Thomas French Fine Art Drawings and Watercolor Paintings

Standing Nude, hand on a plinth Graphite on paper, c. 1900 Signed with a double tri lobed symbol upper left corner (see photo) Condition: excellent, slight surface dirt Sheet size: 1...

Chain Gang Music Watercolor on paper, dated '39, but created in the 1970's Signed "Longstreet" lower left corner Titled and annotated "George - '39" in pencil at top of sheet Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Born Henri Weiner (sometimes spelled Wiener), the artist tried alternate names and personae including Paul Haggard, Thomas Burton, and David Ormsbee before settling on the name Stephen Longstreet in 1939. Longstreet dates his art based on the period he means to represent, not the actual date of execution. Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton...

Breaking Up of the Penelope watercolor on artists watercolor board, 1942 Signed and dated by the artist lower right (see photo) Exhibitions: Cleveland, OH, The Cleveland Museum of Art, May 3 - June 11, 1944: "The 26th Annual Ehibition of Works by Artists and Craftsmen of the Western Reserve," , (label on verso) Youngstown OH, The Butler Insititue of American Art, 1943: "1943 New Year Show," , (label on verso) "Ed Dobrotka was one of comic-book illustrator Joe Shuster's early assistants. In the studio, he worked on the 'Superman' series, inking the pencils of artists including Shuster, John Sikela, Leo Nowak and Wayne Boring. Dobrotka did do some pencilling of his own, however he returned to inking exclusively in 1945. In the following years, he worked with Sikela on the 'Superboy' series until the 1950s. He has also work on the solo 'Lois Lane...

The Mouth of Honey Lithographic crayon and mixed media on paper mounted to support paper Initialed by the artist "GB" bottom center on image. (see photo) Titled in pencil in bottom m...

Cows in a Field (Recto) Two Figures in an Interior (Verso) Watercolor on heavy textured paper, 1938 Signed in ink verso image of Two Figures, unsigned ...

Preparatory drawing for Figure Composition, Carmel (CA) Graphite on paper, 1931 Signed with the artist's initial "W" lower right corner (see photo)...

Untitled Abstraction Unsigned Mixed media, c. 2003-2004 Provenance: Estate of the artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A life...

Emily at Age 5, (Yummy in a hoodie) Acrylic ink on Graphic Plastic Film, 2022 Signed with the artist's initials, lower right (see photo) Condition: Excellent Sheet size: 8 1/8 x 7 7/...

VI Rose Nose Cat Colored chalks on black paper, 1977 Signed and dated lower right (see photo) Titled lower left (see photo) Part of a series entit...

Untitled (Purple and Yellow) Pastel on paper, 1981 Signed and dated lower right Provenance: Collection of Jan Cowles Jan Cowles was married to Gardner Cowles owner of Cowles Media Company (1935–1998) which owned newspapers, magazines and information publishing company based in Minneapolis, Minnesota in the United States. The company operated Cowles Business Media, Cowles Creative Publishing, and Cowles Enthusiast Media units. Owners of the Minneapolis Star-Tribune from 1935 to 1998, other newspapers owned at one time by Cowles Media and its affiliates included the Des Moines Register, the Buffalo Courier...

STAGES # 1 (Darius II, full face) Watercolor on Yupo paper mounted to Masonite, 2018 Signed with the artist's initials lower right (see photo) Exhibited: Worthington Yards, YARDSPro...

STAGES # 8 (Darius II, hand raised to face) Watercolor on Yupo paper, 2018 Signed with the artist's initials lower right. Exhibited: Worthington Yards, YARDSProject, FRONT and SEEN....

Read the Signs #3 Watercolor on Yupo paper, 2013 Signed lower right (see photo) Series: Read the Signs (22 watercolors) Depicts the artist's relative Jaylen ...

Read the Signs, No. 7 Watercolor on Yupo paper, 2013 Signed with the artist's signature lower right (see photo) Series: Read the Signs (22 watercolors) Exhib...

Stolen Moments No. 1 (Emily drawing with a green crayon) Watercolor on Twinrocker heavy height paper, 2019 Signed with the artist's initials lower right (see photo) Condition: Excell...

Stolen Moments, Attitude Shift #2 (Emily with Sippy Cup) Watercolor on Twinrocker All Purpose Paper, 2019 Signed with the artist's initials lower right (...

Yummy Dissatisfied Watercolor on Arches paper, 2020 Signed with the artist's initials lower right (see photo) Signed with the artist's "Yummy" blindstamp lower right Exhibited: LA Ar...

