Thomas French Fine Art Figurative Drawings and Watercolors
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Couple Embracing in Street at Night
By Ito Shinsui
Located in Fairlawn, OH
Sumi ink drawing, c. 1928
Signed in the lower right corner (see detail)
Original illustration for the novel "Gunmo" (Hoi Polloi or Blind and Foolish Masses), volume 4 in the "Complet...
Category
1920s Edo Figurative Drawings and Watercolors
Materials
Sumi Ink
Untitled (Young woman seen from the back)
By Paul César Helleu
Located in Fairlawn, OH
Untitled (Young woman seen from the back)
Sanguine crayon, charcola and watercolor on paper, c. 1910
Signed with the estate stamp, Lugt 5169 lower left corner
Provenance:
Estate of ...
Category
Early 1900s Impressionist Figurative Drawings and Watercolors
Materials
Charcoal
Wire Haired Girl and Cat
By William Sommer
Located in Fairlawn, OH
Wire Haired Girl and Cat
Pen and ink with watercolor, c. 1930
Signed with the Estate stamp "B"
Provenance: Estate of the Artist
By descent to his son Edward
...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Untitled (Study for The Aerialists)
By John Steuart Curry
Located in Fairlawn, OH
Untitled (Study for The Aerialists)
Graphite on paper, 1932
Signed lower right in pencil: "John Steuart Curry"
Dated: 1932 in pencil
Exhibited:
Schroeder Romero & Shredder, NYC (la...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Graphite
Getting Ready for the Revolution - Learning How to Ride in the Subway
By Adolf Arthur Dehn
Located in Fairlawn, OH
Getting Ready for the Revolution - Learning How to Ride in the Subway
Litho crayons on illustrator’s board, c. 1932
Signed: Adolf Dehn (VED) lower right corner (signed by Virginia De...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Oil Crayon
Bull Ring Brass - Mexico City
By Stephen Longstreet
Located in Fairlawn, OH
Bull Ring Brass - Mexico City
Watercolor, pen and ink on paper, 1955
Signed in ink, dated and titled in pencil (see photos)
Condition: 1'' repaired tear left edge, along with other minor tears.
Tape stains from previous matting visible in the four corners
Image/Sheet size: 19 3/8 x 15 5/8 inches
Provenance: Acquired directly from the Artist
Joseph M. Erdelac, Cleveland, friend and
patron of Longstreet
Stephen Longstreet (1907-2002)
The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado.
Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show.
In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...
Category
1950s American Modern Figurative Drawings and Watercolors
Materials
India Ink, Watercolor, Pen
Preliminary Study for a Sculpture Project
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary Study for a Sculpture Project
Graphite, charcoal and wash on tracing paper, c. 1930-1940
Signed upper left and lower left (see both photos)
Created while the artist was l...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Charcoal
Tea at the Ritz, New York
By Paul César Helleu
Located in Fairlawn, OH
Tea at the Ritz, New York
Colored chalk, 1912
Signed with the estate stamp verso. (see photo)
Authenticated by the artist's daughter, Mme Paulette Johnston.
Image size: 10 5/8 x 10 1...
Category
1920s Art Nouveau Drawings and Watercolor Paintings
Materials
Chalk
Dharma Prayer Book Manuscript Folio
Located in Fairlawn, OH
Dharma Prayer Book Manuscript Folio
Ink and gouache on handmade paper, 1875-1925)
Miniature depicting Tibetan deity
Script is Tibetan.
Miniature Size: 2 3/8 x 1 ½ inches
Part of a se...
Category
Early 20th Century Other Art Style Figurative Drawings and Watercolors
Materials
Gouache
Dharma Prayer Book Manuscript Folio
Located in Fairlawn, OH
Dharma Prayer Book Manuscript Folio
Ink and gouache on handmade paper, 1875-1925)
Miniature depicting Tibetan deity
Script is Tibetan.
Miniature Size: 2 3/8 x 1 ½ inches
Part of a se...
Category
Early 20th Century Other Art Style Figurative Drawings and Watercolors
Materials
Gouache
Dharma Prayer Book Manuscript Folio
Located in Fairlawn, OH
Dharma Prayer Book Manuscript Folio
Ink and gouache on handmade paper, 1875-1925)
Miniature depicting Tibetan deity
Script is Tibetan.
Miniature Size: 2 3/8 x 1 ½ inches
Part of a se...
Category
Early 20th Century Other Art Style Figurative Drawings and Watercolors
Materials
Gouache
Two Women and a Child on the Beach at Provincetown
By Charles Demuth
Located in Fairlawn, OH
Two Women and a Child on the Beach at Provincetown
Unsigned.
Watercolor on paper, c. 1934
A beautiful Provincetown beach scene, included in the catalogue raisonne.
Please see Babcoc...
Category
1930s American Modern Drawings and Watercolor Paintings
Materials
Watercolor
Head of a Deco Woman (recto) Standing Male Model (verso)
By Paul H. Winchell
Located in Fairlawn, OH
Head of a Deco Woman (recto) Standing Male Model (verso)
Graphite on paper, 1925
Signed with the artist's initials "PW" and dated 1925
Created while the artist was studying at the ...
