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Surrealist landscape with animal and figures
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Surrealist landscape with doorway, animal and figures
Watercolor on heavy paper, n.d.
Unsigned
Stamped with the artist's estate stamp (see photo)
Provenance:
Estate of the artist
R...
Category
Late 20th Century Surrealist Landscape Drawings and Watercolors
Materials
Watercolor
Portrait of Dr. Auguste Soins
By Henri Edmond Cross
Located in Fairlawn, OH
Portrait of Dr. Auguste Soins
Black chalk on paper, c. 1883
Signed with the artist’s estate stamp, Lugt 1305a lower right (see photo)
Note: This possibly is the preliminary drawing f...
Category
1880s Post-Impressionist Portrait Drawings and Watercolors
Materials
Graphite
Study for Republic Standing
By Pierre-Roch Vigneron
Located in Fairlawn, OH
Study for “Republic Standing”
Graphite on calque tracking paper, c. 1848
Signed lower right corner: Vigneron
Provenance:
Shepherd Gallery, New York
...
Category
1840s Romantic Figurative Drawings and Watercolors
Materials
Graphite
Preliminary drawing for the sculpture Diadem
By Seymour Lipton
Located in Fairlawn, OH
Preliminary drawing for the sculpture Diadem
Black Crayon on paper, 1957
Signed and dated lower left
The preliminary drawing for the 1957 sculpture of the same name in the collection of the Baltimore Museum of Art...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Crayon
Bull engaging the muleta (Bull Fight)
By Robert Hallowell
Located in Fairlawn, OH
Bull engaging the muleta (Bull Fight)
Signed with the Estate stamp lower left (See photo)
Provenance:
Estate of the Artist
Marbella Gallery Inc., NYC
Refer...
Category
Mid-20th Century American Modern Animal Drawings and Watercolors
Materials
Watercolor
Woman Pulling on a Slip
By Everett Shinn
Located in Fairlawn, OH
Woman Pulling on a Slip
Conte on paper, c. 1910
Signed lower right: "E. Shinn" (see photo of legs, signature on right)
Provenance:
Estate of the Artist (see label)
Graham Gallery, N...
Category
1910s Ashcan School Nude Drawings and Watercolors
Materials
Conté
Female Torso, Nude
By Asa Cheffetz
Located in Fairlawn, OH
Nude Female Torso
Charcoal on paper, c. 1920
Stamped and initialed in pencil "Asa Cheffetz/A.D.C"
Estate signature by wife, A.D.C.
Exhibited: Museum of F...
Category
1920s American Realist Nude Drawings and Watercolors
Materials
Charcoal
Three Nudes in a Garden
By Aaron Bohrod
Located in Fairlawn, OH
Three Nudes in a Garden
Graphite, c. 1928-1933
Initialed in pencil lower left (see photo)
Illustrated: Elliott & Wooden, Aaron Bohrod: Figure Sketches, Fige 9, page 32 (see photo)
A...
Category
1920s American Modern Nude Drawings and Watercolors
Materials
Graphite
Folio from Communion of Saints, Reading from the Book of St. Matthew.
Located in Fairlawn, OH
Readings from the "Communion of Saints": folio from an Italian Missal
Pigment on vellum
Mid 17th century
Provenance:
Otto F. Ege (1888-1951)
Phillip Duechnes Bookseller, New York, c. 1948
References And Exhibitions:
Otto F. Ege Box Folio 27
Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century
Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes
Sister folio are in the following rare book libraries:
Case Western Reserve University
Cincinnati Public Library
Cleveland Institute of Art
Cleveland Public Library
Denison University
Kent State University
Kenyon College...
Category
15th Century and Earlier Old Masters Abstract Drawings and Watercolors
Materials
Ink, Vellum
Academic Nude Study
Located in Fairlawn, OH
Academic Nude Study by E. Rantz
Charcoal on laid paper signed in charcoal
Lalanne Watermark, c. 1880-1900
Image: 24 3/4 x 18 3/4"
Category
Early 1900s Figurative Drawings and Watercolors
Materials
Charcoal
Untitled (six vignettes)
By Pierre Courtin
Located in Fairlawn, OH
Signed lower center edge
Annotated verso: “5 Juin 1966
_____ et de soleil, de et d’oseille”
Image: 6 3/4 x 4 5/8"
Frame: 14 1/2 x 12 3/4"
Finishe...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Academic Nude Study
Located in Fairlawn, OH
Turn of the century drawing signed E. Rantz on laid paper.
