Thomas French Fine Art Abstract Drawings and Watercolors
to
66
16
40
22
3
44
15
6
Overall Height
to
Overall Width
to
53
3
3
1
1
1
58
7
1
6
9
4
9
10
7
4
3
6
5
5
3
3
26
24
15
14
9
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo) No. 05535
...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Gouache
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo) No. 37365
...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Gouache
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo)
Condition: E...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Gouache
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo)No. 26190
Con...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Gouache
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1935
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo) No. 24680
Co...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Gouache
Untitled Fabric Design
By Arthur Litt
Located in Fairlawn, OH
Untitled Fabric Design
Gouache on paper, 1920-1930
Signed with the Atelier Stamp verso (see photo)
Numbered with the Atelier Litt Archive number verso
(see photo)
Condition: E...
Category
1920s Abstract Abstract Drawings and Watercolors
Materials
Gouache
Preliminary drawing for a sculpture
By Seymour Lipton
Located in Fairlawn, OH
Preliminary drawing for a sculpture
Black crayon on paper, 1959
Signed and dated middle right (see photo)
A rare 1950's AbEx drawing.
Provenance:
Estate of the artist
Michael and Ala...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Crayon
Untitled
By Laddie John Dill
Located in Fairlawn, OH
Untitled
Watercolor on paper, c. 1971
Unsigned
From the collection of Ileana Sonnabend (1914-2007)
Laddie John Dill, a Los Angeles artist, had his first solo exhibition in New York C...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Shoichi Ida
Located in Fairlawn, OH
Untitled
molded mud-dried paper with collage elements, 1996
Signed and dated lower edge (see photo)
Annotated and titled verso
Sheet size: 24 x 7 inches
Provenance: Ralph Drake, fir...
Category
1990s Abstract Abstract Drawings and Watercolors
Materials
Mixed Media
Untitled (Inspired by a Chinese scroll painting)
By Peter Marks
Located in Fairlawn, OH
Untitled (Inspired by a Chinese scroll painting)
Collage with ink on 6 paper elements
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Image size: 4 x 12 inches
Support...
Category
Early 2000s Abstract Abstract Drawings and Watercolors
Materials
Ink
Untitled
By Peter Marks
Located in Fairlawn, OH
Untitled (Circles)
Graphite on wove paper, 2007
Unsigned
Provenance: Estate of the Artist
Condition: Excellent
Sheet/Image size: 16 15/16 x 14 inches
Peter Marks (1935 -2010)
Pete...
Category
Early 2000s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Untitled Abstraction
By John von Wicht
Located in Fairlawn, OH
Untitled Abstrraction
Gouache, watercolor and pigments on paper, c. 1960
Signed lower right in pencil (see photo)
Image: 17 x 22 inches
Sheet: 25 1/4 x 29 3/4 inches
Frame: 25 1/4 x ...
Category
1960s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Watercolor
Untitled (Abstraction)
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
aka Beni Kosh
Untitled (Abstraction)
Watercolor on paper, 1970's
Unsigned
Ben Kosh Estate Stamp verso, No. 754
Condition: Very good
Sheet size: 10 5/8 x 14 9/16 inches
Provenance: Es...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Transcendental Image (Sun God)
Located in Fairlawn, OH
Transcendental Image (Sun God)
Encaustic on paper, 1944
Signed and dated lower right: Bisttram 44
Sheet size: 11 1/8 x 8 1/2 inches
Condition: Excellent
Provenance: Warren Shaull
"Em...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Encaustic
Preliminary drawing for the sculpture Diadem
By Seymour Lipton
Located in Fairlawn, OH
Preliminary drawing for the sculpture Diadem
Black Crayon on paper, 1957
Signed and dated lower left
The preliminary drawing for the 1957 sculpture of the same name in the collection of the Baltimore Museum of Art...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Crayon
Folio from Communion of Saints, Reading from the Book of St. Matthew.
