Meiji Ceramics

MUSEUM QUALITY SATSUMA VASE BY OKAMOTO RYOZAN From our Japanese Satsuma collection, we are absolutely delighted to bring to market this exceptional Japanese Satsuma Vase by Okamoto...

This is a good quality Japanese porcelain large plate or dish or charger with an Imari pattern, dating to the mid-late 19th century, Meiji period, circa 1870. The plate or charger...

An outstanding, fine, antique Japanese Meiji Period (1868-1912) Satsuma Millefleur pottery bowl, by Hakusan, circa 1890. This outstanding Satsuma bowl is very finely handpainted & gi...

This extraordinary 19th-century Meiji period Japanese Satsuma lotus-form bowl is an epitome of artistic mastery and cultural significance. Adorned meticulously with red and black koi...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer this Japanese Satsuma Iris Vase Painted by Ryuzan. The Japanese Satsuma vase of tall tapered form features a circular rolled foot rim, slightly pinched base with a tapered body and slightly bulbous opening. The vase is decorated with a central continuous band of bright iris flowers with various shades of green to the stems and beautiful violet petals. The central band is framed by greek key borders and honeycomb geometric patterns to the top and bottom. The vase is signed to the base Ryuzan 龍山 and dates to the Meiji Period (1868-1912) and the late 19th century circa 1895. Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

From our Japanese Satsuma Collection, we are delighted to offer this Japanese Satsuma Vase by Ryokuzan 緑山. The Satsuma vase of ovoid shape with a tapered body, circular foot rim, wai...

This is a good quality, hand decorated Japanese porcelain charger, large plate or bowl with an Imari pattern, dating to the late 19th centur...

A beautiful Japanese Satsuma pottery studio vase featuring multiple kesa-clad enlightened Buddhist monks on each side of the vase. The piece is finely detailed with rich raised gilt highlights throughout and beautifully decorated in gold and various hand painted other colors. From the Meiji period (1868-1912). This piece has the all-important Shimazu Family crest mark (red circle with a cross inside) on the base authenticating the work as an old and original Satsumaware work. The mark shows the pottery was made under the rule of the Shimazu clan. From a Los Angeles Collection...

This captivating Meiji period (1868-1912) porcelain vase features a mesmerizing celadon glaze, with a subtle crackled texture. Exquisite details, meticulously hand-painted in vibrant...

A large and impressive Japanese Imari porcelain fluted charger with scalloped rim, signed Kaji(chu?), Edo to Meiji Period, mid 19th century, Japan. The magnificent Japanese Imari charger measures 25" in diameter, and is decorated in the typical imari palette of underglaze blue with overglaze red, orange, blue, and green enamels with gilt highlights. The large charger also features fluted sides and a scalloped gilt rim. The design of the charger is centered on a central floral medallion with three large chrysanthemum blossoms and vegetal scrolls. Radiating out from the central medallion are various brocade patterned sections that roughly follow the shape of the fluting. Some larger sections feature images of cranes and minogame (turtles with long tails), both symbols of longevity, while other feature dragons and phoenix, symbols of authority and power. Four large reserves depict charming scenes of a scholar and his students within a bamboo grove having discourse and examining scrolls. The back of the charger decorated in underglaze blue with bold floral and vegetal scrolls. With a three character inscription in underglaze blue reading Kaji(chu?) Sei. The charger is fitted with an antique metal hanger...

A wonderfully glazed, impeccably made Chawan tea bowl by famed Japanese master potter the 13th Kichizaemon Raku, Seinyu (1887-1944) who was the eldest son of Konyu - the 12th Kichizaemon of the Raku family line of potters - known as the most noted and celebrated tradition of pottery within the world of Japanese tea. Kichizaemon Raku was the 13th master to carry on the family's esteemed name and tradition. The bowl features shifting textures and deep, rich colours which radiate in the light. The term "Raku" was derived from the site where clay was dug in Kyoto in the late 16th century. The Kanji character for Raku translates to "enjoyment" or "fun/delightful" For 15 generations it has been the title and seal used by a lineage of potters whose work formed the central tradition in Japan. This lineage believes that 'Raku' refers to the potters who use the technique, not the technique itself. In the 16th century, the first of these potters, Chojiro is said to have come under the patronage of the Japanese tea master, Sen-No-Rikyu. According to legend, in 1598 a few years after Chojiro's death, ruler, Hideyoshi Toyotomi bestowed upon his adopted son, Jokei, a golden seal with the written symbol "Raku." Both the name and the ceramic style have been passed down through the family to the present ever since. The name and the style of ware have become influential in both Japanese culture and literature. Raku ware marked an important point in the historical development of Japanese ceramics, as it was the first ware to use a seal mark and the first to focus on close collaboration between potter and patron. Other famous Japanese clay artists...

