Wood Decor

A set/pair of two (2) Burmese gold box owls, circa mid to late-20th century, 1980s, Burma. A beautiful set of two owl boxes with gold foil overlay on wood with black lacquer interior...

Rare Collection of Swedish’s organic wooden bowl from the 1940’s. Beautiful collection of Swedish’s wooden bowls from the 1940’s, the bowls are ...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is constructed with a small framed mirror...

This fine pine hand carved dough bowl is in fine condition and has no cracks or damages.It has a wonderful worn & aged patina.

Walking bowl in Iroko wood, Arno Declercq Measures: 34 cm L x 34 cm W x 23 cm H 13.4” L x 13.4“ W x 9“ H Material: Iroko wood Signed by Arno Declercq Arno Declercq Bel...

Anthony Redmile Silverplated Figural Frog Mounted Ostrich Egg Candlestick Stamped 'Redmile London' London, Circa 1970s Fashioned as a standing a 17.5 -inch high silverplated -brass ...

18h century Georgian English bracket clock. A fine quality mahogany and ormolu-mounted Georgian III English Bracket. Exquisite bracket clock made by the watchmaker Thomas Lozano, s...

Circa 1940s Chinese export eight sided, four section stacked box. Thin, lightweight wood-constructed box covered in canvas, hand-painted on top, front, back and sides and sealed with...

Behold this exquisite set of three 19th century French dibbers, tools used to aid in planting seeds or seedlings, each a unique testament to the artistry of bygone eras. Crafted with...

Clear design in the manner of Superstudio and a wonderful picture frame very hard to find. Made by Jet Set Milano in wood covered with white laminate and an inner chrome frame.

Abstract Mid-Century Modern Organic Wooden Sculpture, 1960's

Elevate your space with the understated elegance of these Swedish oak and brass candlesticks. Sourced from a Swedish church dating back to the 1970s, these candlesticks carry a sense...

Large antique French Sèvres style porcelain and gilt bronze vase French, 19th Century Overall dimensions: Height 157cm, width 60cm, depth 44cm Vase: Height 141cm, width 60cm, depth...

Hex: 12 by 3.5 Hex Pyramid: 11 by 4.25 Pyramid: 11.75 by 4 Ball: 4.25

A very well crafted walnut four drawer jewellery or watch box with wonderful graining which sits on your dresser or in your dressing area . To the front of the drawers are dark turne...

From our Tea Caddy collection, we are delighted to offer this Regency Chinoiserie Penwork Tea Chest. The Tea Chest of rectangular form sits upon four brass ball feet with matching br...

From our Tea Caddy collection, we are pleased to offer this Georgian octagonal Inlaid Tea Caddy. The Tea Caddy of octagonal form veneered in Harewood with inlaid twin Tuscan Columns ...

Inv. #: g177 A very rare mid-19th century striking inro watch in the original carved Shitan wood case. The carved shitan wood case is decorated with floral relief carvings throu...

A rare and magnificent antique Tuareg peoples mixed metal mounted wooden chest / coffer / monumental table box. Most impressive size, hand-crafted in Mauritania, Northwest Africa, ...

This elmwood farm trough from China's Shanxi province charms with its asymmetrical form and dark wax finish. A common sight throughout rural Qing-dynasty China, a provincial trough s...

Rare George Nelson And Associates Mosaic Tile Wall Clock Designed by Irving Harper for George Nelson and Associates and produced by Howard Miller Model 2232 1957 Walnut frame with...

This large 19thc hand carved trencher was found in New England and is very solid and heavy. The condition is very good and sturdy with no cracks or damages.

c.1910 Rare Double Dial Clock with Perpetual Calendar by Tiffany & Co., Makers. g178 Tiffany & Co., Makers, New York. The shaped oak case is decorated with carved sea serpents and...

This pair of decorative box was designed and crafted in the 1960s by Piero Fornasetti, in his lab in Milan. Fornasetti was the most influential decorator of his generation, often col...

Senufo Pulley with Bird Head Finial in Wood This a well worn figurative pulley from the estate of Catherine Cline (née Crone, 1935-2020). Cline began collecting African art in the ...