Located in Fairlawn, OH
Readings from the "Communion of Saints": folio from an Italian Missal
Pigment on vellum
Mid 17th century
Provenance:
Otto F. Ege (1888-1951)
Phillip Duechnes Bookseller, New York, c. 1948
References And Exhibitions:
Otto F. Ege Box Folio 27
Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century
Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes
Sister folio are in the following rare book libraries:
Case Western Reserve University
Cincinnati Public Library
Cleveland Institute of Art
Cleveland Public Library
Denison University
Kent State University
Kenyon College...
Category
15th Century and Earlier Old Masters Abstract Drawings and Watercolors
Materials
Ink, Vellum
Untitled (six vignettes)
By Pierre Courtin
Located in Fairlawn, OH
Signed lower center edge
Annotated verso: “5 Juin 1966
_____ et de soleil, de et d’oseille”
Image: 6 3/4 x 4 5/8"
Frame: 14 1/2 x 12 3/4"
Finishe...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper. c. 1946
Unsigned
Provenance: Estate of the Artist
Inherited by his neighbor/caregiver
Condition: Staining at corners
...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Black and White Cat
By Sam Spanier
Located in Fairlawn, OH
Black and White Cat
Ink and watercolor on paper, c. 1970
Unsigned
Provenance:
Estate of the artist (Estate No. 737)
Condition: Excellent
Image/Sheet size: 4 3/4 x 6 1/4 inches
Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
Selected Solo Exhibitions:
Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
Selected Group Exhibitions:
Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Ink, Watercolor
Hai (Abba) (Hebrew translation: Hey Father)
By Louis Lozowick
Located in Fairlawn, OH
Hai (Abba) (Hebrew translation: Hey Father)
Signed in ink lower left by the artist’s widow “AL” (Adele Lozowick)
Original label from early exhibition verso at The Art Corner
Graphit...
Category
1960s American Modern Abstract Drawings and Watercolors
Materials
Graphite
Nickle Drawing
By Dorothy Dehner
Located in Fairlawn, OH
Nickle Drawing
Ink and watercolor on laid paper, 1982
Signed and dated lower right in ink
The title references a comment that her husband, David Smith, made regarding her drawings. He said that they were only worth a nickle and the name stuck even thought her works are highly prized.
The dating of this work reflects the date inscribed on the watercolor. The style and black ink lines with dots terminating the line is a compositional device the artist used in the 1950's.
Condition: Very fine/excellent
4 old hinge residue in the corners verso from previous matting
Sheet/image size: 7 1/2 x 4 7/8 inches
Dorothy Dehner (1901-1994)
Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes.
From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art.
After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula.
She studied drawing with Kimon Nicolaides and painting with Kenneth Hayes Miller. In 1929, she studied painting with Jan Matulka. Meeting artist John Graham in that year, he introduced her to Milton Avery, Stuart Davis and Arshile Gorky. She would also take art courses years later at Skidmore College in 1951.
Dehner married sculptor David Smith in 1927. She was evidently very helpful in his artistic growth, but friction would develop because Smith allegedly saw his wife as artistic competition. Although she painted and drew Cubist and Surrealist works during their marriage, and realistic ones of life on their Bolton Landing, New York farm during the period 1941 to 1944, Dehner would essentially put her exhibition life on hold until their divorce in 1952. Meanwhile, they traveled to Europe in 1935.
She later wrote about Smith, as well as painter John Graham and Jan Matulka, her teacher. Although she had shown in the 1946 Audubon Artists exhibition, winning first prize in drawing, and in the Whitney Annual of 1951, it was the year of her divorce, 1952, that Dehner had her first one-person exhibition at the Rose Fried Gallery...
Category
1980s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Butterfly and Heart
By Damien Hirst
Located in Fairlawn, OH
Butterfly and Heart
Drawing in black felt pen over color screenprint 'spot' composition
Signed in full (bottom edge) and dedicated (top edge)
Dedicated by the artist
Annotated in fe...
Category
2010s Abstract Abstract Drawings and Watercolors
Materials
Ink
Abstraction
By Abraham Walkowitz
Located in Fairlawn, OH
Signed and dated in ink lower center
Provenance:
Charlotte Bergman, noted collector and patron of Walkowitz. See photo for additional information.
