Lynx Hollow Antiques Case Pieces and Storage Cabinets

A Florentine carved cream painted parcel gilt slant-top desk bureau with nicely aged dark warm distressed patina over the whole! Crafted in Florence, Italy, circa pre-1940, executed...

A fine quality Louis XV - XVI Transition style breakfront chest of drawers Exquisitely hand-crafted in Genova, Italy in the mid-20th century, the important Mediterranean port city ...

A rare and most impressive early American Queen Anne style blanket chest, dating to the 18th century, found in New England, having a molded pine case fitted with rectangular iron pin-hinge top, opening to a deep storage compartment interior with faux drawer facing, over two lower drawers with hand cut dovetail joinery, rising on shaped bracket feet, early grain-paint over original red paint, adorned in later brass fittings, all enhanced by beautifully aged distressed original patina. circa 1750, Northeastern United States Provenance / Acquisition: O'Neill-Leonard Antiques...

A fine quality antique French credence cupboard by Eugene Dienst & Fils (active circa 1870-1900) Late 19th century, France, St. Faubourg Saint-Antoine region of Paris, at the time a legendary district renowned for the shops of some of the finest ébénistes (cabinetmakers) in all the world. This remarkable Parisian credence cupboard (dining buffet - sideboard - credenza, originally used for the storing and displaying of plates and for serving at banquets), circa 1880, showcases excellent quality craftsmanship, hand-crafted solid oak construction and profuse hand carved ornamentation, exceptionally executed in medieval Gothic inspired Renaissance era style, one-piece design, having a stepped cornice over dual cabinet doors, each with central portrait plaque among foliated scrollwork arabesques in low and high relief adding distinct three-dimensional qualities, warmth and rich depth. The doors opening to a shelved interior storage compartment, above a single dovetailed drawer with relief shell-form handle. Turned drop-finials flank ornate turned bluster-form column supports adorned in intricate acanthus carvings, rising on a conforming hexagonal platform base where the flowing scrolling foliate carvings continue over stepped molding, having large lower open display shelf against paneled backplate, further rising on sculpted tapering feet. The backside of the case giving a glimpse into the quality with visible hand-cut dovetail joinery. - Signature / Makers Mark / Hallmarked / Blind Stamp: Burn stamped to verso: "AMEUBLEMENTS / E.DIENST & FILS / PARIS / RUE DU FBG ST. ANTOINE 86" Retaining adhesive label to verso: "F. LE GALLAIS & SONS, DEPOSITORIES JERSEY" (Chanel island...

A late 19th century French Gothic Revival carved walnut burlwood tiered shelf-top locking corner cupboard with hidden storage compartment and ornate pyrography decoration. Hand-craf...

A fine quality chest of drawers by famed architect and designer Carlo de Carli (Milan, Italy; 1910-1999) for Sormani, model D154, circa 1963, executed in visually striking lacquered ...

A large and most impressive old fashioned industrial American general store counter. Hand-crafted in the United States, the monumental nearly 8-feet long 3-foot tall American country mercantile / retail store counter features strong sturdy solid wood construction with distinctive architectural styling, including Victorian Gothic pointed arch windows, molding, and corbels in distressed white paint finish, over weathered bluish gray shiplap front, with a bare pine plank boarded overhanging top with desirable grain patterns, above huge open back providing truly generous amounts of storage space. Dimensions: (approx) 35.5" High, 95.5" Long, 28.625" Wide As attractive as it is functional, having the ideal large size and proportions for a variety of different uses, including as a chic farmhouse kitchen island; rustic industrial modern credenza, sideboard server or buffet; oversized console or tall sofa table; home or commercial dry bar; resort reception, lodge or boutique hotel front desk...