Category
1920s Art Deco Figurative Drawings and Watercolors
Materials
Graphite
Eileen Lake
By Adolf Arthur Dehn
Located in Fairlawn, OH
Eileen Lake
Crayon on paper, early1930's
Initialed in pencil lower right (see photo)
Titled and annotated verso "Eileen Lake, early 1930s girlfriend"
Note: Eileen Hall Lake was an American poet and Adolf Dehn's girlfriend in the early 1930s.
Provenance:
Estate of the artist
By descent
Adolf Dehn, American Watercolorist and Printmaker, 1895-1968
Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art.
In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art.
If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques.
Early Years, 1895-1922
For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs. In many ways Dehn’s later artistic achievement was clearly a reaction against the grinding rural poverty of his childhood.
After graduating from high school in 1914 at the age of 19—an age not unusual in farming communities at the time, where school attendance was often irregular—Dehn attended the Minneapolis School of Art from 1914 to 1917, whose character followed strongly reflected that of its director, Munich-trained Robert Kohler, an artistic conservative but a social radical. There Dehn joined a group of students who went on to nationally significant careers, including Wanda Gag (later author of best-selling children’s books); John Flanagan (a sculptor notable for his use of direct carving) Harry Gottlieb (a notable social realist and member of the Woodstock Art Colony), Elizabeth Olds (a printmaker and administrator for the WPA), Arnold Blanch (landscape, still-life and figure painter, and member of the Woodstock group), Lucille Lunquist, later Lucille Blanch (also a gifted painter and founder of the Woodstock art colony), and Johan Egilrud (who stayed in Minneapolis and became a journalist and poet).
Adolf became particularly close to Wanda Gag (1893-1946), with whom he established an intense but platonic relationship. Two years older than he, Gag was the daughter of a Bohemian artist and decorator, Anton Gag, who had died in 1908. After her husband died, Wanda’s mother, Lizzi Gag, became a helpless invalid, so Wanda was entrusted with the task of raising and financially supporting her six younger siblings. This endowed her with toughness and an independent streak, but nonetheless, when she met Dehn, Wanda was Victorian and conventional in her artistic taste and social values. Dehn was more socially radical, and introduced her to radical ideas about politics and free love, as well as to socialist publications such as The Masses and The Appeal to Reason.
Never very interested in oil painting, in Minneapolis Dehn focused on caricature and illustration--often of a humorous or politically radical character. In 1917 both Dehn and Wanda won scholarships to attend the Art Students League, and consequently, in the fall of that year both moved to New York. Dehn’s art education, however, ended in the summer of 1918, shortly after the United States entered World War I, when he was drafted to serve in the U. S. Army. Unwilling to fight, he applied for status as a conscientious objector, but was first imprisoned, then segregated in semi-imprisonment with other Pacifists, until the war ended. The abuse he suffered at this time may well explain his later withdrawal from taking political stands or making art of an overtly political nature. After his release from the army, Dehn returned to New York where he fell under the spell of the radical cartoonist Boardman Robinson and produced his first lithographs. He also finally consummated his sexual relationship with Wanda Gag.
The Years in Europe: 1922-1929
In September of 1921, however, he abruptly departed for Europe, arriving in Paris and then moving on to Vienna. There in the winter of 1922 he fell in love with a Russian dancer, Mura Zipperovitch, ending his seven-year relationship with Wanda Gag. He and Mura were married in 1926. It was also in Vienna that he produced his first notable artistic work.
Influenced by European artists such as Jules Pascin and Georg Grosz, Dehn began producing drawings of people in cafes, streets, and parks, which while mostly executed in his studio, were based on spontaneous life studies and have an expressive, sometimes almost childishly wandering quality of line. The mixture of sophistication and naiveté in these drawings was new to American audiences, as was the raciness of their subject matter, which often featured pleasure-seekers, prostitutes or scenes of sexual dalliance, presented with a strong element of caricature. Some of these drawings contain an element of social criticism, reminiscent of that found in the work of George Grosz, although Dehn’s work tended to focus on humorous commentary rather than savagely attacking his subjects or making a partisan political statement. Many Americans, including some who had originally been supporters of Dehn such as Boardman Robinson, were shocked by these European drawings, although George Grocz (who became a friend of the artist in this period) admired them, and recognized that Dehn could also bring a new vision to America subject matter. As he told Dehn: “You will do things in America which haven’t been done, which need to be done, which only you can do—as far at least as I know America.”
A key factor in Dehn’s artistic evolution at this time was his association with Scofield Thayer...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Oil Crayon
Read the Signs, No. 13
By Darius Steward
Located in Fairlawn, OH
Read the Signs, No. 13
Watercolor on Yupo paper, 2013
Signed lower right corner (see photo)
Series: Read the Signs (22 watercolors)
Exhibited: William Busta Gallery, Read the Signs, ...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Stolen Moments (4)
By Darius Steward
Located in Fairlawn, OH
Stolen Moments (4)
Ink on Yupo paper, 2019
Signed with the artist's initials lower right (see photo)
Condition: Excellent
Image size: 14 x 11 inches
Darius Steward is establishing hi...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
O
By Darius Steward
Located in Fairlawn, OH
O
Watercolor on Yupo paper, 2018
Signed with the artist's initials (see photo)
Note: The Series MORE? is centered around the artist’s family.
