East Asian Sculptures and Carvings

Rare and Hard To Find 19th Century From China's Qing dynasty (1644-1912) a hard to find solid limestone finely carved "drum" pedestal - perfect for displaying your indoor or outdoor...

Antique A Chinese Carved Hetain Light Gray/Green Jade Figure of Liu Hai, seated with a string of cash over his shoulder and a dog at his feet, 19th Century. -...

A set of five carved wood print blocks from Korea circa 1900s (late Joseon to early Korean Empire period). Constructed and hand-chiseled from hardwood, the printing blocks were finel...

A stunning all natural genuine tiger's eye sculpture depicting a dragon chasing a ball. The sculpture is made with a whole slab of natural Tiger's Eye with fantastic iridescence. Fin...

Vintage Chinese serpentine sculpture is a traditional decorative object realized in china in the early 20th century. Serpentine m...

Japan, an old early 20th century hand-carved stone image of Ebisu one of Japan's seven lucky gods signifying prosperity, good business, and patron of fishermen, circa 1920. He sits ...

This 19th-century column base likely figured into the grand and imposing surroundings of a Qing-dynasty courtyard, supporting a large wooden beam that flanked an entry or walkway. Sh...

Early 20th century mechanical toy from Kobe, Japan. This small mechanical toy was made in Kobe, Japan. This is the classic doll of a man chopping an...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Precious Natural Shikoku - Mesmerizing Blue Stone Basin Tsukubai Japan, a large, handsome and unique antique natural organic shaped stone water basin planter -tsukubai- created from...

Boxwood netsuke of a seated professional sneezer depicted as an old man with his right hand raised, holding an stick to tickle himself. His head is slightly raised, his eyes practica...

Antique Chinese Hand Carved Wood Gilt Dragon in Shadow Box. Chinese shadow box features a hand carved wood and gilded Dragon from the Qing Dynasty. It is mounted in a massive and de...

Chinese tessellated bone horse sculpture circa 1950s. Modeled after an actual horse discovered during the “Tang Dynasty” period, 618-906 A.D.

This polished white jade sculpture depicts the Buddha Budai, also known as the Laughing Buddha, in a posture radiating joy and serenity. The glossy finish of the white jade bestows a...

Wood carving The material is unknown, but it is said to be linden 950(W)× 440(H) × 420(D) [mm] 25kg Estimate Packing Dimensions(Packaged in plywood and wooden frame) 56 CM × 105 CM ×...

Just received from our last shipment from Japan- the first we've seen Japan, a fine tall large scale red crested bronze garden crane purposely cr...

Netsuke in boxwood representing a group of three toads, laying on a flat base, inlaid eyes made of water buffalo horn. Signed underneath the platform. The frog (kaeru) is associated ...

The magnificent 31 lb bronze Buddha statue, crafted in the Ming dynasty style, captivates with its timeless beauty and serene presence. Depicting a young Shakyamuni, the statue exude...

This is an antique netsuke made in Japan around Showa period 1950s. Dimensions: 4.5 x 3.5 x H2.2 cm Sculpture: Onnamen Era: 1950s (Showa) Netsuke is a miniature sculpture, origin...

Antique Chinese Deeply Carved Rosewood Figural Queen Throne Chair with Dragons C1920 Measures - 43.5"H x 28.5"W x 25"D

on fitted, carved wooden base; 3.5in(D) x 9in(W) x 9.2in(H) are the overall dimensions of the jade carving with the wooden base; dimensions of jade carving only: 8.25in(W) x 5.25in(H...

This skillfully carved Buddha in imperial jade represents one of the most iconic figures in Buddhist tradition. Imperial jade, known for its particular pale green and translucent hue...

A finely modeled Chinese porcelain figure of the Chinese God of Longevity, Shouxing, Republic Period, early 20th century, China. The God of Longevity, called Shouxing or Shoulao, stands upright holding a dragon staff in one hand, a peach (a symbol of immortality), in the other. He is dressed in a long yellow robe...

A large, finely carved Tang style stone statue of Buddha Amitabha. Depicted with a full-cheeked face below neatly gathered hair and ushnisha, with large eyes, downcast smile and full...

Chinese light celadon jade libation cup from early 19th, possibly 18th century. The item is executed in archaistic Ming style.

A crisply carved antique Chinese red cinnabar lacquer lidded round box with blue enamel interior and brass fittings. The "dragon's blood" trinket box has a fine peony, foliate and fl...

Large Chinese sculpted coral depicting a dignitary and attendants Chinese, early 20th Century Measures: Height 38cm, width 40cm, depth 20cm Taking beautiful natural red coral as...

A hands up carved wood Happy Buddha, very happy figure.

Beautiful vintage statue representing Gheisha in traditional costumes Ebonized wood base Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome...

A sweet and lovely Chinese bamboo carving of the sage Dongfang Shuo, mid-Qing dynasty, 18th century, China. Well carved form a single section o...

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Pair of Antique Chinese Floral Carved Rosewood & Rouge Marble Sculpture Stands C1920. Measures - 3...

Japanese Shibayama cards case holder. This is a lovely late 19th century Imperial Japan, Gold lacquer and Shibayama cards case. Created during the the Meiji period (1868-1912), the ...

A large Japanese bronze sculpture of seated Buddha, circa 1920s. 16 inches wide by 13 inches deep by 18 inches tall

This Nephrite Bi has hand carved pearls on both sides. Very detailed carving works and beautiful hand crafting tectonics. Overall it is in very good antique conditions with some norm...