An extraordinary Louis XV period (1715-1774) French ormolu mounted tulipwood and kingwood marquetry bombé sauteuse commode by master Parisian ébéniste André-Antoine Lardin. circa late 1740s In our 40+ years we have not came across a chest of drawers that captures our attention like this one! Exquisitely hand-crafted in Paris in the mid-18th century, exceptionally executed in opulent and luxurious period King Louis 15th taste, featuring a curvacious serpentine-front bombe-form solid wood case fitted with two drawers, adorned with finely chased, chiseled and gilded bronze doré mounts, including rare and most distinctive sculptural fiolated scroll Rocaille handles, flanking ornate keyhole escutcheons with original key included. In absolutely stunning rare and exotic precious tulipwood and kingwood veneer work with striking warm rich highly figured grain patterns, elegant floral marquetry inlays and fascinating early sunburst panels. Topped with the original serpentine shaped Brèche de Médous marble-top with stepped molded edge. The Breccia de Médous is extracted in the towns of Médous and Asté, near Bagnères-de-Bigorre in the Hautes-Pyrénées. This dramatic breccia is composed of angular elements of contrasting colors ranging from black to yellow to gray creating a bold but subdued visual display. Signed, retaining the original LARDIN blind stamp to top proper-right rear post underneath marble. André-Antoine Lardin (1724-1790) is a celebrated Master Cabinetmaker, earning maître in 1750, and particularly respected for his extraordinary woodworking veneer - marquetry work. - PROVENANCE / ACQUISITION: From the important collection of Loyd-Paxton, Dallas, Texas. Property from the magnificent Estate of Mr. and Mrs. Robert Morris Graham Sr., El Paso, Texas, but also with homes in Dallas, Texas and Pebble Beach, California. Acquired from the highly reputable auction house Heritage Auctions, Dallas, Texas. 2024 Furniture & Decorative Art Featuring The Collection of Mrs. Henry Ford II Signature Auction Catalog #8167 Loyd Paxton Gallery, Dallas, Texas. With one of the finest collections in the world and prominent customers to match, including Sir Elton John, Truman Capote, Saudi Prince Faisal, and the Sultan of Brunei. Rare French antiques from Loyd-Paxton made their way into Versailles when it underwent renovations, and the Metropolitan Museum of Art in New York purchased furnishings, including a dazzling Louis XIV Boulle desk that had been owned by the Sun King himself. Betty Jo Graham might not hold celebrity status but her remarkable life and many contributions to American history and the arts community of El Paso, Texas, make her deserving of the limelight nonetheless. Affectionately known to her friends as BJ, led a remarkable life that intertwined a deep passion for music with significant contributions to her community and country. BJ embarked on her vocal journey at the age of 12, studying under the esteemed Mini Ferguson Owens at the University of Wichita. Her pursuit of musical excellence continued in the same institution, where she later attended college. BJ's life was not solely dedicated to music; she also played a vital role in American history. During the tumultuous times of World War II, she contributed her skills to the Cessna AT-17 training program, a crucial effort in preparing pilots for combat. She worked as an electrical wiring diagram analyst for Boeing Engineering Development on the iconic Enola Gay project in 1956. BJ's heart always remained with music. She continued to refine her vocal skills with notable figures such as Maude Douglas Tweedy in New York City and John Charles Thomas in Apple Valley, California. Her love story with Robert Morris Graham Sr., whom she married in 1975, was filled with shared adventures and travels across the globe, living in places from Dallas, Texas, to Pebble Beach, California, and El Paso, Texas. As a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica, she played a pivotal role in nurturing the musical landscape of her community. Her support extended to various causes, including the El Paso Opera, Holocaust Museum, Museum of Art, and many more, showcasing her belief in the transformative power of art and culture. Betty Jo Graham's journey through life reflects a profound dedication to her passions, community, and the arts. Her