There are two images of the artist’s s...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Study for “The Breaker of Chains”
By Darius Steward
Located in Fairlawn, OH
Study for “The Breaker of Chains”
Watercolor on Yupo paper, 2018
Signed with the artist's initials lower right (see photo)
For the Midtown (Cleveland) Mural, located on 28th and Euc...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling)
By Darius Steward
Located in Fairlawn, OH
Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling)
Watercolor on Twinrocker Multi Purpose paper, 2019
Signed with the artist's initials lower right
Signed with the ar...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Joe "I try to get something accomplished everyday. I ask the Good Lord...
By Sedrick Huckaby
Located in Fairlawn, OH
Joe "I try to get something accomplished everyday. I ask the Good Lord for Patience and Stregnth"
Verso: "I was in for a technical violation. I spent 65 days, but I thank the Lor...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Ink
Couple Embracing
By Ito Shinsui
Located in Fairlawn, OH
Couple Embracing
Sumi ink drawing, c. 1928
Signed lower right: Shinsui (early variant signature)
Most probably an illustration for one of the four volum...
Category
1920s Figurative Drawings and Watercolors
Materials
Ink
Untitled (Joe Louis knocking out Max Schmeling in 1938 rematch)
By Fletcher Martin
Located in Fairlawn, OH
Untitled
(Joe Louis knocking out Max Schmeling in 1938 rematch)
Pen and ink with wash on heavy wove sketchbook paper, 1938
Signed lower right: Fletcher Martin
Directly related to Martin's famous painting of 1942 entitled "Lullaby", which was also used in the lithograph of the same name. (see photo)
The drawing depicts the third and final knockdown of Max Schmeling in their rematch of 1938.
Condition: Mat staining at the edges of the sketchbook page edges
Toning to verso from previous framing.
Does not affect framed presentation
"It was here that Louis first used sport to bridge America's cavernous racial divide. With Hitler on the march in Europe and using Schmeling's victory over Louis as proof of “Aryan supremacy,” anti-Nazi sentiment ran high in the States. Louis had long grown accustomed to the pressures of representing his race but here the burdens were broader and deeper. Now he was shouldering the hopes of an entire nation.
A few weeks before the match Louis visited the White House and U.S. President Franklin Delano Roosevelt, whose tenure lasted even longer than Louis' would, told him, “Joe, we need muscles like yours to beat Germany.”
Those muscles certainly beat Schmeling on fight night...
Category
1930s American Realist Figurative Drawings and Watercolors
Materials
Ink
Studies for a historic scene painting
By Daniel Maclise
Located in Fairlawn, OH
Studies for a historic scene painting
Graphite on paper, c. 1860's
Sheet size: 12 3/8 x 19 inches
Unsigned
Provenance: J S Maas & Co., London (see label)
Denys ...
Category
1860s Pre-Raphaelite Figurative Drawings and Watercolors
Materials
Graphite
Head of a Deco Woman (recto) Standing Male Model (verso)
By Paul H. Winchell
Located in Fairlawn, OH
Head of a Deco Woman (recto) Standing Male Model (verso)
Graphite on paper, 1925
Signed with the artist's initials "PW" and dated 1925
Created while the artist was studying at the ...
Category
1920s Art Deco Figurative Drawings and Watercolors
Materials
Graphite
Study for Republic Standing
By Pierre-Roch Vigneron
Located in Fairlawn, OH
Study for “Republic Standing”
Graphite on calque tracking paper, c. 1848
Signed lower right corner: Vigneron
Provenance:
Shepherd Gallery, New York
...
Category
1840s Romantic Figurative Drawings and Watercolors
Materials
Graphite
Bull engaging the muleta (Bull Fight)
By Robert Hallowell
Located in Fairlawn, OH
Bull engaging the muleta (Bull Fight)
Signed with the Estate stamp lower left (See photo)
Provenance:
Estate of the Artist
Marbella Gallery Inc., NYC
Refer...
Category
Mid-20th Century American Modern Animal Drawings and Watercolors
Materials
Watercolor
Female Torso, Nude
By Asa Cheffetz
Located in Fairlawn, OH
Nude Female Torso
Charcoal on paper, c. 1920
Stamped and initialed in pencil "Asa Cheffetz/A.D.C"
Estate signature by wife, A.D.C.
Exhibited: Museum of F...
Category
1920s American Realist Nude Drawings and Watercolors
Materials
Charcoal
Academic Nude Study
Located in Fairlawn, OH
Academic Nude Study by E. Rantz
Charcoal on laid paper signed in charcoal
Lalanne Watermark, c. 1880-1900
Image: 24 3/4 x 18 3/4"
Category
Early 1900s Figurative Drawings and Watercolors
Materials
Charcoal
Academic Nude Study
Located in Fairlawn, OH
Turn of the century drawing signed E. Rantz on laid paper.
Watermark: Lalanne
Frame: 29 3/4 x 24
Image: 24 3/4 x 18 3/4"
Category
Early 20th Century Figurative Drawings and Watercolors
Materials
Charcoal
Woman with child
By Robert Hallowell
Located in Fairlawn, OH
Woman with child
Watercolor on paper, c. 1930
Signed with the estate stamp lower right (see photo)
Exhibited: Marbella Gallery, New York
Illustrated: Robert Hallowell: An Artist Redi...
