Rolph Scarlett

Untitled (Abstraction)

c. 1958

Untitled (Abstraction) Ink on textured paper, c. 1958 Signed lower right: Scarlett Note: A rare mid to late 1950s example of the artist's abstract expressionist style. Provenance: Es...

Unsigned Provenance: Estate of the artist Sheet: 14 x 17"; Image: 4 7/16 x 12" Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935. A lifetime ...

Signed and dated center right edge; Annotated "48" lower left Provenance: Estate of the artist One of a suite of 120 drawings that the artist did in 1 month. Most were sold thro...

Unsigned as per usual Enamel paint and ink on tracing paper Provenance: Estate of the Artist Peter Marks (1935 -2010) Peter Marks was born in New York City on January 18, 1935....

Untitled Abstraction Pen and ink on paper, 1932 Signed and dated in ink lower center Condition: Excellent Sheet/Image size: 10 3/8 x 6 1/4 inches Frame size: 16 1/2 x 12 1/2" Provena...

#45 Ink on paper, 1970 Signed, titled, and dated in pencil by the artist One of a series of drawings, all made in 1970, which stemmed from Hogue's interest in Persian calligraphy. H...

Ellen Hackl Fagan is an interdisciplinary abstract painter who uses synaesthesia, digital media and interactive performance as tools for developing a corresponding language between c...

Desire Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance. Keith’s most recent paintings combine original comic book renderings that his mother did for Disney et al. and reinterprets them effectively combining the past with present energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2017, 2018 Renata Fine Arts, West Palm Beach, FL 2015, 2016 Renata Fine Arts, Hudson, New York 2013 60inches New York, NY 2012 60inches New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014, 2015 C. Bell, Palm Beach, Florida 2010 Luxe Energy Aesthetics, West Palm Beach, Florida 1995 Time Warner Publishing, New York, NY 1991 Imperial Hotel Gallery, Chestertown, Maryland 1990 National Symphony Show House, Washington, DC 1988, 1987 International Jumping Derby, Jockey Club, Newport, Rhode Island 1986 Elijah Locke House, Rye Beach, New Hampshire 1984 Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

Chinese still life in yellow, red, blue and black. The tradition of art is continuous: past creations are tradition for today, and today's creation will be future traditions. Trad...

I grew up in the United States and completed a BA in literature in Santa Barbara, CA, an MA in literature in Sydney, Australia, and a three-year printmaking diploma in London, where I currently live with my husband and two sons. I have also lived in Ecuador, where I taught modern literature and creative writing, and in France, where I contributed articles on art to Surface magazine. I am fascinated by the way patterns are repeated in both nature and urban landscapes and find inspiration in everything from maps, train tracks and aerial photographs to stones, moss, bark, lily pads and microscopic organisms. The time required to finish one of my monotypes varies, but often takes months. I usually start by rolling a color all over a smooth Plexiglas plate and then work reductively, creating the image by removing ink, sometimes by masking sections, but mainly with turpentine, using everything from spatulas, droppers and paintbrushes to muslin, tissue and cotton swabs. Now and then I take an additive approach and start on a clean plate or use a ghost image (a print made with the faint, left-over ink from a used...

I grew up in the United States and completed a BA in literature in Santa Barbara, CA, an MA in literature in Sydney, Australia, and a three-year printmaking diploma in London, where I currently live with my husband and two sons. I have also lived in Ecuador, where I taught modern literature and creative writing, and in France, where I contributed articles on art to Surface magazine. I am fascinated by the way patterns are repeated in both nature and urban landscapes and find inspiration in everything from maps, train tracks and aerial photographs to stones, moss, bark, lily pads and microscopic organisms. The time required to finish one of my monotypes varies, but often takes months. I usually start by rolling a color all over a smooth Plexiglas plate and then work reductively, creating the image by removing ink, sometimes by masking sections, but mainly with turpentine, using everything from spatulas, droppers and paintbrushes to muslin, tissue and cotton swabs...

Abstract gestural drawing "Bright Dynamics" Each intuitive art has its own character, its own energy. If you tune in with it, it will give you a charge of vivacity and a bright mood!...