legacy, marked by her music, history, and philanthropy contributions, inspires and impacts many, ensuring that her melodious spirit will be remembered and cherished for future generations. After traveling the globe and living in cities across the country, Graham and her husband, Robert Morris Graham Sr., eventually settled in El Paso, where she served as a trustee of the El Paso Symphony Orchestra and a board member of the El Paso Symphony Youth Orchestra and El Paso Pro-Musica. Though Graham had a lifelong passion for music and played a pivotal role in nurturing the musical landscape of her community, her philanthropy extended to various causes, including the El Paso Opera, El Paso Holocaust Museum and El Paso Museum of Art, showcasing her belief in the power of art and culture. A patron of the arts, Graham was also a collector of fine jewelry, with a particular fondness for eye-catching, statement-making rings, necklaces, earrings and more, and Heritage was honored to present Property from the Estate of Mrs. Betty Jo “B.J.” Graham as part of its Spring Fine Jewelry Signature Auction. Inscription to placard on reverse: FROM THE COLLECTION OF LOYD-PAXTON DALLAS, TEXAS Signatures: Original blind stamped LARDIN to top of rear post. Bronzes not removed to inspect for foundry marks. - DIMENSIONS: (approx) 33" High, 42" Wide, 20.75" Deep - CONDITION REPORT: Overall a superb example, especially considering its nearly 300 years old. Beautifully aged warm patina, antique wood glow and lustrous sheen. Strong, sturdy, stable, structurally sound. Evidence of restorations, likely by Loyd-Paxton, including high-quality bespoke upholstered drawer lining. Typical wear commensurate with age, use, handling and exposure, including minor nicks to edge, age splits scattered throughout body, expected antique character and charm. Marble top is in great shape. Accompanied by two working keys. Overall outstanding presence, delivered cleaned, waxed, with hand rubbed polished patina, ready for immediate use and generational enjoyment! - INTERESTING ADDITIONAL INFORMATION: This elegant commode typifies the fashion for furniture mounted with exotic and rare woods, exquisite marquetry-work, and decadent Rococo bronzes. Andre Antoine Lardin, also known as N.B. Lardin was born in 1724 and died on 10 August 1790. He held his master's title from 1 July 1750 and was particularly respected for the exceptional quality of his veneering / marquetry. A well known and regarded maître ébéniste, Lardin’s career is somewhat thinly documented, most likely due to the upheaval and record destruction during the Revolution, notably when the guilds in Paris and elsewhere were abolished in 1791. Lardin worked for various marchand-mercier (furniture dealers) and probably also for a private clientele. He ran his workshop first in the Rue de Charenton and from 1770 in the Rue Saint-Nicolas. His two sons, André Antoine II and Louis François, worked with him for some time and the second-named became his successor in the Rue Saint-Nicolas. Lardin is known to have worked for the marchands André-François Carré, this superb commode having almost most certainly been commissioned through the intervention of one of these fashionable dealers. The marchand-mercier André-François Carré, is recorded rue Froidmanteau, "Magasin de glaces, porcelaine ébénisterie et curiosités pour les cabinets d'histoire naturelle." Carré also worked with two vernisseurs (vernis Martin): Porchon and Prévost. All of Lardin's furniture is classic in form and decor, well crafted and mostly veneered in rosewoods or violet wood. Lardin worked in the taste of the time with geometric patterns, cartouche fields and simulated fluting. Furniture with elaborate inlays such as birds, trophies, urns, landscapes, or flowers and sunburts such as this stunning example appear more rarely. The stamp JME stands for Jures Menuisiers Ebeniste and notes the guild affiliation of the master. The Corporation des Menuisiers-Ébénistes was a French craft guild which was concerned with the profession of woodworking. Some JME stamps are worn down from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is likely indicative of work made prior to reaching maître ébéniste (master cabinetmaker), denoting an early and exceedingly scarce example. Eighteenth century French furniture...

