YM Antiques Inc Decorative Objects

Our extraordinary Chinese candelabrum dates from as early as the 18th century with later 19th century additions is exquisitely crafted from rock crystal and gilt metal with enamel de...

Our extraordinary porcelain vase with cover by Knud Valdemar Engelhardt (Danish, 1882-1931) for Royal Copenhagen dates from circa 1916, and features a unique celedon colored crystalline glaze with abstract blue and white flower heads and patinated bronze cover with reticulated finial. Stamped ROYAL COPENHAGEN with three wave painted mark and signed with the artist's cipher, VE and K 9. Provenance: East Asiatic London Co.; Philippe Denys, Galerie Philippe...

Our pair of rare two-light gilt silver candlesticks from Cartier from the early 20th century feature finely carved jade stone figures of fish. Each 10 by 10 3/4 by 3 1/2 inches. Ma...

Included here are two lighted sculptures by Igor Mitoraj (1944-2014) known as Moonlight Venezia 1999: one crafted from stainless steel with a frosted glass bust and another crafted from distressed steel with frosted blue bust...

Our 19th century bronze bust of a lovely neoclassical female with diadem crown, known as Buste de Femme au Diadème, by Eugene Aizelin (French, 1821-1902) was cast by Barbedienne of P...

Our 19th century gilt bronze travel desk from the Renaissance Revival period with exceptional overlaid chased strapwork inset with cabuchon shaped agate stones and hinged handles. I...

Our antique Grand Tour bronze hydria water jar after the original Greek design, circa 5th century BC, has a verdigris green patina and is finely cast with a winged laughing mask and ...

Our large French gilt and patinated bronze mantel clock dating from the second quarter of the nineteenth century features the finest casting and gilded details. It depicts Mary sea...

Our lovely portico style mantel clock, retailed by Yamanaka & Company Ltd. in New York in the early 20th century, features a silverplate frame flanked by two finely carved foo lions ...

Our monumental pair of 18th century candelabra of French origin depict Roman neoclassical male and female holding cornucopia, finely carved from white marble, with four light ormolu bronze candleholders of foliate design with fruits, nuts and grape bunches. Provenance: Arne Schlesch & José Juárez...

Our pair of antique (19th century) French ormolu and patinated bronze three-light candelabra are of the highest quality, with neoclassical female figures holding candle arms in the...

Our exceptional bronze by Jules Moigniez (1825-1894) depicts Prince Albert (1819-1861) on the hunt on horseback with his hound below. Signed on right side. Prince Albert of Saxe-...

Our lovely and rare silver picture from Cartier dates from as early as the 1900s and features an outer ring of green enamel and its original leather covered and lined gift box.

Our pair of ormolu bronze candlesticks feature acanthus leaf nozzles emanating from Roman style military helmets with plumage, with reeded acanthus stems...

Our monumental silver gilt Schlüsselfelder ship or nef, attributed to Hanau, Germany, late 19th to early 20th century, measures an impressive 45 1/4 inches (115 cm) tall and is exqui...

Our rare, 18th century ceremonial casket in the form of a Venetian gondola is expertly carved from walnut with gilt cartouches depicting figures and s...

Our very large (33 1/2 inch tall) and elegant gilt-decorated glass vase on stand dates from the third quarter of the 19th century. Attributed by ...

Our set of four neoclassical alabaster urns with ormolu bronze mounts, of northern European origin and dating from the early 20th century, feature cascading molded and beaded glass ornaments...

Our mantel clock and candelabra with silvered, gilt and cloisonne enamel surfaces in the French Japonisme style dates from the 1870s and is in good condition. Attributed to the influ...

Our gilt bronze sculpture after Jean Antoine Injalbert (1845-1933) is known as Amour aux Colombes (Love with Birds).

Our pair of Persian ware ceramic bottle vases in the 17th century Iznik style, attributed to Samson et Cie, circa 1870-1890, are decorated with the figure...

Our pair of antique vases are carved from reddish brown jasper stone and date from the late nineteenth century. In good condition with scratches and small...

Our late Regency period strongbox features gilt neoclassical mounts including lion masks and rosettes at the sides, Roman Tuscan style columns at the front corners, figurative panel ...

Our patinated bronze by Charles Auguste Lebourg (1829-1906) depicting a child playing with lizard is signed in the cast and inscribed "MEDAILLE D'OR ET DATE 1853". On reverse is black ink is the word COMO. Lebourg first exhibited at the Paris Salon in 1852. This important work debuted at the Salon in 1853 and won a medal at the Exposition Universelle in Paris in 1855. He is perhaps best known for the sculptural design of the Wallace fountains...