Category
1930s Modern Abstract Drawings and Watercolors
Materials
Ink, Pen
Untitled Art Nouveau Rondelle
Located in Fairlawn, OH
Unknown Artist, France, late 19th century
Anonymous c. 1900 Rondelle on antique laid paper
Ink, Watercolor and or Gouache
Unsigned
An Art Nouveau preliminary design for a decorative ...
Category
Early 1900s Art Nouveau Abstract Drawings and Watercolors
Materials
Ink, Watercolor, Pigment
Mlle. Jeanne at the Window, No. II
By Benjamin G. Benno
Located in Fairlawn, OH
Mlle. Jeanne at the Window, No. II
Charcoal on paper, 1933
Signed and dated lower right (see photo)
Illustrated: Gustafson, Zimmerli Museum, 1988, "Benjamin Benno: A Retrospective Ex...
Category
1930s Surrealist Abstract Drawings and Watercolors
Materials
Charcoal
Prelude to Transition
By Benjamin G. Benno
Located in Fairlawn, OH
Prelude to Transition
Pastel on paper, 1953
Signed and dated lower left (See photo)
Image size: 10 1/2 x 13 3/4 inches
Frame size: 24-5/8 x 1-1/2 inches
Exhibited and Illustrated: Z...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Preliminary drawing for the painting entitled Trapezoids
Located in Fairlawn, OH
Ink, graphite and colored pencil on graph paper
The final composition measured 28 x 28 inches
Annotated #615 in the lower right corner of the sheet
Provenance: Francine Seders Galler...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Color Pencil
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Pastel on paper, 1922
Initialed lower right (see photo)
Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014.
Condition: Excell...
Category
20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Graphite on paper, 1930
Signed and dated upper right (see photo)
Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014. (label)
C...
Category
1920s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Pencil
The Dead Tiger
By Dorothy Dehner
Located in Fairlawn, OH
The Dead Tiger
Ink and watercolor on paper, 1955
Signed and dated in ink (see photo)
Condition: Aging to the entire sheet (it's 78 years old)
Image/Sheet size: 18 1/4 x 23 inches
One of a series of watercolors Dehner created in the Hudson Valley and gave to a patron. They are variations of the same composition with differing colors.
Titled by the artist in pencil verso.
Provenance: Gift of the artist
Private Collection, Hudson Valley, NY
Dorothy Dehner (1901-1994)
Painter, sculptor, art writer, and poet, Dorothy Dehner explored abstraction, cubism, realism and surrealism during her artistic journey. Early in her career she was known for painting and for large-cast metal sculptures, but in the 1950s and 1960s, turned increasingly to wood cut into hard-edge geometric shapes.
From 1950, she lived primarily in New York City. Dorothy Dehner was born in 1901 in Cleveland, Ohio, but, as a teenager in 1916, moved to Pasadena, California when her parents died. Her artistic interests were initially in acting. She majored in drama at UCLA for the school year of 1922-1923, then moved to New York City to study acting at the American Academy of Dramatic Art.
After travel to Europe in France, Italy and Switzerland in 1925, where she saw Cubist and Fauve paintings as well as the great art of the ages, Dehner entered the Art Students League to study sculpture, but switched to painting because she felt the former was bound in academic formula.
She studied drawing with Kimon Nicolaides...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Chorus Line
By Sam Spanier
Located in Fairlawn, OH
Chorus Line
Oil pastel on paper, c. 1960's
Signed (see photo)
Provenance: Estate of the Artist
Estate of the artist (Estate No. 745)
Condition: Excellent
Image/Sheet size: 5 3/4 x 4 inches
Sam Spanier (1925-2008)
Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann.
By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period.
Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed.
As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired.
Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007.
Selected Solo Exhibitions:
Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999).
Selected Group Exhibitions:
Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955);
Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004).
Selected Writings on the Artist:
Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News (April 1, 1954); Sam Feinstein, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art Digest (March 1, 1955); Pat Horner, “Big Heart, Timeless Art —Sam Spanier Retrospective at Fletcher Gallery, Woodstock Times (July 1, 1999); Donald Judd, “In the Galleries: Sam Spanier,” Arts Magazine (April 1960); Liam Nelson, “Human Force...
