Qing Asian Art and Furniture

It's easy to imagine the round lid of this Qing-dynasty stacking box lifting to reveal a feast of steaming-hot dumplings, mantou buns, filled baozi or other small delicacies. Origina...

Antique ginger jar with lid, porcelain, China, Qing Dynasty, 19th century, pumpkin-shaped featuring boys at play in Famille Rose colors. This elegant piece, an antique ginger jar...

A stunning antique Chinese Qing porcelain famille rose vase decorated with bats with Qianlong mark and possibly of the period. The impressive vase of lobed form is painted with shou ...

Antique Chinese Agate Master Snuff Bottle, 19th century. Larger scale bottle of pale translucent color with varied caramel inclusions, symmetrical rectangu...

A pair of finely cast and incised burnished bronze candlestick elephants, Chinese school, 18th-19th Century, Qing Dynasty (1636-1912). Each elephant is standing foursquare with head...

Sculptural and unusual stone formations have long been fixtures of the Chinese scholars' studio, displayed as sources of beauty and creative inspiration. Known as gongshi, scholars' ...

A unique pair (2), valuable and powerful Protection Amulet Dzi from Tibet An old Tibetan or Central Asian two and nine eye agates Dzi Beads dating to the e...

A Very Fine & Rare Example of an Eighteenth-Century Chinese Porcelain Export Circular Lidded twin handle blue and white Deep Dish Tureen or Centerpiece Bowl of generous proportions and of the period Chien Lung 1736-1795. Exquisitely hand decorated depicting typical Chinese scenes of garden landscapes within trellis border on an off-white ground. The octagonal edge dome shaped cover with similar decoration and an attractive central finial. *This is one of a pair currently listed Condition: This piece is offered in exceptional condition for such an early piece, no losses or hairlines anywhere, and no restoration, possibly never used, no staining inside the bowl. This piece is typically unmarked. Width: (including handles) 10.75” (27.5cm). Diameter: (top cover rim) 10” (25.5cm). Height: 7.75” (19.75m). Location: Dublin City, Ireland. Affordable fixed price Worldwide Store to door shipping offered by Seller. Please take time to scroll down below and click "View All From Seller" or favorite our Shop PATRICK HOWARD...

A stunning pair of excellent quality bronze Pixiu wealth dragon mythical creatures with visually striking scattered verdigris bluish green patina! Well known in Chinese culture and...

A decorative 1980s gold and pastel toned Chinese porcelain charger plate, handcrafted and adorned in the Mille Fleur style; a design known as the "thousand flowers" pattern. The M...

Large 20th century Chinese head of Guanyin. This piece is quite large and has been hand crafted by a skilled artisan from a single log. It measures 27 1/2” ...

These are a very good pair of antique Chinese foo or lion dogs, sometimes called temple lions made of a hardstone, hand carved with fine detail and polished, dating to the mid 20th c...

Antique mid Qing hand carved black hardstone snuff bottle. Produced in China towards the end of the 19th century. Beautiful shape with strong body and shoulders. Very well hollow...

These are a very good PAIR of antique Chinese foo or lion dog sculptures, sometimes called temple lions, made of a brass-bronze metal alloy, with excellent detail, dating to the early 19th century, Qing period or possibly earlier back to the 18th century. They are a male and female pair, the male with the slightly larger head. These pieces are very well cast with good detail and wear, showing a very good depth of colour. Both dogs have a small hole on the top of the head for incense to be placed. Each piece weighs about 700gm unpacked Overall a lovely pair of antique Chinese Foo Dogs...

A unique pair (2), valuable and powerful Protection Amulet Dzi from Tibet An old Tibetan or Central Asian nine and four eye agates Dzi Beads dating to the ...

We are delighted to showcase this exquisite Chinese porcelain covered ginger jar, a piece that embodies the pinnacle of craftsmanship and artistic excellence. The jar captivates the ...

Collection of Five Chinese Blue and White Porcelain Vessels, comprising: crackle glazed bud vase with landscape scene and silver mounted rim, ovoid vase with landscape, square tapere...

A good antique Imperial Chinese Qing dynasty, Guangxu period yellow glazed and incised decorated dragon bowl, mark & period, circa 1875. The bowl...

A rare & important set of four large antique Chinese Qing dynasty hand-painted porcelain plaques; of the "Four Seasons", housed in the original Hongmu wood frames. Each plaque is fin...

An ideal garden ornament, sturdy weather proof planter display base or a rock solid all weather stone base for a special sculpture. From China, comes this large 20.5 inch rectangu...

Chinese ancestor portrait of a Mandarin Dignitary. Antique tempera on paper painting of a Mandarin Dignitary wearing a red court dress and s...

Late 19th century Chinese silk embroidery rank badge textile, with a finely detailed dragon along with other various symbols embro...

Antique Chinese Blue and White Porcelain Spoon. A deftly modeled fine porcelain spoon with unusual scalloped edge and crisp d...

Pair of Chinese Export Butterfly Motif Turquoise Ground Porcelain Plates, each with red six character Guangxu mark to underside. 8.25" Diameter x 1" H. Provenance: Lynda Willauer Ant...

This charming bench from the early 20th century comfortably seats three and combines the proportions of Western furniture with the decorative opulence of Qing-dynasty designs. Crafte...

