Christian Dior by John Galliano Strapless Old Hollywood Style Bow Dress Gown
About the Item
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- Condition:Wear consistent with age and use. a few minor scratches.
- Seller Location:Los Angeles, CA
- Reference Number:1stDibs: LU19625661942
John Galliano for Christian Dior
Known for introducing rich theatricality and memorable fashion spectacles to the runway, John Galliano has enjoyed a singular career. The audacious British designer has garnered universal acclaim for genre-breaking collections not only at his eponymous label but also for Christian Dior.
From his embroidered absinthe-green Oscars gown for actress Nicole Kidman to the iconic sleeveless newspaper-print dress that Sex and the City’s Carrie Bradshaw made famous, Galliano’s intricate and multifaceted work is reliably collectible and newsworthy, drawing on history as often as it embodies a fresh and forward-looking sensibility, and over the years the designer has helped shape an ever-broadening new legion of enthusiasts for Parisian couture.
Born in Gibraltar but raised in South London by strict Roman Catholic working-class parents, Galliano attended the all-boys Church of England grammar school, where his flamboyance and interest in art attracted the attention of bullies. Eventually, Galliano ended up at the prestigious design and art school Central Saint Martins College (then called Saint Martin’s School of Art), where fellow British designers Stella McCartney and Alexander McQueen also trained.
Galliano flourished at Central Saint Martins. While a student, he worked in the costume department at the National Theatre in London. His graduate collection in 1984, dubbed “Les Incroyables” and named for post–French Revolution fashion lovers, was modeled by close friends of his and earned a standing ovation. The line ended up in the storefront windows of London luxury boutique Brown’s on South Molton Street, and Galliano’s first official collection — after he graduated — debuted at Paris Fashion Week in 1989.
In the early 1990s, Galliano’s relationship with his financial backer, Plein Sud’s Faycal Amor, ended, and by 1994, he was broke and sleeping on the floor of a friend’s apartment. Vogue editor in chief Anna Wintour and then-Vanity Fair editor André Leon Talley stepped in and introduced the budding designer to Portuguese socialite and fashion patron São Schlumberger and others.
At Schlumberger’s Hôtel Particulier, Galliano’s shows became the stuff of fashion legend. His collection, a blend of Japanese modernist style as well as nostalgia for Art Deco and 1940s’ tailoring, earned raves in glossy magazines and garnered the attention of Princess Diana, Madonna and other fashion luminaries.
Once the Galliano name was well known among the world’s most stylish set, the chairperson of LVMH, Bernard Arnault, appointed Galliano head designer of French fashion house Givenchy. One year later, in 1996, LVMH moved him to the design team at Dior. In just eight weeks, Galliano produced 50 looks for Dior Haute Couture’s brilliant Spring/Summer 1997 Maasai collection and would ultimately design a mind-boggling eight collections a year for the storied French fashion house until 2011. Today, Galliano is the creative director of Maison Margiela.
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Valentino
The mononymously known Italian designer Valentino Clemente Ludovico Garavani (b. 1932) is renowned for his fashion house of romantic styles and feminine shapes that he founded in Rome in 1960. Valentino dresses, skirts and other apparel captured the hearts of many of Italy’s wealthiest ladies in the couturier’s early days and led to commissions from Babe Paley, Gloria Guinness, Jayne Wrightsman and others on the international best-dressed list (when it still meant something). They sought out Valentino for gorgeous gowns, jackets, elegant daytime wear and even when they needed wedding dresses.
An early fascination with fashion developed when Valentino attended the theater as a child and was dazzled by the evening gowns on stage. While a teenager in Voghera, Lombardy, he studied under Italian designer Ernestina Salvadeo and soon moved to Paris, where he trained at the École des Beaux-Arts and the Chambre Syndicale de la Couture Parisienne. Valentino spent time apprenticing under haute couturiers Jean Dessès and Guy Laroche, learning how to design and construct high fashion while also thinking about how to strike out on his own.
In 1959, Valentino returned to Italy, and a year later, he opened his own salon, soon joining with longtime professional and personal partner Giancarlo Giammetti. It was located on Rome’s trendy Via Condotti and modeled after the French maisons. One of his earliest clients was Elizabeth Taylor, who discovered Valentino while she was in Rome filming Cleopatra and ordered the white dress that she wore to the premiere of Spartacus.
When the designer launched his first couture line in 1962 with its fiery red colors, it was internationally celebrated, with Valentino soon attiring fashion trendsetters including Princess Margaret and Audrey Hepburn. He formed an especially close friendship with Jacqueline Kennedy Onassis, for whom he designed numerous dresses. Luxurious drapery with fine needlework, bold uses of color and dramatic flourishes would define Valentino fashion across the decades.
As a fashion house, Valentino is best known for its signature Valentino Red color, though one of its iconic lines is the monochromatic “no colour” collection for which the designer won the Neiman Marcus Award in 1967. (The collection also debuted his trademark “V.”) The white dresses and beige dresses led to a demand for Valentino wedding gowns, with clients including Elizabeth Taylor, Jennifer Lopez and Anne Hathaway.
Valentino retired from his fashion empire in 2007, with Alessandra Facchinetti and then the duo Maria Grazia Chiuri (who departed in 2016) and Pierpaolo Piccioli succeeding him as creative directors. But Valentino still steps out of retirement for special occasions, such as designing a wedding gown for Princess Madeleine of Sweden in 2013.
Today, the brand offers a range of collections that include the Valentino Garavani line and REDValentino, a diffusion line that is aimed at a younger audience. The house has expanded far beyond women’s haute couture and prêt-à-porter to encompass various lines of accessories, including shoes, sunglasses, scarves and perfume.
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