Cast Figurative Sculptures

This beautiful young woman is a fine example of the creations of the noted French sculptor, Emmanuel Villanis (1858-1914). You will find his works to be predominantly art nouveau wo...

Although America's sculptors interested in African American life and Black subjects, including Elizabeth Catlett, Richmond Barthé, Sargent Johnson and ...

Beautiful mermaid statue with long flowing hair and a large tail, perfect by a pool or ocean view. The mermaid can also be used as a interior table base with a glass top inside of yo...

At the base of a staircase, or in front of a fireplace, the silhouettes of this pair has a lifelike quality. Pharaohs light the way from atop their geometric base. The bronze Egyptian-style statues will dominate the entryway and the conversation. The silhouettes are stunning, on or turned off. The Art Deco style parcel verdigris bronze figural floor lamps...

Jean Jacques Pradier (1790-1852) Bronze Napoleon Bonaparte James Pradier (born Jean-Jacques Pradier, 1790–1852) was a Genevan-born French sculptor best known for his work in the neoclassical style, one of the primary artists of Napoleon's tomb, Les Invalides.  This exceptional 19th-century French bronze full-length portrait of a standing Napoleon Bonaparte bronze...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

A well cast vintage Khmer, Angkor Wat style, bronze head of Shiva, circa 1970's, Thailand. Shiva, the Hindu god of creation, change and destruction, is identified by the third eye in the center of his forehead. His highly stylized face features alluring almond shaped eyes, a flattened nose, and broad mouth. Shiva is adorned with ornate earrings and an elaborate crown. The heavy earrings...

Extra large, heavyweight, sculptural cast brass walnut paperweights or nutcrackers that are truly art. We love these on a desk as whimsical display pieces. With the large sizes, and...

Amazing and highly decorative wall relief by Heinrich Moshage (1896-1968), 1929. Cast by the foundry 'Buderus', Germany, 1930s. This piece is part of a series of six works 'Unsere Ar...

Art Deco cast bronze sculpture of a lady. Attributed to Guido Cacciapuoti (Italian 1892-1953). Featuring a stylised striking representation of an elegant yet mysterious lady. Dual to...

N.005 Floor Lamp from the Biomorphic Series by Studio Chora is inspired by the nature of human experience. This is a second-generation light sculpture that is hand crafted from a com...

This striking Art Deco cast iron panel is a recast of an original design by Heinrich Moshage, a renowned artist known for his industrial-inspired works. The panel captures the dynami...

This Vienna bronze clearly shows off the quality of the Bergmann Foundry. The detailing is top grade and the cold painting is exceptional. Please note how carefully the man's clothi...

An entrancing Art Deco cold painted gilt bronze figure of a naked beauty wearing an oversized coat loosely draped to show her attractive figure, the bronze with excellent colour and ...

A large and exceptional late 19th century Italian Grand Tour sculpture of the ‘Seated Hermes’ attributed to the Chiurazzi Foundry, Naples, Italy. The sol...

This is a Girl with Wheat bronze sculpture by Hippolyte F. Moreau. He is famous for his bronze statues of young women. He is also the son of another renown French sculptor named Jean Baptiste Moreau. It depicts a young lady with long curly hair who is dressed with a see-through robe. She is holding a basket of wheat with one arm and some branches of them with the other one. She appears to be in the countryside and is observing a pair of doves that are on the ground. The bronze sculpture is standing over two...

This beautiful sculpture entitled "Lolita" by Francoise Abraham reflects an original and unique perspective on the human form in movement. Born in 19...

Sculpture Concorde model black in fiberglass in black matt finish. Scale 1/36em on polished brushed aluminium base. Exceptional and unique piece.

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Guardando" translated in ...

An attractive early 20th Century Art Deco cold painted silver bronze figure of a young energetic beauty in a stretched pose, raised on a decorative black and green onyx base and sign...

A beautiful patinated Art Nouveau bronze study of a young Art Nouveau beauty sat upon a wall wearing chains with excellent variegated rich brown patina and excellent hand chased surf...

