Items Similar to German Rock Crystal and Gilt Brass Coupe with Cover
Want more images or videos?
Request additional images or videos from the seller
1 of 21
German Rock Crystal and Gilt Brass Coupe with Cover
About the Item
Our extraordinary German cup and cover in the Baroque style, circa 1880s, is crafted from gilt brass and features extensive use of rock crystal, including cabochon and faceted circular jewels. Apparently unsigned. Provenance: Koopman Rare Art, London.
Regilded and in excellent condition. There is a soldered repair to the female's spear.
Founded in London in 1952, Koopman Rare Art is one of the world’s most admired dealers specializing in antique silver, gold and objects de vertu.
- Dimensions:Height: 19.75 in (50.17 cm)Diameter: 6.75 in (17.15 cm)
- Style:Baroque Revival (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1880
- Condition:Repaired: Repair to the end of the spear and recently regilt. Wear consistent with age and use.
- Seller Location:New York, US
- Reference Number:
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1990
1stDibs seller since 2021
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: New York, US
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- French Ormolu and Patinated Bronze-Mounted Marble Vases with Covers by GagneauLocated in New York, USOur pair of vases with covers by Gagneau of Paris, originally fitted as oil lamps, are modelled as neoclassical maidens supporting vases. Crafted from rouge marble with ormolu bronze mounts. Removeable lids reveal the removeable pierced fittings stamped GAGNEAU. Gagneau a Paris, also known as Maison Gagneau...Category
Antique Late 19th Century Urns
MaterialsBronze
- Boucheron Parcel Gilt Silver Vase and Oil Lamp circa 1880By Fréderic BoucheronLocated in New York, USOur important parcel-gilt and patinated silver and glass-mounted vase and matching oil lamp were designed by Paul Legrand (1840-1910) and crafted by the silversmith, Charles Glachant, for Boucheron of Paris, circa 1878-1880. 21 in tall and 16.5 in wide (53.4 by 41.9 cm). 28.56 lbs, 457 oz, 14,210 g. Provenance: presented to or purchased by Jean-Baptiste Pezon (1827-1897); acquired by a European private collector, perhaps on the death of Jean-Baptiste Pezon in 1897, by descent; acquired by YM Antiques, 2017. This double walled vase has an amphora form, with body and foot with silver, gilt and patinated and stylized flowers, anthemions and sprays of cherries against an etched and matted ground pierced to reveal a gilt inner wall. The upper body is detachable via a slip-lock, and mounted on both sides with arched panels formed of hexagonal beveled glass tiles. One glass panel applied with bacchic infants taunting a rearing goat and the other side with infants feeding grapes to a lioness under a looming bust of a satyr. The patinated and gilt upswung loop bifurcated handles are mounted with fully modeled figures of Pan bearing a syrinx and thyrsus and a draped maenad playing two flutes, both above roaring lion heads, the rim inset with a slip-lock detachable gilt bowl etched with masks of various representations of Bacchus spaced by ribbons and trophies and with scrolling fruiting vines. The base of interior with detachable base metal drip pan to accommodate the removable oil lamp designed to illuminate the glass tiles from within. The lamp is raised on four hoof feet, the upturned ends cast underneath with masks and with detachable cover mounted with two infant satyrs and flanked by gilt loop handles. The bacchic themed design featuring cartouches depicting infants taunting a goat and lion, plus prominent lion masks at the handles, certainly appealed to Boucheron's customer, Jean-Baptiste Pezon (1827-1897), who is believed to have commissioned the piece. Pezon was the celebrated lion tamer and headliner of the Grande Menagerie whose profession brought him great fame and fortune in Paris. Born a shepherd boy in Lozere, he is said to have left his home at the age of seventeen in the company of a wolf he had captured and trained years earlier. He headed to Paris and by the age of twenty-one purchased his first lion who he named Brutus. The animal is said to have inspired the Lion of Belfort, the monumental red standstone sculpture by Frederic Bartholdi erected in Belfort in 1880. Toulouse-Lautrec was among his admirers and friends, visiting Pezon's Great Lozerian Menagerie to sketch animals. A large bronze sculpture of Pezon atop a female lion adorns the Pezon family tomb in the Pere Lachaise Cemetery in Paris, as seen in our image here. The vase and detachable bowl are marked on the underside with the silversmith's mark of Charles Glachant. The underside and upper rim of the lower body is engraved "Fic Boucheron Paris". The lamp is marked on underside and flange of cover for Glachant. Boucheron archives indicate the vase was inspired by the amphora vases created by