Richard Taylor Fine Art Portrait Paintings

This charming British 1930's Post Impressionist portrait oil painting of a ballerina is by noted female artist Cathleen Sabine Mann. Ballerinas are a popular subject matter in art, conveying great poise, movement and elegance and of course made popular by Degas. A similar composition featuring the same ballerina, but holding a black cat, is held in the Glasgow Museums Resource Centre. In our lovely painting from 1935, the dark haired ballerina is at rest, perched on the edge of an armchair, her pink tutu...

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

This atmospheric 18th century portrait oil painting is attributed to a Scottish artist. Painted circa 1790, The painting is a half length portrait of a seated gentleman. He is wearing a blue bonnet, the badge of a Scottish country gentleman and smoking a clay pipe. The way the light catches his hand and face and gleams on his buttons is lovely. The frame is super in that it echoes the button on his jacket. This is an excellent example of an 18th century Scottish portrait...

This superb Dutch Golden Age portrait is attributed to circle of Dutch artist Wybrand Simonsz de Geest. Painted in 1666 it is a full length portrait of a young William Stonestreet. He is holding the paw of a clipped little white dog with drapes and clouds beyond. (It was common practise to dress young boys in dresses up to the age of about 6 or 7 when they were 'britched' or wore britches). An excellent example of Dutch Golden Age art that wouldn't look out of place in a museum. Wm Stonestreet 1666, Prebend of Selsely is inscribed top left. Provenance. Berkshire estate. Condition. Oil and canvas, 44 inches by 36 inches and in good condition. Frame. Housed in an ornate gilt frame, 52 inches by 44 inches and in good condition. Wybrand Simonsz. de Geest (16 August 1592 – c. 1661) was a Dutch Golden Age portrait painter from Friesland in the Netherlands. Wybrand de Geest was born and died at Leeuwarden. He learned painting from his father, Simon Juckesz, a stained glass worker. He studied later with Abraham Bloemaert. From 1614 to 1618 he travelled in France and Italy on a Grand Tour. In 1616 he met up with Leonard Bramer in Aix-en-Provence. While in Rome he became a member of the painters' circle known as the Bentvueghels. He earned the nickname 'De Friesche Adelaar', or "the Frisian Eagle". De Geest married Hendrickje Fransdr Uylenburgh in 1622, a niece of Saskia van Uylenburgh...

This superb British Old Master oil painting is attributed to circle of Sir Thomas Lawrence. Painted circa 1795, the sitter is Major-General James Hanson Salmond (1766–1837) an office...

Jacob Kramer is a Jewish artist who migrated with his family to Leeds to escape the Russian pogroms when Kramer was only eight. This portrait oil painting was painted when Kramer was thirty, in 1922, shortly after his return to Leeds from living in London. It is a head and shoulders portrait of a gentleman with dark hair, gazing to his right, his identity unknown. The light from the left hand side of the painting strongly illuminates the left side of the gentleman's face, making it stand out from the darker background and casts strong shadow on the right. The brushwork is bold and confident in its execution. This is an excellent example of Kramer's Post Impresionist work in the early 1920's when at his artistic peak. Signed and dated 1922 lower right. Provenance. Yorkshire estate. Condition. Oil on canvas, 20 inches by 16 inches and in good condition. Frame. Housed in an ebonised frame, 23 inches by 19 inches, in good condition. Jacob Kramer (1892-1962) was born in the small town of Klintsy in 1892, then part of the Russian Empire, into an artistic middle class Jewish family. His father, Max, was a painter who had studied at the St Petersburg Fine Art Academy under Ilya Repin, and had become a court painter to Baron Ginsburg. Kramer's mother, Cecilia, was also artistic being a trained singer who was well known for touring a regional network of theatres established by her father, at which she performed traditional Slavic and Hebrew folk songs. Following the accession of Tsar Nicholas II in 1894 a new virulent anti-semitic policy was introduced to force Russian Jews...

This lovely British Victorian portrait oil painting is by British portrait artist Edward Spilsbury Swinson. It was painted in 1891 and is dated and signed lower right. It is a half l...