Category
1930s American Impressionist Figurative Drawings and Watercolors
Materials
Watercolor
Quick Change
By Honore Guilbeau
Located in Fairlawn, OH
Quick Change
Watercolor on paper, 1930-1931
Signed lower right: Honore Guilbeau
Illustrated in American Art Review, August 2014, page 84 in an article by Dr. M...
Category
1930s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Untitled (Double sided watercolor) Recto: Figures seated at a table
By Ben Shahn
Located in Fairlawn, OH
Watercolor on paper
Most probably related to the artist's creation of images surrounding Haggadah (Passover) which he started in 1930 and finished with the publication of his book in...
Category
1960s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
E
By Darius Steward
Located in Fairlawn, OH
E
Watercolor on Yupo paper, 2018
Signed with the artist's initials (see photo)
Condition: Excellent
Archival framing with OP3 Acrylic
Sheet/Image size: 30 x 38 inch...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
The Dark Aspect of the Great Goddess Devi
Located in Fairlawn, OH
The Dark Aspect of the Great Goddess Devi
Pigment on paper (unfinished), 19th century
Unsigned as is usual
Condition: Good color
Voids at edges of the sheet
Image s...
Category
19th Century Rajput Figurative Drawings and Watercolors
Materials
Pigment
Preliminary Study for the painting Rose and Gold, 1913
By William McGregor Paxton
Located in Fairlawn, OH
Preliminary Study for the painting Rose and Gold, 1913
Graphite on paper, 1913
Signed in pencil lower left (see photo)
Titlted "Lizzy Young" in pencil upper left (see photo)
Lizzy was a modle that Paxton depicts numerous times.
The painting that this drawing is related to, is illustrated in Lee & Krause, William McGregor Paxton, 1869-1941, Plate 32, text on page 132. The painting was formerly in the collection of Victor Spark and the Honorable Paul Buchanan. It is currently in a Texas Collection.
Provenance: Private Collection, Florida
William McGregor Paxton (June 22, 1869 – 1941) was an American painter and instructor who embraced the Boston School paradigm and was a co-founder of The Guild of Boston Artists. He taught briefly while a student at Cowles Art School, where he met his wife Elizabeth Okie Paxton, and at the Museum of Fine Arts School in Boston. Paxton is known for his portraits, including those of two presidents—Grover Cleveland and Calvin Coolidge—and interior scenes with women, including his wife. His works are in many museums in the United States.
Early life
He was born on June 22, 1869, in Baltimore to James and Rose Doherty Paxton. William's father moved the Paxton family and established a catering business in Newton Corner, Massachusetts, in the mid-1870s.
Education
Paxton attended Cowles Art School on a scholarship he attained at the age of 18. He studied with Dennis Miller Bunker...
Category
1910s American Impressionist Figurative Drawings and Watercolors
Materials
Graphite
Sketch of a woman's head in profile
By Sir William Orpen
Located in Fairlawn, OH
Sketch of a woman's head in profile
Graphite on paper, c. 1900-1910
Unsigned
Condition: Excellent
Tiny tear upper right near hinge (repaired and bearly visible)
Sheet size: 4 5/8 x 3...
Category
1910s Impressionist Figurative Drawings and Watercolors
Materials
Graphite
Preliminary study for Cretan Dancer bronze sculpture
By Boris Lovet-Lorski
Located in Fairlawn, OH
Preliminary study for Cretan Dancer bronze sculpture
Unsigned
Graphite on tracing paper, 1930-1934
Sheet size: 6 7/8 x 7 1/8 inches
Created while the artist was woring in Paris, c. 1930
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Regarding the artist:
Boris Lovet-Lorski
Lithuanian/Russian/American
1894-1973
Sculptor, painter, and printmaker, Boris Lovet-Lorski was born in Lithuania in 1894. His mother died when he was age three. His father was affluent and owned real estate. Boris grew up in a privileged environment. He studied architecture and then fine arts at the Imperial Academy of Art in Petrograd, Russia (now Saint Petersburg). Following the revolution in 1917 and its aftermath, Boris immigrated to Boston to live with his brother. In the 1920’s, his stylized, Art Deco inspired sculptures, lithographs, and paintings proved to be popular among the American elite. He exhibited frequently, holding his first solo exhibition in Boston, 1920. In the following years, Boris exhibited in New York at Marie Sterner Gallery, Jacques Seligmann Galleries and Wildenstein and Company. He lived in Paris from 1926 to 1932 where he befriended Joseph Hecht, and was exposed to the works of Pablo Picasso, Ossip Zadkine, Contantin Brancusi and Aristide Maillol. In 1932 he returned to America where he became a citizen later in the decade.
Lovet-Lorski exhibited in the United States, South America, Europe and Asia. He was a member of the Society of Independent Artists (New York), the National Academy of Design (New York), and the Lotos Club (New York), as well as several Parisian salons. His work is in the permanent collections of numerous museums including the Musée Luxembourg, Bibliotèque Nationale, and the Petit Palais in France, the British Museum in London, the Metropolitan Museum in New York, the National Gallery in Washington, the Los Angeles County Museum of Art. (A more extensive list of his works in museums follows) He is considered one of the most successful and recognized sculptors of his generation. His creative influence can be seen in many of his contemporary artists.
He died in Los Angeles in 1973.