the Greek potter, Nikosthenes, 550-510 BC. The Nikosthenic amphora vases are a form of Attic vase recognized for their angular amphora form with broad flat handles. Potted of bright orange-red clay, they were decorated with plant and animal motifs within distinct friezes, with the most significant defining feature being the black figure painting, often highlighted with white accents. In this vase Legrand re-imagines the striking contrast of the black figures against a warm ground through the use of patina and gilding. His inventive use of piercing and double-wall construction create additional levels of texture and depth throughout the body. The same combination of ornamentation was employed in a ewer designed by Legrand in 1880 in the Islamic taste. (See lot 77 of Christie's sale in New York on October 22, 2009.) Edmé Bouchardon (1698-1762), royal sculptor to Louis XV, may have provided Legrand with inspiration for the vase's iconography. The panel featuring bacchic infants taunting a rearing goat is very similar to a bas relief representation of Winter designed by Bouchardon for the Fontaine des Quarte-Saisons on rue de Grenelle, Paris. Bouchardon debuted his plaster model for the bas relief in 1741, and the fountain was completed in 1745. The Boucheron firm, founded by the celebrated jeweler, Frédéric Boucheron...Category
Antique 1880s French Greek Revival Vases
MaterialsSilver
- Antique Chinese Rock Crystal Gilt Metal and Enamel CandelabrumLocated in New York, USOur extraordinary Chinese candelabrum dates from as early as the 18th century with later 19th century additions is exquisitely crafted from rock crystal and gilt metal with enamel de...Category
Antique 18th Century Chinese Candelabras
MaterialsQuartz, Metal, Enamel
- Antique Rock Crystal Candlestick Chimera with Silver and EmeraldsLocated in New York, USOur large, antique winged lion, known as a Chimera from Greek mythology, is exquisitely sculpted from rock crystal (quartz). Likely of Austrian origin and dating from the late ninet...Category
Antique Late 19th Century Austrian Late Victorian Animal Sculptures
MaterialsMulti-gemstone, Rock Crystal
- Monumental Antique Bohemian Gilt Glass VaseBy Harrach GlassworksLocated in New York, USOur very large (33 1/2 inch tall) and elegant gilt-decorated glass vase on stand dates from the third quarter of the 19th century. Attributed by ...Category
Antique Mid-19th Century Czech Neoclassical Vases
MaterialsGlass
- Rock Crystal and Lapis Lazuli CandlesticksLocated in New York, USOur wonderful French candlesticks with hexagonal shape feature gilt metal bases with lapis lazuli stone veneer, exceptional rock crystal standards and gilt metal candle holders...Category
Mid-20th Century French Mid-Century Modern Candlesticks
MaterialsLapis Lazuli, Rock Crystal, Brass
You May Also Like
- Viennese Enameled Silver and Rock Crystal Coupe and Cover by Herman BohmLocated in West Palm Beach, FLViennese mannerist style enameled silver and rock crystal coupe and cover, by Herman Bohm, last quarter 19th century, the silver mounts to base and cover w...Category
Antique Early 19th Century Decorative Bowls
- Large German Porcelain & Gilt-Bronze Mounted Urn with Cover in Manner of MeissenBy Meissen PorcelainLocated in Los Angeles, CAA Large German 19th/20th century Figural Porcelain and Gilt-Bronze Mounted Urn with Cover in the Manner of Meissen. The ovoid porcelain hand painted u...Category
Antique Early 1900s Baroque Revival Urns
MaterialsBronze
- Large Empire Style Gilt-Bronze and Cut-Glass 'Grande Coupe' Urn CenterpieceLocated in Los Angeles, CAA Large and Impressive French Empire Revival Style Gilt-Bronze and Cut-Glass 'Grande Coupe' Figural Urn Centerpiece, in the manner of Baccarat, the mounts in the manner of and after ...Category
Late 20th Century French Empire Revival Urns
MaterialsBronze
- Pair French Cassolettes Urns Rock Crystal Gilt 1860Located in Potters Bar, GBGorgeous pair of French Cassolette urns crafted from the finest rock crystal Of Amphora form, these really stand out especially the colour interplay between the rock crystal and gilt...Category
Antique 1860s Urns
MaterialsRock Crystal
- Art Nouveau Crystal and Gilt Brass Bottle with Stopper 19th CenturyLocated in LA CIOTAT, FRA pretty crystal, stoppered bottle, intricately clad in an openwork gilt-brass motif of entwined poppies and mistletoe. This square-sided Art Nouveau period bottle features a simple,...Category
Antique Late 19th Century French Empire Bottles
MaterialsCrystal, Brass
- Pair of Gilt-Bronze and Rouge Griotte Marble Vases and CoversBy Ferdinand BarbedienneLocated in Brighton, West SussexA Pair of Gilt-Bronze And Rouge Griotte Marble Vases and Covers. By Ferdinand Barbedienne, Paris. Designed in the Neo-Grec style these elegant vases stand atop Rouge Griotte marb...Category
Antique 19th Century French Neoclassical Revival Vases
MaterialsGriotte Marble, Bronze