Watermark: Lalanne
Frame: 29 3/4 x 24
Image: 24 3/4 x 18 3/4"
Category
Early 20th Century Figurative Drawings and Watercolors
Materials
Charcoal
Woman with child
By Robert Hallowell
Located in Fairlawn, OH
Woman with child
Watercolor on paper, c. 1930
Signed with the estate stamp lower right (see photo)
Exhibited: Marbella Gallery, New York
Illustrated: Robert Hallowell: An Artist Redi...
Category
1930s American Impressionist Figurative Drawings and Watercolors
Materials
Watercolor
Quick Change
By Honore Guilbeau
Located in Fairlawn, OH
Quick Change
Watercolor on paper, 1930-1931
Signed lower right: Honore Guilbeau
Illustrated in American Art Review, August 2014, page 84 in an article by Dr. M...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Verse 1 through Verse 60
Located in Fairlawn, OH
Verse 1 through Verse 60
From: Leyli o Majnun by Nizami Ganjavi (1141-1209CE)
This folio comprises the first 60 verses of the epic Persian poem
“The masnavi of Leyli va Majnun (4,60...
Category
Early 1600s Other Art Style Drawings and Watercolor Paintings
Materials
Pigment
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
Watercolor, 1945-1955
Signed by the artist lower left in pencil (see photo)
Provenance: Estate of the artist
Cond...
Category
1940s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Untitled (Hot Air Baloon Ascent and Spectators)
By Joseph O'Sickey
Located in Fairlawn, OH
Untitled (Hot Air Balloon Ascent and Spectators)
Sepia wash on wove paper, 1985
Signed and dated in ink lower right corner
From the artist's 1985 sketchbook
Probably a view of Cape C...
Category
1980s American Modern Landscape Drawings and Watercolors
Materials
Ink
Mountain and Sky, Deer Island, Maine
By Joseph O'Sickey
Located in Fairlawn, OH
Mountain and Sky, Deer Island, Maine
Watercolor on paper, 1985
Signed in ink lower right corner
From the artist's 1985 sketchbook
Done while at their summer home in Deer Island, Main...
Category
1980s Abstract Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Plum Branches and Flowers
By Joseph O'Sickey
Located in Fairlawn, OH
Plum Branches and Flowers
watercolor on wove paper, 1985
Signed and dated in pencil lower right corner
From the artist's 1985 sketchbook
Inspired by O'Sickey's love of Japanese and Chinese art and calligraphy.
Provenance: Estate of the artist
Condition: Excellent
Image/Sheet size: 13 5/8 x 17 inches
Joseph B. O’Sickey, Painter
1974 CLEVELAND ARTS PRIZE FOR VISUAL ARTS
The title conferred on him by Plain Dealer art critic Steve Litt in a 1994 article, “the dean of painting in northeast Ohio,” must have pleased Joseph O'Sickey. It was more than 30 years since he had burst onto the local (and national) art scene. O’Sickey was already in his 40s in that spring of 1962 when he had his first one-man show at the Akron Art Museum and was signed by New York’s prestigious Seligmann Galleries, founded in 1888. In the decade and a half that followed, he would have seven one-man shows at Seligmann, which had showed the work of such trailblazing figures as Seurat, Vuilliard, Bonnard, Leger and Picasso, and appear in all of the group shows.
O’Sickey took the Best Painting award in the 1962 May Show at the Cleveland Museum of Art (CMA). He and would capture the same honor in back-to-back May Shows in 1964 and ’65, and again in 1967. The remarkable thing, noted the Plain Dealer’s Helen Borsick, was that he accomplished this sweep in a variety of painterly styles, even using that most hackneyed of subjects, flowers. “The subject doesn’t matter,” he told her, “what the artist brings to it is the important thing.” O’Sickey’s garden and landscape paintings were big and bold, eschewing delicate detail in favor of vitality and impact. The great art collector and CMA benefactor Katherine C. White, standing before one of O’Sickey’s vivid garden paintings, compared the sensation to “being pelted with flowers.”
