Textiles

Very large (188") hand woven silk brocade Obi.

A mid-20th century one of a kind Turkish sirt rug woven with Mohair wool. The piece has been over-dyed giving it a wild ethereal feel to it. These pieces are inspired by traditional ...

A Korean embroidered silk rank badge (Hyungbae in Korean) from late Joseon Dynasty circa the end of 19th century. The badge features a design of double leop...

This beautiful silky polished cotton fabric is made by Argentea from the design studios of David and Dash Inc. by Amin Khalaf and treated with Scotchgard fabric protector. It feature...

Decorative suzani cushion cover made of hand embroidery silk on a silk background, flowers, and vine motifs, linen backing with zipper, no insert. Delicate and specialized washing...

A spectacular antique Chinese embroidery panel dated from Qing dynasty (circa 19th century), professionally framed with linen mat, pur...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Antique Javanese Silk Batik Slendang (Selendang). A shoulder cloth length of compact hand spun silk imported from China. The diagonal patterned stripe...

In the most technical sense of the word, ""Suzani,"" in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or...

Offered are a pair of post war Japanese Kabuki paddles circa 1960, featuring a male and female Kabuki character actors in full traditional Japanese r...

715 - Belle broderie ottomane du milieu du 19ème siècle avec un joli motif floral et de belles couleurs naturelles, entièrement brodée à la main avec du métal sur fond de laine.

Decorative Suzani cushion cover made of hand embroidery silk on silk background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing ad...

I think this is a kimono woven from the Taisho era to the early Showa era (1912-1945) in Japan. It is a modern design. In the Taisho era, various things were made with reference to...

An embroidered silk collar from China dated to late Qing Dynasty circa 19th century. Known as Yunjian (Cloud Shoulder or Cloud Collar). This striking example features a two-tiered design with eleven inner and outer lobes radiating in a circular fashion. The red inner lobes feature floral embroidery design in satin stitches, the border with twisted chain stitches. The outer lobes are in the shape of auspicious "ruyi", which represents the head of Lingzhi mushroom, a symbol of longevity. Each showcases fine needlework of butterfly with spread wings and various floral motif. A small ball clasp remains on the front. This textile art is beautifully presented in a giltwood frame floating within a double mat of conforming shape. Detachable collars such as this were worn around the shoulders as part of the traditional Chinese garment...

The connection between love and embroidery is nowhere stronger than among the minority peoples of China. Hand-stitched by a mother herself or gifted by the women in her family, the t...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

African Batik Cloth Natural Hand-woven Hand-Printed Cotton Fabric Ghana 10 yards. Colors are organic earth tone beige and light brown in geometric design. Non waxed fabric circa 1950s. Hand made in Ghana Africa. Museum Quality Original Long Piece. 380 inches, (30 ft 10 yards Long) x 46 inches Inches Wide( 4ft). Could be use to make pillows or upholstery. History of Batik in Africa: Batik, a traditional fabric art technique, has a rich history in Ghana, West Africa. The practice of batik involves using wax to create intricate patterns on fabric, which is then dyed to achieve the desired design. While batik has its origins in Asia, particularly in Indonesia, it has been embraced and adapted by various African countries, including Ghana. In Ghana, batik-making can be traced back to the mid-20th century when it gained popularity as a form of traditional textile art. The craft was introduced by artists and artisans who were inspired by the vibrant and expressive nature of batik. These early practitioners experimented with different designs, colors, and patterns, infusing local themes and motifs into their creations. Over time, batik became an important part of Ghanaian culture and identity. It is not only used for clothing but also for various decorative and functional items such as wall hangings, tablecloths, and accessories. The art form often reflects the rich cultural heritage of Ghana, incorporating symbols, proverbs, and traditional stories into the designs. Ghanaian batik artists often employ a combination of traditional and contemporary elements, creating a unique fusion of styles. The process of making batik involves applying hot wax to the fabric using various tools to create the desired patterns. The wax acts as a resist, preventing dye from penetrating the waxed areas. After dyeing, the wax is removed, revealing the intricate designs on the fabric. Today, batik-making in Ghana continues to thrive as both a traditional craft and a form of artistic expression. Many artisans and designers draw inspiration from Ghana's diverse cultural landscape, incorporating elements from different regions and ethnic groups into their batik creations. The art form has also gained international recognition, with Ghanaian batik products being sought after both locally and abroad. In summary, the history of batik in Ghana is a testament to the creativity and adaptability of artists who have embraced and transformed this traditional technique into a vibrant and culturally significant art form within the country. HISTORY OF BATIK In the mid-nineteenth century, the Belanda Hitam, or "Black Dutchmen," are said to have introduced batik to West Africa after serving as indentured soldiers for the Dutch in Indonesia. Returning from their conscriptions with trunks of fine Javanese batik, the opulent patterns captured the imagination of their friends and relatives. However, textile history is complex, and only a handful of recruits returned to West Africa with batik due to delayed payments. Batik, with roots traced to Egyptian mummies, is a tradition found globally, from Southeast Asia to Japan and India. Europeans, particularly the Dutch, played a significant role in industrializing batik from the seventeenth century onward. In West Africa, Dutch Scholar Ineke van Kessel suggests that batik arrived from India over trans-Saharan routes. Local populations, like the Yoruba in Nigeria, incorporated wax printing into their textiles. European traders brought wax and non-wax fabrics to West Africa in the seventeenth century, targeting a population ready for their consumption. European designers adapted prints for the African market...

