Martin Lawrence Galleries Prints and Multiples
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Fleurs de Lavande
By Liudmila Kondakova
Located in Greenwich, CT
Fleurs de Lavande is a lithograph on paper with an image size of 3.25 x 4.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Island Morning
By Liudmila Kondakova
Located in Greenwich, CT
Island Morning is a lithograph on paper with an image size of 3.5 x 4.25 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon'...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Joyeux Noel
By Liudmila Kondakova
Located in Greenwich, CT
Joyeux Noel is a lithograph on paper with an image size of 3.5 x 2.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' mou...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
L'Automne à Paris
By Liudmila Kondakova
Located in Greenwich, CT
L'Automne à Paris is a lithograph on paper with an image size of 2.75 x 3.75 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and rib...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Couple in the Fields, with a Cherub Crowned with Flowers (347 Series, B.1697)
By Pablo Picasso
Located in Greenwich, CT
"Couple in the Fields, with a Cherub Crowned with Flowers" is an etching from Picasso's 347 Series, with an image size of 12.75 x 12.25 inches, signed 'Picasso' lower right and frame...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Etching
At the Circus with Dancing Odalisque, 1968 (347 Series, B.1696)
By Pablo Picasso
Located in Greenwich, CT
"At the Circus with Dancing Odalisque" is an etching from Picasso's 347 Series, image size 6.5 x 8.75 inches, signed 'Picasso' lower right and annotated lower left and framed in a Sp...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Etching
Man Unveiling a Woman, 1931 (Vollard Suite, B.138)
By Pablo Picasso
Located in Greenwich, CT
"Man Unveiling a Woman" is a drypoint from Picasso's Vollard Suite, image size 14.5 x 11.5 inches, signed 'Picasso' lower right and framed in a Spanish-style, closed-corner, black an...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Drypoint
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
By Pablo Picasso
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
By Pablo Picasso
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
By Pablo Picasso
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
By Pablo Picasso
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
By Pablo Picasso
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
By Pablo Picasso
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
By Pablo Picasso
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
By Pablo Picasso
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
By Pablo Picasso
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
By Pablo Picasso
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
By Pablo Picasso
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
By Pablo Picasso
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
By Pablo Picasso
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
By Pablo Picasso
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Skulls, 1976 (#157)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.157) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 36/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame.
Catalogue - Feldman Schellmann, #157 (II.157 Skulls 1976)
Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc.
Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
Category
20th Century Pop Art Figurative Prints
Materials
Paper, Screen
Skulls, 1976 (FS.II.159)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame.
Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976)
Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc.
Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
Category
20th Century Pop Art Prints and Multiples
Materials
Screen
Pour ce Jour, 1968 (Poèmes, #7)
By Marc Chagall
Located in Greenwich, CT
Pour ce jour (For this Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-t...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
Répit, 1968 (Poèmes, #9)
By Marc Chagall
Located in Greenwich, CT
Répit (Respite) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. U...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
Où est le Jour (Poèmes, #13)
By Marc Chagall
Located in Greenwich, CT
Où est le Jour (Where is the Day) is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, ...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
David (Poèmes, #18)
By Marc Chagall
Located in Greenwich, CT
David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Woodcut
Float Like a Butterfly, Sting Like a Bee
By Robert Deyber
Located in Greenwich, CT
Float Like a Butterfly, Sting Like a Bee is lithograph on paper, 9.13 x 7.13" image size, paying homage to the great Muhammad Ali. From the edition of...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Chevauchée - Rouge et Brun (M.541)
By Joan Miró
Located in Greenwich, CT
Chevauchée - Rouge et Brun (M.541) ("Horse Ride - Red and Brown) is a lithograph on paper with an image size of 33.25 x 23.75 inches, signed Miró lower right and annotated lower left...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Lithograph
The Scholar - Green, 1969 (M.547)
By Joan Miró
Located in Greenwich, CT
A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...