A delightful Thai Rattanakosin Period lacquered and gilt cast bronze figure of the Buddha in royal attire, mid 19th century, Thailand. The charming figure depicts the Buddha in dhyanasana, the gesture of meditation. The Buddha sits serenely in half lotus position, his hands resting comfortably upon his lap, one on top of the other. The Buddha is dressed in elaborate robes, cast with floral and foliate designs in high relief. Over his robe, he wears the regalia of Thai kings, with a heavy cape...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

A large and fine pair of 19th century Italian male nudes depicting the Greek boxers Creugas and Damoxenos. These bronzes have a wonderful old patina...

This antique sculpture was done by the well known Hans Arnoldt of Germany and dates to the early 20th Century and done in an Art Deco style. The sculpture is composed of cast and pat...

A celebration of female strength and the subtleties of the human body. Hand-sculpted and hand-cast objects in stone-resin composite. All of Marcela Cure’s collectible design object...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

Sculpture Stormtrooper Black Helmet Butterflies with original black Stormtrooper helmet in matte black resin ornamented with black papillo gambrisius butterflies (no cites required f...

This bronze standing Buddha mounted on a turned wood base has his right palm held outward in the abhaya mudra position, a gesture of fearlessness and reassurance.

Hippolyte Francois Moreau (1832 - 1927) French. "Mignon" young girl with mandolin. Rich brown patina. Signed original 19th century Bronze. Br...

19th Century Bronze Statuette of Achilles After the Antique This 19th century bronze statuette of Achilles the Greek hero of the Trojan war is pictured in an attack pose with shield...

Unique table crucifix and a wonderful work of religious art, dated 1912 and numbered. For us the most powerful statement will always be 'the truth will set you free'. It is what we have learned most from the life of Christ and of His teachings and it is the one thing we always think about whenever we look at a crucifix. Anyone who has tried to break down his/her ego and found a clearer consciousness in the process knows how healing and rewarding that journey can be. After that you can only be grateful for all the good things that are bound to come your way. Good things will come your way, because the universe needs people like you. Whomever created this amazing work of religious art too must have been inspired and motivated by the life of Christ, because how ever could anyone create a piece that is of such quality, so beautiful and so powerful at the same time. Both the beautifully designed bronze cross with the King of the Jews inscription and the amazingly detailed bronze corpus of Christ are of a quality that you will only rarely find on the open market. They are perfectly mounted on a stunning marble base and together they create one of the most impressive table or altar crucifixes...

Hippolyte Moreau (French, 1832-1927), "Song of the Lark". Original 19th century bronze depicting a young girl figure seated on a tree stump with baby birds in...

A Thai bronze head of the Buddha. Sukothai period, late 16th-early 17th century. His face with serene expression, arched eyebrows above incised eyes a...

Mid-19th Century Grand Tour Bronze Figurative Sculpture 'The Dying Gaul', Italy By: unknown Material: bronze, copper, metal Technique: cast, molded, polished, metalwork, patinated D...

Clearly influenced by the geometric forms and exaggerations of French Cubism, this rare and striking bronze presents an African mother nursing her child,...

Bronze stylized Etruscan Horse, after Frederick Weinberg Measures: 4" T x 4.75" W x 1.07" D (base).

Original Rene Lalique Car Mascot From our Lalique collection, we are thrilled to offer this original Rene Lalique Victoire Car Mascot. The Mascot fro...

This striking bronze represents a four-armed warrior in the style of Sardinian Bronze Age figures, known as "bronzetti." Crafted in the 1960s in Italy, the figure exudes a unique pa...

This Vienna bronze is of the highest quality. The detailing is exceptional to include the man's face, the rug and the accessories. Realistically painted with great care, and cast as ...

Beautifully handcrafted and meaningful religious plaque. This heavy and high quality bronze wall plaque depicts Christ with a realistic crown of thorns and a stylized Art Deco halo ...

Striking and detailed bronze relief sculpture from Benin, now known as Nigeria, in Africa. This piece was modeled after ancient Benin bronzes, but is from the 20th Century. The intri...

Belle Époque french bronze sculpture of a boy with overall and a hat by Louis Kley By: Louis Kley Material: bronze, copper, metal Technique: cast, patinated, molded, metalwork Dimen...

