Antique Thai Architectural Ornament, Sukhothai kilns, 15th century.

Antique Thai Buddhist Temple Pediment. An architectural remnant of an assembled teak triangular gable carved with elaborate and symmetrical “kanok” veget...

Antique Shan (Tai Yai) Jambupati Buddha Image, wood, lacquer and gold leaf, Konbaung Empire (1752-1885) A crowned style that displays Northern Thai iconography merged with the aesthetic of Burmese rule in the region. The figure is depicted in the popular Theravada seated position of padmasana, (interlocking legs position) and the hand mudra in bhumisparsa (earth touching) wherein the feet are souls  up, the fingers of the right hand extend beyond the right shin and the left hand palm up resting above the lap. Remnants of the leaf-like kirita crown remain.  The image is dressed in Burmese royal costume with thayo rolled lacquer relief decoration modeled into cuffs, epaulettes, knee pads and a detailed “U” shaped necklace covering the chest. There is also a lappet of clothing between the legs draping down toward the base. The figure is seated upon a tall and waisted throne pedestal having rows of lotus petal grooves on the diagonal portions . The  base and body are carved from one solid piece of hard wood. All covered in black lacquer with thayo lacquer details, red pigment for the lips and gold leaf overall. The Jambupati style Buddha illustrates the tale of the Buddha’s life when he came across the arrogant King Jambupati, a king who terrorized his subjects and who lacked humility and compassion for his people. The Buddha on meeting the King asked that he forsake his evil ways and instead practice kindness to his fellow man. Ignoring the Buddha’s request, the King continued to terrorize the people. The Buddha then in his efforts to change the King of his evil ways, one day magically appeared to him in resplendent royal attire. King Jambupati was in awe of the Buddha’s appearance prostrated himself in obeisance and from that day onward accepted the Buddhist precepts. In Southeast Asian countries like Burma, where rulers have very high if not semi-divine status, tales of this type, reinforced the need for the leader to worship the Buddha, the King of Kings. Condition: Heavy deterioration of the underside of the base as well as the interior portion of the crown, other losses include crown flanges, the crown spire, earrings, the tip of the left thumb, one base corner edge, rolled lacquer losses and general wear of the gold leaf surface, all commensurate with age and wear. Measuring: 22.25 in. high x 8.75 in. wide x 7.75 in. deep(56.5cm x 22.2cm x 29.7cm). Weight: 10.8 lbs. Age: Late 18th century. Provenance: Lark...

Antique Thai Frog Shaped Kendi, Sawankhalok Kilns, Si Satchanalai. A squat globular stoneware body of good size having a narrow upright neck and everted mouth. The short narrow spout has the shape of an imagined frog snout. The modeled details include bulging eyes, ridge lines demarcating the spine, outline of the trunk and the legs with small webbed feet. The pot is glazed overall in a rich brown glaze lightly pitted from burial which stops short of the well trimmed foot rim revealing the beige colored biscuit. Condition: Excellent with no knowledge or evidence of any restorations. Age: 13th/14th century. Size: 5.5 inches high x 5.5 inches in diameter (14 x 14cm). Weight: 1 lb. 10.5 oz. (753g.) Provenance: U.S.A. art market For similar examples see: Museum of Anthropological Archaeology, University of Michigan at Ann Arbor, Bekker Collection UMAA 2007-8-56. Charles Nelson Spinks, Siamese Pottery in Indonesia, fig. 42. Charles Nelson Spinks, The Ceramic Wares of Siam, Ladejinsky collection, pl.36. Roxanna Brown, Legend and Reality, Early Ceramics from South-East Asia, pl.180. Note: Sawankhalok zoomorphic kendis have mostly been found  in the 20th century within the Indonesian archipelago. This may indicate that the shape, such as this frog pot...

Cambodian wood votive urn, carved of turned wood creating a stupa like form with tiered lotus bud finial and urn on pedestal base, decorated in monochro...

This temple roof final is from the Isan region of Northern Thailand. Hand carved from teakwood into the shape of a chofa, it was used as an architectural...

This may be my all-time favorite of all the SE Asian Buddhas I have ever owned--and that is saying a lot, as I have owned many thousands over a thirty-five-year period. It is a very ...

A Stupa architectural detail from Thailand, late 20th century, hand-crafted in rustic earthenware. The Stupa shape represents one of the most ancient and sacred Buddhist architectu...

19th Century Thai Carved Wooden Stupa Stupa - Sculpture - Decoration - Wood Measures : Base: 30cmx30cm H:158cm Material : Teak Hand-Carved