Pair of Late 19th Century Gilt and Patinated Bronze Vases After Clodion

A pair of late 19th century gilt bronze and patinated bronze ewers. The scrolled lip above a slender neck and bulbous body cast with Bacchic putti, the scrolled handle mounted wit...

A Pair of late 19th century French bronze and Griotte Uni marble ewers After Claude-Michel Clodion Each with fluted spreading neck fronted with a grotesque mask and a pair of entwined serpent handles, above the tapering body cast in high relief with satyrs, bacchante and putti with acanthus-cast lower section , on a square base. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

A wonderful pair of late 19th century two tone bronze nine-light candelabra. After Clodion. Each cast as a female and a male figure from a bacchanale upholding eight scroll branches with a central branch in the fotm of a quiver, on a bronze-mounted circular base of granite. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

A late 19th century two-tone bronze lamp After Clodion Cast as a female figure from a bacchanale upholding a cornucopia lamp, on a bronze-mounted...

A beautiful pair of late 19th century gilt bronze and champlevé enamel mounted white Sèvres style vases Gilt bronze tops above a long neck with raised gold designs. The painted fr...

A very fine pair of late 19th century gilt bronze and Japanese Satsuma porcelain vases. Painted scenes of men, women and children in landscape scenes and at leisure surrounded by ...

After Clodion. Pair of bronze ewers with two patinas representing bacchanalia scenes after Clodion. Circular base with gadroon piedouche decora...

A pair of late 19th century French vases or urns, in the style of C.M.Clodion, in patinated bronze with a Belgian black marble base. The vase...

A pair of wonderful French gilt and patinated bronze candelabras made by Atelier Clodion in the mid-19th century. Depicting two patinated bronze satyrs sitting on a tree stump holdin...

A campana form urn with twin handles, cast with frolicking putti and trailing ivy leaves. The basin seated on a spiral fluted foot over a square plinth. Stamped CLODION below one han...

Covered pot in patinated bronze in the Louis XVI style, in the taste of Clodion. The main body is covered with a mythological decoration of putti connected to each other by branches of vine and bunches coming out of several horns of plenty, themselves held by a central putto enthroned on top of the lid. The latter, the only one wearing wings, has a serious and concentrated attitude. He stands on top of the triton shell...

A charming and very high quality pair of French 19th century Louis XVI st. patinated bronze and black Belgian marble urns signed Clodion and attributed to Barbedienne. Each urn is ra...