A Gilt Bronze Tibetan Representation Of A rare Green Tara Buddha Statue. Sounds like there is an item sealed inside. Gilt Bronze and Copper. Early 1...

"Cellist" by Bernard Kim A striking mid 20th Century modernist bronze study of a seated man playing a cello with very fine colour and detail ADDITIONAL INFORMATION Height: ...

'Olimpia': Art Déco french spelter sculpture with stone base by Pierre Le Faguays (Fayral) for Max Le Verrier By: Pierre Le Faguays (Fayral), ...

An attractive early 20th Century Art Deco cold painted bronze figure of a young energetic beauty in a dancing pose, exhibiting excellent colour and very fine hand chased surface deta...

An erotic Austrian cold painted bronze figure of an Egyptian sarcophagus opening to reveal a naked beauty with excellent colour and very fine hand finished detail, signed with the Be...

Amazing and highly decorative wall relief by Heinrich Moshage (1896-1968), 1929. Cast by the foundry 'Buderus', Germany, 1930s. This piece is part of a series of six works 'Unsere Ar...

Highly detailed original 19th century bronze sculpture of young lady holding flowers. Dressed in beautiful gown with flowers in her hair. Signed on b...

This is an Art Deco Style Bronze Sculpture of a Dancer after Demetre Chiparus. It depicts a bronze sculpture of a dancer in an elegant pose wearing an exotic costume ( the Bedlah ). ...

A heavy and well cast South Indian bronze figure of Shiva Nataraja, or Shiva as Lord of the Dance, in the Chola style, late 19th or early 20th century, India. Shiva is portrayed here in his form as Nataraja, the Lord of the Dance. An iconic and powerful image, Shiva is portrayed engaged in his dance of creation, protection, and destruction, bringing together all his aspects into one sublime form. Shiva dances ecstatically, facing the viewer with his body twisted, his long locks of hair streaming out around him, his four arms in action, with one leg raised, the other stomping on the dwarf demon Apasmara, who represents spiritual ignorance. In one hand he holds a damaru, or ritual drum...

Signed cast bronze sculpture by Irma Stoloff and numbered 236/300. Having textured finish figurative abstract sculpture of a upright Jazz bass player resting on painted wood base.

A large near 11 lb gilt bronze sculpture of Tibetan Vajrasattva. Seated padmasna on lotus throne, the Great Vajrasattva has large downcast eyes and pendulous earlobes, an urna on his...

This whimsical and sexy bronze (titled Treasure Seeker) was done by the noted Austrian Sculptor of many unusual and sexy and erotic bronzes, Carl Kauba. Signed on the base, and hav...

PRESENTING A LOVELY late 19C Bronze Sculpture of Napoleon Crossing the Alps. 19th Century Bronze of Napoleon on Horseback in Battle, with c...

Good size and impressive make, Gothic church altar crucifix. This ornate and all hand-crafted, bronze table crucifix comes with a good quality made a...

A captivating sculpture after Demetre Chiparus, this striking Art Deco dancer embodies the era’s fascination with movement, theatricality, and opulence. Inspired by the expressive pe...

A pair of antique German garden or fountain sculptures in a laying position (male and female) made of hand crafted cast zinc, designed and produced by Philipp Konrad Moritz Geiss, in good condition. These ornaments are probably the final element of a Tympanum group, particularized in white oil mount with gold heightened details, enhanced by detailed moulding. Right hand of the male is missing, due to age. Includes the pair of custom made white pedestals in wood. Minor fading, scratches due to age. Wear consistent with age and use. Circa 1840 - 1850, Berlin, Germany. Male: 23" H x 39.5" W x 13.75" D Female: 21" H x 39.5" W x 13.25" D Tympanum comes from the Greek and Latin words, it means drum. It is the semi-circular or triangular decorative wall surface over an entrance door or window, which is surrounded by a lintel (structural horizontal block) and an arch. A tympanum often includes sculptures or ornaments. Tympana was often used in the Ancient Greek, Roman and Christian architecture. Philipp Konrad Moritz Geiß was a German iron and zinc caster, born in 1805, in Berlin, Germany and passed away in 1875. After his high school, he joined the Royal Commercial Institute in Berlin to improve his hand work skill. During his studies, had an internship in the Silesian iron...