Though he might represent an entire blossom with one or two smudged brush strokes or a stem with a simple sweep of green, O’Sickey rejected the moniker of Impressionist—or Pointillist or Abstract painter or Expressionist. “My work,” he said, “is a direct response to the subject. I believe in fervor and poetic metaphor. I try to make each color and shape visible and identifiable within the context of surrounding colors and shapes. A yellow must hold its unique quality from any another yellow or surrounding color, and yet read as a lemon or an object, by inference. It does not require shading or modeling—the poetic evocation is part of the whole.”
“The subject,” O’Sickey used to tell his students at Kent State University, where he taught painting from 1964 to 1989, “has to be seen as a whole and the painting has to be structured to be seen as a whole.” He liked to think of it as “a process of controlled rapture.”
When, in the 1960s, fond childhood memories drew him to the zoo, he found himself responding to the caged animals in their lonely dignity (or indignity) with sharp-edged, almost silhouette-like forms that evoked Matisse’s paintings and cut-paper assemblages. One observer was left with the impression that the artist had “looked at these animals, past daylight and into dusk when they lose their details in shadow and become pure shapes, with eyes that are seeing the viewer rather than the other way around. This is a world of shape and essence,” wrote Helen Borsick. “All is simplification.”
O’Sickey attributed his ability to capture his subjects with just a few strokes—in an almost iconographic way—to a rigorous exercise he had imposed upon himself over a period of several months. Limiting his tools to a large No. 6 bristle brush and black ink, he set himself the task of drawing his pet parakeet and the other small objects in its cage (cuttlebone, feeding dish, tinkling bell) hundreds of times. The exercise gave him “invaluable insights into painting. . . . Because of the crudity of the medium, every part of these drawings had to be an invention and every mark had to have its room and clarity.” Then he began adding one color at a time—“still with the same brush and striving for the same clarity”—and headed off to the zoo where “the world opened up to me. I learned how little it took to express the subject.”
Born in Detroit at the close of the First World War, O’Sickey grew up in St. Stanislaus parish near East 65th and Fleet on Cleveland’s southeast side. (The apostrophe was inserted into the family’s proud Polish name by a clerk at Ellis Island.) An early interest in drawing and painting may have been kindled by the presence on the walls of Charles Dickens Elementary School, one of only three grade schools in the district with a special focus on the arts, of masterful watercolors by such Cleveland masters as Paul Travis, Frank N. Wilcox and Bill Coombes.
As a youngster O’Sickey took drawing classes at the Cleveland Museum of Art, and he and his brother spent hours copying famous paintings; while a student at East Tech High School in the mid-’30s, he attended free evening classes in life drawing with Travis and Ralph Stoll at the John Huntington Art and Polytechnic Institute, and Saturday classes at the Cleveland School (later the Cleveland Institute) of Art, where he earned his degree in 1940 under the tutelage of Travis, Stoll and such other legendary figures as Henry Keller, Carl Gaertner, William Eastman, Kenneth Bates...
Category
1980s Contemporary Still-life Drawings and Watercolors
Materials
Watercolor
West Gouldsboro (Looking Across Mt. Desert Narrows)
By Greta Allen
Located in Fairlawn, OH
West Gouldsboro (Looking Across Mt. Desert Narrows)
Watercolor on paper, c. 1945-1955
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image/Sheet size: 9 7/8 x 12 1/2 inches
Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity.
A local Maine newsletter mentions “the artist Greta Allen’s house” as artist residing in West Gouldsboro, Maine in a house formerly owned by James Hill. West Gouldsboro is located just east of the Mt. Desert Narrows, across Frenchman Bay from Mt. Desert Island and Arcadia National Park.
Please see attached images for detailed information about the artist's life and time in Maine.
Greta Allen, who is sometimes listed under her married name Dietz, was born in Boston in 1881. At the Massachusetts Normal Art School she took elementary lessons from Joseph R. DeCamp, then Frank Benson was her teacher at the School of the Museum of Fine Arts, Boston. Although her work seems to be only in private collections today, Allen exhibited at the Boston Art Club, at the Copley Society...