This Lovely Scottish portrait oil painting is by noted portrait artist James Bell Anderson who worked out of his studio in Glasgow. It was painted in 1919 and is signed and dated. It...

This superb British portrait oil painting is by noted artist Alfred Kinglsey Lawrence. Painted in 1919 it is a seated portrait of a young woman with a lush burgundy velvet curtain be...

This lovely Scottish Edwardian interior portrait oil painting is by noted Scottish artist Arthur Percy Dixon. Painted in 1906 it is a seated portrait of a lady in the corner of a roo...

This stunning, large British Edwardian Impressionist portrait oil painting is by noted portrait painter James Jebusa Shannon. Painted circa 1909 the sitter is his eldest daughter, Kitty. She is holding a family heirloom, the silver ship which has been depicted in several of shannon's works. The painting of his daughter, just on the cusp of entering womanhood, was dear to the artist and stayed within the family long after his death. The vibrant reds and bold brushwork, so unmistakable Shannon, make this an excellent example of a very personal and precious Edwardian family portrait oil painting. Provenance. The Artist. Lady Florence Shannon. By descent to Kitty Shannon Keigwin, the Artist's daughter. By descent to Julia Gibbons, the Artist's granddaughter. Estate of Julia Gibbons to the present owner. Exhibited. "Seeking Beauty: Paintings by James Jebusa Shannon," Debra Force...

A fine Victorian Scottish genre oil on canvas painting which dates to 1868 and is titled The Gossip by famous Scottish artist William Fettes Douglas RSA. It is a stunning depiction o...

This lovely Edwardian oil painting is by French artist William Albert Ablett. Dated 1901, the brush work and use of light are superb. Ablett has perfectly captured the movement and f...

This superb late 18th century portrait oil painting is attributed to noted Scottish artist Alexander Nasmyth. Painted circa 1790 the sitter is of the Wagstaff family, either Thomas o...

This charming Scottish Victorian oil painting is by noted Scottish artist Patrick William Orr. Painted circa 1880, this marine portrait is of two fishermen sailors at sea, sorting th...

This gorgeous Art Deco portrait oil painting is by British female artist Elsie March. Elsie was one of 9 siblings, eight of whom became artists. Although Elsie later went on to focus...

This captivating post-Impressionist portrait is by American artist David L Swasey circa 1953. The painting depicts a seated woman, turning to look at the artist with stunning blue ey...

This charming British portrait oil painting is by female artist Dod Procter. It was painted in 1949 and exhibited at the Royal Academy London the same year. The painting is of a litt...

This charming Flemish genre oil painting is attributed to Ferdinand de Braekeleer the Elder. Painted circa 1850 it is a fine realist genre scene of the interior of a school room, a t...

Newlyn School, circle of Frank Bramley is the attribution for this lovely Victorian portrait oil painting. Painted circa 1890 on panel, it is a head and shoulders portrait of a young girl in a straw hat...

A fine interior oil painting which dates to circa 1870 by listed artist Alfred Stevens. It is a superb British Impressionist painting which depicts the artist in his studio in front ...

This charming Victorian genre oil painting is by noted British artist Frederick George Pasmore junior. The painting is full of rich colour and tells a story. The scene is a detailed ...

This superb Post Impressionist Slade School female full length seated nude portrait oil painting is by female artist E A Jay. Painted in the 1940'...

This is a superb Italian Old Master portrait oil painting attributed to circle of Guido Reni. It is a half length portrait of the penitent Mary Magdalene...

This stunning British Victorian portrait oil painting is by noted female artist Annie Louisa Swynnerton. The sitter is Emma Woods, nee King (1806-1896). Emma was the wife of Samuel ...

This lovely Art Deco portrait oil painting is by noted British artist James P Barraclough. Painted circa 1923 it is a seated portrait of a young woman holding a book on her lap. She is wearing a blue satin dress with lace cuffs and collar and is gazing warmly at the artist and viewer. The illumination on her features is superb. A lovely Art Deco period oil portrait...

This charming oil portrait painting is by noted British Victorian artist George Wells. Painted circa 1880 we know the elegant sitter is Chlorinda but her relationship to Wells is unk...

