William Fettes Douglas

The Gossip - Scottish 19thC art Victorian oil painting young romantic couple

1868

This superb large exhibited British Victorian oil painting is by noted artist Thomas Falcon Marshall. Painted in 1849 it was exhibited at the Royal Academy London that year. This lar...

This lovely British Victorian genre oil painting is by noted artist Joseph Clark. Painted in 1881 it is a charming composition of three young children playing with a doll on the floor of a cottage by the hearth. Historically it has been entitled Children at Play but also known as Playing Doctors according to the literature. There is lovely colouring and detail. A very sweet British Victorian genre oil painting by a much collected artist. Signed and dated 1881 lower right. Provenance. Joseph Clark ; A Popular Victorian Artist and his Work by Eric Galvin. Plate 23. Children at Play (1881) Page 132f. Condition. Oil on canvas, 29 inches by 22 inches and in good condition. Frame. Housed in a gilt frame, 36 inches by 29 inches and in good condition. Joseph Clark (1834-1926) was born near Dorchester, Dorset. He studied painting in London under J. M. Leigh (1808-1860), who was himself the only pupil of William Etty, RA (1787-1849), the celebrated painter of classical and historical subjects. Clark specialised in depicting domestic genre subjects of a tender nature which generally featured children and he also painted a small number of biblical subjects. In 1857 at the age of twenty three he exhibited his first painting at the Royal Academy and he continued to exhibit there for all but two of the subsequent forty seven years. Many Victorian painters sought to demonstrate their social conscience through emphasising in their paintings the importance of family life and Joseph Clark was no exception. Whilst avoiding the overly sentimental style of some of his contemporaries, he frequently chose subjects which sought to remind people of their good fortune in having a caring family at a time when many children grew up as orphans in workhouses. Clark enjoyed considerable success with his paintings, maintaining both a London house and a home in the country for much of his life. In 1876 he was awarded a medal in Philadelphia for his paintings 'The Sick Child...

This stunning arched top Victorian figurative oil painting is by noted Belgian artist Charles Soubre. It was painted in 1853 and is signed and date lower right. The composition is a ...

This gorgeous Art Deco portrait oil painting is by British female artist Elsie March. Elsie was one of 9 siblings, eight of whom became artists. Although Elsie later went on to focus...

An original oil on canvas by Sir James Jebusa Shannon. The painting depicts Lady Ruthven in a stunning silk and lace dress. It dates to the Edwardian period and depicts a bold Britis...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

ABOUT THE SUBJECT: In this 18th Century portrait Katherine Read has portrayed Daniel Giles as a child sitting on a rug playing with his drum and his hat beside him. The detail of the ornaments such as the patterned carpet, the folds of the curtain and the child's velvet clothing...

A perfect example of Charles Baxter's work. A beautiful Spanish lady wearing typical Spanish attire. Despite being unsigned, the painting has full provenance having being fully catal...

Charles Spencelayh British, (1865-1958) The Lantern Oil on canvas, signed Image size: 13.5 inches x 9.75 inches Size including frame: 20.25 inches ...

Attributed to Thomas Barker of Bath British, (1769-1847) Boy with Flute Oil on canvas Image size: 17.5 inches x 13.5 inches Size including frame: 26.75...

Hermann Armin Kern Hungarian (1839-1912) Siesta Oil on panel, signed, with wax seal to reverse Image size: 18.25 inches x 12.25 inches Size including frame: 23.75 inches x 17.75 inc...

A large and striking female portrait titled "Red Umbrella" by Timoleon Marie Lobrichon (French, 1831-1914) This darling young woman portrait wearing an early 1900's light pink and green satin dress. Her delicate and beautifully rendered hands reach into the light as her face and upper body are carefully shaded by the lush greenery around her. A half moon brooch...