Pair Large Framed Japanese Calligraphy "Dragon" & "Tiger", Mid 20th Century

A large and incredible Japanese painting of a Buddhist temple hall with Amida Nyorai, late Edo or early Meiji period, mid-19th century, Japan. Mounted wit...

A charming Chinese "Birds and Peony" painting, ink and color on silk, framed and glazed, Qing Dynasty, late 19th century, China. The delightful and colorful painting features a scen...

A wonderful abstract painting by Walter Darby Bannard (1934-2016), entitled "Soft Companion", dated 1977, acrylic on canvas, in a wood and brass frame. A wonderful abstract or lyr...

A delightful Japanese six panel painted paper screen featuring the beloved figure Hotei, Edo Period, early 19th century. Hotei, called Budai in China, and known as the Laughing Buddha or Fat Buddha in the West, is considered to be an emanation of Maitreya, the Buddha of the Future. In Japan, he also holds a special place as one of the Seven Lucky Gods, being the god of fortune, and protector of children. He is always portrayed as a mirthful and corpulent man, dressed in loose robes that show off his round belly. He carries a sack with him, said to be filled with treasure. As the protector of children, he is often portrayed with them playing on or around him, as he is here. The children portrayed in this screen are dressed in Chinese style clothing...

Artist: Qin Feng (Chinese B. 1961) Title: West Wind East Water #0616 Medium: Ink and Coffee on Silk and Cotton paper Year of Creation: 2006 Mark: Signed with artist's mark lower right Measurement: 74 1/2" x 37 1/4" (with frame) Provenance: From a prominent American British collection. Purchased from Michael Goedhuis in 2006 for 55000usd (A copy of Art Metadata entry from the previous owner will be included). Biography (Courtesy of Artsy) Considered a leading ink painter, Qin Feng represents China’s avant-garde movement. Invited by the German government to curate an exhibition in Germany in order to promote cultural exchange between the two countries, Qin moved to Berlin in the ’90s where he began to fuse Western modernism and the Chinese ink tradition in abstract compositions. Feng uses traditional calligraphic materials but employs his brush with the unrestrained energy of the Abstract Expressionists. Inspired by his upbringing in Xinjiang, a multicultural intersection of the silk roads, Qin has incorporated Chinese, Uighur, Arabic, and Russian language into his work. In recent years, Qin has overlaid pieces of ancient Chinese furniture...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...

Stunning one stroke Zen calligraphy painting depicting Dragon. Ink on paper. Sold as it is , please refer to the photos. Age:20th ...

Collection of abstract Japanese calligraphy prints, possibly after Sofu Teshigahara, Japan, circa 1970s. These were from a collection that we purchase...