Chinese Ceramic Bounty Plate or Bowl, Ming Period 16th Century

This is a very old interesting Chinese Export stoneware Longquan Celadon bowl, which we date to the early Ming or later Yuan Dynasty, circa 14...

This is a Chinese handcrafted ceramic teapot with an elephant shape and a celadon glaze, which we date to the 20th century, circa 1930s. The Teapot is handcrafted of a heavy ceram...

This is a Chinese hand-thrown ceramic provincial jar with a light celadon glaze which we date to the Ming period of the early 17th century or possibly earlier. The jar is hand potted...

This is a very old interesting Chinese stoneware Longquan Celadon bowl or plate with incised decoration, which we date to the Yuan Dynasty, circa 1300. The bowl is well potted on a low foot.  The bowl is an olive green colour having a celadon glaze with incised decoration to its centre of what looks like a flower stem and additionally three incised string lines to the outer wall. Unglazed parts fire to a terracotta brown colour as with the base section The piece is unmarked but for similar pieces see the superb book: Chinese Ceramics by He Li published by Thames & Hudson, 1996; pages 164 to 184. NOTES Longquan is a city in South west China. These wares were produced over a long time period from 959 to 1550; which covers the Northern Song, Southern Song...

A fine and large Chinese brown ochre glazed stoneware storage jar, commonly known as a Martaban or Martavan jar, Ming dynasty, 15th-16th century. The elegant ovoid jar with a slen...

Sharing with you this lovely and unusual Chinese porcelain plate from the late Ming period. Early 17th century, more than probably Swatow ware. Origin: China⁠ ⁠Age; early 17th cen...

A stunning large antique Chinese Zhangzhou (Swatow) blue and white shallow porcelain dish of rounded form decorated centrally with a standing phoenix bird set amidst flowering blooms...

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...