Category
1940s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper. c. 1946
Unsigned
Provenance: Estate of the Artist
Inherited by his neighbor/caregiver
Condition: Staining at corners
...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Black and White Cat
By Sam Spanier
Located in Fairlawn, OH
Black and White Cat
Ink and watercolor on paper, c. 1970
Unsigned
Provenance:
Estate of the artist (Estate No. 737)
Condition: Excellent
Image/Sheet size: 4 3/4 x 6 1/4 inches
Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
Selected Solo Exhibitions:
Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
Selected Group Exhibitions:
Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Ink, Watercolor
Standing Male Nude, Arms Upraised (Kouros)
By Gaston Lachaise
Located in Fairlawn, OH
Standing Male Nude, Arms upraised (Kouros)
Graphite on wove paper, c. 1930
Signed lower right (see photo)
Possibly exhibited in May 8-June 1,1973 at Alan Stone Gallery entitled Eroti...
Category
1930s American Modern Nude Drawings and Watercolors
Materials
Graphite
Untitled (Double sided watercolor) Recto: Figures seated at a table
By Ben Shahn
Located in Fairlawn, OH
Watercolor on paper
Most probably related to the artist's creation of images surrounding Haggadah (Passover) which he started in 1930 and finished with the publication of his book in...
Category
1960s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Hai (Abba) (Hebrew translation: Hey Father)
By Louis Lozowick
Located in Fairlawn, OH
Hai (Abba) (Hebrew translation: Hey Father)
Signed in ink lower left by the artist’s widow “AL” (Adele Lozowick)
Original label from early exhibition verso at The Art Corner
Graphit...
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Graphite
Nickle Drawing
By Dorothy Dehner
Located in Fairlawn, OH
Nickle Drawing
Ink and watercolor on laid paper, 1982
Signed and dated lower right in ink
The title references a comment that her husband, David Smith, made regarding her drawings. He said that they were only worth a nickle and the name stuck even thought her works are highly prized.
The dating of this work reflects the date inscribed on the watercolor. The style and black ink lines with dots terminating the line is a compositional device the artist used in the 1950's.
Condition: Very fine/excellent
4 old hinge residue in the corners verso from previous matting
Sheet/image size: 7 1/2 x 4 7/8 inches
Dorothy Dehner (1901-1994)
Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes.
From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art.
After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula.
She studied drawing with Kimon Nicolaides and painting with Kenneth Hayes Miller. In 1929, she studied painting with Jan Matulka. Meeting artist John Graham in that year, he introduced her to Milton Avery, Stuart Davis and Arshile Gorky. She would also take art courses years later at Skidmore College in 1951.
Dehner married sculptor David Smith in 1927. She was evidently very helpful in his artistic growth, but friction would develop because Smith allegedly saw his wife as artistic competition. Although she painted and drew Cubist and Surrealist works during their marriage, and realistic ones of life on their Bolton Landing, New York farm during the period 1941 to 1944, Dehner would essentially put her exhibition life on hold until their divorce in 1952. Meanwhile, they traveled to Europe in 1935.
She later wrote about Smith, as well as painter John Graham and Jan Matulka, her teacher. Although she had shown in the 1946 Audubon Artists exhibition, winning first prize in drawing, and in the Whitney Annual of 1951, it was the year of her divorce, 1952, that Dehner had her first one-person exhibition at the Rose Fried Gallery...
Category
1980s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Butterfly and Heart
By Damien Hirst
Located in Fairlawn, OH
Butterfly and Heart
Drawing in black felt pen over color screenprint 'spot' composition
Signed in full (bottom edge) and dedicated (top edge)
Dedicated by the artist
Annotated in fe...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Ink
Abstraction
By Abraham Walkowitz
Located in Fairlawn, OH
Signed and dated in ink lower center
Provenance:
Charlotte Bergman, noted collector and patron of Walkowitz. See photo for additional information.
Category
1930s Modern Abstract Drawings and Watercolors
Materials
Ink, Pen
Standing Female Nude
By Paul Cadmus
Located in Fairlawn, OH
Standing Female Nude
Colored chalks on tan Strathmore paper, c. 1975
Signed in chalk upper right (see photo)
Condition: Excellent
Housed in an 8 play acid free rag matting
S...