A magnificent testament to the artistry of the Japanese Meiji period (1868-1912), this rare Satsuma earthenware urn is an extraordinary find. Crafted in Japan circa 1880, its delicat...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer Japanese Meiji Period Satsuma Vases. The Satsuma Vase of hexagonal form with a slight waisted neck and tight rounded rim is extensively decorated with multiple figures to two large scenes. The first scene features a beach with waves to the background and a plethora of figures including multiple geisha holding traditional Japanese wagasa’s. The second scene follows on from the first with a large building in the foreground holding figures on a large platform under a pagoda roof with a pagoda building in the background and further figures in the foreground. The scenes are framed by a full detailed border with gilt shapes, flowers amongst pink shaded backgrounds and butterflies around the neck. The Satsuma Vase is unusually signed Fine Art, Satsuma Ware, Dai Nippon (Great Japan), Hattori Made, Gosuido Works, Taizan Painted. 美術, サツマヤキ(薩摩焼), 大日本, 服部造, 五スイ堂工, 對山画 and dates to the Meiji Period (1868-1912) and the turn of the 20th century circa 1905. Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island. Wagasa are traditional Japanese umbrellas made of washi paper attached to a bamboo frame and treated to ensure it is waterproof. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

This antique Japanese Imari porcelain plate charger dates to the Meiji period, circa 1880. It showcases a stunning blue and white chintz pattern with detailed floral and scrollwork m...

Extraordinary meuseum quality signed Japanese contemporary porcelain vase, referred to by the artist as the “lady with a golden shawl,” a masterpiece by a celebrated award-winning th...

A rare and large Japanese Meiji period porcelain dish or charger. Japan, Late 19th – early 20th century. Why we like it Great scale combined with its traditional decoration make th...

Antique Meiji period Japanese satsuma style moriage vase featuring a multicolored floral enamel design in bold relief framing two scen...

DEPICTING BISHAMON ONE OF THE SEVEN LUCKY GODS From our Japanese Satsuma collection, we are delighted to offer this Japanese Satsuma Kogo by Taizan. The Satsuma Kogo of petit circul...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

Cylindrical jars glazed with striated colors in the top background. With overall dense raised colorful decoration of a mythological scene with a variety of figures. A prominent figur...

apanese Oribe style ceramic Abura-zara, an oil plate used to catch the drippings from a suspended oil dish in a lantern, simple flat circular form with slightly raised beaded edge an...

JAPANESE SATSUMA PROCESSIONAL VASE From our Japanese collection, we are delighted to introduce to the market this Japanese Satsuma Vase by Kinkozan. The vase with a compressed body ...

Extraordinary Japanese contemporary museum-quality exhibition piece hand-glazed decorative porcelain vase/centerpiece in blue and brown, an award-winning masterpiece by a master arti...

Exquisite contemporary Japanese decorative porcelain vase, intricately gilded and hand painted in shades of puple, blue and pink on an ovoid shape body with an attractive scalloped ...

PAIR OF CUP AND SAUCERS BY KINKOZAN MEASUREMENTS Saucer 10.8cm Diameter x 1.5cm High (4.25 x 0.6 Inches) Cup 4.6cm High x 6.7cm Long x 5cm Wide (1.8 x 2.64 x 1.97 Inches) From our ...

Extraordinary museum quality contemporary Japanese hand-glazed decorative porcelain vase in a stunningly shape in black and brown, a masterpiece by a highly respected master porcelai...

A pair of Japanese cloisonné enamel vases. Meiji era Japan (1867-1912), a period marked by rapid transformation of Japanese traditional society into a global power. The period of gro...

Made by the studio of the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this is a large porcelain vase glazed in a soft yellow color with a subtle gradient, on top of ...

This is a very good quality Earthenware Japanese Satsuma vase, beautifully hand decorated and from the Meiji period, circa 1875. The vase has a he...

Fabulous Japanese vase. The blue enamels are unusual and so nice. Marked at the body; The first two characters indicate a name: Xiang Feng (?) Followed by the character xie, mean...

A staple repaired Japanese Imari punch bowl, Meiji period, late 19th century. 14 ¾ inches wide by 6 ¼ inches tall

A fantastic Japanese Satsuma incense burner, koro, with phoenix and brocade designs and a silver lid, Meiji Period, late 19th century, Japan. The cens...

