North American Vases

A Mid-Century Monmouth Pottery floor vase, circa 1950. A large form monochromatic glazed pottery vase with ribbed detail in a grey/green shade. Very good condition. Dimensions: 8.5" ...

Antique Arts & Crafts art pottery vase by Weller Pottery features pink and white floral design on graduated sea foam green to blue ground, artist and maker signed as photographed, ci...

Nice decorated jar by the well known California potter Philip Cornelius. signed 3 lines in bottom Cornelius.

Glazed stoneware. Footed oval-shaped vase with applied forms & blue glazes. Artist signed on underside.

Fantastic Post Modern Studio Pottery Vase Vessel. Acquired vessel from an incredible artist estate in Palm Springs, Vase is in excellent vintage condition and believed to be early 1...

Hand built piece by Glidden Pottery, Fong Chow Californian Artist. It is a dimpled or pinched vase. It is hand-painted glazing and signed to the underside. As a hand-built piece the ...

Wonderful limited edition patinated bronze vase with bamboo motif on mottled brown marble-like ground, standing 24 inches tall, by the American sculptor based in Hawaii, James Barker...

A tall sculptural transparent glass vase with ruffled edges. The base of this beauty is round, with scalloped edges. The body has long rounded edges which graduate and curl outward i...

The Crystal Fins Vase by KA Glass is a masterful creation, blending artistic finesse with the purity of crystal glass. Its hand-crafted form exudes sophistication, with sleek, undulating contours that evoke the fluidity of water, reminiscent of delicate fins in motion. The crystal glass enhances its ethereal quality, capturing light from every angle to create a shimmering display of elegance. Dimensions: 6.5” x 5” x 8.25” Style: Art Deco (In the Style Of) Materials and Techniques: Crystal Glass, Hand Crafted Place of Origin: USA Period: 21st Century Date of Manufacture: 21st Century / Modern Production Type: New & Custom (Current Production) Condition: New Reference Number: 629128Y ------- KA Glass by Kathleen Allen embodies a new level of luxury in glass artistry, born from Kathleen’s unparalleled expertise in design, fashion, and decorative craftsmanship. With a career spanning over four decades, Kathleen has been celebrated as a creative visionary, heralded by D Magazine as Dallas' own "Renaissance Woman." Her storied career, which includes founding The Decorative Artisans Guild, Gem Source Fine Jewelry, and Veritas Glass...

Picasso Pottery Vase, Double Handled Urn form with Sun, Edition Padrilla Mexico

An interesting figural brutalist art glass vase, circa 1970s. It is the bust of a man and has an abstract Picasso influenced look to it. Very cool and ...

A small round opalescent white candy cane stripe Hobbs vase. With a translucent body, soft white stripes are decorated diagonally across the body of the gla...

Tri-Handle Large White Ceramic Jug / Vase / Pottery A large and impressive decorative glazed pottery jug or vase having twin handles depicting lion maned busts. 20 H x 15 DIA hxa

Vintage 1970s Lucite vase designed and manufactured by Charles Hollis Jones. The piece is beautifully crafted in one piece of 3 1/2" thick Lucite x 9" tall and 9" wide. The piece...

Midcentury Art Pottery Ethereal Green Weed Pot Vase 4.5 tall x 3.5 diameter Signed initials appear as PK Original vintage condition See images provided.

Lovely Art Deco chrome bud vase designed by Ruth and William Gerth and manufactured in the 1930's by Chase. Classic Art Deco design with tubes of various heights and a stepped base. ...

Circa 1980s Van Briggle Grecian urn with turquoise ming glaze signed by the potter Dorothy Ruff (D.R.) The urn has a high shoulder with loop handles, figure...

Small Iridescent Art Glass Bud Vase, circa 1970s. This vase is in very good vintage condition with no chips or cracks and measures 2.25"D x 4.5"H. ...

Beautiful hand-turned Mata Ortiz polychrome pottery vase with animal motif by Nancy Heras de Martinez, circa 1990s. The exquisite piece made of...

Vessel No. III, in Iron glaze . Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built, glaz...

Two Art Nouveau Favrile Glass Vases in Iridescent Gold and Rose Gold, probably by L.C. Tiffany, made early 20th Century. The larger vase of pinched bottle form, with gold iridescence...

Garrafa No. I vase by Camila Apaez One of a kind Materials: stoneware Dimensions: 17 x 8 x 18 cm Options: White Bone, Chocolate, Buttermilk, Charcoal Black, Glossy, Spotted Gray,...

Vessel No. V, in Copper Patina glaze. Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built...

Monumental Art Nouveau sterling silver floor vase. Made by Graff, Washbourne & Dunn in New York, ca 1890. Baluster with curved and wavy rims and domed foot. Blossoming lily of the va...

A masterful -- and brilliantly-hued -- example of high style Art Deco sculpture, this large and unique vase depicts several nude figures along its upper edge -- a Triton blowing his shell-horn on one side and a nude merman and mermaid embracing on the other. The sides of the vase are enlivened by a series of jumping dolphins, and the entire surface is glazed in streaky blues, pale greens and rich browns. The artist was Edgardo Simone, an eccentric and brilliant sculptor who worked in bronze, plaster and ceramics over several decades. He was born in Italy and trained in Rome, but spent much of his career in America, specializing in portrait busts. He sculpted the likenesses of Thomas Edison, John Pershing, Henry Ford, Louis Brandeis, Sally Rand, President Franklin Roosevelt...