Category
1960s Abstract Drawings and Watercolor Paintings
Materials
Oil Crayon
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Pastel on paper, 1922
Initialed and dated lower right (see photo)
Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014.
Provenance: Estate of the Artist
The Orange Chicken...
Category
1920s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Pastel on paper, 1922
Initialed lower right (see photo)
Exhibited: Francis Nauman, Leon Kelly: Draftsman Extraordinaire, New York, April 4 - May 23, 2014.
Condition: excellent
Image size: 11 8 7/8 inches
Frame size: 18 1/4 x 16 1/4 inches
Provenance: Estate of the artist
The Orange Chicken...
Category
1920s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Untitled
By Dorothy Heller
Located in Fairlawn, OH
Untitled
Watercolor on paper, 1990
Signed lower left corner
Provenance: Gift of the Artist to one of hr patrons
Distinguished Midwest Private Collection
Conditi...
Category
1990s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Surrealist landscape with organic shapes
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Surrealist landscape with organic shapes
Watercolor on paper, 1960-1970
Signed CE Harris lower right corner (see photo)
Stamped with the artist’s estate stamp verso (see photo)
Reference: Beni Kosh Collection Estate Stamp #705
Provenance: Estate of the artist
A wonderful example by one of the few African American Surrealist painters.
“An African-American born Charles E. Harris, the name under which he painted until the early 1960s when he took the name of Kosh. His paintings span the period 1949-71, and reflect abstract and surreal figurative subjects which include Cleveland street scenes, jazz clubs, and depictions of Christ.”
Courtesy of Rachel Davis Fine Art
“Beni E. Kosh was born as Charles Elmer Harris, in Cleveland Ohio. He changed his name in the 1960’s, which translates to “Son of Ethiopia”. He rarely exhibited or sold his work and was affiliated with the African-American artists’ “Sho-nuff Art Group” and the Karamu House and studied under Cleveland artist Paul Travis. His style is very diverse and he experimented with Cubism, portraiture and abstractions in series. His paintings span from 1949 – 1971, and reflect abstract and surreal figurative subjects, which include Cleveland street scenes, jazz clubs, and depictions of Christ. He received little recognition during his lifetime and was only “rediscovered” literally days after his death when hundreds of his paintings were rescued by an art dealer.”
(Courtesy Pennsylvania Art...
Category
20th Century Surrealist Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Leon Kelly
Located in Fairlawn, OH
Untitled
Pastel on paper, 1922
Signed with the artist's initials in pencil
Provenance: Estate of the artist
Francis M. Nauman (label)
Private collection, NY
A very early abstract/cubist work by Kelly. Created while the artist was studying with Arthur Carles in Philadelphia.
Leon Kelly (October 21, 1901 – June 28, 1982) was an American artist born in Philadelphia, PA. He is most well known for his contributions to American Surrealism, but his work also encompassed styles such as Cubism, Social Realism, and Abstraction. Reclusive by nature, a character trait that became more exaggerated in the 1940s and later, Kelly's work reflects his determination not to be limited by the trends of his time. His large output of paintings is complemented by a prolific number of drawings that span his career of 50 years. Some of the collections where his work is represented are: The Metropolitan Museum in New York, The Whitney Museum of American Art, the Museum of Modern Art, the Philadelphia Museum of Art, and Boston Public Library.
Biography
Kelly was born in 1901 at home at 1533 Newkirk Street, Philadelphia, PA. He was the only child of Elizabeth (née Stevenson) and Pantaleon L. Kelly. The family resided in Philadelphia where Pantaleon and two of his cousins owned Kelly Brothers, a successful tailoring business. The prosperity of the firm enabled his father to purchase a 144-acre farm in Bucks County PA in 1902, which he named "Rural Retreat" It was here that Pantaleon took Leon to spend every weekend away from the pressures of business and from the disappointments in his failing marriage. Idyllic and peaceful memories of the farm stayed with Leon and embued his work with a love of nature that emerged later in the Lunar Series, in Return and Departure, and in the insect imagery of his Surrealist work. "If anything," he once said,"I am a Pantheist and see a spirit in everything, the grass, the rocks, everything."
