Qing Asian Art and Furniture

Antique Chinese red lacquer low Kang table, c. 1910's. The Kang table has a rich history as it was used in everyday life for dining, having tea, playing games and meditation. The ta...

For sale is a nice Chinese Qing Qianlong period Famille Rose porcelain Jardiniere, by superb painting skill, Famille Rose colors, 100 boys in parade with drag...

The countless layers of black lacquer that texture these 19th-century doors have aged with a dark patina and an inimitable crackle that only time can achieve. Crafted of northern elm...

Vintage Chinese Rosewood and Glass Display Case. A wall mounted or table top display case with hinged glass door, frame of light colored rosewood, interior with 18 individual shelve...

A Chinese Qing Dynasty period large armoire from the 19th century with red lacquer, gilt décor, two doors and front apron. Created in China during the Qing Dynasty period in the 19th century, this large armoire features a linear silhouette perfectly complimented by a red lacquer accented by a gilt hand painted décor. The piece showcases a rectangular top overhanging a stunning façade. Chinese figures attending to their business are walking in landscapes or standing under pagodas while children are playing with flags or kites. Two doors, fitted with ornate pulls...

A Chinese Qing Dynasty period side cabinet from the 19th century with double doors, distressed black lacquer and brass hardware. Created in China during the Qing Dynasty in the 19th ...

China Monumental Pair (2) Antique Stone “Spirit Pathway” Tigers, middle Qing period 1750-1850. Please view our video. Dimensions: 115cm, 46” high and 60cm, 24” in width. Likely utilized as spirit pathway tomb markers, these powerful, benign carved sitting effigies perched on haunches and front paws with round heads and faces exposing defined eye sockets, ears and two fangs a top bases that feature curled tails on side each whole atop a block shaped base and hand-carved from limestone whose surfaces show considerable weatherization from exposure and good age. Reference: 35 Years Collecting 35 Treasures, Schneible Fine Arts catalog Number 30, p. 66. Provenance: originally found in Fujian Province. Fujian has the distinction of being home to China’s last remaining wild tigers and famous “tiger” mountain. No wonder then that these early stone works...

This large glazed Chinese ceramic jar was once used for pickling foods. It features a jade green finish and outer surface that features a ribbed t...

A Chinese lacquered apothecary, circa 1820-1840. 77 drawers each with Chinese script for, herbs, minerals and natural remedies. Original restored lacquer with a wonderful warm color...

A stunning pair of excellent quality bronze Pixiu wealth dragon mythical creatures with visually striking scattered verdigris bluish green patina! Well known in Chinese culture and...

A pair of extraordinary 26" wide, 63 lb, heavy cast bronze Foo Dog lions. Each modeled on its side with large turned head with open jaw, bulging eyes and curly eyebrows, framed by a tightly curled mane. One lion...

A Chinese Qing dynasty period altar console table from the 19th century, with everted flanges and open fretwork. Created in China during the 19th century, this Qing dynasty altar table...

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A Chinese Qing Dynasty period elm wood noodle cabinet from the 19th century, with brass hardware, tapering lines and hidden drawers. Created in China during the Qing Dynasty period i...

This is a beautiful hand painted, blue and white Chinese porcelain large diameter dish or plate, which we date to the early 19th century period of the Qing dynasty. The plate is wel...

As much an artwork as a piece of furniture, this 19th-century treasure chest from northern China is richly decorated with relief carvings and delicate gilt paintings. The doors bear ...

This tabletop display stand was once used to elevate an opium smoker's collection of pipe bowls, a removable element of the opium pipe often made of fine materials such as jade, yixi...

A pair of exquisite falangcai enamelled Chinese porcelain tea cups, dating back to the transitional period from the late Qing dynasty to the ...

Experience the allure of this Republic period snuff bottle, a vibrant piece that embodies the rich artistic tradition of the time. Crafted with a deep red glass overlay, well imitati...

A Chinese Qing Dynasty apothecary / pharmacy medicine chest. Front in original red lacquer with 45 drawers (42 small drawers + 3 larger drawers at the bottom). Each drawer with hand written Chinese calligraphy in black lacquer. These were used to store and organise Chinese herbs...

Chinese wood puppet head, 19th century, mounted on contemporary stand. Simple puppet head of a male figure, carved out of a single piece of wood, with ...