A stunning British Post-Impressionist portrait oil painting by noted British artist William Lee Hankey. He was a very interesting painter who travelled widely throughout Europe capt...

This stunning Italian Baroque Old Master portrait oil painting is attributed to the circle of Guercino, Giovanni Francesco Barbieri (1591 - 1666) and it is ascribed verso. The paint...

This lovely portrait oil painting is by much exhibited British artist Edwin Roberts. The painting is an excellent example of Victorian romantic genre art and is of a Summer Beauty. T...

This lovely British Victorian oil painting is by noted artist John Eaton Walker. Painted circa 1855 it is portrait in an interior of a beautiful young woman in a yellow satin dress. ...

Painted by George Carr Drinkwater, this vibrant oil on canvas depicts the actress of stage and screen Cecily Byrne as Mary Stuart. Painted circa 1930 it is a stunning evocative portrait of an actress who was famous throughout the 1930’s. A fine portrait of a long forgotten film star. Cecily Byrne (1889-1975) was an actress, known for Loyalties, Henry IV and Brown Sugar...

This charming British male portrait oil painting is of a gentleman in an iconic bowler hat. Painted circa 1880 it is a wonderful soft focus realistic image of a man in a suit with a wide pale blue tie and handkerchief in pocket. We can also just see the chain of his pocket watch. He is positioned again a wall with wonderful brushwork. A really fantastic painting in a stunning gilded oak frame...

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

A superb portrait oil painting by noted British Newlyn school artist Harold Harvey. Painted in 1922 the sitter is Clara Matthews. A full length portrait, Clara is set in a landscape and holding a rose. In several of Harvey's portraits his female sitters...

This superb stately male portrait oil painting is by noted British Slade School artist Reginald Grenville Eves. Painted circa 1939 the portrait is a fine example of Modern British in...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

An original oil on canvas on panel by Sir James Jebusa Shannon. The portrait dates to the Edwardian period and depicts a bold British Impressionist painting of a beautiful young woma...

This charming ex Christie's Victorian Orientalist oil painting is by noted French exhibited artist Lucien Laurent Gsell. The painting dates to around 1900 and portrays a beautiful yo...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted circa 1940, the picture is a half-length seated portrait of a smiling woman wrapped in a red shawl,...

An original oil on canvas by the British listed artist Darsie Japp. It was painted circa 1930 and depicts two woman at a table having a drink. A very evocative inter war oil painting. Provenance. James Bourlet Framers. Sotheby 12.11.86. Condition. Oil on canvas, 28 inches by 22 inches unframed and in excellent condition. Housed in a gallery frame, 36 inches by 30 inches framed in good condition. Darsie Japp (1888-1973) was born in Liverpool and attended St John's College of the University of Oxford. After he graduated he worked in the offices of his father's shipping company in the City of London between 1904 and 1907. Whilst working in the City Japp studied at the night school of the Lambeth School of Art under Philip Connard. Japp studied at the Slade School of Art between 1908 and 1909, where he became friends with his fellow student Stanley Spencer and would often visit him in his home at Cookham in Berkshire. Japp specialised in landscape and figure paintings and exhibited with the New English Art Club of which he became a member in 1919. At the start of the First World War Japp joined the British Army and, eventually, became a Major in the Royal Field Artillery commanding an artillery battery in Macedonia, for which he was awarded the Military Cross...

This fantastic portrait oil painting is attributed to British Old Master Joseph Highmore and was painted in 1770. The half length standing portrait is of a Cleric, dressed in his wig...

This charming British Victorian genre oil painting is by noted exhibited artist Henry Tuner Munns. It was painted in 1865 in realist palette with superb detail in the young boy's fac...

This very charming British 19th century Old Master portrait oil painting is attributed to the circle of Thomas Lawrence. Painted circa 1810 it is a seated half length portrait of a l...

This stunning romantic exhibited Scottish Edwardian Impressionist portrait oil painting is by noted Scottish artist James Wallace. Painted in 1908 with excellent provenance, the brus...

