Vases

An Exquisite Pair of French 19th Century Ormolu and Champleve Enamel / Centerpieces Jardinieres, circa 1875   Rendered in the sophisticated style of the celebrated Ferdinand Barbedie...

This exceptional pair of vases is the result of the collaboration between Louis Constant Sevin, drawer and designer, and Ferdinand Barbedienne, bronze maker and founder of the famous...

An extremely rare, museum quality pair of Ferdinand Barbedienne ormolu and champlevé enamel vases, circa 1870, certainly designed by Louis Constant Sevin...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Vase, C. 1870 In the Islamic / Alhambra taste. The two handled vase in Alhambra form, enameled in rich yellow throughout ...

Pair of Greek style vases made two patina bronze. Each, designed in the shape of a tripod amphora adorned with Hercules heads, is decorated in low-relief...

A rare and large pair of neo-grec gilt and patinated bronze amphora vases. Designed by Ferdinand Levillain and cast by Ferdinand Barbedienne. Signed ‘F. Levillain’ and ‘F. Barbedienne’. These spectacular floor-standing Neo-Grec vases...

XIX century Neo-Classic bronze vase by Ferdinand Barbedienne Red marble base Signed France Circa 1850 -1870.

An important and monumental pair of very fine 19th century French Japonisme/Orientalist ormolu vases designed by Edouard Lièvre and Executed by Ferdinand Barbedienne. Each body with an oval shape, finely sculpted in a floral design, fringed by orientalist style handles with cartouches, the neck surmounted by a circular pierced scrolling dragon frieze. Each vase resting on a group of four orientalist style jeweled elephant...

Signed F. Barbedienne Charming pair of small vases in gilded and enameled bronze, with orientalist decoration of arabesques and polychrome foliage on a blue background. They are dec...

The model of these Etruscan Amphoras has been exposed at the 1878 Paris Universal Exhibition. Each with a waisted neck raised with bearded satyr ma...

A bronze and gilt bronze 'Warwick' vase by Barbedienne, Paris, circa 1870, modeled after the original, the masks between the entwined vine handles, egg-and-dart rim, with grapevine d...

Signed F. Barbedienne A pair of charming trumpet-shaped vases in gilt bronze with a polychrome cloisonné enamel decoration, one blue and the other green and red. They feature two annular handles and stand on four feet surmounted by a stylized palm. The vases are ornated with a Byzantine decoration. The high quality of the enamel is typical of Barbedienne’s production. It enhances this pair of vases especially with the wide range of colours used to create the decoration. The enamel is smooth and shiny and shows many shades to form the Byzantine decoration. The partitioned cloisonné is finely engraved and contributes to the decoration by adopting vegetal and foliage shapes. The Model These two vases can be linked to a vase presented by Ferdinand Barbedienne at the 1862 London Universal Exhibition and purchased at this time by the South Kensington Museum (now the Victoria and Albert Museum, London, Inv. 8026-1862). This vase has on its belly a polychrome cloisonné enamel decoration standing out against a turquoise background as show these vases. This decoration, called Byzantine, covers all the vase with coloured arabesques and scrolls. It rests on four claw feet with lion heads from a design near of our vases. Barbedienne and the Cloisonné Enamel Ferdinand Barbedienne continously innovated and he revived the use of enamel on art works during the second half of the 19th century. The Sèvres Manufacture enamel workshop had ever tried it in 1854-1855, but Barbedienne was the one who succeeded to join enamel to an industrial decorative objects production. From 1858 “At Mr Barbedienne’s, enamels in copper ornaments have got their former prestige back” (Les bronzes de la Maison Barbedienne, C. Simon, in L’Art du XIXe siècle, 1858, n°21, p. 252). The Barbedienne Company had now an enamel workshop where objects ornamented with oriental style or medieval style enamels were made. Four years after, Barbedienne’s cloisonné...

Bronze vase of balustrades forms a relief of a musical and a shepherdess in an entourage of foliage and birds, resting on a pedestal area of a lezard and a surouris standing over red...

A fine pair of 19th-century Bronze and Gilt Classical Vases By Ferdinand Barbedienne 1810-1892. Each is unique with male nude figures in classical Greek poses playing music and ad...

Signed F. Levillain Fecit and F. Barbedienne Pair of Greek style vases made two patina bronze. Each, designed in the shape of an amphora with a flare...

A Fantastic 19th century French Islamic/Orientalist Style Champleve Enamel Vase and Underplate, Signed F. Barbedienne. The wide-mouthed vase terminates down a narrowing body and is m...

