6.8x9 ft Home Decor Bedspread, Silk Hand Embroidery Tablecloth, New Wall Hanging

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

Suzani, a Central Asian term for a specific type of needlework, is also the broader name for the hugely popular decorative pieces of textile that feature this needlework in vivid col...

In the most technical sense of the word, "Suzani," in Central Asia and Iran, means needle and is used to describe this type of needlework, but to most people, such as decorators or c...

Unusual sizes for this Suzani with Pomegranates, silk embroidery on a very fine fabric (cotton and silk). The design represents pomegranates, symbol of abundance. Suitable for bed or...

Late 19th century Chinese silk embroidery rank badge textile, with a finely detailed dragon along with other various symbols embro...

Beautiful vintage Manila Chinese shawl embroidery, entirely hand embroidered with silk on silk, very decorative for shawl or tablecloth, circa 1930 good...

Very beautiful Manila embroidery with a Chinese style and beautiful floral design, entirely hand embroidered with silk on silk foundation.  

Antique Silk Persian Yazd Textile / Embroidery, Origin: Persia, Circa: Late 19th Century. Size: 4 ft x 6 ft (1.22 m x 1.83 m)

Artistically framed for display in a slight shadow frame with non-reflective pixie glass, these pair of embroidery art panels from Japan are dated circa 1910-1930s, end of Meiji to early Taisho period. This period was the peak of the Japanese oversea expositions, when all things Japonisme took Europe and America by storm and left long-lasting impact on western art and design. The influence, however, was clearly not one-directional; As when Japanese artists, artisans and dealers experienced western art, it in turn inspired and impacted on the aesthetics of the Japanese art made for the western tastes. An interesting crop of art forms quickly emerged with a particular outlook that bridged the east and west, with the fundamental techniques still rooted in Japanese traditions. These rare hyper-realistic embroidered portraits were such an example. They took the essential format of the western portrait that permeated the Victoria and Edwardian Society, but substituted with exotic Japanese subjects and executed in traditional embroidery techniques which had been perfected for centuries by the natives. The two portraits on offer, one an elder man with long white beards and a pair of round spectacles lighting a pipe, and the other a grinning man with a peasant attire, were both set in black background, stimulating an appearance of Classic western oil painting or perhaps even the photograph. The fine stiches were maneuvered into an impressively hyper-realistic imagery that was far removed from the traditional Japanese embroidery...