A rare and stunning fine quality French Transitional Tulipwood, Kingwood, ormolu, Brocatelle Violette secrétaire bookcase by renowned Parisian cabinetmaker Maison Gouffé. circa 1925 ...

A rare, one of a kind late 19th century French carved oak coffer now fashioned as a functional bench as well, featuring modern purple trompe-l'œil faux cushioned seat upholstery with distinctive printed three dimensional button tufting. Blending traditional old world European furniture with bold contemporary style, the original antique coffer / trunk / blanket chest, circa 1875, having a hinged top that lifts open to reveal a spacious interior storage compartment and lid with contrasting red upholstery. The outside having a decorative front panel with cartouche framed by ornate floral and ribbon garland carvings, mounted with iron carrying handles at the sides, over a molded base, with heavy-duty three board planked bottom, rising on front bun feet. Dimensions: (approx) 23" High, 28.25" Wide, 19.25" Deep As warm and attractive as it is useful, having the ideal size and proportions for a variety of different uses, including as a end table, coffee table, ottoman, chair / bench, coal hod bucket / fireplace seat...

A charming antique Indonesian floral hand-carved wooden wedding chest. Hand-crafted in Indonesia in the early 20th century, likely the island of Madura or Java, this distinctive ch...

A stunning French Provincial crème painted chest of drawers commode with beautifully aged original patina and interesting provenance! Exquisitely hand-crafted in France in the late 18th / early 19th century, exceptionally executed in elegant, sophisticated and luxurious King Louis 15th taste, topped with the original rouge red Pyrenees marble top with striking white veining, serpentine-shaped front and molded edge, over a conforming solid wood case fitted with a secret hidden storage compartment and four dovetailed drawers, each with ornate gilt-bronze handles and escutcheons. When you remove the top left drawer, the center panel with faux escutcheon can slide over and reveal a concealed wooden drawer for valuables. Elegantly decorated, the drawer fronts and rounded corner posts adorned with subtle carvings, paneled sides, scalloped apron with hand carved Rocaille shell and scroll motif, rising on short cabriole legs. In the original cream paint finish with distressed chippy paint patina perfection! PROVENANCE / ACQUISITION: Private collection of Floyd and Beverly Sherman (1939-2024) who purchased it for $35,519 in 2001 (paperwork included) Beverly was an iconic owner, exhibitor and breeder of the Tennessee Walking Horse...

A fine Biedermeier Period (1815-1848) walnut maple burlwood marquetry table cabinet - wunderkammer (cabinet of curiosities) with fifteen drawers and concealed secret compartments, circa 1820. This architectural curiosity cabinet is a testament to the ingenuity and artistry of European craftsmen from the early 19th century. The highly figured quilted wood grain, warm rich burled walnut panels, and hand sculpted and molded ebonized wood exterior boasts a dark, lustrous sheen, while delicate hand carved details adorn its surface, showcasing the finesse and precision of its creator. Probably Southern Germany, most likely Augsburg, having a rectangular raised top with visible hand cut dovetail joint case housing a single drawer, over exquisite stepped moulded ebony transition into large double door cabinet with the original hand forged iron hardware, opening to reveal an interior fitted with eleven drawers surrounding a single locking cupboard door, unlocking to reveal a stunning eight-pointed star marquetry inlaid spring loaded niche panel with hidden release, when triggered the niche slides out to reveal a trio of hidden storage compartments, including a deep bin and two small hidden drawers for the owners most precious valuables. Rising on shaped ebonized wood molding, over a distinctive masculine scalloped skirt, resting on ball feet. Every inch of this remarkable antique cabinet reflects the warmth and depth of European craftsmanship during the early 19th century — a period celebrated for its quality, superior craftsmanship, comfort, and viewpoint furniture was meant to be publicly displayed. The intricate detailing, exotic and expensive materials, ingenuity and artistry transport you to a time of sophisticated elegance and refinement. Place this exceptional cabinet in a distinguished office or collectors study, an opulent living room, as a monumental jewelry...

A very fine quality French Louis XVI style gilt bronze ormolu mounted matched kingwood display cabinet / vitrine by the luxurious Parisian furniture maker Maison Krieger (1826-1910) Exquisitely hand-crafted in France in the early 20th century, exceptionally executed in sophisticated King Louis 16th taste, having a dramatically veined marble top, over glazed glass front and side panels, opening to single glass shelf and mirrored back, over ribbed cabinet...

A stunning large antique Tuscan two-door cabinet (buffet - credenza) with Renaissance style polychromed decoration. circa 1850 Hand-crafted in the Provincial Tuscany region of central Italy in the mid-19th century, old solid wood construction, most likely pine, in the original paint finish, Neoclassical taste, having a rectangular top over conforming two door cupboard, opening to spacious interior fitted with one shelf, rising on tapering squared legs with ring-and-spike feet. The doors and sides feature inset panels with beautiful medieval Florence hand painted whimsical flags capped by grotesque scrolling foliate embellishments. Dimensions: (approx) 48.25" High, 63.75" Wide, 27.5" Deep As warm and attractive as it is versatile, having the ideal size and proportions for a variety of different uses, including as a dining room sideboard, family room media stand or credenza, oversized hall console, farmhouse kitchen cupboard...

A rustic antique French Baroque carved oak tabernacle curiosity cabinet, 18th century or earlier, having an architectural form with elaborate molded cornice, over central niche, surr...

A handsome rustic antique Italian walnut chest of drawers commode. circa 1780 Hand-made in Italy in the second half of the 18th century, styled in Neoclassical inspired Louis XVI pe...