Category
20th Century Modern Prints and Multiples
Materials
Lithograph
The Bather, 1969 (M.594)
By Joan Miró
Located in Greenwich, CT
The Bather is a lithograph on checked cloth backed with chiffon de Mandeure, image size 34 x 23.5 inches, signed Miró lower left and annotated lower center.
The Bather is the first ...
Category
20th Century Modern Prints and Multiples
Materials
Lithograph
Untitled, 1961 (Album 19, M.256)
By Joan Miró
Located in Greenwich, CT
Untitled (M.256) from the Album 19 suite is a lithograph on paper, image size 26.25 x 20 inches and framed in a contemporary, black wood frame, colors vibrant, initialed 'M.' lower r...
Category
20th Century Modern Prints and Multiples
Materials
Paper, Lithograph
The Jack Ass (Playing Cards)
By Robert Deyber
Located in Greenwich, CT
The Jack Ass (Playing Cards) is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 40/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs ...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
A Hare Out of Place I (Outer-Space)
By Robert Deyber
Located in Greenwich, CT
A Hare Out of Place I (Outer-Space) is a lithograph on paper, 9 x9" image size. From the edition of 395, numbered 122/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lith...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Best-Looking Cosmonaut, 2018
By Philippe Bertho
Located in Greenwich, CT
The Best-Looking Cosmonaut is an archival pigment print on canvas, 32 x 26.5", by the award-winning Kolibri Art Studio, signed lower left 'Bertho' and numbered lower right. The unf...
Category
2010s Contemporary Prints and Multiples
Materials
Canvas, Archival Pigment
$1,856 Sale Price
25% Off
Winter of Discontent 9 (The Four Seasons)
By Brad Faine
Located in Greenwich, CT
Winter of Discontent 9 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and fr...
Category
2010s Contemporary Prints and Multiples
Materials
Canvas, Digital Pigment
Seven by Seven 5, 2018
By Brad Faine
Located in Greenwich, CT
Seven by Seven 5 is one of a series of 13 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed i...
Category
2010s Contemporary Prints and Multiples
Materials
Digital Pigment, Canvas
Still Life - But Not as We Know It 5, 2018
By Brad Faine
Located in Greenwich, CT
Still Life – But Not as We Know It 5 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the...
Category
2010s Contemporary Prints and Multiples
Materials
Canvas, Digital Pigment
Free South Africa, 1985 (#2)
By Keith Haring
Located in Greenwich, CT
The Free South Africa series deftly addresses the nature of South Africa's apartheid regime in Haring's unique and succinct visual language. Signed, dated, and numbered lower right e...
Category
1980s Pop Art Prints and Multiples
Materials
Paper, Lithograph
High on the Hog
By Robert Deyber
Located in Greenwich, CT
High on the Hog is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 9/275 (there were also 100 Roman and 20 AP).
Robert Deyber...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Neck & Neck
By Robert Deyber
Located in Greenwich, CT
Neck and Neck is a lithograph on paper, 9.5 x 6.75" image size. From the edition of 395, numbered XCII/C (there were also 275 arabic and 20 AP).
Robert Deyber’s lithographs were crea...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Mere Daubers 6
By Brad Faine
Located in Greenwich, CT
Mere Daubers 6 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed in ...
Category
2010s Contemporary Prints and Multiples
Materials
Digital Pigment, Canvas
It's a Cat's Life
By Robert Deyber
Located in Greenwich, CT
It's a Cat's Life is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 239/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were crea...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Call of the Wild (Megaphone)
By Robert Deyber
Located in Greenwich, CT
Call of the Wild is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 103/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were create...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Cash Cow
By Robert Deyber
Located in Greenwich, CT
Cash Cow is a lithograph on paper, 7.5 x 9" image size. From the edition of 395, numbered XXXVIII/C (there were also 275 arabic and 20 AP).
Robert Deyber...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Paper, Lithograph
All is Vanity 7
By Brad Faine
Located in Greenwich, CT
All is Vanity 7 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed in...