Category
1970s American Realist Nude Drawings and Watercolors
Materials
Chalk
E
By Darius Steward
Located in Fairlawn, OH
E
Watercolor on Yupo paper, 2018
Signed with the artist's initials (see photo)
Condition: Excellent
Archival framing with OP3 Acrylic
Sheet/Image size: 30 x 38 inch...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Nude
Located in Fairlawn, OH
Nude
Monotype in colors, 1936
Signed, dated, and inscribed in pencil (see photo)
Annotated: "Orig. Monotype," dated Munchen 8 Sept. 1936"
Condition: Excellent
Image/plate size: 12 7/8 x 10 5/8 inches
Sheet size: 20 1/2 x 16 5/8 inches
Provenance: Frederick Baker, Inc., Chicago
Hans Hermann...
Category
1930s Romantic Nude Drawings and Watercolors
Materials
Monotype
Study of Lucie (Ralph) Belin seated in an interior
By Edouard Vuillard
Located in Fairlawn, OH
Study of Lucie (Ralph) Belin seated in an interior
Graphite on paper, 1915
Signed with the estate stamp, Lugt 909b, the stamp faded from blue to brown (see photo)
Provenance:
Neffe-D...
Category
1910s Impressionist Portrait Drawings and Watercolors
Materials
Graphite
Untitled Art Nouveau Rondelle
Located in Fairlawn, OH
Unknown Artist, France, late 19th century
Anonymous c. 1900 Rondelle on antique laid paper
Ink, Watercolor and or Gouache
Unsigned
An Art Nouveau preliminary design for a decorative ...
Category
Early 1900s Art Nouveau Abstract Drawings and Watercolors
Materials
Ink, Watercolor, Pigment
Mlle. Jeanne at the Window, No. II
By Benjamin G. Benno
Located in Fairlawn, OH
Mlle. Jeanne at the Window, No. II
Charcoal on paper, 1933
Signed and dated lower right (see photo)
Illustrated: Gustafson, Zimmerli Museum, 1988, "Benjamin Benno: A Retrospective Ex...
Category
1930s Surrealist Abstract Drawings and Watercolors
Materials
Charcoal
Headdress Procession
By Honore Guilbeau
Located in Fairlawn, OH
Headdress Procession
Watercolor, c. 1950's
Signed by the artist in ink, lower right
The Headdress Procession occurs every year as part of the Christmas celebrations in Oaxaca.
Guilbe...
Category
1950s American Modern Portrait Drawings and Watercolors
Materials
Watercolor
The Dark Aspect of the Great Goddess Devi
Located in Fairlawn, OH
The Dark Aspect of the Great Goddess Devi
Pigment on paper (unfinished), 19th century
Unsigned as is usual
Condition: Good color
Voids at edges of the sheet
Image s...
Category
19th Century Rajput Figurative Drawings and Watercolors
Materials
Pigment
Animal Icon
Located in Fairlawn, OH
Animal Icon
Pigment on cloth, c. 1940
Diameter 10"
Condition: Cracking to pigment in upper left (see photos)
Provenance: Cleveland Museum of Art (57.517)
De-Accessed 2013
Made i...
Category
1940s Rajput Animal Drawings and Watercolors
Materials
Pigment
Prelude to Transition
By Benjamin G. Benno
Located in Fairlawn, OH
Prelude to Transition
Pastel on paper, 1953
Signed and dated lower left (See photo)
Image size: 10 1/2 x 13 3/4 inches
Frame size: 24-5/8 x 1-1/2 inches
Exhibited and Illustrated: Z...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Preliminary Study for the painting Rose and Gold, 1913
By William McGregor Paxton
Located in Fairlawn, OH
Preliminary Study for the painting Rose and Gold, 1913
Graphite on paper, 1913
Signed in pencil lower left (see photo)
Titlted "Lizzy Young" in pencil upper left (see photo)
Lizzy was a modle that Paxton depicts numerous times.
The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection.
Provenance: Private Collection, Florida
William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States.
Early life
He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s.
Education
Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...
Category
1910s American Impressionist Figurative Drawings and Watercolors
Materials
Graphite
Sketch of a woman's head in profile
By Sir William Orpen
Located in Fairlawn, OH
Sketch of a woman's head in profile
Graphite on paper, c. 1900-1910
Unsigned
Condition: Excellent
Tiny tear upper right near hinge (repaired and bearly visible)
Sheet size: 4 5/8 x 3...