At thirteen, Leon left school and began private painting lessons with Albert Jean Adolphe, a teacher at the School of Industrial Art (now the University of the Arts) in Philadelphia. He learned technique by copying the works of the old masters and visiting the Philadelphia Zoo, where he would draw animals. Drawings done in 1916 and 1917 of elephants, snakes and antelope, as well as copies of old master paintings by Holbein and Michelangelo, heralded an impressive emerging talent. In 1917, he studied sculpture with Alexander Portnoff but his studies came to an abrupt halt with the start of World War I. Being too young to enlist, he joined the Quartermaster Corp at the Army Depot in Philadelphia, where he served for more than a year loading ships with supplies and, along with other artists, working on drawings for camouflage.
By 1920, the family's fortunes drastically changed. His father's business had failed due to the introduction of ready made clothing and his marriage, unhappy from the beginning, dissolved. Broken by circumstance Pantaleon left Philadelphia to begin a wandering existence looking for work leaving Leon to support his mother and grandmother. He found a job in 1920 at the Freihofer Baking Company where he worked nights for the next four years. Under these circumstances Leon continued to develop his skills in drawing and painting and learned of the revolutionary developments in art that were taking place in Paris.
During the day he was granted permission to study anatomy at the Philadelphia School of Osteopathy where he dissected a cadaver and perfected his knowledge of the human figure. He also met and studied etching with Earl Horter, a well known illustrator, who had amassed a significant collection of modern art which included work by Brancusi, Matisse, and Cubist works by Picasso and Braque. Among the artists around Horter was Arthur Carles, a charismatic and controversial painter who taught at the Pennsylvania Academy of Fine Arts. Leon enrolled in the Academy in 1922, becoming what Carles described as, "his best student".
In the next three years Leon work ranged from academic studies of plaster casts, to pointillism, to landscapes of Fairmount Park in Philadelphia, as well as a series of pastels showing influences from Matisse to Picasso. Clearly influenced by Earl Horter's collection and Arthur Carles he mastered analytical cubism in works such as The Three Pears, 1923 and 1925 experimented with Purism in Moon Behind the Italian House. In 1925 Kelly was awarded a Cresson Scholarship and on June 14 he left for Europe.
Paris
The first trip to Europe lasted for approximately three and a half months and introduced Kelly to a culture and place where he felt he belonged. Though he returned to the Academy in the Fall, he left for Europe again a few months later to begin a four-year stay in Paris. He moved into an apartment at 19 rue Daguerre in Paris and began an existence intellectually rich but in creature comforts, very poor. "I kept a cinderblock over the drain in the kitchen sink to keep the rats out of the apartment" he once explained. He frequented the cafes making acquaintances with Henry Miller, James Joyce and the critic Félix Fénéon as well as others. His days were split between copying old master paintings in the Louvre and pursuing modernist ideas that were swirling through the work of all the artists around him. The Lake, 1926 and Interior of the Studio, 1927, now in the Newark Museum.
Patrons during this time were the police official Leon Zamaran, a collector of Courbets, Lautrecs and others, who began collecting Kelly's work. Another was Alfred Barnes of the Barnes Collection in Philadelphia.
In 1929 Kelly married a young French woman, Henriette D'Erfurth. She appears frequently in paintings and drawings done between 1928 and the early 1930s.
Philadelphia
The stock market crash of 1929 made it impossible to continue living in Paris and Kelly and Henriette returned to Philadelphia in 1930. He rented a studio on Thompson Street and began working and participating in shows in the city's galleries. Work from 1930 to 1940 showed continuing influences and experimentation with the themes and techniques acquired in Paris as well as a brief foray into Social Realism. The Little Gallery of Contemporary Art purchased the Absinthe Drinker...