A most impressive large scale refined English country house faux painted pine satin birch linen press armoire (or housekeeper’s cupboard) by Gainsford & Company, London, England. H...

A rare and most impressive rustic Indian metal mounted spindled and carved wood cabinet. Hand-crafted in India in the 19th century, the one-of-a-kind folk art work...

A handsome period George IV (1820-1830) mahogany bow front chest of drawers dresser - commode. Hand-crafted in the United Kingdom in the early 19th century, luxurious and refined E...

A rare and likely one-of-a-kind rustic country French oak and marquetry enfilade buffet. circa 1775-1825 Born in Provincial France in the late 18th / early 19th century, hand-crafte...

A magnificent Mid-Century Modern Brutalist style sculptural faux fireplace bar cabinet. Sure to become the focal point of any room, most impressive size standing nearly eight feet t...

A scarce antique European, most likely Dutch, inlaid mahogany transformative buffet server. circa 1780 Hand-crafted in Continental Europe in the late 18th century, styled in period ...

A magnificent antique metal-bound solid teak wood damchiya marriage dowry chest with hidden compartments and beautifully aged patina! Hand-crafte...

A magnificent fine quality antique European pewter-inlaid cabinet. Exquisitely hand-crafted in Continental Europe in the 19th century, most likely Northern Italy, exceptionally exe...

A rare, one-of-a-kind antique Italian painted marbleized parcel gilt cabinet with beautifully aged distressed patina. circa 1830 Hand-crafted in Italy in the mid-19th century, high-...

A scarce nearly 300 year old antique Parisian travel trunk / storage chest by La Forest. Exquisitely hand-crafted in Paris, France in the first half of the 18th century, during the remarkable King Louis XV period (1715-1774), fine quality craftsmanship, construction and luxurious materials, featuring a solid wood frame with patinated metal mounts wrapped in animal hide binding to top and front, dual rolled iron carry handles at sides, slatted back and sturdy plank boarded verso, having a hinged dome top, open to original plaid flannel fabric lined interior, retaining maker's label under lid, signed La Forest. circa 1725 The label reads: Aux Armes De France Rue Saint Barthelemy, au bas du Pont-au-change, vis-a-vis l'Horloge du Palais La Forest, Maitre Coffretier- Malletier ordinaire de la Maifon de Condé : Fait & vend touted Fortescue de Coffres, Malles, Valifes, Etuis de Chapeaux, Fourreaux de Piftolets, Malles de Rouffi, & autres Marchandifes concernantles Voyages, Cantins, Caves, Malles de Lits, Coffres a Vaiffelles, Paniers de Bagages, & toutes Fortescue d'Equipages d'Armees. Le tout a jufte prix A Paris Translated: Street Saint Barthelemy, at the bottom of Pont-au-change, opposite the Palace Clock...

Make a statement with this rare mid-century Italian modernist bar cabinet (sideboard buffet) attributed to legendary designer Osvaldo Borsani (Italy, 1911-1985), circa 1950s. Havi...

A Georgian era (1714-1837) English oak mule chest. Born in the late 18th / early 19th century, during the reign of King George III (1760-1820), fine quality craftsmanship and constr...

Elegant and sophisticated antique French Louis XV style kingwood parquetry marble-top commode sauteuse. Born in France in the 19th century, exquisitely hand-crafted in luxurious 18...

A scarce early American painted pine barbershop back bar. circa 1840 Born in the United States in the first half of the 19th century, this remarkable rare antique barber station...

A most charming nearly 300 year old Swedish country farmhouse painted corner cupboard with beautifully aged warm rustic heavily distressed patina! circa 1730 Born in Sweden in the f...

A large and most impressive antique country American farm house painted kitchen cupboard with beautifully aged warm rustic heavily distressed chipp...

Southwestern France, circa 1820, Provincial Picardie influences, having a rectangular three board planked top, over a trio of frieze drawers, featuring central open shelf wine bottle...

A rare and important American Art Deco Century of Progress Sideboard by iconic designer Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana. circa 1933-1936 Created for the 1933 Chicago World's Fair, fine quality craftsmanship and construction, having a rectangular exotic rosewood veneered top over conforming solid wood case fitted with four drawers affixed with horizontal pulls, the top drawer opening to reveal felt lined divided interior for silverware, flanked by cabinet doors opening to shelved interior, subtle geometric lines add interest. Rosewood, mahogany, richly figured blonde - golden birch or primavera. Signed, top drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching display case - vitrine cabinet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic Collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

A rare, one-of-a-kind antique, circa 1860, country Swiss folk decorated wood immigrant's travel trunk. Handmade in the Meilen region of Zürich, Switzerland, in the mid-19th century, crafted of solid oak and pine, rectangular steamer chest...