18 Inch Japanese Imari Charger - very large and decorative. The mixed illustrative painted scenes are with great pattern and texture, and mixed with floral and organic images of blos...

Meiji period large Japanese Imari bowl centerpiece This large, distinctive, octagonal porcelain Imari bowl is painted in rich, inky blue, co...

This Japanese porcelain vase is barrel shaped with a yolk handle. It is both finely and intricately hand painted. It pictures groups of scholars with scrolls dressed in elaborate brocade kimonos...

These are a very good quality pair of earthenware Japanese Satsuma vases, beautifully hand decorated and from the Meiji period, circa 1880. The vases have a hexangular shape raised o...

Lovely and very detailed piece. Unsigned. Japan 19th or 20th century. Weight: 25 grams Provenance: Collected in the 1980's. From the collection of Clemens Merkelbach van Enkhuizen,...

Japanese Satsuma vase, Meiji period of ovoid form with slightly domed cover, decorated with monkeys in robes frolicking in a landscape beside a river. Condition Overall Conditio...

Extraordinary Japanese contemporary museum-quality decorative porcelain vase, painstakingly intricately hand painted in blue underglaze on an elegantly shaped ovoid porcelain body, a...

Satsuma Imperial Vase "A Thousand Faces" Meiji Period A Japanese collectible vase, hand painted decorated with intricate designs and figures, with a classic shape and painted with va...

A fine large antique Japanese Meiji porcelain bowl. With a white ground and extensively gilt throughout. Primarily decorated in red, blue, and gold with bits of green, brown, and ...

A very exquisite and elaborately detailed collectible antique hand made "A Thousand Faces" Japanese Satsuma earthenware pottery baluster shaped vase features intricately hand painted...

A fine and monumental 19" Japanese Meiji period gilt Imari charger, circa 1890. This very impressive & unusual charger depicts six immortal poets or scribes set in a landscape surround by calligraphy scrolls and writing paraphernalia and tables with scholarly objects and teapots, to the center is a screen emblazoned with a Hoho phoenix type bird, the scene is contained in a geometric black border. The ground is fully gilt and decorated with an all-over repeating poly-chrome pattern, the rear of the charger is also finely hand-painted with four Japanese Mon devices and four floral panels. Condition is very good indeed, no damage or restoration, this very beautiful and rare antique Imari charger...

A small and finely decorated Japanese Satsuma tripod incense burner (koro), signed Kyozan, Meiji period, circa 1900, Japan. The censer, koro, with a compressed body supported by t...

A beautiful small Japanese Satsuma ginger jar vase, circa early-20th century, Japan. Colors include cream, copper, green, blue, white, black, orange...

Pair of very fine quality early Meiji period Japanese Satsuma vases, one with its 19th century paper label added by its retailer.

Description A Japanese Satsuma vase and cover marked base Condition Overall Condition: 1 restuck chip to rim. Size 190mm high Period 19th century Meiji Periode (1867-1912).

Exquisite Japanese contemporary decorative porcelain vase, elaborately and intricately hand-painted in blue and pink on a beautifully shaped piece to create a translucent surface. It...

This is believed to be a small incense burner made in Japan during the Meiji and early Taisho periods (1868-1920). The design is very simple but b...

A Palace Size Japanese Meiji Period (1868-1912) Blue and White Vase with Phoenix Decoration. This vase is absolutely beautiful with an incredible array of hand-painted blue decoratio...

Koro Satsuma Japanese ceramic Japanese glazed ceramic in various colors Meiji Style Circa 1940 Origin Japan It has traditional images painted on its front and back. The purpose of th...

A finely decorated Japanese satsuma ceramic vase by Ryozan Okamoto (c.1820s-1910s) for Yasuda. Ryozan is the head artist working for Yasuda company, a Japanese ceramic makers and dea...

Of ovoid form, with a narrow neck and outward flaring rim, on dark blue ground depicting wisteria blossoms in white and purple cascading from the shoulder with birds throughout and w...

Antique Meiji period Japanese porcelain temple jar with intricate hand painted decoration and gilt. The jar in Classic Kutani colors with floral and phoenix birds all over the top an...

A fine antique Japanese Satsuma pottery incense burner. With a cream ground and an extensively gilt exterior. There are numerous cartouches around the censer with each having a un...

Stunning contemporary Japanese Ko-Imari style porcelain koro or incense burner or jewelry box, hand painted on a beautifully shaped round body in cobalt blue, red and green and gener...

A pair of small ceramic vases with superb surface decorations made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many artist studios that specialized i...