Category
1920s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Untitled (Abstraction)
By Rolph Scarlett
Located in Fairlawn, OH
Untitled (Abstraction)
Ink on textured paper, c. 1958
Signed lower right "Scarlett" (see photo)
Condition: Excellent
Archival framing with OP3 Acrylic
Sheet size: 21 3/4 x 30 inches
Frame size: 28 1/2 x 36 1/2 inches
Note: A rare mid to late 1950s example of the artist's abstract expressionist style.
Provenance: estate of the artist
Private Collection, Hudson River Valley, New York
Rolph Scarlett
B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK
Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths.
In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.”
During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Ink
The Pinks and the Blues
By Dorothy Dehner
Located in Fairlawn, OH
The Pinks and the Blues
Watercolor, pen and ink on paper, 1954
Signed and dated in ink lower left, titled in pencil verso.
Provenance: Gift of the Artist
Privat...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Untitled (Purple and Yellow)
By Gene Davis
Located in Fairlawn, OH
Untitled (Purple and Yellow)
Pastel on paper, 1981
Signed and dated lower right
Provenance:
Collection of Jan Cowles
Jan Cowles was married to Gardner Cowles owner of Cowles Media Company (1935–1998) which owned newspapers, magazines and information publishing company based in Minneapolis, Minnesota in the United States. The company operated Cowles Business Media, Cowles Creative Publishing, and Cowles Enthusiast Media units.
Owners of the Minneapolis Star-Tribune from 1935 to 1998, other newspapers owned at one time by Cowles Media and its affiliates included the Des Moines Register, the Buffalo Courier...
Category
1980s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Untitled (Yellow, Gray and Pink)
By Gene Davis
Located in Fairlawn, OH
Untitled (Yellow, Gray and Pink)
Pastel on paper, 1981
Signed and dated lower right
Condition: Excellent
Sheet size: 12 x 18 inches
Frame size: 15 x 21 inches
Provenance: Jan Cowles
Jan Cowles was married to Gardner Cowles owner of Cowles Media Company (1935–1998) which owned newspapers, magazines and information publishing company based in Minneapolis, Minnesota in the United States. The company operated Cowles Business Media, Cowles Creative Publishing, and Cowles Enthusiast Media units.
Owners of the Minneapolis Star-Tribune from 1935 to 1998, other newspapers owned at one time by Cowles Media and its affiliates included the Des Moines Register, the Buffalo Courier...
Category
1980s Abstract Abstract Drawings and Watercolors
Materials
Pastel
Untitled
By Fannie Hillsmith
Located in Fairlawn, OH
Untitled
Collage and crayon drawing, 1967
Signed and dated lower center (see photo)
Condition: Small imperfections from the creative process
Small tear on the left sheet edge (repai...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Crayon
untitled
By Virginia Dehn
Located in Fairlawn, OH
Untitled
Acrylic on paper, c. 1975
Signed by the artist in ink lower right (see photo)
An early Modernist Abstraction, created shortly after the death of her husband, Adolf Dehn in 1968.
Condition: Excellent
Archival framing
Image size: 18 x 24
Provenance: Estate of the artist
Dehn Heirs
Virginia Dehn
From Wikipedia, the free encyclopedia
Virginia Dehn
Virginia Dehn in her studio in Santa Fe
Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections.
Life
Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered.
Early career
Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut.
Virginia and Adolf Dehn
The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work.
The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India.
Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies.
Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...
Category
20th Century Abstract Abstract Drawings and Watercolors
Materials
Acrylic
Bach Cello Suite No.3 in C Major - III Courante
By Hildegarde Haas
Located in Fairlawn, OH
Bach Cello Suite No.3 in C Major - III Courante
Watercolor and mixed pigments on paper, c. 1960's
Signed and titled recto (see photos)
A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia.
Condition: Excellent
Archival framing with OP3 acrylic
Image size: 17 3/4 x 13 3/4 inches
Frame size: 27 1/4 x 21 inches
Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper, c. 1950
Unsigned
Signed with the estate stamp verso (see photo)
Provenance: Estate of the artist
Inherited by his neighbor/caregiver
Condition: Excellent
Soft fold on top edge, not visible from front
Image/Sheet size: 14 x 11 1/16 inches
Medard Klein was born in Appleton Wisconsin on January 6th, 1905. At the age of 21, Klein left his rural hometown and moved to Chicago where he began studying art. During the late 1920’s Klein...