"In Search of New Beginnings", #1 What 's the Right Way Watercolor on Arches paper, 2021 signed lower right (see photo) Signed with the artist's "Yummy" embossed blindstamp lower right The images depicts the artist's daughter Emily, the artist's son Darius II and the artist's nephew Isaiah Series: Baggage Claim A preliminary watercolor for the sculpture commission for the Cleveland Public Library...

Bach Cello Suite No.3 in C Major - III Courante Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia. Condition: Excellent Archival framing with OP3 acrylic Image size: 17 3/4 x 13 3/4 inches Frame size: 27 1/4 x 21 inches Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used...

Stolen Moments, Attitude Shift #1 (Emily and Sippy Cup Smiling) Watercolor on Twinrocker Multi Purpose paper, 2019 Signed with the artist's initials lowe...

Read the Signs, No. 13 Watercolor on Yupo paper, 2013 Signed lower right corner (see photo) Series: Read the Signs (22 watercolors) Exhibited: William Busta Gallery, Read the Signs, ...

Splashes of Ohio City (No. 3) Watercolor on Yupo paper, 2012 Signed lower right (see photo) Titled and dated on verso Part of a series of watercolors commissioned by the Cleveland Cl...

Emily At 1 (Study 2) Watercolor on Yupo mounted to board, 2018 Signed with the artist's initials lower right (see photo) This image depicts the artist's daughter Emily Exhibited: Occ...

Emily At 1 (Study #1) Watercolor on Yupo mounted to board, 2018 Signed with the artist's initials (see photo) The image depicts the artist's daughter Emily. Exhibited: Occupying A Sp...

Female Nude Study Graphite and crayon on wove paper, c. 1928 Signed with the Estate stamp "B" (see photo) Provenance: Estate of the Artist Edward Sommer (his so...

Girl in Profile Lithographic crayon and watercolor on thin wove paper, c. 1930 Signed twice in pencil (see photos) Provenance: Estate of the Artist Edward Somme...

Standing Male Nude (recto) Study of the Head of the Standing Male Nude (verso) Unsigned Provenance: Estate of the artist Helen Chase Storm (the arti...

Untitled Watercolor, cut out and construction on paper, 2013 Signed and dated in pencil lower right Condition: Excellent Image size: 22 x 30 inches Frame size: 30 x 37 inches Archiv...

Stages II Watercolor on Arches paper, 2021 Signed with the artist's initials lower right (see photo) Signed with the artist's Yummy blindstamp lower right Signed, titled and dated in...

Carolyn (Arms raised to her head) Graphite on laid paper Unsigned Provenance: Estate of the artist by descent to his Grandson Depicts the artist's wife Carolyn. Most probably created in Nashville, Indiana Related to the painting entitled "Maiden" in the Haan Museum, Lafayette, IN (see photo) Condition: Excellent Archival framing with TruVue Conservation Clear glass Image size: 10 3/4 x 8 1/2 inches Frame size: 18 7/8 x 16 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club. He made his first trip to Brown County...

Two Studies of Henriette (Left: Head of the artist's wife, Right: The Artist's wife writing a letter) Watercolor and graphite on paper, 1928-1930 Signed in pencil lower right (see photo) Image/sheet size: 9 3/8 x 11 inches Condition: Excellent Colors fresh and unfaded Provenance: Estate of the artist The Orange Chicken...

Cobwebs and Rocks Watercolor, 1940 Signed, dated, and copyrighted lower right Exhibited: Zimmerli Art Museum, Benjamin Benno: Retrospective Exhibition, 1988 Illustrated: Gustafson, Zimmerli Museum: Benjamin Benno: Retrospective Exhibition, 1988 Color Plate 14 copy copy of the catalog accompanies the watercolor Condition: excellent Image size: 14 3/4 x 21 inches Provenance: Estate of the Artist Ruth O...

Lets Find the Way #1 Watercolor on Arches wove paper, 2021 Signed with the artist's initials lower right Signed, titled and dated in pencil verso This watercolor is related to the ar...

Chrysanthemums and Tiger Lilies Signed and dated lower left (twice), see photo Watercolor on paper, 1935 A symbol of the sun, the Japanese consider the or...

Babies Taking Care of Babies, "The Real" Watercolor on Arches paper, 2019 Signed with the artist's initials lower right Signed with the artist's embossed "Yummy" blindstamp lower rig...