A stunning period Louis XVI (1774-1793) French commode in the original paint finish. Hand-crafted in France in the 18th century, exceptionally executed in refined luxurious Neocl...

Add sophisticated antique character, elegant warmth, and rich historical depth to any space with this scarce period Louis Philippe (1830-1848) wash stand in stunning exotic burled am...

A shabby chic vintage country French Provincial Louis XV style distressed painted bombe chest of drawers commode, 20th century, having a serpentine shaped faux marble top, curvacious...

A scarce 300-year-old Spanish Colonial period leather clad and carved travel chest with beautifully aged patina. circa 1725 Born in the first half o...

A scarce antique European religious polychromed gilt wood and cast iron mounted church altar tabernacle. Hand-crafted in the 19th century, hig...

A stunning grand Italian midcentury Venetian Baroque patchwork burlwood sideboard. Exquisitely handcrafted of warm richly figured burled walnut, born in the Veneto region of North...

A charming rustic country French Provincial oak vaisselier with beautifully aged patina. Born in France during the first half of the 19th century, hand-crafted of warm richly grai...

A stunning fine quality antique, circa 1860s/1870s Italian chest of drawers commode. Hand-crafted in Italy in the third quarter of the 19th century, influenced by Napoleon III Se...

A charming vintage 18th century Louis XV style paint-decorated solid wood country French enfilade. Born in France in the Mid-20th Century, featuring quality solid wood constructio...

A scarce example of early Biedermeier Period (1815-1848) chest of drawers commode. circa 1820 Finely hand-crafted in the Baltic Region of Northern Europe in the early 19th century...

