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Brad FaineStill Life - But Not as We Know It 5, 20182018
2018
About the Item
Still Life – But Not as We Know It 5 is one of a series of 12 unique color variations of this title. The digital pigment print with diamond dust on canvas is signed and titled on the verso, and framed in a contemporary, black wood moulding.
Reference and appropriation occupy hallowed ground in art history - since the earliest days of artist’s workshops, copying the work of the masters was a technique used to hone one’s skills. In the nineteenth and twentieth centuries, the practice of referencing and remaking great works became a means of placing oneself in dialogue with the masters and declaring one’s place within the canon.
Carrying the tradition of referencing the canon into New Media art, Brad Faine (1945- ) is a renaissance man: a master printmaker, professor, artist, published author and inventor. It comes as no surprise then that when contemplating the way forward, Faine is also attracted to that which came before. His works reference literature and art; as well as veering into pure abstraction and employing letters to add a linguistic element. His images are smart and layered – by using the computer to create and manipulate images, Faine’s practice places him in dialogue with other artists who have embraced digital tools such as David Hockney and his iPad drawings. Simultaneously, with his appropriation of existing imagery to give form to message, his appreciation of literature, and his pointed tweaks at social issues, Faine is also in dialogue with Dada artists such as Hannah Höch or Kurt Schwitters.
- Creator:Brad Faine (1945, British)
- Creation Year:2018
- Dimensions:Height: 47 in (119.38 cm)Width: 47 in (119.38 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:
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