Regarding his iconic Art Deco sculptures of Cretan Dancers:
“The stylizing of the Cretan allegories, used in figures of animals such as horses and bulls, symbolizes the ancient power of the South. These figures reveal a spiritual sensuality as he strives to attain a symbol of the earth and universe endowed with musical values. If man is the center of his idea of life and nature, it is because of the laws that govern the movement of stars and history. The link binding his figures together has, in a sense, a Pythagorean harmony.”
Salvatore Quasimodo, Milan, 1967, quoted from Bush, Boris Lover-Lorski: The Language of Time, page 12.
Lovet-Lorski created sculptures of the following major figures
I.J. Paderewski, Prime Minister of Poland
Arturo Toscanini, Italian Conductor
Lilian Gish, Actress
President Franklin D. Roosevelt
Mrs. M. C. Niarchos, wife of Stavros Niarchos
President Abraham Lincoln
James Forrestal, Secretary of the Navy, First Secretary of Defense
Pope Pius XII
Dr. Albert Einstein, theoretical physicist
President Dwight D. Eisenhower
Albert Schweitzer, theologian, organist, writer, humanitarian, philosopher, and physician
General Charles De Gaulle, President of the Fourth and Fifth Republic, France
John Foster Dulles, Secretary of State, 1953-1959
President John F. Kennedy
Works by Lover Lorski are in the following public collections:
Albright-Knox Art Gallery, Buffalo
Art Institute of Chicago
Bibliotheque Nationale, Paris
Brandeis University, Waltham, MA
British Museum, London
Boston University
Brooklyn Museum
California Palace of the Legion of Honor, Sam Francisco...
Category
1930s Art Deco Figurative Drawings and Watercolors
Materials
Graphite
Two Boys (one standing, the other seated and drawing)
By Mary Spain
Located in Fairlawn, OH
Two Boys (one standing, the other seated and drawing)
Graphite and colored pencils on wove paper, 1975
Signed and dated lower left center (see photo)
Condition: Excellent
Slight waviness visible only on reverse
Image size: 11 1/2 x 13 3/4 inches
Sheet size: 14 x 17 3/4 inches
Provenance: Estate of the Artist
By descent
Mary Spain (Colie)
(1934-1983)
Mary Spain was born in Raleigh, North Carolina. She taught art in Chagrin Falls...
Category
1970s Contemporary Figurative Drawings and Watercolors
Materials
Color Pencil
Untitled (Standing man with umbrella behind)
By Charles Maurin
Located in Fairlawn, OH
Untitled (Standing man with umbrella behind)
Graphite on paper, c. 1890's
Unsigned
Provenance: Estate of the Artist
Lucien Goldschmidt (1912-1992), noted art
...
Category
1890s French School Figurative Drawings and Watercolors
Materials
Graphite
Miniatures with Text from the "Legend of Phra Malai"
Located in Fairlawn, OH
Unknown Artist, Thailand, 19th century
Miniatures with Text from the "Legend of Phra Malai"
Double folio; ink, color and gold leaf, c. 1900
Unsigned
Script: Khmer (Cambodian) These texts are written in Khom script, a variant of Khmer script often used in Central Thai religious manuscripts.
Paired devas (lesser gods) on throne-like plinths addorse Khmer (Cambodian) script containing tales of Phra Malai, a Sri Lankan arhat or Buddhist saint known for his travels to hell. There, the compassionate monk gave teachings and comfort to sufferers. Phra Malai stories taught the karmic effects of human actions to the faithful as well as conveying Maitreya's message of hope for attaining nirvana.
Though known in neighboring countries, the stories of Phra Malai achieved their greatest popularity and influence in Siam (present day Thailand)
Condition: Very good
Sight window) size: 11-1/8 x 27 inches
Frame size: 19-5/8 x 34-7/8 x 3/4 inches
The legend of Phra Malai, a Buddhist monk of the Theravada tradition said to have attained supernatural powers through his accumulated merit and meditation, is the main text in this 19th-century Thai samut khoi (folding book) held in the Thai, Lao, and Cambodian Collections of the British Library. Phra Malai figures prominently in Thai art...
Category
Late 19th Century Other Art Style Figurative Drawings and Watercolors
Materials
Pigment
Two Miniatures and text from the "Legend of Phra Malai"
Located in Fairlawn, OH
Unknown Artist, Thailand, 19th century
Two Miniatures and text from the "Legend of Phra Malai"
Ink and color on paper, c, 1900
Unsigned as usual
Script: Aksar Chrieng or Khmer These texts are written in Khom script, a variant of Khmer script often used in Central Thai religious manuscripts.
Phra Malai was a Budhist monk whose meditations permitted him to travel to heaven and hell.
Condition: Good, with minor staining to text
Sight (window) size: 11-1/8 x 27 inches
Frame size: 19-3/4 x 35 x 3/4 inches
Framed in solid cherry wood with archival, acid free materials
The legend of Phra Malai, a Buddhist monk of the Theravada tradition said to have attained supernatural powers through his accumulated merit and meditation, is the main text in this 19th-century Thai samut khoi (folding book) held in the Thai, Lao, and Cambodian Collections of the British Library. Phra Malai figures prominently in Thai art...