A rare Art Deco period eight-piece study suite set in the manner of famous Austrian architect, designer, and Vienna Secession founder Josef Hoffman (Austria, 1870-1956), circa 1920. Exquisitely handcrafted in Austria in the early 20th century, most likely Vienna, featuring fine quality craftsmanship and solid wood construction, featuring Biedermeier inspired Viennese Art Deco styling of simplicity, strict, geometric lines with minimal surface embellishment, instead of ornamentation putting the focus on high-quality materials. The matching eight-piece set comprising a tanker writing desk with inset leather surface, surmounted with raised gallery fitted with drawers flanking richly figured quilted diamond inlay, rising on double pedestals with locking cupboard doors opening to stacked shelved tray interior, affixed with patinated brass pulls and escutcheons, retaining original keys, finished on all sides so it can be placed anywhere in the room, and paired with a comfortable armchair with upholstered seat and backrest. A large eight door bookcase storage cabinet with original glass panels, adjustable shelves, and cocktail drinks bar slide. A centre card table with rectangular shaped canted corner top featuring inset green baize felt games playing surface, over conforming apron fitted with dovetailed drawers, rising on square column pedestal, surrounded by four upholstered side chairs. PROVENANCE / ACQUISITION: Property from the important Estate of Myra Janco Daniels (1925-2022) Naples, Florida. A legendary business woman, philanthropist, and arts advocate who built the institution known today as Artis—Naples and made Naples a cultural destination. Additional info below. Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. Design Signature Auction catalog #8110 Condition Report: Great original antique condition with beautifully aged warm mellow patina. Strong, sturdy and structurally sound. Overall very attractive condition; no significant losses or restorations; wear consistent with over 100 years of age and indicative of use. Delivered cleaned, waxed, hand rubbed polished French patina finish, ready for immediate use and generational enjoyment! ABOUT THE LEGENDARY PREVIOUS OWNER: We normally don't post about the prior owners life, but in the case of Myra Janco Daniels (1925-2022) we felt her incredible story be shared. The arts visionary and advertising Pioneer who helped transform Southwest Florida into a nationally recognized cultural destination, died June 22, three days before her 97th birthday. Daniels was founder and longtime CEO of the Philharmonic Center for the Arts (now Artis-Naples), which since 1989 has brought world-class music, theater, dance, opera, and art to Naples. In 2000, she founded the Naples Museum of Art (now the Baker Museum) on that same campus. After a storied career as an advertising executive in Chicago, Daniels came out of retirement in the early 1980s to spearhead a fund-raising drive for a small classical music ensemble on MarCo Island, which would later become the Naples Philharmonic orchestra. She discovered “a great hunger for the arts,” she later wrote, and soon expanded her fundraising goal to building a permanent home for the orchestra and an arts center for Southwest Florida. Daniels’ vision for the Philharmonic Center was ambitious and unusual – combining world-class performing and visual arts in a single venue. The Community strongly supported the concept, and the Phil, as it became known, gave Naples a national arts profile. Then-First Lady Barbara Bush was in attendance on opening night in November 1989. The Wall Street Journal covered the opening. “Myra Daniels is a dreamer. But unlike most dreamers, Myra is a doer,” the late Muriel Seibert, the first woman to own a seat on the New York Stock Exchange, once said of Daniels. While the arts were a lifelong passion for Daniels, her first career was as a groundbreaking advertising executive in Chicago, where she won national Advertising Woman of the Year honors and was among the first women to head a national ad firm. Daniels said that she used some of the same principles learned in her advertising career to sell Southwest Florida on the arts. “You have to believe in what you’re doing and then you have to get people involved to the point that they feel it’s theirs. That’s what we did.” Born Myra Janco in Gary, Indiana, Daniels was raised during the Great Depression by parents who encouraged her interest in the arts. But her greatest influence growing up was her grandmother Sophie, who, like Daniels, stood only five feet tall but dreamed big. “Sophie showed me what was possible,” Daniels wrote. “Create something that people want and need and you’ll be successful, she said. I always remembered that.” Her grandmother, who ran her own real estate business, experienced some failures “but she always dusted herself off and went back out there swinging. She wanted me to be that way too.” Daniels earned her bachelor’s and master’s degrees from Indiana State and later became an associate professor of marketing at Indiana University, the first woman to hold that position. In her mid-20s, she started Wabash Advertising in Terre Haute, Indiana, which later became affiliated with larger agencies in Chicago and Cleveland. In 1963, she was named executive vice president of Roche, Rickard, Henri, Hurst, Inc. in Chicago. The National Advertising Federation honored Daniels as its Advertising Woman of the Year in 1965, the youngest woman to receive the award. That same year, she became president of a new national agency that she formed with ad man Draper Daniels. The merger was not just a professional one. Draper Daniels, who was responsible for many famous ad campaigns at the time, including the Marlboro Man and was later an inspiration for the Don Draper character on TV’s Mad Men, became her husband in 1967. Myra wrote about their unusual courtship and life together for Chicago magazine, in an article entitled “I Married a Mad Man,” which was included in her book Secrets of a Rutbuster. They ran the Draper Daniels, Incorporated agency, as it was called, until 1977. When Draper wanted to retire to Southwest Florida, Myra Daniels reluctantly left Chicago and advertising, and they settled on MarCo Island. But after Draper died of cancer in 1983, Myra turned her energies to the fundraising Campaign that led to the Philharmonic Center Cultural Complex. Daniels served as CEO of the Philharmonic Center from its inception in the 1980s to her retirement in 2011, building the Phil into a $100 million corporation. During that time, the Naples Philharmonic became a nationally recognized orchestra, with a Grammy nomination, CD and appearances on PBS; and the Naples Museum of Art developed an international reputation. The center also helped change people’s perception of Naples, which had been known mostly for its beaches and golfing. In 2005, Naples was named the Best Small Art Town in America in a book that singled out the Phil. More than just an arts venue, the Philharmonic Center also wove the arts into the culture of the Community, providing public school programs, adult and children’s education classes and workshops, and free concerts throughout Southwest Florida. Edward Villella, legendary dancer with the New York City Ballet and founder of Miami City...

A vintage French Provincial walnut and oak semainier chest of drawers. Handcrafted in France in the Mid-20th Century, high quality solid wood construction, finished in elegantly s...