This striking nude portrait oil painting is by noted Scottish artist William Crosbie. It is entitled Guapa verso, Spanish for a beautiful woman. Painted in 1981, she is wearing a bla...

This superb British 18th century Old Master portrait oil painting is attributed to Matthew William Peters. Painted circa 1780 it is a fine half length portrait of a woman gazing to her left. She has a lovely blue bow and sash on her dress. The sympathetic detail in her face is sublime. A really wonderful 18th century Old Master portrait. Matthew William Peters was known for his late 18th century portraits which had both the influence of Sir Joshua Reynolds and Thomas Gainsborough. Provenance. Lincolnshire estate. Condition. Oil on canvas 30 inches by 25 inches unframed and in good condition. Has has restoration. Frame. Housed in an ornate gilt carved swept period frame, 40 inches by 35 inches framed and in good condition. Matthew William Peters (1742-1814) was an English portrait and genre painter who later became an Anglican clergyman and chaplain to George IV. He became known as "William" when he started signing his works as "W. Peters". Peters was born in Freshwater, Isle of Wight, the son of Matthew Peters (born at Belfast, 1711), a civil engineer and member of the Royal Dublin Society; by Elizabeth, the eldest daughter of George Younge of Dublin. The family moved from England to Dublin when Peters was young. Peters received his artistic training from Robert West in Dublin; in 1756 and 1758 he received prizes from the first School of Design in Dublin. In 1759, he was sent by the Dublin Society to London to become a student of Thomas Hudson and won a premium from the Society of Arts. The group also paid for him to travel to Italy to study art from 1761 to 1765. On 23 September 1762 he was elected to the Accademia del Disegno in Florence. Peters returned to England in 1765 and exhibited works at the Society of Artists from 1766 to 1769. Beginning in 1769, Peters exhibited works at the Royal Academy. In 1771 he was elected an associate and in 1777 an academician. He returned to Italy in 1771 and stayed until 1775. He also probably traveled to Paris in 1783–84, where he met Léopold Boilly, Antoine Vestier, and was influenced by the work of Jean-Baptiste Greuze. On 27 February 1769, Peters became a freemason, and he was made the grand portrait painter of the Freemasons and the first provincial grand master of Lincolnshire in 1792. In 1785, he exhibited portraits of the Duke of Manchester and Lord Petre as Grand Master at the Royal Academy exhibition. According to Robin Simon's article in the Oxford Dictionary of National Biography, no British contemporary had such an Italian manner of painting as Peters, reflecting the old masters he copied. Many of Peters' works were erotic and although these works did not damage his career, according to Simon, Peters later regretted these when he became an ordained clergyman in 1781. He served as the Royal Academy's chaplain from 1784 to 1788, at which time he resigned to become chaplain to the Prince of Wales. In 1784, Peters was awarded the living of Scalford, Leicestershire by Charles Manners, 4th Duke of Rutland. In 1788, the Dowager Duchess gave him the living at Knipton, at which time he also obtained that at Woolsthorpe. These livings were near to Belvoir Castle...