Maria Ortiz pottery (Mexico, Casa Grande). Bought in 1994 from Lanning/Sapp Gallery, Sedona. Designed and made by potter Pilo Mora. Hand-Coiled Low fire Cl...

Elevate your home decor with this Vintage Studio Pottery Speckled Glaze Vase With Line Detail. Handcrafted with a unique speckled glaze finish and delicate line detailing, this vase ...

This 13.75" tall hand blown art glass vase was made by Lundberg Studios of California. The large vase has an elegant flared form and has been finished in Lundberg's deep iridescent gold Doré finish, heavily influenced by the techniques used in L.C. Tiffany's Favrile Gold Lustre and Steuben's Gold Aurene decorative glass. The highly reflective iridescent finish has hints of red which add depth to the mottled gold color of the piece. The vase is quite substantial and weighs in at 9lb 12oz. The vase measures 11" across the rim and 5" across at the foot. The underside has a rough pontil and is fully and properly marked reading Lundberg Studios along with the date 1993. The piece also bears the number 102107. This Lundberg art glass...

Large studio glazed earthenware vase. Quality american mid century modern work. Outstanding glaze.

Vintage Mid-century Modern Douglas Ferguson Pigeon Forge Pottery - 1960’s vase with Black and white Lava Glaze Douglas Ferguson Pigeon Forge Pottery blac...

Monumental Amphora style vase with a stunning Jade green glaze finish. The vase came from a prestigious Indian Wells estate with interior completely designed by Steve Chase.

A Vibrant hand painted ceramic vase signed Picasso by Padilla Foundry. The vase is a re-issue of the famous "Picasso Faces Vase" by Padilla Mexico, ...

PRESENTING A LOVELY Mid Century Steuben 8.5 inch Palace Vase. Made by the renowned and highly desirable ‘Steuben’ Glass Works in NY circa 1960-80. In near mint condition with no chips or cracks. The vase has a bulbous mid section with swan neck, hence the name (after Asian Palace Vase...

Hand-built earthenware vase with texture and movement throughout. Great earth tone glazes suggesting flames. Artist-signed and dated on underside.

A vintage nemadji pottery vase with a beautiful organic pattern of blue swirls on a light off-white background. Matte glazed exterior. Unglazed interior for decorative purposes or dr...

This a Roseville pottery art Clematis flower pattern basket. It depicts a brick color vase shaped as a round basket and adorned with two large yellow Clematis flowers in the front an...

Beautiful fired handmade Raku vase by Michael Gwinup, signed with name and date. Diameter 21 cm, height 14 cm. Unique piece with pearl coloured copper b...

This Rare Ceramic Vase Signed by Scheller is a stunning piece of artisan craftsmanship, known for its unique design and exceptional quality. Featuring an open bottom that adds an int...

This beautiful Art Deco pressed glass vase was realized in the United States during the latter half of the 20th century. It features a cylindrical form that billows out towards its m...

A ceramic vase in the form of a "moon jar", a nearly sphere shape with small base and mouth. The form was celebrated in Korean Joseon pottery and its fo...

Ikeda Yoshiro Monumental ceramic sculpture. The glaze on this large scale work has a patinated copper feel. Has a wonderful feel and scale from all perspectives.

A rare pair of late 1930s Art Deco period Stangl Artware vases in shape 3188. The design of these vases recall the work of the Wiener Werkstatte with their looping handles and chevro...

A unique and striking example of the work of Pat and Covey Stewart in Laguna Beach, California, this vase depicts a group of three nude male figures bathing along the rocky coast, fr...

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

"Collection of Vessels — No. 1, 2, 4, 5 & 6" J.M. Szymanski 2024 Vessels No. 1, 2, 4, 5 & 6 make up this unique collection. Designed to be displayed together. Mathematically designe...

Royal Haeger geometric form vase from the "Earth Wrap" series. Brown base coat with abstract textured yellow and orange top glazes. Marked "Royal Haeger."

Introducing our stunning Large Hexagonal Ceramic Vase, a captivating addition to any space that will effortlessly elevate your home decor. This exquisite piece exudes a timeless char...

A handblown footed decanter vase in a smoked taupe color having the original flame stopper with a frost type finish to the inside executed in the Mid Century . Crafted in the United States for the Bischoff Glass...

Beautifully Glazed Turquoise ‘Haeger’ Amphora Vase. American, circa 1930.

Unusual to find a matching pair of tall vases, these are attributed to Carl Erickson, both are in excellent original condition, clean and ready to use. Priced and offered as a pair. ...

Late 20th century, American, large turned wood vase, possibly yew. The vase has been indistinctly branded on the base. A beautifully turned vase with...

Tim Keenan ceramic vase, 2022.

This sophisticated modernist orchid vase/ occasional bowl was realized in the United States during the latter half of hte 20th century. Realized in ceramic and finished with a bronze...

A nice quality Southwest Native American style ceramic vase. Neutral hues makes this vase particularly suitable for rustic or contemporary setti...

Astral Vase is a hand-blown glass vessel composed of two contrasting, color-saturated components that, when combined, produce a third hue. The rounded outer form supports a more line...

A fine quality Fenton Hollywood Regency style art glass vase. Amazing depth to the piece and wonderful neutral colors. This Fenton Hollywood Regency style art glass vase would ...

This lovely piece would make a great addition to a collection.

An antique glass vase by Fostoria offers mellon bulbous form with flared lip and foot, having allower acid etched floral and foliate design, 20th c...