Category
1910s Impressionist Figurative Drawings and Watercolors
Materials
Graphite
Preliminary drawing for the painting entitled Trapezoids
Located in Fairlawn, OH
Ink, graphite and colored pencil on graph paper
The final composition measured 28 x 28 inches
Annotated #615 in the lower right corner of the sheet
Provenance: Francine Seders Galler...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Untitled (Kneeling Male Nude)
By David Smith
Located in Fairlawn, OH
Untitled (Kneeling Male Nude)
Graphite on paper, c. 1930
Unsigned
Annotated in pencil verso:
"This drawing was made by David Smith in the Matulka class at A. S. L. 1931
Signed
Doroth...
Category
1930s American Modern Drawings and Watercolor Paintings
Materials
Paper, Pencil
Preliminary study for Cretan Dancer bronze sculpture
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary study for Cretan Dancer bronze sculpture
Unsigned
Graphite on tracing paper, 1930-1934
Sheet size: 6 7/8 x 7 1/8 inches
Created while the artist was woring in Paris, c. 1930
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Regarding the artist:
Boris Lovet-Lorski
Lithuanian/Russian/American
1894-1973
Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade.
Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists.
He died in Los Angeles in 1973.
Regarding his iconic Art Deco sculptures of Cretan Dancers:
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Lovet-Lorski created sculptures of the following major figures
I.J. Paderewski, Prime Minister of Poland
Arturo Toscanini, Italian Conductor
Lilian Gish, Actress
President Franklin D. Roosevelt
Mrs. M. C. Niarchos, wife of Stavros Niarchos
President Abraham Lincoln
James Forrestal, Secretary of the Navy, First Secretary of Defense
Pope Pius XII
Dr. Albert Einstein, theoretical physicist
President Dwight D. Eisenhower
Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician
General Charles De Gaulle, President of the Fourth and Fifth Republic, France
John Foster Dulles, Secretary of State, 1953-1959
President John F. Kennedy
Works by Lover Lorski are in the following public collections:
Albright-Knox Art Gallery, Buffalo
Art Institute of Chicago
Bibliotheque Nationale, Paris
Brandeis University, Waltham, MA
British Museum, London
Boston University
Brooklyn Museum
California Palace of the Legion of Honor, Sam Francisco...
Category
1930s Art Deco Figurative Drawings and Watercolors
Materials
Graphite
Untitled (Two Standing Nudes, one seated nude)
By Boris Lovet-Lorski
Located in Fairlawn, OH
Untitled (Two Standing Nudes, one seated nude)
Graphite on wove paper, heightened with color, c. 1930
Unsigned
From a sketchbook created while the artist was working in Paris
Condition: Very good
Provenance: Estate of the Artist
Dawson's Auction, Morris Plains, NY, 2001
Boris Lovet-Lorski
Lithuanian/Russian/American
1894-1973
Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade.
Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists.
He died in Los Angeles in 1973.
Regarding his iconic Art Deco sculptures of Cretan Dancers:
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Lovet-Lorski created sculptures of the following major figures
I.J. Paderewski, Prime Minister of Poland
Arturo Toscanini, Italian Conductor
Lilian Gish, Actress
President Franklin D. Roosevelt
Mrs. M. C. Niarchos, wife of Stavros Niarchos
President Abraham Lincoln
James Forrestal, Secretary of the Navy, First Secretary of Defense
Pope Pius XII
Dr. Albert Einstein, theoretical physicist
President Dwight D. Eisenhower
Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician
General Charles De Gaulle, President of the Fourth and Fifth Republic, France
John Foster Dulles, Secretary of State, 1953-1959
President John F. Kennedy
Works by Lover Lorski are in the following public collections:
Albright-Knox Art Gallery, Buffalo
Art Institute of Chicago
Bibliotheque Nationale, Paris
Brandeis University, Waltham, MA
British Museum, London
Boston University
Brooklyn Museum
California Palace of the Legion of Honor, Sam Francisco...