Lower East Side Crowd Ink and ink wash on paper, c. 1910 Signed in ink lower center edge (see photo) Signed with the initials lower right corner (see p...

Natural Watercolor and pigments on Arches paper, 2021 Signed with the artist's initials lower right Signed with the artist's embossed "Yummy" blindstamp lower right An image of the a...

Homage to Morandi Watercolor, c. 1990 Signed lower right: Sloane An important exhibition size watercolor by the artist. Acquired by the Cleveland Clinic, de-accessed in 2021 Conditio...

Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...

Isadora Duncan Graphite with grey wash on paper mounted to cardstock Signed and dated in pencil lower right (see photo) Provenance: Charlotte Bergman, f...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

Untitled Watercolor on paper, c. 1971 Unsigned Provenance: From the collection of Ileana Sonnabend (1914-2007) Laddie John Dill, a Los Angeles artist, had his first solo exhibition i...

Read the Signs #29 Watercolor on Yupo paper, 2013 signed lower right: Darius Steward (see photo) Series: Read the Signs Depicts the artist's son Darius II an...

Read the Signs #25 Watercolor on Yupo paper, 2013 signed lower right: Darius Steward Series: Read the Signs Depicts Gwen, the artist's sister An early work b...

Occupy A Space # 2 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials (see photo) Series: Occupy A Space Exhibited: Occupying A Space, Swope Art Museum, January...

M Watercolor on Yupo paper, 2018 Signed with the artist's initials (see photo) Note: The Series MORE? is centered around the artist’s family. There are two images of the artist’s s...

Occupy A Space #1 (Emily) Watercolor on Yupo paper, 2018 Signed with the artist's initials Series: Occupying A Space Exhibited: Occupying A Space, Swope Art Museum, January 18-March 3, 2019 seenUNseen: The Kerry and C. Betty Davis...

Stolen Moments, Attitude Shift #3 (Emily with a Sippy Cup Smiling) Watercolor on Yupo paper, 2019 Signed with the artist's initials lower right Signed w...

Baggage Claim (Bag 1) Watercolor on Arches paper, 2020 Signed with the artist's initials Signed with the artist's "Yummy" blindstamp Exhibited: LA Art, 2020 Condition: Excellent Arc...

Today's Sketches for Tomorrow, #1 Watercolor, 2020 Series: Today's Sketches for Tomorrow Signed with the artist's initials lower right Signed with the artist's Yummy stamp lower righ...

Untitled Watercolor on paper. 1971 Unsigned Sheet size: 24 x 19 inches Condition: Excellent From the collection of Ileana Sonnabend (1914-2007) Laddie John Dill, a Los Angeles artist...

Untitled molded mud-dried paper with collage elements, 1996 Signed and dated lower edge (see photo) Annotated and titled verso Sheet size: 24 x 7 inches Provenance: Ralph Drake, fir...

Preliminary drawing for Remy de Gourmont, Couleurs, published in Le Mercure de France (Colors, new tales follow old things), 1908 Graphite and colored...

Pablo Casals Graphite on paper, 1963 Signed in pencil lower right (see photo) Sheet size: 11 5/8 x 8 inches Condition: glue residue in all four corners of the sheet Drawn from life during an appearance at Carnegie Hall with the Cleveland Orchestra...

Standing Female Nude Match stick and ink drawing, c. 1925 Signed with the estate stamp B Sheet size: 21 x 16 inches Created at the Kakoon Arts Klu...

Woman on a Patio Pastel on paper, c. 1915 Unsigned Provenance: Gift of the artist to his wife, Mary Hess Buehr By decent to the artist's niece, daughter of Will Hess David Saltzman Robert Henry Adams Fine Art Thomas French Fine Art Ronald C. Sloter, Columbus, Ohio Columbus College of Art and Design (de-accessed) Exhibited at Robert Henry Adams Fine Art, 1994, the first exhibition at the North Franklin Street Gallery. One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy, AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...

Watercolor on paper, 1976 Painted in South Bristol, Maine Signed by the artist lower left Condition: Excellent

untitled (Hillside in Spring) Gouache on paper, c. 1965 Signed with the estate stamp lower right Provenance: Estate of the artist by decent William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Signed with the artist's initials lower right Darius Steward is establishing himself as a master of the medium of watercolor and large public murals. In 2018, Steward created two l...

Watercolor on Yupo Signed by the artist DRS #1, lower right.