'Round & Round' are modern organic petrified wood sculptural bowls. The striking nature of the mineral motifs featured in this material, compliments the minimalist form. This is a ...

Large Walnut hand Carved Mortar

One of the earlier designs for the Howard Miller clock company is this walnut table clock model 4765 circa 1949 designed by Irving Harper for George Nelson & Associates and the Howar...

Wooden Frame, early 20th Century. Hand carved. 116 x 92 cm ; mirror 88 x 67 cm. Good conditions

19Thc Original painted hand carved dough bowls in amazing blue & red surface.These painted bowls came from a private collection. Both in very good condition. These bowls are in very ...

Pair of Italian Baroque Silverplated Angel Candlesticks Italy 17th/ 18th Century A subtly magnificent pair of Italian Baroque Silverplated Angel Candlesticks, dating back to the 17...

This unusual astrological calendar clock was designed by John Mercer Of Exeter, for the Devon Clock Company as part of the Heritage Collection. This example is numbered 31 of 500 and...

A mixed wood abstract sculpture or totem

Exceptional Contemporary Sculpture in a Polished Teak Wood, amazing round organic form, made from an old one piece Wooden Root, mounted on an iron base, can be placed in 2 positions,...

A large 19th century French wooden grain or dough bowl with four carrying handles hand carved from a single block of wood, circa 1890s. This handsome bowl was used for a wide variety...

Spitfire wooden & aluminium aeroplane desk model. Asprey London- ca 1940´s RAF Supermarine spitfire aluminium aeroplane desk model, mounted over a display stand. Aeroplane has been c...

An antique, late 19th century Italian pietra dura hard stone floral still life in a frame. This incredibly beautiful pietra dura features a spray of flowers and foliage set against a...

A 19th Century hand hewn tree boot storage barrel with lid. This large lidded barrel has oodles of character. The organic shape of the barrel retains the ...

Modern wood sculpture wall screen by Pierre Sarkis from Celine collection. Inspired in the rhythm of ocean waves, beauty of fluid movement and fe...

Hand carved out of bass wood, comes this lovely small Tramp Art photo frame out of Austria from the end of the 19th century, the so called Historism period. Beautifully made in the p...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece has two frames that are hinged together. A mirror adorns the outside. When opened, the right panel has a primitive figure painting while the left has a metal plaque with the phrase "I Need a Boy Toy...

Chrysanthemum flower Jade dish from the Qing Dynasty (1644-1911). Beautifully carved piece from the imperial China period of the Qing Dynasty. This rare dis...

Fountain With Stone, Pertrified Wood by Pierre De Valck One of a kind Dimensions: W 110 x D 110 x H 100 cm. Materials: Stone, Petrified wood, white patinated bronze. Fountain with s...

Limited rdition of 29 pieces. These ceramic columns evoke Totems and Menhir, ancient architectures or imaginary archetypes, among timeless sacred...

