Calligraphy

A 19th century Chinese divider with calligraphy, hand-painted on wood. This rectangular divider

Calligraphy'. In original frame as exhibited, bearing the museum label on the back. Gaboku Ogawa is considered

Vintage Chinese Brush Handpainting Prajnaparamita Sutra Paper Scroll – Buddhist Calligraphy Art

Antique Chinese decorative welcome panel made of wood with raised gold calligraphic characters on a

Modern 20th century Chinese Intaglio Calligraphy. This image represents the meaning of “Self

Japanese Two Panel Screen: Mountain Landscape with Calligraphy. Late Edo (c. 1850) painting of a

) Calligraphy reads: Beauty in ink painting with standing woods and branches, like in paradise in cool month

Meiji period (1868 - 1912) calligraphy painting. Abstract character reads: Kumo (cloud). Seal on

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as

A large contemporary ink work by Chinese artist Fung Min Chip (China, 1951-). The calligraphic work

packaging (sandwiched between 5-10 mm plywood): 17 cm x 69 cm x 180 cm Weight　27 KG This calligraphy, which

, this calligraphy piece is attributed to Higuchi Kiku(樋口喜久). While not a well-known artist, it has a

Chinese calligraphy, showcasing the Chinese character for "luck, happiness, blessing, and good fortune

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as

A pair of boldly brushed Rice Paper Calligraphy Panels having a particularly fine Asian

paper featuring three praying women and what appears to be kanji calligraphy - probably a Buddhist

A set of Chinese paintings Perfect for vintage interiors Condition Yomiuri Shimbun (the size of one view double-page spread) 43.0. × 32.0 cm.   

Painting of a perforated garden stone with red bamboo growing behind. Chinese zekku poem reads, "Returning home to my grass hut on a spring evening," by the Tang-poet Qian Qi. Screen...

cache of old Chinese and Japanese bamboo paint and calligraphy artist brushes dating back to the 1950s

A large and powerful pair of Japanese calligraphic works, mid 20th century, Japan. One reading

-painted calligraphy, and a rich brown lacquer finish. Composed of two sections with four panels each, the

Picture Sheet: W790×H330mm Framed: W1050×H415×D28mm, 3.5kg Estimate packing size: (sandwiched with 5-10mm plywood): 10cm x 125cm x 50cm, 10kg Japanese Politician Japan's first blin...

Chinese Pair of Calligraphy Scrolls, vertical lines of calligraphy executed in a light style, right

Poems refer to moon gazers. Ink on mulberry paper with a silk brocade border. Seals read: Roku-roku sai.

A large Chinese hand carved shop sign from the early 20th century, with calligraphy. Created in

A two-fold screen painted in ink with abstract calligraphy of the character ‘En’ (Garden) by Imaoka

, orange and blue flowers topped with calligraphy. Born in India during the mid-20th century, this vintage

Ink on paper, Scroll head: wood Image size: 740(W) x 1070(H) [mm] Scroll mounting: 890(W) x 1840(H) [mm] 750g Estimated packing size: 140(W) x 140(H) x 1950(D) [mm] 4kg Dynamic Si...

A Chinese two-panel screen from the early 20th century, with carvings, gilt motifs and calligraphy

with calligraphy in gold leaf. Later frames in black lacquer with profiled leaf-gilded moldings

Selections from the Paintings and Calligraphy Donated to the Shanghai Museum from the Ching Banlee

「天高」「瑞雲」 are boldly depicted in various calligraphy styles. The right-hand scroll has a very unique

calligraphy. Created in China during the first quarter of the 20th century, each of this pair of vertical

paintings (kakejiku) depicting pairings of birds, plants and calligraphy (right to left): 1 & 2) a poem

scroll paintings (kakejiku) depicting pairings of birds, plants and calligraphy (right to left): 1 & 2

lovers of traditional calligraphy and painting, this exquisite scroll brings a sense of serenity and

, cream, coral, and pale yellow, contained within a dark lacquered wood frame. An Asian calligraphic

frame. Signed with artist’s calligraphy and seal. Inscribed "Cranes in Pine" with artist signature Fumi

in Chinese calligraphy, with the artist's chop mark or seal in red. Condition is excellent, these

omoto (Japanese sacred lily). Tanzaku are rectangular sheets of paper used for calligraphic poems or

naturalistic botanical detail Adorned with calligraphy and red seal marks Inscriptions describe or complement

its dynamic gold calligraphy this beautifully aged, 10 panel byōbu, fuses beauty with function

A large and striking ten-fold Korean floor screen of ink calligraphy in ancient Chinese seal script

, calligraphic strokes that shift effortlessly between dry and saturated ink. The ancient trunks are heavy

pattern over realism. The stripes, applied with a calligraphic cadence, do not strictly follow musculature

pattern over realism. The stripes, applied with a calligraphic cadence, do not strictly follow musculature

pattern over realism. The stripes, applied with a calligraphic cadence, do not strictly follow musculature

the upper and lower registers incorporate panels of calligraphy, reinforcing the manuscript-inspired

activities. Some are executing calligraphy, painting, or playing go, while some are joyfully leading a

under Mori Kansai (1814-1894) and calligraphy under Tomioka Tessai (1837-1924). Kaho was inspired by the

, with gradated shading and fine line-work on both petals and leaves. Chinese calligraphy and a red seal

silk showing branching stems of pink and white peonies and peach blossoms. Calligraphy in upper right

calligraphy, by Tanomura Chokunyū (1814-1907). Inscribed: I painted at the time when the pure breeze is felt

Kokuta’s life and philosophy. The large, powerful calligraphic character “Kyo” in the centre means

Calligraphy reads: Mu (Nothing). Ink on silver in a black lacquered wooden trim. Seal is illegible.

Calligraphy reads: Raku (Pleasure). Ink on silver in a black lacquered wooden trim. Seal is