Antique Spanish Savonnerie Rug, Roome size, circa 1930 A one-of-a-kind antique European Savonnerie Oriental Carpet, hand-knotted with short wool pile. This beautiful rug features a ...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

This is a semi-antique Chinese velvet textile woven during the first half of the 20th century circa 1940s. This textile has all over field design is made up of traditional Chinese m...

A “Natsu No Kimono” (summer kimono) also called “Usumono" (thin clothes) dated from early 20th century Taisho Period. This well-preserved garment was tailored from a woven indigo blu...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery. The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest). Fukusa is a traditional Japanese textile...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

An Indonesia textile panel professionally presented on a linen canvas. It can be taken off from the canvas for easy and economical shipping upon req...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

A framed finely embroidered Korean silk rank badge (Hyungbae in Korean) from Joseon Dynasty circa late 19th century. The badge features a design of double ...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

Decorative Suzani cushion cover featuring hand embroidered silk on silk background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. ...

Antique 1920's Indian Gujarati handmade ethnic textile wall hanging Banjara tapestry with mirrors, embroidered with silk thread work. Embroidered ethnic Rabari Kutch textile, India c...

A framed Japanese woven textile circa late 19th century of Meiji Period. Likely a fragment of a priest robe or kesa, the multi-paneled textile was finely woven with gold foiled threads that depicts a five-clawed dragon slithering in the clouds and water...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

Eight Chinese hand embroidered silk blue ground and metallic thread mats First half of 20th century. Five circular mats depicting a bird ...

Antique Moorish Paisley Kalamkari textile from India. Hand blocked vegetable and iron oxide dyes on cotton. The cotton fabric is hand printed using patterned wooden stamps...

An exquisite and visually commanding vintage Uchikake wedding kimono from Japan, dating from the late Meiji to early Taisho period (circa 1910s–1930s). Traditionally worn by brides ...

A wonderful, beautifully ornamented and somewhat rare fully intact Japanese Buddhist monk/ priest's Kesa ceremonial silk robe featuring various colorful birds in flight. Kesa (which came from the Chinese word "kasaya") robes have been handmade/handstitched by monks/priests as an act of devotion as ceremonial robes for centuries in various Asian cultures (Japanese, Chinese, Korean, Vietnamese, Indian, etc.). The kesa is a rectangular garment designed to be worn over the left shoulder (see example image). The robes are made (often in a patchwork column pattern ranging from five, seven, nine or more pannels) specifically for fully ordained Buddhist monks, priests and nuns and are made from donations of exquisite textiles from wealthy patrons of Japanese Buddhist temples. The robes were used in daily ceremonies, temple gatherings, and private meditation. Antique Kesa robes...

Vintage hand made Gujarat Saurashta Ethnic beadead textile India. Hand Beaded Guarat Indian panel textile framed in a lucite box. Amazing work of hand beading by Chakla Indian, Gujarat state, Saurashtra or Kutch region. Such a nice piece of visual interest, and a beautiful acquisition for any textile lover. Vintage Chakla hand-embroidered wall hanging, Rabari of Gujarat Beadwork, Patchwork. The method of work is a tri-bead system (tran moti-no thansiya), worked row-by-row, three beads being taken up at each stitch; on the return row, the stitching of the beads moves forward one position, so that as the work progresses row-by-row a close rhomboid network is formed.The beadwork is set into a frame of applique silk material Manufacturing Process: Handmade Materials: Cotton, silk. Period: Late 19th/ early 20th century. Most native beadwork...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Decorative cushion cover made of hand embroidery silk on linen background, flowers and vine motifs, linen backing with zipper, no insert. Delicate and specialised washing advised. M...

This Ikat textile originates from the Island of Flores, Indonesia. It is hand-woven using naturally dyed yarns via a method passed on through generations....

Introducing our exquisite new suzani hand embroidered wall hanging, a captivating piece that combines ancient craftsmanship with modern artistry. This embroidered cloth is not just a...

A very well made and decorative Asian weaving depicting two Flycatcher Birds in a Forest setting. One alert bird holds a fly in its beak as the other searches a floral patch. With su...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

A large Japanese silk embroidery tapestry circa 18th century Edo period. Possibly an altar tablecloth originally, the embroidered textile pane...

Striking “pelangi” tie-dyed textile from Toraja Land, South Sulawesi. We added a linen border, double backed on both ends. This beautiful panel can be used as a wall hanging, draped ...