Set of 3 antique and unique three sizes organic wooden bowls. With highly appealing patina, with traces of use. Produced in Sweden, 19th century. These bowls where very important fo...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamt of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer programme. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Ice Lolly sticks by glueing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in maths or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Grey and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox at the age of 31 and entered state and national weightlifting competitions at the age of 52. But just as a pre-teen, the thought of creativity moved me into new realms. I, once again, decided to put athletics on the back burner and pursue my work as an artist. The new sculptures and pieces give me a strength and a sense of being. Philip Capuano b. 1948, Norwalk, CT Education 1978 School of the Art Institute of Chicago, Master of Fine Arts, Ceramics 1972 Maryland Institute College of Art, Bachelor of Fine Arts, Baltimore, MD 1969 Silvermine College of Art, Assoc of Fine Art, Silvermine-Ridgefield, CT 1967 Norwalk High School, Norwalk, CT Exhibitions 2022 Kiss Me, It’s Snowing, Gallery Victor Armendariz, Chicago, IL 2018 Group Show, Linda Warren Projects, Chicago, IL 2015 Cosmic Current, Linda Warren Projects, Chicago, IL 2014 Group Show, Linda Warren Projects, Chicago, IL 2013 Cardboard Show, Bridgeport Cultural Centre, Chicago, IL Group Show, Linda Warren Projects, Chicago, IL Chatterbox Fiction, Beverly Arts Centre, Chicago, IL 2012 Group Show, Linda Warren Projects, Chicago, IL 2009 Sculptures-Photos, Northbranch Gallery, Skokie, IL 2007 Group Show, Carrie Haddad Gallery, Hudson, NY 2005 Ceramic Conference, M.A.P. Gallery, National Invitational, Baltimore, MD Maryland Institute College of Art Visiting Artist, Computer Department, Baltimore, MD 2004 Group Show, Gallery Merz, Sag Harbour, NY 2003 Two-Person Show, Gallery Merz, Sag Harbour, NY 2002 Art Forum, Woodstock, NY 1989 Sibil Lamey Gallery, Chicago, IL Maryland Institute College of Art, Visiting Artist, Ceramic Department, Baltimore, MD 1988 Group Show, Beacon St. Gallery, Chicago, IL 1986 Summer Show, Struve Gallery, Chicago, IL 1985 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1984 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1983 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL Illinois Arts Council Grant, Chicago, IL 1982 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1981 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1980 Group Show, Frompkin and Struve Gallery, Chicago, IL Zariny-Hays, Film Viewing, Chicago, IL Norwalk High School, Visiting Artist, Norwalk, CT 1977 Chicago and Vicinity, Art Institute of Chicago, Chicago, IL Slusser Gallery (University of Michigan), Group Show, Chicago Clay, Ann Arbour, MI Art Institute of Chicago, Midwest Open Screening, Chicago, IL Ann Arbour Film festival (Cash Reward), Ann Arbour, MI Name Gallery, Film Group, Open Screening, Winter & Spring 1975 Art...

This is an outstanding Italian 18th century carved wood polychromed sculpture of Virgin Mary. The Sculpture is hand painted with some remains ...

This rustic container was made over a hundred years ago to measure and hold a dou of rice, an ancient Chinese measurement. It is handcrafted with thin finger joints, iron-finished ed...