Rare Fine Antique early 19th century Chinese gilt silver filigree and enamel brise fan , Qing dynasty, the fan has 22 sticks with a 18k gold ring loop , wond...

A Chinese Qing Dynasty period wooden display cabinet from the 19th century, with reddish brown lacquer, open shelves, drawers and carved friezes. Created in China during the Qing Dyn...

A fine Chinese porcelain wine cup, hand painted in underglaze blue with figures in various martial arts pursuits, with a four character Daoguang mark within the footring, and of the ...

This is a very beautifully hand painted Chinese porcelain blue and white Dish or Plate from the Qing, Kangxi period ( 1662-1722), dating to Circa 1680 or slightly earlier This is a well potted dish with 16 lobes or ribs, a wavy barbed rim, a very well cut foot rim and a very white glaze. The plate is very finely hand painted in a free flowing style, characteristic of the period, in varying shades of a clear cobalt blue, from the very dark to the very light blue. The central well is hand decorated with an iconic outdoor...

The jar features a balanced and robust form, typical of the Transitional period, which was a time of significant change and innovation in Chinese porcelain art. The decoration is exu...

This is a good Chinese porcelain circular Platter or large plate, made for the export (Canton) market, during the middle of the 18th century, Qing-Qianlong period. The plate is well hand decorated with much detail in varying shades of cobalt blue, with a glaze of a very soft light blue shade. The plate has a central hand-painted pattern of bamboo and other flowers issuing from a rocky base with a fence, all within a geometric inner border. The inner rim also has a continuous decorated border design with three sections. The reverse is undecorated.. Overall a good large diameter Chinese 18th Century blue and white Plate...

Chinese Gilt Silver & Enamel Snuff Form Scent Bottle For The Scholars Table.

A Chinese Qing Dynasty period cabinet from the 19th century, with traditional hardware, two hidden drawers and a removable panel. Created in China during the Qing Dynasty, this woode...

This Chinese spectacle case is carved from wood with a striking shagreen covering. The case dates from the Qing Dynasty (1644–1911), still in wonderful condition with a rich deep col...

A Chinese late Qing Dynasty period framed painting from the early 20th century of a royalty related couple with dragon motifs painted on a linen canvas. Created in China during the late Qing Dynasty in the early years of the 20th century, this custom framed painting depicts a couple wearing either a red (a symbol of luck in China) or green robe. The depiction of dragons relates them to the Imperial family, but having four claws and not five as codified, the couple is likely part of the royal family, not the Imperial couple themselves. Accented with typical motifs such as bats, flaming pearls and rain-filled clouds, the robes are filled with symbols. Wearing ornate headdresses, the couple is sitting on elegant chairs. Set inside custom made frames, the paintings show great signs of age. While the entire piece measures 40.5"W x 1"D x 53"H, the painting itself is 36.5"W x 49". With its vivid colors and interesting subject, this Chinese Qing Dynasty painting...

19th century Chinese export gilt decorated black lacquer gaming board. The game board painted with gilt seated figures in various poses on a black ground within a landscape vignette ...

An oversized, beautifully proportioned daybed, suitable for use as a centre table. Subtle, low relief carved key fret pattern and horse hoof legs complete a fine and elegant example ...

We are pleased to introduce this modern 20th-century Chinese porcelain blue and white Meiping vase, a splendid blend of expert craftsmanship and hand painting skills of the artisan a...

A wonderful 18th century panel door cabinet, three carved drawers with nail head studs, across the top, Shanxi China, circa 1790. Having a 200 year old beautiful patina that is outs...

The vase has a hexagonal shape, with a structure that extends seamlessly from the rim to the base, creating a sense of visual stability. The neck features sculpted handles in the for...

Chinese Grapevine Jade Sculpture, mounted atop a hardwood sculpture. 15.25" H x 13.5" W x 5.5" D. Provenance: From a Fifth Avenue Collection.

An impressive Chinese scholar Lingbi stone (also known as Gong Shi in Chinese; meditation stone and spirit rock in the West) of substantial height and mass on a carved wood display s...

This Chinese Export porcelain dish was hand-painted in deep cobalt blue with beautiful floral decoration featuring peonies, a traditional symbol of prosperity and beauty. Made circa ...

