Pair of 19th Century/2nd Empire Bronze Decorative Amphorae by F. Barbedienne

19th century French Empire cloisonne bronze jewelry casket with blue velvet interior By: unknown Material: bronze, velvet, enamel, metal, copper Technique: gilt, cloisonné, champlev...

19th century Belle Époque bronze sculpture with greenish patina of a boy walking into water by sculptor Ruffino Besserdich By: Ruffino Besserdich Material: bronze, copper, metal Tec...

Late 19th century french bronze sculpture of a boy with a sword by Louis Kley By: Louis Kley Material: bronze, alabaster, copper, stone, metal Technique: cast, patinated, molded, me...

Late 19th century french patinated bronze sculpture of a peasant/shepherd boy By: unknown Material: bronze, copper, metal Technique: cast, molded, patinated, metalwork Dimensions: 6 in x 7 in x 12 in Date: late 19th century Style: Romanticism, Naturalism, Realism...

Set of two red and white porcelain vases, outlined in black, made in France. Hollow interior. Representing two expresive and detailed faces resembling teatrical masks, one on each side, with a base stamp signed by Aladin at the bottom. By: Aladin Material: porcelain, paint, ceramic Technique: molded, pressed, unglazed, hand-painted, painted Dimensions: 4 in x 9 in Date: early 20th Century...

Late 20th century bulbous polished glass yellow vase of scandinavian design By: unknown Material: glass, enamel Technique: cast, enameled, glazed, polished Dimensions: 11 in x 10 in...

Pair of fire-gilt bronze amphorae by Ferdinand Levillain (1837-1905) and Ferdinand Barbedienne (1810-1892) on trefoil red marble bases. The vases stand on lion paw feet with Hercules atlases and antique scenes...

A wonderful pair of bronze vases with high relief by Bardedienne. France, circa 1870.  

A fine pair of 19th-century Bronze and Gilt Classical Vases By Ferdinand Barbedienne 1810-1892. Each is unique with male nude figures in classical Greek poses playing music and ad...

Bronze vase of balustrades forms a relief of a musical and a shepherdess in an entourage of foliage and birds, resting on a pedestal area of a lezard and a surouris standing over red...

This elegant vase is cast entirely in bronze and it is signed by its makers, the sculptor Ferdinand Levillain (French, 1837-1905) and the master bronzier Ferdinand Barbedienne (Frenc...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...