Category
19th Century Other Art Style Figurative Drawings and Watercolors
Materials
Pigment
red ballboy or Studies for "Tennis Tournament"
By George Wesley Bellows
Located in Fairlawn, OH
red ballboy or Studies for "Tennis Tournament"
Unsigned
Provenance: Estate of the Artist, 1925
Emma S. Bellows (widow(
Emma S. Bellows Trust
Allison Galleries, New York Representing the Bellows Trust. Stock HVA 34
Hirschl & Adler Galleries, New York
Thomas French Fine Art
Ronald Slotter, Columbus, Ohio
Columbus College of Art and Design, de-accessed 2010
Annotated by the artist:"red ballboy"
Study sketches...
Category
1910s Ashcan School Figurative Drawings and Watercolors
Materials
Graphite
Seated Couple
By Raphael Soyer
Located in Fairlawn, OH
Inspiration (Seated Couple)
Graphite on paper, c. 1967
Signed twice in pencil by the artist on recto (see photos)
Condition: Excellent
Image size: 13 x 16 inches
Note: Although not t...
Category
1960s American Modern Figurative Drawings and Watercolors
Materials
Graphite
Provincetown (Sunbathing)
By Peter Grippe
Located in Fairlawn, OH
Provincetown (Sunbathing)
Sepia ink on tan paper, 1966
Signed in ink lower center (see photo)
Exhibited: Art from Lexington Homes, Lincoln Massachusetts...
Category
1960s American Modern Figurative Drawings and Watercolors
Materials
Ink
The Infant Jupiter Nursing from the She-Goat Amaltheia (The Birth of Jupiter)
By Luigi Quaini
Located in Fairlawn, OH
The Infant Jupiter Nursing from the She-Goat Amaltheia
(The Birth of Jupiter)
Red chalk and wash on off-white paper, c. 1700
Unsigned
Attribuuted to Quaini by Dwight Miller, the sch...
Category
18th Century and Earlier Baroque Figurative Drawings and Watercolors
Materials
Chalk
Untitled (Letitia, pregnant with Rising Sun)
By Sedrick Huckaby
Located in Fairlawn, OH
Untitled (Letitia, pregnant with Rising Sun)
Graphite on paper, 2005
Signed: "Sedrick Huckaby III" lower right (see photo)
In April 2008, Huckaby was awarded a Guggenheim fellowship for "stellar achievement and exceptional promise for continued accomplishment"
Provenance: Valley House Gallery, the artist's dealer for many years Inv. #12949
Image size: 6 3/4 x 10 inches
Sedrick Huckaby (b. 1975)
Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut.
Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture.
For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name.
He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award...
Category
Early 2000s Contemporary Figurative Drawings and Watercolors
Materials
Graphite
Deco Woman
By William Sommer
Located in Fairlawn, OH
Deco Woman
Crayon on paper, c. 1920
Signed in ink lower left: "Wm. Sommer" (see photo)
Provenance:
Estate of the artist
Edwin Sommer (the artist’s son)
Jose...
Category
1910s Art Deco Drawings and Watercolor Paintings
Materials
Crayon
Woman in a Fur Wrap
By Rudolf Bauer
Located in Fairlawn, OH
Woman in a Fur Wrap
Pen and ink heightened with white, c. 1920
Signed in ink lower right (see photo)
Estate stamp verso (see photo)
Provenance: estate of the artist
Borghi & Company, New York
Condition: excellent
Sheet/Image size: 11 1/8 x 8 1/8 inches
Rudolph Bauer
1889-1953
"Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'.
From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category
1920s Art Deco Figurative Drawings and Watercolors
Materials
Ink
Impossible Solutions at The Fountain of Youth
Located in Fairlawn, OH
Impossible Solutions at The Fountain of Youth
Collage on paper, 1987
Signed with the artist's initials and datedlower left
Condition: Good, with the ...
Category
1980s Surrealist Figurative Drawings and Watercolors
Materials
Paper
Girl with the Golden Curls
By Everett Shinn
Located in Fairlawn, OH
Girl with the Golden Curls
Watercolor, c. 1895
Unsigned
Provenance: Davis Galleries, New York (see photo of label on reverse)
Condition: Mounted to support by the artist
A few imperfections (bubbles) in the mounting
Original frame
Image size: 6 3/4 x 4 1/2 inches
Frame size: 13-1/2 x 11-1/4 x 3/4 inches
A charming pre Ashcan work by the artist. Done while he was making his living as a commercial illustrator for advertsing and magazines.
Everett Shinn (1876-1953)
In 1897, Shinn moved to New York City to work as an illustrator at the New York World. He became fascinated by the drama of the city. While visiting Europe in 1900, Shinn took interest in the work of the Impressionists, particularly those of Degas. Degas’ influence can be read in Shinn’s depictions of American theater. From his acquaintances in the theater world, Shinn began to paint decorative “rococo revivalist” murals in the homes of the wealthy elite. He also worked extensively in pastel, portraying the rough life of the city. In 1908, Shinn exhibited alongside his Charcoal Club associates, with the addition of Arthur B. Davies, Ernest Lawson, and Maurice Prendergast...