This special collection comprises a three-dimensional celadon jade carving of a magpie perched on plum blossom branches, symbol of happiness; a Ruyi shap...

China, Ca. The stand: 18th - early 20th century Bell: The intricately carved hardwood stand with openwork dragon borders, spandrels and apron with large iron hook suspending a Ming s...

With vintage charm and petite scale, this Chinese matchbox holder features an openwork jade lid carved to depict flowers and foliage in translucent green. The jade panel is removable...

tall wooden stand/pedestal shown in pictures is not included with this item; flower tree only (not including wooden stand): 43in(H)

A Chinese scholar rock carved from a natural lapis stone and displayed on a brocade wrapped stand circa late 19th century Qing Dynasty. The brightly blue lapis was considered as am exotic gemstone in China and mostly imported from Persia through the silk road. While not a conventional rock types of materials for scholar stones, it is occasionally carved and polished into smaller Gongshi to be displayed and meditated upon in the scholar's study. Similar approaches were also done with jade, malachite and turquoise, even petrified wood, Chenxiang Agarwood, roots in spirited form, porcelain and even bronze in rock forms. The lapis was carved into a mountain form with stacked rocks...

A truly beautiful and supremely serene Japanese Amida Nyorai Buddha. A magnificent work. Meticulously hand carved in such fine and amazing detail (see hands and flowing robes). Gilded throughout. Seated with narrowed eyes in deep meditation and hands in Buddhist Abhaya Mudra position offering a blessing of protection, reassurance, peace, and benevolence. This hand position, also known as the "fear not" gesture, was achieved by Buddha immediately following his enlightenment. This work is from the late Edo period, (1603-1868)/ early Meiji period (1868-1912). From a California collection. Would be a fantastic addition to any Japanese or Asian artifacts/buddha collection or eye-catching stand-alone accent work in about any setting. One of the best Japanese Buddha sculptures...

This is an old carved wooden fish made in Japan. It was made during the Meiji period (1860s-1900s) and was carefully carved one by one using chestnut wood. The annual ring pattern th...

This is a pair of antique Oriental dog bookends. A Chinese, soapstone decorative 'Dog of Fo' book rest, dating to the late Victorian period, circa 1900. Delightfully tactile dogs wi...

Amazing vintage solid bronze Tibetan Foo dog/Lion has a wooden base that it’s not fixed to the sculpture It’s a heavy and extremely detailed piece th...

A beautiful pair of large vintage Chinese hand carved wood foo dogs painted a deep red with a heavy gold gilt, circa 1960s. The dogs (or lions) are in...

Chinese hand carved Jade on wooden stand. The Jade disc measures approximately 12 inches in diameter. Height including a wooden stand is appro...

Kokeshi à trèfles, années 1970-80, fabriquée par Toa Sekiguchi, primé à de nombreuses reprises, fils du célèbre Sansaku Sekiguchi, l'un des artisans kokeshi les plus renommés et qui ...

The rare rock crystal statue of the Tibetan Green Tara commands attention with its exquisite craftsmanship and spiritual presence. Seated in Lalitasana on a lotus throne with her pen...

Presenting a lovely 20C Chinese soapstone foo dog carving. Made in China in the early 20th century circa 1930. This is a small green and brown ...

This is an old Japanese "Kobo Daishi" wooden figure. "Kobo Daishi" means "Kukai". "Kukai" was a monk from the early Heian period. His posthumous name was "Kobo Daishi". He is the fou...

A large antique 18th Century Chinese Qing dynasty carved wooden figure statue of the Bohisattva Guanyin. This wonderful carved statue depicts Quanyin "The one who perceives the sound...

Pair of small patinated bronze Chinese foo dogs, circa 1950s. Excellent vintage condition with amazing detail and a gorgeous patina. Each dog measures 4.25" high x 2.5" deep x 3.5" w...

With closed eyes and a gentle expression, this large stone Buddha head brings calm and serenity to its surroundings. The hand-carved figure depicts the historic Buddha Shakyamuni, also known as Shaka, Gautama Buddha...

A black and off-white Chinese phoenix bird and dragon decorative plastic box with lid, circa 20th century, China. Box measures: 4.25" D x 8.25" ...

A beautiful hand carved stone statue of Buddha Amitabha. Seated in dhyanasana, Buddha wears a robe elegantly draped over his body and gathered around his ankles. Finely depicted face...

Japanese Buddhist assembled wood sculpture of Kannon-Bosatsu (Avalokitesvara), the God of Compassion, standing male figure with abundant cloak draper...

Large butsudan home altar with Amida Nyorai figure Edo Period (1600-1868) This is a beautiful Japanese wooden statue of standing Amida Nyorai Buddha, from the Edo period (1600-1868)...

This carved stone stele depicts the historical Buddha, known also as Shaka, Shakyamuni, or Siddhartha Gautama. Seated in perpetual meditation, the Buddha embodies virtues of wisdom and composure. Hand-carved of limestone in the style of Northern Wei (386-535) statuary, the Buddha is depicted upon a lotus plinth with legs crossed in lotus position. His hands are held downwards in bhumisparsha mudra, a gesture representing the moment that the Buddha claimed the earth as witness to his awakening. The Buddha has a peaceful, benevolent expression and is framed by a halo of concentric circles. His figure is surrounded by attendant bodhisattvas, carved in relief on the curved stele behind and platform below. Leafy tree branches add a naturalistic touch to the background, wrapping around to the back of the stele to form a canopy above a second, smaller Buddha...