With simplicity of form and an understated presence, these elegant lacquer cabinets exemplify the timeless appeal of classical Chinese furniture. Used in traditional homes in lieu of...

19th Century Qing Dynasty lacquered cabinet featuring intricate hand-lacquered scenes with two removable shelves and bronze hardware.

We are pleased to present this magnificent large Chinese porcelain bowl, a true testament to the artistry and craftsmanship that defines Chinese porcelain art. The bowl enchants with...

A Monumental Antique Chinese Qing Dynasty Sang de Boeuf Flambé Porcelain Vase, Circa 1890. The vase of monumental proportions, the globular body and tall cylindrical neck all under ...

An antique Chinese famille rose fencai decorated porcelain saucer dish, finely painted with 5 groups of flowers and insects, thinly brown glazed mouth rim, with five lively bats in d...

refined Chinese brush painting of landscape, scholars practicing arts in garden, ink and color on silk, 19th century Conservation framed Overall size with framed: 58.5" height 28...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

Pair of 19th Century Chinese bronze fu dog censers: hollow vessels with a hinge at the front of the neck.

An Exquisite Suite of Three French Silver-Mounted Chinese Porcelain Snuff Bottles with Coral and Sapphire Adornments by Cartier, Presented in Original Fitted Box This exceptional su...

Chinese Longquan Type Celadon Glazed Porcelain Tripod Censer, on three scrolled feet. 3.25" H x 8.25" Diameter. Provenance: From the Upper East Side Apartment of a Former Ambassador.

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

This is a very beautifully hand-painted Chinese porcelain blue and white large plate or Dish, from the Qing, Kangxi period, 1662-1722. The plate / dish is finely potted with a caref...

This long bamboo pipe dates to the late 19th century and was originally used for smoking opium. Unlike a tobacco pipe, the opium pipe was designed especially to allow resinous opium ...

Vintage Chinese Qing Tongzhi Emperor Reverse Glass Hanging Painting ITEM DESCRIPTION: a beautiful reverse glass paintings. It has been in private co...

This unusual object is an early 20th century opium pipe bowl, sculpted of pale red-orange clay to a squat, six-sided form and fitted with a white brass collar. The top of the pipe bo...

Extraordinary pair of fine glazed porcelain Foo dogs came to us out of an estate here in Savannah, Georgia, belonging to an old general that long ago brought them from Thailand. Used...

A remarkable pair of late 19th-century Chinese solid elmwood horseshoe hunting chairs, known as Jiao-Yi. These chairs, steeped in history and tradition, were reserved for individuals...

An unusually large vintage Chinese carved and pierced gilt wood story panel, early to mid 20th century, Southern China. The intricately carved panel depicts images from "The Romance...

This is a Chinese handcrafted Red Clay Yixing teapot and cover, which we date to the 20th century, circa 1950. The Teapot and lid are handcrafted in an ...

This is a very decorative porcelain Large Chinese Export Bottle Vase or jar with a monochrome ox blood red "Sang-de-bouef" glaze, having a very light green glaze at the top rim, whic...

An extremely fine Chinese carved white or very pale celadon nephrite jade melon-form teapot, late Qing Dynasty, circa 1900 or earlier, China. The elegant teapot carved as a squat me...

Large (41 inch tall) Chinese blue and white export porcelain vase in the 18th Century Qianlong style. Underside with the Qianlong mark.

These petite bronze tools date to the late 19th century and were originally among the many accessories that comprised an opium smoking kit. Both tools are ...

The barrel drum form with coin cutouts on top and overlapping on opposing sides has raised bosses in the enameled border bands top and bottom. Glazed overall with various multicolore...

Very beautiful large white-blue porcelain basin or fruit bowl or cup. The large white bowl is decorated with a blue floral-themed composition, including foliage, lotus flowers and ma...

Chinese households honor their ancestors in private family rituals, invoking their spirits for long life, health, and prosperity. Commemorative portraits, which came into vogue in th...

Pair of Qing dynasty architecture carving panels, detail carvings with warriors riding horses.

Chinese Carved Jade Covered Hu Vase, with two mask head with rings handles, incised taotie design to each side, and on a fitted carved wood stand. Overall: 7.5" H x 4.25" W x 2.25" D...

Vintage Chinese Qing Taizu Nurhaci Emperor Reverse Glass Hanging Painting ITEM DESCRIPTION: a beautiful reverse glass paintings. It has been in priv...

This elegant bronze tool dates to the late 19th century and was originally one of many accessories that comprised an opium smoking kit. The shovel-like too...

A Chinese Qing Dynasty period yumu wood wine console table from the 19th century, with original red lacquer and horse hoof extremities. Created in China d...

Dimensions: 9.5" diameter Condition: Excellent Price: $1,200 Made circa 1750, this beautiful pair of Chinese export porcelain plates is hand-painted in vibrant famille rose enamels. ...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century, with original lacquer and hand-painted décor. Created in the North-Eastern province ...

This large vintage floor vase is a traditional porcelain vessel from Jingdezhen, a town long distinguished by imperial patronage. The lively ...

This handheld tool is a 19th-century opium scraper, fitted with a curved, spoon-like blade designed to remove debris from the inner walls of a pipe bowl. The metal end is secured to ...