Category
1890s American Impressionist Figurative Drawings and Watercolors
Materials
Watercolor
Playing with Lives (First Responder)
By Darius Steward
Located in Fairlawn, OH
Playing with Lives (First Responder)
Watercolor on Arches paper, 2020
Signed with the artist's initials lower right
Signed with the artist's embossed "Yummy" blindstamp lower right
...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Watercolor
Stolen Moments #2
By Darius Steward
Located in Fairlawn, OH
Stolen Moments #2
Watercolor on Twinrocker All Purpose Paper
Signed with the artist's initials lower right (see photo)
From the series: Stolen Moments
Signed with the artist's "Yummy...
Category
2010s Contemporary Portrait Drawings and Watercolors
Materials
Watercolor
Untitled (Joe and Patsy LoGuidice at the Casa Luna)
By Larry Rivers
Located in Fairlawn, OH
Untitled (Joe and Patsy LoGuidice at the Casa Luna)
Pastel, charcoal and colored pencil, 1970-1975
Signed lower right in pencil: Larry Rivers
Inscribed on the rabbit of the original white frame: LOGUIDICE in ink
Provenance: Private Collection, New York (Westchester County)
Condition: Excellent
Image size: 31 1/2 x 24 1/2 inches
Frame size: 39 1/2 x 32 1/2 inches
Note: The image depicts Ciprian “Joe” LoGuidice (d. 2008) and his wife Patsy with their dog (Golden Retriever?) in their famous house Casa Luna, located in Zihautenajo, Mexico. Joe LoGuidice had a most colorful life as stated in his memorial posting by Pam Barkentin:
Ciprian "Joe" LoGiudice, of Los Angeles and Zihautanejo, Mexico Art Dealer, Political Activist, Environmentalist, Film Producer, and Executor of the Terry Southern Estate died at home in Los Angeles on September 3, 2008. A major benefactor of the Chicago Seven, he hosted a benefit for the anti-war activists at his Ontario Street Gallery in Chicago and later harbored the fugitive Abbie Hoffman in Zihautenajo where Joe designed and built the famous Casa Luna, the house without walls, in a compound that included Larry River's Studio as well as the garden where Julian Schnabel painted with the assistance of Ramon Pedrazo, Joe's gardener and the husband of his faithful housekeeper, Concha Pedrazo. Here at Casa Luna, from the early seventies on, Joe and his wife, Patsy, generously hosted friends and enemies alike with great enthusiasm and humor.Most recently, through his participation in "Save the Bay", Joe was instrumental in preventing cruise ships from anchoring in the Bay of Zihautanejo. He was also producing "Five Easy Steps to Metaphysical Fitness", a documentary about the philosopher/comic, Emily Levine. Christo's first wrapping of a building in the United States, the Chicago Museum of Art, was produced by LoGiudice. Other artists he represented, in both his Chicago and New York Galleries, included John Chamberlin, Larry Poons, Mark de Suvero, Leon Golub and Jules Olitski. Joe is survived by his wife of 25 years, Patsy Cummings.
An important work by Rivers showing his friend and art dealer in their famous house, Casa Luna, in Mexico. The cultural import of LoGuidice cannot be understated. He was a major figure in the New York, Chicago, and Los Angeles art cultures. The artist’s who were his friends and guests were many of the leading icons of late 20th century art.
Larry Rivers
Larry Rivers in 1961
Born Yitzroch Loiza Grossberg
August 17, 1923
Bronx, New York, U.S.
Died August 14, 2002 (aged 78)
Southampton, New York, U.S.
Nationality American
Education Hans Hofmann School
Known for Painting, sculpture
Movement East Coast figurative painting, new realism, pop art
Spouse(s) Augusta Berger (m. 1945; div. 1946)
Clarice Price (m. 1961; sep. 1967)
Larry Rivers (born Yitzroch Loiza Grossberg, August 17, 1923 – August 14, 2002) was an American artist, musician, filmmaker and occasional actor. Rivers resided and maintained studios in New York City, Southampton, Long Island, and Zihuatanejo, Mexico.
Early life
Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991.
Training and career
Larry Rivers in 1961
Rivers is considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, because he was one of the first artists to really merge non-objective, non-narrative art with narrative and objective abstraction.
Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955. During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo, Daniel Spoerri or Alain Jacquet, several of whom left, like him, some pieces of art in the lobby of the hotel for payment of their rooms. In 1965 Rivers had his first comprehensive retrospective in five important American museums.
His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. During 1967 he was in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries.[citation needed]
During the 1970s Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon.
Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever.
Personal life
Rivers married Augusta Berger in 1945, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. He married Clarice Price in 1961, a Welsh school teacher who cared for his two sons. Rivers and Clarice Price had two daughters, Gwynne and Emma. After six years, they separated.
Shortly after, he lived and collaborated with Diana Molinari, who featured in many of his works of the 1970s. After that Rivers lived with Sheila Lanham, a Baltimore artist...
Category
1970s Contemporary Figurative Drawings and Watercolors
Materials
Pastel
Chain Gang Music
By Stephen Longstreet
Located in Fairlawn, OH
Chain Gang Music
Watercolor on paper, dated '39, but created in the 1970's
Signed "Longstreet" lower left corner
Titled and annotated "George - '39" in pencil at top of sheet
Provenance: Acquired from the artist
Joseph M. Erdelac, friend and patron of the artist
Born Henri Weiner (sometimes spelled Wiener), the artist tried alternate names and personae including Paul Haggard, Thomas Burton, and David Ormsbee before settling on the name Stephen Longstreet in 1939. Longstreet dates his art based on the period he means to represent, not the actual date of execution.