Category
2010s Contemporary Prints and Multiples
Materials
Canvas, Digital Pigment
The Hat Trick
By Robert Deyber
Located in Greenwich, CT
The Hat Trick is a lithograph on paper, 9.5 x 9" image size. From the edition of 395, numbered 92/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were created...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Les Marches Parisiens
By Liudmila Kondakova
Located in Greenwich, CT
Les Marches Parisiens is a serigraph on black paper from a nearly sold-out edition, 24 x 36" image size - signed ‘Kondakova’ in the right corner and numbered in the left corner. Fram...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Screen
Doors of Perception 5
By Brad Faine
Located in Greenwich, CT
Doors of Perception 5 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and fra...
Category
2010s Contemporary Prints and Multiples
Materials
Canvas, Digital Pigment
White Trash
By Robert Deyber
Located in Greenwich, CT
White Trash is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 187/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were created by...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Reigning Cats and Dogs
By Robert Deyber
Located in Greenwich, CT
Reigning Cats and Dogs is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 156/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Ashes of Autumn 3 (The Four Seasons)
By Brad Faine
Located in Greenwich, CT
Ashes of Autumn 3 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed ...
Category
2010s Contemporary Prints and Multiples
Materials
Canvas, Digital Pigment
Concert on the Roof, 2018
By Liudmila Kondakova
Located in Greenwich, CT
Concert on the Roof is an archival digital pigment print on canvas, 24 x 48" canvas size, signed ‘Kondakova’ in the right corner and numbered in the left corner. Framed in a contempo...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Canvas, Digital Pigment
We Are The Square Jocular Clan #6, 2018
By Takashi Murakami
Located in Greenwich, CT
We Are The Square Jocular Clan #6 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a c...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Offset
The Cyclops (Ulysses, PL.205)
By Henri Matisse
Located in Greenwich, CT
This etching on paper, 11.75 x 8.25" image size, is signed ‘Henri Matisse’ lower right, numbered lower left, and framed in a beautiful, custom gold-leaf frame. From the edition of 15...
Category
1930s Modern Prints and Multiples
Materials
Paper, Etching
Flung Out Like a Cigarette Butt by the Big Wigs (Plate A), 1974
By Salvador Dalí
Located in Greenwich, CT
Flung Out Like a Cigarette Butt by the Big Wigs – 15.75 x 12" image size and signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding.
Micheler-Löpsinger 668; Field 74-8 Plate A
From the total edition of 462 plus artist's proofs - numbered A 11/195.
Dalí’s series of colored etchings After Fifty Years of Surrealism reflects on the artist’s long...
Category
20th Century Surrealist Prints and Multiples
Materials
Etching, Stencil
The Unicorn Laser Disintegrates the Horns of Cosmic Rhinoceroses (The Conquest o
By Salvador Dalí
Located in Greenwich, CT
The Unicorn Laser Disintegrates the Horns of the Cosmic Rhinoceroses from the Conquest of Cosmos suite – 29.5 x 22" image size, signed ‘Dalí’ lower right and annotated lower left. Fr...
Category
20th Century Surrealist Prints and Multiples
Materials
Drypoint, Lithograph
The Divine Back of Gala (Plate B), 1974
By Salvador Dalí
Located in Greenwich, CT
The Divine Back of Gala – 15.75 x 12" image size, signed ‘Dalí’ lower right and annotated lower left. Framed in an ornate gold-tone moulding.
M...
Category
20th Century Surrealist Prints and Multiples
Materials
Etching, Stencil
We Are The Square Jocular Clan #4, 2018
By Takashi Murakami
Located in Greenwich, CT
We Are The Square Jocular Clan #4 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a c...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Offset
Jade Pea God
By Kenny Scharf
Located in Greenwich, CT
Jade Pea God is a unique, trial-proof screenprint, 34 x 39" sheet size, signed ‘Kenny Scharf’ lower right corner and numbered lower left corner ‘TP23/40.’ Framed in a contemporary, ...
Category
21st Century and Contemporary Pop Art Prints and Multiples
Materials
Paper, Screen