Category
1930s Art Deco Nude Drawings and Watercolors
Materials
Graphite
Temple of Isis, View of Philae (verso)
By Henry Bacon
Located in Fairlawn, OH
Temple of Isis
Philae (verso)
Dpouoble sided watercolor, 1902
Signed on front lower left: "Henry Bacon" and dated 1902
Note:
The Temple of Isis is located on the Island of Philae at ...
Category
Early 1900s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Pastel on paper, 1922
Initialed lower right (see photo)
Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014.
Condition: Excell...
Category
20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Graphite on paper, 1930
Signed and dated upper right (see photo)
Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. (label)
C...
Category
1920s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Pencil
Horses Leaving the Barn
By Adolf Dehn
Located in Fairlawn, OH
Horses Leaving the Barn
Watercolor on paper, 1940
Signed and dated lower left corner (see photo)
Condition: Excellent
Image: 14 1/2 x 21”
Frame: 25” x 31”
Provenance; Associated American Artists, New York (see photo of label)
Mamdouha and Elmer Holmes Bobst
Displayed in an original wormy chestnut frame with OP3 Acrylic. Most probably from the AAA Dehn watercolor exhibition of 1940. Vintage original framing chosen by the artist.
Note: Elmer Holmes Bobst (1884–1978) was an American businessman and philanthropist who worked in the pharmaceutical industry. His wife, Mamdouha, was also well known philanthropist.
Bobst was born in Lititz, Pennsylvania. He aspired to become a doctor, but instead, he taught himself pharmacology. After his wife Ethel composed his interview letter, he became manager and treasurer of the Hoffman-LaRoche Chemical Works by 1920. When Bobst retired from the company in 1944, he was one of the nation's highest paid corporate executives. In 1945 he took charge of the ailing William Warner Company (later Warner–Lambert) and he remained board chairman until his retirement.
Bobst had close connections to President Dwight Eisenhower, but was also a close friend of President Richard Nixon.
Note: In 1940, the year of this watercolor, Dehn and Elizabeth Timmerman visited Waterville, MN on their way to Colorado Sprint, Colorado where Dehn was to teach lithography and watercolor. This watercolor is obviously a view of the area around Waterville.
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood.
After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet).
Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason.
Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag.
The Years in Europe: 1922-1929
In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work.
Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.”
A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...
Category
1940s American Realist Landscape Drawings and Watercolors
Materials
Watercolor
Divertimento I (Picasso)
By Conger A. Metcalf
Located in Fairlawn, OH
Divertimento I (Picasso)
Graphite, color wash and oil paint on coated glossy paper, c. 1940
Signed C. Metcalf lower left (see photo)
Inscribed Matisse, Picasso, C. Metcalf lower left by the artist (see photo)
Condition: Irregular sheet margins
Framed in a carved corner, gilt decorated frame with foliate corners. Very complimentary to the work!!! ( See photo)
Oil paint transfer on verso
Three small bits of masking tape along the upper margin from previous framing
Colors fresh, appears to be no fading
Photos available upon request
Sheet/Image size: 13 x 9 1/4 inches
Provenance: Private Collection, Ohio
Exhibited: Childs Gallery, Boston, 2013-2023 (see label)
Conger Metcalf (1914–1998) was an American painter.
"He was born in Cedar Rapids, Iowa and died in Boston, Massachusetts. Metcalf began his art studies in 1932 at the Iowa Stone City Art Colony, headed by American Regionalist painter Grant Wood. Metcalf continued his studies at Coe College in Cedar Rapids with Stone City co-founder Marvin Cone...
Category
1940s American Modern Nude Drawings and Watercolors
Materials
Oil
Nu (Standing Female Nude)
By Charles Despiau
Located in Fairlawn, OH
Nu (Standing Female Nude)
Red chalk on wove paper, c. 1925
Signed lower right: C Despaiu (see photo)
Sheet size (folded format): 12 1/8 x 8 5/16 inches
Condition: Very good
Sheet fol...