Stephen Longstreet (1907-2002)
The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado.
Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...
Category
1970s American Modern Figurative Drawings and Watercolors
Materials
Watercolor
Jazmen
By Sedrick Huckaby
Located in Fairlawn, OH
Jazmen
Pen and ink on paper, 2013
Signed and titled lower right (see photo)
Annotated: “I want to go to Dunbar,…because my friends are there…”
Series: The 99% - Highland Hills
Exhibited: Valley House Gallery, Everyday Glory, Dec. 4, 2013-Jan. 11, 2014
Illustrated: Everyday Glory, page 45
Condition: excellent
Sheet size: 14 x 10 7/16 inches
Provenance: Valley House Gallery (no. 18597)
Sedrick Huckaby (b. 1975)
Born in Fort Worth in 1975, Huckaby has been creating some form of art since his childhood. In 1995, he began his formal art studies at Texas Wesleyan University in Fort Worth. After a brief stay he transferred to Boston University, where he received a BFA degree. He then earned a MFA degree from Yale University in New Haven, Connecticut.
Huckaby is known for his powerful use of color and his exploration of cultural roles and the heritage of the African American family. His work has evolved from portraiture to objects and interiors that venerate his personal family legacy rooted in Fort Worth, Texas. Portraying these familiar subjects on a large scale and pushing his use of materials, Huckaby defines the significance of family and tradition while touching on the subject of ethnographic stereotypes in our culture.
For the past few years he has concentrated his efforts on a series of quilt paintings. One of the series he created is a tribute to both of his Grandmothers and a celebration of the African American quilting tradition. He used the actual quilts sewn by family members as models for his paintings. These quilts document significant events in his family history. According to Huckaby, the paintings represent an artistic family legacy. The colorful, rhythmic abstracted patterns come together like the musical notes in African American musician John Coltrane's famous jazz composition, A Love Supreme, from which the painting series acquired its name.
He has earned national acclaim for his work over the past several years. Huckaby has received the 2001 Louis Comfort Tiffany Award...
Category
2010s American Realist Figurative Drawings and Watercolors
Materials
Ink
The Mouth of Honey
By George Wesley Bellows
Located in Fairlawn, OH
The Mouth of Honey
Lithographic crayon and mixed media on paper mounted to support paper
Initialed by the artist "GB" bottom center on image. (see photo)
Titled in pencil in bottom m...
Category
1920s Ashcan School Drawings and Watercolor Paintings
Materials
Crayon
Femme nue de dos allongee
By Théophile Alexandre Steinlen
Located in Fairlawn, OH
Femme nue de dos allongee
Charcoal and white chalk on laid paper
Signed in charcoal, lower right "Steinlen" (see photo)
Note: Similar reclining nude drawing illustrated Slatkin No. 12 (See window on right)
Similar drawing, same model, same media, Proute 1971, Catalog Dandre Bardon, no. 115
There also other similar finished drawings of nudes in similar poses and with the same couch, white blanket...
Category
1920s French School Nude Drawings and Watercolors
Materials
Charcoal, Chalk
Interior Scene with Figures
By Louis Schanker
Located in Fairlawn, OH
Interior Scene with Figures
Ink and watercolor on paper, c. 1930's
Signed with the Estate stamp lower center
Condition: Loss upper right corner; two small tears lower margin
Colors very fresh and vibrant
Provenance: Jem Hom Gallery, Washington, D.C.
Martin Dimanond Fine Arts, NYC (?)
Louis Schanker (1903–1981)[1] was an American abstract artist.
"He grew up in an Orthodox Jewish environment in the Bronx, New York. His parents, Sam, a tailor, and Fannie Schanker, were of Romanian descent.[2] He had five siblings.[3] At an early age he had an interest in both art and music He took art courses at Cooper Union, The Educational Alliance and The Art Students League with Barnett Newman, Mark Rothko and Milton Avery amongst others. During this time he shared a coldwater studio with the Soyer brothers, Chaim Gross and Adolph Gottlieb. In 1920 he traveled across the country. He lived the hobo life, joined the Sparks and then Barnum and Bailey circuses, later working as a thresher in the wheat fields of the Great Plains. There are elements in his works such as the circus murals...
Category
1930s American Modern Drawings and Watercolor Paintings
Materials
Watercolor
Volunteer Firemen, Provincetown
By E. Ambrose Webster
Located in Fairlawn, OH
Preparatory drawing for Volunteer Firemen, Provincetown
Graphite on paper, 1932
Initialed in pencil by the artist lower left: W
Provenance:
Estate of the artist, 1935
Georgianna Webs...
Category
1930s Modern Figurative Drawings and Watercolors
Materials
Graphite
Emily at Age 5, (Yummy in a hoodie)
By Darius Steward
Located in Fairlawn, OH
Emily at Age 5, (Yummy in a hoodie)
Acrylic ink on Graphic Plastic Film, 2022
Signed with the artist's initials, lower right (see photo)
Condition: Excellent
Sheet size: 8 1/8 x 7 7/...
Category
2010s Contemporary Figurative Drawings and Watercolors
Materials
Acrylic