Sharing with you this very nice example of 18th century porcelain. Dating to around 1740-1750. Nicely decorated. Condition 1 line from rim. Size: 17x7.7CM DiameterxHeight Period ...

A Large Pair of Chinese Famille Rose Decorated Gilt Foo Dog Handle Vases. Each vase features finely painted scenes on cartouches. The decoration showcases figures engaged in daily ...

This is a beautifully hand-painted Chinese porcelain blue and white plate, from the Qing, Kangxi period, 1662-1722. The plate is finely potted with a carefully cut base rim and a lo...

This glazed Chinese ceramic jar from the turn of the 19th Century was once used for soy sauce production. It features a wonderful green glazed finish and out...

A large and powerful Chinese famille rose enameled porcelain "Five Dragon" meiping vase, modern, China. The oversized vase of traditional meiping form, with a splayed foot supporting a baluster shaped body with high shoulders, short, narrow neck, and rolled mouth rim. The large vase decorated with five dragons molded in relief. Their bodies painted in vibrant overglaze famille rose enamels of reds, greens, yellows and turquoise. The dragons portrayed dancing in the sky among flames and clouds. Their bodies twisting and writhing, claws extended, tails coiled, some with mouths open in triumphant roars. The main dragon in red, and portrayed to more directly face the viewer. The dragons dance against a white ground sky. The blank sky broken up by overglaze red painted stylized clouds and flames. The foot decorated with a band of crashing waves. A stylized lotus blossom surrounds the base of the neck. The neck with a band of scrolling flowers and vines against a yellow ground. The underside of the large vase with an apocryphal "Da Qing Qianlong Nian Zhi...

Large Antique Thai Bencharong Stem Plate. A stoneware tazza having a domed pedestal base under a foliate rim dish. Traditionally enameled in a green an...

A stunning carved and pierced Chinese jade vase, Qing Dynasty, 19th century. The vase is carved with a design of birds, flowers and trees, each rife ...

Pair of Satsuma vases of large size with an interesting receipt from a Russian store in 1969. Condition Vase 1 perfect, only a firing flaw in base, Vase 2 3 chips to upper rim ...

This antique Qing Dynasty elm wood table, dating back to circa 1880, is a stunning example of traditional Chinese craftsmanship. The table features a rich, warm patina that highlight...

Set of framed 19th century Chinese embroidered sleeve panels, likely the Qing Dynasty (1644-1911). The panels depicting figures in a garden ...

A Chinese Qing Dynasty period wooden cabinet from the 19th century with light lacquer, brass hardware, two doors and four drawers. Created in China during the Qing Dynasty in the 19t...

Painting on natural-colored paper, depicting many characters from the Buddhist pantheon. These images of Buddha and bodhisattvas depicted stories from Chinese Buddhist scriptures and...

Chinese turquoise-colored porcelain foo dogs from circa 1880 are exquisite examples of traditional Chinese ceramic art. Foo dogs, also known as guardian lions or temple lions, are ic...

Sharing with you this nice Chinese porcelain Plate from the Kangxi period. It has a dark cobalt blue figural scene of Lizas and Zotjes in a garden scene. Surrounded by flowers in th...

A vintage Chinese inside painted faceted glass snuff bottle, hand decorated with 3 court ladies in traditional dress on one side, with poetic versus to verso, and raised on a carved ...

A Chinese Qing Dynasty period walnut wood coffee table from the 19th century Square top with waisted apron atop a black lacquered frame and horse hoof l...

A classic Chinese form chest In a reddish-brown stain. With a banded top over two deep drawers with carved floral lattice patterns, metal drop pulls and locking bars (lacking the closure pin). Double doors below with carved pots of flowers...

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

This antique rattan basket, dating back to circa 1790 during the Qing Dynasty, is a stunning example of traditional Chinese craftsmanship. The basket features intricate, tight weavin...

A fine antique 19th century Chinese Qing dynasty Imperial green Celadon Gu shaped porcelain vase, circa 1850. The vase of Gu shape, originally an ancient shaped tall and slender wine...

Qing dynasty an unique antique important rare Chinese enameled Famille rose porcelain bowl with mark DaQingDaoGuangNianZhi , hand painted. ...