Category
1950s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Composition No. 12
Located in Fairlawn, OH
Composition No. 12
Gouache on paper, c. 1926
Signed lower right: “Urban Weis” (see photo)
Condition: Excellent
Image: 16 5/8 x 10 5/8"
Frame: 21 1/2 x 15 5/...
Category
1920s Cubist Abstract Drawings and Watercolors
Materials
Gouache
Untitled Abstraction
By Medard P. Klein
Located in Fairlawn, OH
Untitled Abstraction
Graphite on paper, c. 1946
Signed with the estate stamp verso
Provenance: estate of the Artist
Inherited by his neighbor/caregiver
Condition: Excellent
Image/Sheet size: 11 1/16 x 14 inches
Medard Klein was born in Appleton Wisconsin on January 6th, 1905. At the age of 21, Klein left his rural hometown and moved to Chicago where he began studying art. During the late 1920’s Klein...
Category
1940s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Untitled
By Matthew Kolodziej
Located in Fairlawn, OH
Untitled
Watercolor, cut out and construction on paper, 2013
Signed and dated in pencil lower right
Condition: Excellent
Image size: 22 x 30 inches
Frame size: 30 x 37 inches
Archiv...
Category
2010s Contemporary Abstract Drawings and Watercolors
Materials
Watercolor
Cobwebs and Rocks
By Benjamin G. Benno
Located in Fairlawn, OH
Cobwebs and Rocks
Watercolor, 1940
Signed, dated, and copyrighted lower right
Exhibited: Zimmerli Art Museum, Benjamin Benno: Retrospective Exhibition, 1988
Illustrated: Gustafson, Zimmerli Museum: Benjamin Benno: Retrospective Exhibition, 1988
Color Plate 14 copy copy of the catalog accompanies the watercolor
Condition: excellent
Image size: 14 3/4 x 21 inches
Provenance: Estate of the Artist
Ruth O...
Category
1940s Surrealist Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Laddie John Dill
Located in Fairlawn, OH
Untitled
Watercolor on paper, c. 1971
Unsigned
Provenance: From the collection of Ileana Sonnabend (1914-2007)
Laddie John Dill, a Los Angeles artist, had his first solo exhibition i...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Laddie John Dill
Located in Fairlawn, OH
Untitled
Watercolor on paper. 1971
Unsigned
Sheet size: 24 x 19 inches
Condition: Excellent
From the collection of Ileana Sonnabend (1914-2007)
Laddie John Dill, a Los Angeles artist...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
Watercolor
Untitled
By Shoichi Ida
Located in Fairlawn, OH
Untitled
molded mud-dried paper with collage elements, 1996
Signed and dated lower edge (see photo)
Annotated and titled verso
Sheet size: 24 x 7 inches
Provenance: Ralph Drake, fir...
Category
1990s Abstract Abstract Drawings and Watercolors
Materials
Mixed Media
#45
By Alexandre Hogue
Located in Fairlawn, OH
#45
Ink on paper, 1970
Signed, titled, and dated in pencil by the artist
One of a series of drawings, all made in 1970, which stemmed from Hogue's interest in Persian calligraphy. H...
Category
1970s Abstract Abstract Drawings and Watercolors
Materials
India Ink
Non-Objective Drawing (Double sided composition)
By Rudolf Bauer
Located in Fairlawn, OH
Non-Objective Drawing (Double sided composition)
Graphite on paper, 1938
Initialed "B" by the artist lower right corner
Created while the artist was imprisoned in a Gestapo Prison for his "Degenerate Art"
Image size: 7 x 6 3/4 inches
Housed in raw silk matting in a reproduction Gugenheim style frame with OP3 Acrylic
Frame dimensions: 16 x 17 x 1 1/2 inches
Condition: Folded in quarters by the artist to hide the drawing from the Gestapo
Irregular margins
Provenance: Estate of the artist
Phillips Auction, New York
Borghi Inc.
