Corobrik Ceramic Expo – South Africa 1989 Private Collections Bill Clinton – Former President USA Nelson Mandela – Former President of South Africa Tina Turner – Singer and song writer Peter Gabriel...

Regina Heinz B. 1957 SUNRISE 1998 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

Regina Heinz B. 1957 WINDOW 1999 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

Regina Heinz B. 1957 SCENIC VIEW I 1999 Regina's award winning work has been purchased by the National Art Collector's Fund and is presented in collections worldwide, including the Fitzwilliam Museum in Cambridge, the Museum of Contemporary Ceramics in Gifu, Japan, the International Ceramics Museum in Faenza, and the Yingge County Ceramics Museum in Taipei. With degrees in painting from the Academy of Fine Arts in Vienna and in ceramics from Goldsmiths’ College, London, Regina combines in her work the sensibility of a fine artist with outstanding expertise in ceramics. As an artist, Regina draws on her love for her native countryside and her background as a painter. Her passion for colour, form and beautiful ceramic surfaces led her to set up her architectural ceramics practice in 2011 to explore the integration of art, architecture and landscape. Regina regularly works with international interior designers, art consultants and private clients world-wide. Her portfolio includes an exclusive 3D tile line for the American tile retailer Ann Sacks...

A rare, late-17th century / early-18th century, fall front bureau with gilded Chinoiserie Japanning & faux tortoishell ground. “Before Japan was made in England, the imitation of tortoise-shell was much in request for cabinets, tables and the like“. John Stalker and George Parker, a treatise on Japanning and varnishing (originally published in 1668), Alec Tiranti, 1998, p. 75. - This bureau is decorated in one of the most fashionable styles of the Baroque period, Chinese lacquer with gilded decoration and tortoiseshell imitation ground and would have been a statement piece within the interior. - The colours, which have become muted from atmospheric conditions over time, are still striking and colourful evoking warm and richness. - It has come from a private collection where it has reputedly been for many generations which explains why it is in such original condition retaining the original hinges, lock and catches. - Pieces of imitation tortoishell with gilded lacquer decoration are rare, the last piece I handled was a chest of drawers about 20 years ago. - Tortoishell furniture was only affordable by royalty and the elite and the height of fashion in the 17th century, as was producing things that were not what they seemed. One of the oldest examples of faux material from the Baroque period is at Rosenborg Castle in Copenhagen where, in 1667, the royal bed...

Exceptionally rare museum piece retaining the upper cresting Lovely repousse in deep relief with fruit, grapes and berries suggesting this was made for a dining room The hand holdi...

Extremely rare survival of a vernacular tin wall sconce Unusually incorporating mirror plate which was an expensive material suggesting this was made for an affluent customer The m...

Extremely rare survival of a 17th century vernacular iron wall sconce Unusually incorporating a hood to protect against fire and reflect the heat back into the room so it does not r...

Charming sculpture of a bird perched on a bough singing. Measures: length 6cm., 2 1/2" depth 5cm., 2" height 13cm., 5".

This sculpture has taken on a different character over time as it has weathered and the detailing has softened. Time has given it a pared down, minimalist quality juxtaposing the R...

Charming delft dish demonstrating how exotic the East appeared to Europe and a sense of wonder it portrayed. Unusually painted in the 'Wanli' style demonstrating the mania in Europe...

Top with original fluted metal drip pan. Border of carved lappets below the wooden top. The base with baluster, mushroom and fluting turnings ornamented w...

Fine, 18th Century, Italian, Carved & Gilded Pricket Candlestick Upcycled Into A Table Lamp, 31½” High Finely carved with classical turnings and ornamentation, the gilding burnished...

Beautiful collectors item or decorative object. Suitable for regular use injecting a touch of history into gardening A fine Victorian oval, brass watering can or hot water jug...

Classic form with a twist. The mink upholstery is luxurious elevating the bar stool into a luxury item. Practical with swivel function and adjustable. Provenance private collect...

Large, striking, French, St Louis Crystal ribbed glass vase decorated with fine gold enamelled Iris flowers. The tops with fine gilded feathering. The base...

Surviving pieces of vernacular lighting are extremely rare and it is hard to source convincing re-creations. These are copies of a period fitting from xx and have a plausible antique...

- Really unusual, characterful conversation piece of military/aeronautical history ex British Army or Air Force - In totally original condition - Can be used as a occassional table f...

Classic Art Deco design Ergonomic with adjustable shade, long swivel arm and support all with screws to fix into position On a square stepped plinth base, engraved REH EP The p...

Perfect size for house plants, seeds or carrying hot water. Beautiful collectors item or decorative object. A fine Victorian oval, brass watering can or hot water jug. Upper bras...

A charming early tobacco box or tea cannister Unusual, large size Lovely soft contours which enhances the reflection of light in the interior Original condition including hinges length 21cm., 8 1/4" depth 7.5cm., 3" height 11cm., 4 1/2". The Dutch were the main importers of tobacco in the 18th century and manufactured tobacco boxes to sell with...

Attractive classical ornamentation creating relief and depth. The heart motif is a charming feature The brass amplifies the heat and reflects the light in the room Two elaborate...

La Terre Sainte, The Holy Land, Tiree Des Memoires De M.De.La Rue. Par N. de Fer. Geographe de Sa Majeste Catoliq et de Monseigneur le Dauphin. Avec Privil du Roi 1703 Detailed map of the Holy Land from Nicholas de Fer's L'Atlas Curieux ou le Monde. East is oriented at the top. MAKER Nicolas de Fer 1646-1720 The French cartographer and engraver, Nicolas de Fer, was a master at creating maps that were works of art. The maps that he published were printed during the Baroque period when the decorative arts were characterized by ornate detail. De Fer’s detailed maps and atlases were valued more for their decorative content than their geographical accuracy. Nicolas de Fer was born in 1646. His father, Antoine de Fer, owned a mapmaking firm. At the age of twelve, Nicolas was apprenticed to a Parisian engraver named Louis Spirinx. The family business was starting to decline when his father died in 1673. Nicolas de Fer’s mother, Genevieve, took over the business after the death of her husband. In 1687 the business was passed on to Nicolas and the profits increased after he took over the firm. Nicolas de Fer was a prolific cartographer who produced atlases and hundreds of single maps. He eventually became the official geographer to King Louis XIV of France and King Philip V...