Category
1920s Post-Impressionist Nude Drawings and Watercolors
Materials
Chalk
Two Boys (one standing, the other seated and drawing)
By Mary Spain
Located in Fairlawn, OH
Two Boys (one standing, the other seated and drawing)
Graphite and colored pencils on wove paper, 1975
Signed and dated lower left center (see photo)
Condition: Excellent
Slight waviness visible only on reverse
Image size: 11 1/2 x 13 3/4 inches
Sheet size: 14 x 17 3/4 inches
Provenance: Estate of the Artist
By descent
Mary Spain (Colie)
(1934-1983)
Mary Spain was born in Raleigh, North Carolina. She taught art in Chagrin Falls...
Category
1970s Contemporary Figurative Drawings and Watercolors
Materials
Color Pencil
Untitled, Still Life of Shell
Located in Fairlawn, OH
Untitled, Still Life of Shell
Graphite on paper, 1945-1951
Signed lower right in pencil "Bisttram" (see photo)
Condition: Excellent
Sheet size: 9.63 x 7 .5 inches
EMIL BISTTRAM (189...
Category
1940s American Modern Still-life Drawings and Watercolors
Materials
Graphite
Untitled (Standing man with umbrella behind)
By Charles Maurin
Located in Fairlawn, OH
Untitled (Standing man with umbrella behind)
Graphite on paper, c. 1890's
Unsigned
Provenance: Estate of the Artist
Lucien Goldschmidt (1912-1992), noted art
...
Category
1890s French School Figurative Drawings and Watercolors
Materials
Graphite
A pair of oval drawings for Ovid, Metamophoses
By Charles Joseph Natoire
Located in Fairlawn, OH
A pair of oval drawings for Ovid, Metamophoses
Left: The Triumph of Amphitrite (Book I)
Right: Diana and Actaeon (Book III)
From: Ovid, Metamophoses
These mythological studies are a...
Category
1760s Baroque Portrait Drawings and Watercolors
Materials
Ink, Pen
Brookdale, New Jersey
By Oscar Florianus Bluemner
Located in Fairlawn, OH
Brookdale, New Jersey
Graphite on paper, 1922
Signed with the artist's initials l.l., and dated 1922 (see photo)
Annotated "Brookdale" front and back of she...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Graphite
Untitled
Located in Fairlawn, OH
Untitled
Watercolor on paper, c,. 1890
Unsigned
Provenance: Estate of the artist
Image/Sheet size: 3 1/4 x 4 1/8 inches
From Wikipedia
"Francis Augustus Lathrop (June 22, 1849 – Oct...
Category
1890s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
untitled (polo player on horseback)
By Henry George Keller
Located in Fairlawn, OH
untitled (polo player on horseback)
Chalk on tan paper, c. 1920
Unsigned
Provenance: Gift of the artist
William McGill (Keller's student)
Image size: 4 3/8 x 5 ...
Category
1920s American Impressionist Animal Drawings and Watercolors
Materials
Chalk
Spring Landscape with house and figure
By Louis Oscar Griffith
Located in Fairlawn, OH
Spring Landscape with house and figure
A preliminary watercolor for a color aquatint, illustrated on line, title unknown
Signed lower left in block letters (see photo)
Watercolor and...
Category
1920s American Impressionist Landscape Drawings and Watercolors
Materials
Watercolor
Trompe-l'Oeil Study
By Eugene Berman
Located in Fairlawn, OH
Trompe-l'Oeil Study
Watercolor on heavy wove paper, 1943
Signed with the artists initials, lower center of image; Dated 1943, lower center of image
Provenance:
Swann Galleries, 2007, realized $2,640
Condition: Excellent. Fresh colors. Framed with conservation glass.
Sheet: 14 3/4 x 11 1/4"
Frame size: 20 3/4 x 17
Berman brothers (painters)
From Wikipedia, the free encyclopedia
Eugene Berman in Italy in the 1960s
Eugène Berman (Russian: Евгений Густавович Берман; 4 November 1899, Saint Petersburg, Russia – 14 December 1972, Rome) and his brother Leonid Berman...
Category
1930s Surrealist Still-life Drawings and Watercolors
Materials
Watercolor
Untitled (seated female nude)
By Henry Keller
Located in Fairlawn, OH
Seated Femake Nude
Graphite and chalk on tan paper, c. 1920
Signed "Keller" and signed again with the artist's initials in a cypher
A finished life drawing most probably exhibited at...
Category
1920s American Modern Nude Drawings and Watercolors
Materials
Graphite