"Back in Berlin, Das Geistreich had become a lonely island of individualism in a menacing sea of Nazism. The Bauhaus had been closed down by the government in 1933, and artists such as Bauer were increasingly ostracized. Many had already fled the country. Rebay wrote Bauer in August 1937 to report that she had visited the Degenerate Art exhibition in Munich, which featured many artists from their Der Sturm days, including works by Kandinsky, Klee, Moholy-Nagy, and, of course, Bauer. Why Bauer lingered so long in this hostile environment remains a mystery. He was not Jewish, yet his patron was one of the richest Jews in the world. This association would not go unnoticed in Nazi Germany.
In July 1937 Bauer traveled to Paris because his work was included in an exhibition called Origines et développement de l'art international indépendant, organized by the Musée du Jeu de Paume. In this large survey of the period, his painting was shown alongside the work of Picasso, Georges Braque, Léger, Chagall, and Joan Miró. It is believed that while he was in Paris he received word from friends that it was too dangerous to return to Berlin; yet he ignored the warning. According to the Rebay documentarian Sigrid Faltin, it is likely that his sister, a Nazi zealot who had disowned him, turned him in to the authorities for his art. Bauer was suddenly a prisoner in Berlin. Defiant, he scavenged scraps of paper and pencils while in prison, so that he could continue to draw."
Courtesy Weinstein Gallery...
Category
1930s Abstract Abstract Drawings and Watercolors
Materials
Graphite
Untitled (Abstraction)
By Rolph Scarlett
Located in Fairlawn, OH
Untitled (Abstraction)
Ink on textured paper, c. 1958
Signed lower right: Scarlett
Note: A rare mid to late 1950s example of the artist's abstract expressionist style.
Provenance: Es...
Category
1950s Abstract Expressionist Abstract Drawings and Watercolors
Materials
Ink
Bach - English Suite No.2 in A Minor - IV Gigue
By Hildegarde Haas
Located in Fairlawn, OH
Signed and titled recto
A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia.
Frame: 19 1/2 x 22 3/4"
Image: 11 3/...
Category
1960s Abstract Drawings and Watercolors
Materials
Watercolor, Gouache
Oscillation
By Roy Ahlgren
Located in Fairlawn, OH
11 color screen print
Signed, dated, titled and numberedin pencil
Edition: 150 (9/150)
Provenance:
Estate of the Artist
By Decent
Category
1980s Op Art Abstract Prints
Materials
Screen
Abstraction
By Abraham Walkowitz
Located in Fairlawn, OH
Untitled Abstraction
Pen and ink on paper, 1932
Signed and dated in ink lower center
Condition: Excellent
Sheet/Image size: 10 3/8 x 6 1/4 inches
Frame size: 16 1/2 x 12 1/2"
Provena...
Category
1930s Abstract Geometric Abstract Drawings and Watercolors
Materials
Ink, Pen
Untitled Abstraction
By Peter Marks
Located in Fairlawn, OH
Unsigned as per usual
Enamel paint and ink on tracing paper
Provenance:
Estate of the Artist
Peter Marks (1935 -2010)
Peter Marks was born in New York City on January 18, 1935....
Category
Early 2000s Abstract Abstract Drawings and Watercolors
Materials
India Ink
Sea Forms
By Ray H. French
Located in Fairlawn, OH
Signed and dated center right edge; Annotated "48" lower left
Provenance:
Estate of the artist
One of a suite of 120 drawings that the artist did in 1 month.
Most were sold thro...
Category
1960s Abstract Abstract Drawings and Watercolors
Materials
Ink, Pen
Untitled (Six Chinese Style Wash Drawings)
By Peter Marks
Located in Fairlawn, OH
Unsigned
Provenance:
Estate of the artist
Sheet: 14 x 17";
Image: 4 7/16 x 12"
Peter Marks (1935 -2010)
Peter Marks was born in New York City on January 18, 1935. A lifetime ...
Category
Early 2000s Abstract Abstract Drawings and Watercolors
Materials
Ink