Artist Statement: During the summers in Connecticut when I was a pre-teen, I lived for playing baseball. I grew up on a farm and had to work hard, but I always made time for baseball. I played everyday and sometimes even slept with my glove underneath my pillow. I dreamt of playing professionally for the New York Yankees. The only thing that dragged me away from playing baseball was an arts and craft’s class in my school’s summer programme. On Tuesday afternoon, after lunch, baseball was on hold for arts and crafts. In my first class, they taught us how to make pot holders and build things with Ice Lolly sticks by glueing them together. It was so much fun. I guess this was the earliest telling of what was to unfold in the future years. I continued to play semi-pro baseball until the age of 38. I was also into weightlifting and even placed in a national competition. Sports and art have always been my passions. I was willing to put sports on hold for my art, though. And sports have always influenced my artwork. My first great influence in art was my craft teacher in high school, Shirley Charron. I was not an “A” student by any means and I did not excel in maths or science. Ms. Charron knew I wasn’t a great student and encouraged me to apply for art school at Silvermine College of Arts. The college was holding interviews and all I had to do was make an appointment and bring my artwork. I was excited to find out that they didn’t need to know my S.A.T. scores. So I met with Dean Bob Grey and he liked my artwork. I became a student at the Silvermine College and received my Associate’s Degree from there. I went on to the Maryland Institute of Art where I received my Bachelor of Arts degree. I met several students from various backgrounds and different countries. I was fortunate for having great teachers and mentors along the way. Visiting artists were a big influence to me, as well. My college years helped greatly, keeping me out of the ‘real world’ and into the realm of creativity and free flowing ideas. After receiving my Masters Degree from the Art Institute of Chicago in 1977. I stayed in Chicago. I became ‘so-to-speak’ a “Chicago” artist, living in lofts, dreaming the dreams of becoming known and reaching for the stars. I was still quite naïve at the age of 30. Luckily, I kept my day job as a cleaning man. I worked hard during those years after graduate school and still do 28 years later. During those 28 years, I tried out for the Chicago White Sox at the age of 31 and entered state and national weightlifting competitions at the age of 52. But just as a pre-teen, the thought of creativity moved me into new realms. I, once again, decided to put athletics on the back burner and pursue my work as an artist. The new sculptures and pieces give me a strength and a sense of being. Philip Capuano b. 1948, Norwalk, CT Education 1978 School of the Art Institute of Chicago, Master of Fine Arts, Ceramics 1972 Maryland Institute College of Art, Bachelor of Fine Arts, Baltimore, MD 1969 Silvermine College of Art, Assoc of Fine Art, Silvermine-Ridgefield, CT 1967 Norwalk High School, Norwalk, CT Exhibitions 2022 Kiss Me, It’s Snowing, Gallery Victor Armendariz, Chicago, IL 2018 Group Show, Linda Warren Projects, Chicago, IL 2015 Cosmic Current, Linda Warren Projects, Chicago, IL 2014 Group Show, Linda Warren Projects, Chicago, IL 2013 Cardboard Show, Bridgeport Cultural Centre, Chicago, IL Group Show, Linda Warren Projects, Chicago, IL Chatterbox Fiction, Beverly Arts Centre, Chicago, IL 2012 Group Show, Linda Warren Projects, Chicago, IL 2009 Sculptures-Photos, Northbranch Gallery, Skokie, IL 2007 Group Show, Carrie Haddad Gallery, Hudson, NY 2005 Ceramic Conference, M.A.P. Gallery, National Invitational, Baltimore, MD Maryland Institute College of Art Visiting Artist, Computer Department, Baltimore, MD 2004 Group Show, Gallery Merz, Sag Harbour, NY 2003 Two-Person Show, Gallery Merz, Sag Harbour, NY 2002 Art Forum, Woodstock, NY 1989 Sibil Lamey Gallery, Chicago, IL Maryland Institute College of Art, Visiting Artist, Ceramic Department, Baltimore, MD 1988 Group Show, Beacon St. Gallery, Chicago, IL 1986 Summer Show, Struve Gallery, Chicago, IL 1985 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1984 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1983 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL Illinois Arts Council Grant, Chicago, IL 1982 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1981 Struve Gallery, New Art Forms, Navy Pier, Chicago, IL 1980 Group Show, Frompkin and Struve Gallery, Chicago, IL Zariny-Hays, Film Viewing, Chicago, IL Norwalk High School, Visiting Artist, Norwalk, CT 1977 Chicago and Vicinity, Art Institute of Chicago, Chicago, IL Slusser Gallery (University of Michigan), Group Show, Chicago Clay, Ann Arbour, MI Art Institute of Chicago, Midwest Open Screening, Chicago, IL Ann Arbour Film festival (Cash Reward), Ann Arbour, MI Name Gallery, Film Group, Open Screening, Winter & Spring 1975 Art...

Matylda Censers - Sculpted flamed wood - Jan Garncarek Materials: wood, brass. Dimensions: D 11 x W 11 x H 36 cm / D 8 x W 8 x H 26 cm / D 5.5 x W 5.5 x H 16 cm. Hand-sculpted by Jan...

Painted wood and composite sculpture attributed to Johanness Itten, Swiss expressionist artist and theorist of the early Bauhaus under the directio...

A Vintage turned footed wood dish with red painted accent designed by Ettore Sottsass for Twergi. Maker''s stamp at bottom. Sottsass was an eclectic architect and industrial desi...

Djimini Heddle Pulley with Buffalo Horns in Wood Classic Djimini heddle pulley. Ex Katherine Cline, New York. Additional Information Primary Materials: Wood Ethnic Groups: Djimini ...

Mocap (moonwalk) Illusionistic wall clock Design: Jan Paul foto “Time is an illusion” Most wall-clocks have the same basic shape: round. Also the same looking time-indication...

Self-taught artist John Seubert, AKA John Dolly, uses objects he uncovers as he rehabs older homes in Chicago. This piece is constructed with a small framed mirror...

Featuring Canaletto walnut, rosewood, zebrawood, and Bubinga woods alongside walnut and elm briarwood inlays with a glossy finish give the stunning face of this superb wall clock a s...

Austrian silver-gilt, wood & enamel clock cabinet table Classical figures painted on a gilt nappy bottom. An enamel clock face, matching the corners. Columns made of Corinthian wi...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...