A fine oil on canvas by Harold Harvey which depicts a portrait of Francis Elliot Voyle. It was painted in 1916. It is a super oil painting of a seated gentleman with a top hat and cane. Great brushwork. Signed and dated lower left. Provenance. Cornish collection. Condition. Oil on canvas, 24 inches by 18 inches unframed and in good condition. Housed in an ebonised frame 30 by 24 inches framed. In good condition. Harold Harvey (1874–1941) was a Newlyn School painter who painted scenes of working class Cornish fishermen, farmers and miners and Cornish landscapes. He was born in Penzance and trained at the Penzance School of Arts under Norman Garstin and the Académie Julian in Paris (1894–1896). Harold Charles Francis Harvey was born to Mary Bellringer Harvey and Francis McFarland Harvey on 20 May 1874 in Penzance. His father was a bank clerk. During his youth, he was home schooled. From 1894 to 1896, he studied art at the Academie Julian in Paris under Norman Garstin. In 1896, he studied at both the Académie Delecluse and the Academie Colarossi. Prior to 1911, Harvey lived in Penzance. In 1911, Harvey married fellow artist Gertrude Bodinnar. They first met when Gertrude posed for Harvey. She discovered that she had artistic talent and became an artist in her own right in a wide range of visual and textile arts. The married couple lived in Newlyn at Maen Cottage. Friends of the Harveys included Laura Knight, Harold Knight, Annie Walke, and Father Bernard Walke of St Hilary Church. Late in his life, he converted to Catholicism. He died in Newlyn on 19 May 1941 and was buried in Penzance at the St Clare Cemetery. Gertrude lived in their cottage until 1960 when she moved into a St Just nursing home. She died six years later. After completing his schooling in Paris, Harvey returned to Penzance and began working with Norman Garstin. His works included landscapes and life settings of his native Cornwall, religious themes and interiors. He used oil and watercolour paints.From 1909 to 1913, he was an Associate of the Royal Cambrian Academy of Art, Conwy and, in 1910, he was a member of the South Wales Art Society. From about 1910 and into the early 1930s, he was a member of the Newlyn Society of Artists, particularly with artists from the Lamorna valley...

An original large oil on canvas/panel by Sir James Jebusa Shannon. The portrait dates to the Edwardian period and depicts a bold British Impressionist painting of his grandson Jeb Ke...

This stunning British 19th century Pre-Raphaelite portrait oil painting is attributed to famous Manchester born artist and elected associate of the Royal Academy, Annie Louisa Swynne...

This bold British Post Impressionist oil painting is by noted portrait artist Anthony Devas. Painted in the 1950's the sitter is Lady Audrey Norris. It is a seated portrait in warm a...

This beautiful Victorian pencil drawing dates to around 1890 and is by an unknown hand. It is a head and shoulders portrait of a young lady gazing to her right. Her dark hair is tied...

This charming British Victorian portrait oil painting is by noted portrait artist Gilbert Baldry. A half length portrait painted in 1892, the sitter is a young boy in a red coat with...

Painted by Sara Wells Page this is a large stunning half-length Pre-Raphaelite portrait oil painting of a semi clad young woman. It was painted circa 1900 by Page who worked and exhi...

This lovely French 19th century figurative Impressionist oil painting is by Adolphe Monticelli. Painted circa 1870 the painting depicts a group of seven figures amusing themselves in...

This charming 18th century Old Master cartouche portrait oil painting is attributed to the circle of Philip Mercier. Painted circa 1740 the composition is a three quarter length portrait of a young girl holding a wicker basket of flowers. She is clothed in a white dress and beautiful blue silk shawl and is situated in a landscape. A very lovely British Old Master portrait oil painting. Provenance. Christies. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in an ornate gilt carved 18th century frame, 38 inches by 33 inches and in good condition. Philippe Mercier (also known as Philip Mercier; 1689-1760) was a French painter and etcher, who lived principally and was active in England. He was born in Berlin of French extraction, the son of a Huguenot tapestry-worker. He studied painting at the Akademie der Wissenschaften of Berlin and later under Antoine Pesne, who had arrived in Berlin in 1710. Later, he travelled in Italy and France before arriving in London—"recommended by the Court at Hannover"—probably in 1716. He married in London in 1719 and lived in Leicester Fields. He was appointed principal painter and librarian to the Prince and Princess of Wales at their independent establishment in Leicester Fields, and while he was in favour he painted various portraits of...

This lovely Old Master portrait oil painting is attributed to the circle of Michael Dahl. Painted circa 1710 the sitter is Rachel Missing, wife of Roger Hogg of Newliston, near Edinb...

A large, original Scottish portrait by noted Scottish artist David Foggie. This oil on canvas depicts a woman bathing and is one of his best portraits. It dates to 1924 and is in fin...

This lovely Old Master portrait oil painting is attributed to the circle of Joseph Wright of Derby. Painted circa 1780 the painting is of a boy in a tunic and wide collar. A really c...

An original oil on canvas by Sir James Jebusa Shannon. The painting depicts Lady Ruthven in a stunning silk and lace dress. It dates to the Edwardian period and depicts a bold Britis...