Fine pair of parcel-gilt and patinated bronze neo-grec bronze vases and rouge griotte marble. Designed by Ferdinand Levillain, cast by Ferdinand Barbedienne. Signed 'F. LEVILLAIN' , ...

A Large And Rare Pair of ‘Neo-Grec’ Style Multipatinated Bronze Amphora Vases by Ferdinand Levillain and Ferdinand Barbedienne. Signed to the cast ‘F. Levillain Fecit 1880’ and ‘F. Barbedienne’. This large pair of multipatinated vases are of amphora form modelled in the ‘Neo-Grec’ style with trumpet shaped necks and scrolling handles terminating in masks; the vases are raised on circular spreading bases put down on plinths. Each vase is finely ornamented with laurel leaves and garlands to the neck, the main body with a superb banded frieze cast in low relief depicting the Centauromachy. In the Centauromachy, the Lapiths battle with the Centaurs at the wedding feast of Pirithous. An enduring classical theme linked with the idea of culture versus nature, the Centauromachy was widely depicted in ancient Greece from the Southern Metopes of the Parthenon Freieze to the Temple of Apollo Epikourious at Bassai, it also appears as a subject on numerous Attic vases such as the Ilioupersis krater. A popular theme for artists from the Renaissance onwards it was depicted by amongst others, Michelangelo, Piero di Cosimo, Luca Signorelli, Sebastiano Ricci...

Pair of 19th century/2nd Empire bronze decorative amphorae by Ferdinand Barbedienne By: Ferdinand Barbedienne Material: bronze, metal, copper Technique: forged, gilt, metalwork, mol...

A Pair of Gilt-Bronze And Rouge Griotte Marble Vases and Covers. By Ferdinand Barbedienne, Paris. Designed in the Neo-Grec style these elegant vases stand atop Rouge Griotte marb...

Signed F. Barbedienne & Cie Height : 31,5 cm (12,4 in.) ; Width : 12 cm (4,7 in.) ; Depth : 10,5 cm (4,1 in.) Charming baluster-shaped ewer in gilded bronze decorated with red and blue polychrome cloisonné enamel. Two beaded handles connect the body to the slender neck, ending in a flared pouring spout, and it rests on a circular piedouche. The whole is decorated with abundant engraved decoration of foliage interlacing. Barbedienne and the Cloisonné enamel : Ferdinand Barbedienne continuously innovated and he revived the use of enamel on art works during the second half of the 19th century. The Sèvres Manufacture enamel workshop had ever tried it in 1854-1855, but Barbedienne was the one who succeeded to join enamel to an industrial decorative objects production. From 1858 “At Mr Barbedienne’s, enamels in copper ornaments have got their former prestige back” (Les bronzes de la Maison Barbedienne, C. Simon, in L’Art du XIXe siècle, 1858, n°21, p. 252). The Barbedienne Company had now an enamel workshop where objects ornamented with oriental style or medieval style enamels were made. Four years after, Barbedienne’s cloisonné...

Signed F. Barbedienne on the mount. Charming pair of small curved-shaped vases in patinated and gilded bronze and polychrome cloisonné enamel decorated with flowers and birds. With ...

After the model presented at the Universal Exposition in Paris in 1878 Important neo-Greek vase in the shape of an Amphora, made in two patina bronze. The body is decorated with a rich continuous frieze in bas-relief presenting a procession of characters carrying their offerings to the temple, underlined by a decoration of theatrical masks among olive trees. The 's'-scroll handles decorated with grape vines, resting only on the shoulder of the vase, are supported by a ram’s head. Numerous palmettes and friezes adorn the whole. Resting on a molded marble circular base. Height without marble base : 116,5 cm Biography Ferdinand Levillain (Paris, 1837-1905) studied under the sculptor Jouffroy (1806-1882), before making his debut in 1861 at the French Artists Salon where he continued to exhibit until 1903. At the 1867 Universal Exhibition in Paris, he was praised for a Neo-Greek style bronze cup he made for the firm Blot and Drouard. He was not to become really famous, however, until 1871 thanks to his association with the great bronze founder Ferdinand Barbedienne, who began to exhibit Neo-Greek style lamps...

This elegant vase is cast entirely in bronze and it is signed by its makers, the sculptor Ferdinand Levillain (French, 1837-1905) and the master bronzier Ferdinand Barbedienne (Frenc...

A lovely quality late 19th century gilt bronze and crystal centerpiece by Barbedienne Ferdinand Barbedienne The wonderful floral etched crystal vase inserted...

Signed F. Barbedienne Charming pair of small vases in partially enameled gilded bronze, with orientalist decoration of arabesques and foliage. They are adorned with cartouches with ...

A wonderful pair of bronze vases with high relief by Bardedienne. France, circa 1870.