Our wonderful French candlesticks with hexagonal shape feature gilt metal bases with lapis lazuli stone veneer, exceptional rock crystal standards and gilt metal candle holders...

Our patinated bronze, La Tragédie, after the French sculptor, Francisque Duret (1804-1865) measures 37.5 in (95 cm) and is in good condition, with a warm green-tinted brown patina. Originally sculpted in marble, La Tragédie and La Comédie were commissioned by the Théâtre Français in 1851. Residing in Salle Richelieu, part of the Palais-Royal complex in Paris, it is the oldest continually operating theater company in the world. Marbles of La Tragedie and La Comedie also reside in the collection of the Musée des Augustins in Toulouse, as seen in our photo. The artist was the son of the accomplished sculptor, François-Joseph Duret...

Our extraordinary German cup and cover in the Baroque style, circa 1880s, is crafted from gilt brass and features extensive use of rock crystal, including cabochon and faceted circular jewels. Apparently unsigned. Provenance: Koopman Rare Art, London. Regilded and in excellent condition. There is a soldered repair to the female's spear. Founded in London in 1952, Koopman Rare Art is one of the world’s most admired dealers specializing in antique silver, gold and objects de vertu.

Our magnificent bronze, entitled Der Gladiator, depicting a Roman gladiator preparing to fight was modeled by the German artist, Heinrich Baucke (1875-1915). Mounted to a green variegated marble plinth measuring 23 by 15 inches and with an overall height of 39 inches. Signed on the base with the stamped mark of the foundry, DUSSELDORFER BRONCEGIESSEREI G.m.b.H. The artist enjoyed a prestigious career.  According to the Benezit, Baucke studied under Karl Janssen at the Dusseldorf Academy of Fine Arts.  In 1903 Baucke moved to Berlin and executed several commissions for Kaiser Wilhelm II including a major work at the Royal Palace in Berlin (known since the end of the monarchy in 1918 as the Berlin Palace) and supervision of the development of the Schlossplatz palace square.  Commissions included the Monument to William I at Rotthausen, the bronze of King Friedrich Wilhelm III of Prussia at the town hall in Elberfeld, a statue of King Frederick I, a stone statue of Maurice of Nassau and marble busts of Helmuth von Moltke, Chief of the German General Staff, and German Chancellor, Otto von Bismarck...

Our pair of vases with covers by Gagneau of Paris, originally fitted as oil lamps, are modelled as neoclassical maidens supporting vases. Crafted from rouge marble with ormolu bronze mounts. Removeable lids reveal the removeable pierced fittings stamped GAGNEAU. Gagneau a Paris, also known as Maison Gagneau...

Our exceptional pair of enameled porcelain vases in the Chinese cloisonné style were designed by Christopher Dresser (1834-1904) for Mintons. They feature one side with a dragon an...

Our important bronze by Francois-Raoul Larche (1860-1912), cast circa 1905, is entitled La Tempête et les Nuées (The Storm and the Clouds). Signed RAOUL. LARCHE and stamped with the ...

Our French ormolu bronze mantel clock, circa 1838, is entitled "Le Roi Louis Philippe saigne sa propre main & rappelle à la vie le courrier de cabinet Werner tombé de cheval sous les...

Our Louis XVI style clock in the manner of Louis Simon Boizot (1743-1809) features the patinated figures of neoclassical standing females supporting...

Our extraordinary patinated bronze torchiere depicting a female slave comes from the firm of Lacarrière Frères & Delatours. Signed "Lacarrière Freres & Delatours", "Paris 1880". Fitted for electricity in the late nineteenth century, but currently in need of sockets and wiring. Provenance: Rochelle Sepenuk, New York, NY. The firm of Auguste Lacarrière sent exhibits to the the first International Exhibition in London in 1851. At that time they seem to have occupied two Paris addresses, 9 rue St Elizabeth and 55 rue Meslay, as well as having another outlet in Limoges. They are recorded as showing "specimens of lustres, sconces, chandeliers, medallions, etc..". By the 1862 Exhibition they were only recorded at the Sainte Elizabeth address and showed, "appareils à gaz de fonte, de zinc et de bronze." Nevertheless, their exhibit was highly praised and the business, now called A. Lacarrière, Père et Fils...

Our George IV period Sheffield plate vases (circa 1820-1830) measure 25 in (63.5 cm) tall and feature stepped bases with applied grapevine borders with foliage below a wide band of g...

Our important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...