A scarce French Louis XV Period (1715-1774) walnut sideboard server. Born in France in the second half of the 18th century, likely Lyon region, retaining the original shaped marble top with molded edge, atop conforming demilune case fitted with three centered drawers, each with dovetail joinery and serpentine shaped drawer-fronts, flanked by reeded columns and early wooden slat tambour doors, sliding open to reveal a single shelf, all rising on elegantly curved cabriole legs, ending in carved deer hoof feet. Remnants of old shipping label to top. circa 1770 For the most discriminating buyer, this rare antiques 250 year age is not obvious and only begins to reveal itself when a most discerning eye looks closely at every detail. Dimensions: (approx) 34.25" high, 36" wide, 15.5" deep Ideal size and proportions for a variety of different uses, including as a dining server...

A vintage French Provincial Louis XV style carved walnut sideboard. Hand-crafted in France in the mid-20th century, excellent quality, exceptionally executed in timeless 18th cent...

A classic Gustavian Period (1772-1809) Swedish painted pine two door kitchen cupboard sideboard. Handcrafted in Sweden around the turn of the late 18t...

A magnificent antique French Renaissance Revival hunt sideboard, signed, circa 1854. Exquisitely hand-crafted in France in the mid-19th century, fine...

A magnificent rare, large and most impressive 19th century Gothic Revival hand carved painted parcel gilt bibliothèque (bookcase - buffet sideboard - china cabinet hutch - vitrine) ...

A scarce period late 16th / early 17th century with later elements Elizabethan carved oak three-tier court cupboard - sideboard server. English / Northern European; circa 1600 Hand-crafted of solid oak single board planks, heavy profusely carved bulbous turned columns, scalloped and pierced decorative elements and elaborate carvings. Provenance / Acquisition: Acquired from reputable auction house Bright Star Antiques, Sulfur Springs, Texas. Very similar notable examples can be found: Christie's; auction 14963, The Collector: English and European Furniture, Works of Art & Ceramics & Silver catalog, October 2017, lot 576, Property of the Metropolitan Museum of Art, Elizabethan three-tier oak court cupboard, circa 1600 with modifications Philadelphia Museum of Art; Gallery 363, European Art 1500-1850, third floor, English court cupboard...

A rare and most unusual Thompson-Plaster electrical cabinet, by Physician's Specialty Company, Leesburg, Virginia, United States. The historic turn of the late 19th / early 20th century quack medicine machine used a violent ray electrotherapy apparatus as a cure-all, claiming to cure numerous ailments, cancers, and more. Featuring the original oak framed glazed glass-covered marble top for use with 'medical' instruments, atop quartersawn oak chest fitted with three graduated drawers, opening to reveal various associated equipment and supplies, including blown glass evacuated tube implements of varying shapes and for different therapeutic uses. High-quality solid wood case, rising on castors. Signed, retaining the original manufacturer plaque. Museum quality. Provenance / Acquisition: Reportedly purchased by Dr. Slaughter, of Goldthwaite, Texas, May, 1903. Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. Day 2 of 3, Important Estates catalog. 2021 Similar examples can be found in select museum collections and exhibitions, including Loudoun Museum, Leesburg, Virginia. Holmes Medical Museum, Foley, Alabama. Dimensions: (approx) 40.75" High, 26" Wide, 17.5" Deep Condition: Excellent original antique condition. Museum quality. Unknown if complete. Wear consistent with age and use. A scarce example of medical quackery...

A fine French antique, circa 1900, Transitional Louis XV - XVI style marble-top chest of drawers commode. Hand-crafted in France in the early 20th century, exceptionally executed in 18th century Regence taste, of excellent quality, craftsmanship and solid wood construction, featuring stunning matched veneer and banded serpentine shaped case, fitted with three graduated dovetailed drawers. Each drawer affixed with original patinated gilt brass Rocaille pulls flanking ornate complimentary escutcheons, over chiseled gilt bronze mounted scalloped apron, rising on tapered French transition legs, ending in sabots. Topped with the original rouge red marble...

A stunning example of refined French elegance, sophistication, and rich luxurious warmth. Born in France in the mid-20th century, the finely hand-crafted mahogany étagère features ...

A rare and most impressive one-of-a-kind 19th century country French industrial general store counter. Finished on all sides, today this most distinctive work of art would make for...

A most distinctive Swedish Country hand painted wooden stand. Hand-crafted of solid pine, most likely Gustavian Period (1772–1809), finished on all sides, showcasing layers of the or...