Glazed Ceramics

Whimsical ceramic vase with a two tone glaze, gunmetal grey for the body and a glossy yellow for the indents on its surface and the interior.

Fabulous combination of orange and green French ceramic vase, circa 1930. Excellent condition (no crack, no repair). Size: Height 22 cm, 9.7 inc...

An organic shaped porcelain dish with a tactile exterior surface and a smooth glazed interior. Small & precious, yet surprisingly practical, the Kawa Dishes are equally well-suited a...

Italian artist Marcello Fantoni ceramic bottle vase is glazed stoneware made circa 1970s. This piece was acquired directly from the artist by the seller, who was a personal friend of...

1950s Spanish decorative tile framed in wood in different colours.

A very small oval shaped stoneware vase with a hare's fur glaze of various rich brown tones. Original Gustavsberg Sweden sticker on base covering the makers mark. Very nice condition...

A grand scale vivid blue salt glazed mid century jug by German ceramicist, Wim Mühlendyck. This original piece is signed with his signature WIM in the f...

Rusha wall plaque, glazed ceramic, (Image Sailboat) West Germany Was produced in the 1960's handmade, and made in Germany. Very collectible.

Pair of 19th century majolica leaf plates in rich green glaze. the border of the plates is a basketweave pattern, with the center being overlapping leaves. These are lovely and wou...

A vintage celadon ceramic charger plate with crackled texture. This elegant vintage ceramic charger plate features a delicate celadon glaze that enhances the simplicity and purity of...

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl / Nissen Kronjyden. Relief pot with handle in glazed stoneware. Beautiful glaze in mustard yellow shades. 1960s. Measures: 20.5 ...

ROSENTHAL Studio Line Wolf Bauer (Designer) - Mid Century gilt and floral decorated vase - signed in the design - Rosenthal stamp to the base - Germany - circa 1970's. Excellent/m...

Bayeux, France. Two miniature vases in hand-painted glazed ceramics with gold decoration. 1930s / 40s. Largest measures: 8 x 6.5 cm. In excellent ...

Rare Large Milk-White Vase by Gunnar Nylund for Rörstrand, Sweden, 1950s The vase is marked as 1st quality and is in excellent condition. Gunnar Nylund (1904-1997) was a renowned S...

A vintage hand-painted ceramic strawberry motif serving platter or relish dish. This serving dish features four wells that will accommodate dips, relishes ...

These earthen-toned, high-fired stoneware pitchers share common features with different proportions, likely intended for tea and coffee respectively. Stamped and "Modele Depose" in ...

Jean Lurçat 1892-1966 Plate - Red & White – White Siren c1955 Inscribed ''Dessin J. Lurçat Sant Vicens. verso Hand-painted glazed ceramic 25 cm diameter

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Figgjo Flint, Norway. Three "A La Carte" faience plates. 1960-1970s. Perfect condition. Marked. Dimensions: D 24.0 cm.

Stoneware relief with a beautiful japan inspired decor of a skein of geese flying above the water Created by renowned danish artist Knud Kyhn and manufactured by Royal Copenhagen ...

Monumental Mid-Century West German Ceramic Floor Vase attributed to Scheurich Keramik, circa 1965 This striking and tall ceramic floor vase was crafted circa 1965. A quintessential ...

'Endive' Vase by Stig Lindberg, Gustavsberg 1956 Heigth: 31 cm/12.2 inch Diamter: 6 cm/2.3 inch

French ceramic by Georges Jouve, polychrome decoration on white background. Signed with cypher and name. Excellent condition, no chips or restorations.

Danish Art Nouveau Handcrafted Bowl with Sea Lions by P. Ipsens Enke, 1910s/1920s This decorative Art Nouveau bowl features charming figures of three sea lions, showcasing the iconi...

A large Mid-Century Italian ceramic standard white poodle "Spaghetti" dog sculpture. With its sweet face and wonderfully executed fur, this poodle sculpture is a perfect companion f...

Stig Lindberg (1916-1982), Gustavsberg Studio. Miniature vase with green-brown glaze. 1960s. Signed. In perfect condition. Dimensions: H 30 mm x D 18 mm.

Bear with a bear baby glazed stoneware Roayal Copenhagen statue by Knud Kyhn. Ceramic statue produced by Royal Copenhagen of Denmark in perfect condition. Produced 1950s. Knud Kyhn 1...

A fine midcentury ceramic vase from Vallauris, France. Handcrafted with great precision. The black background is adorned with multicolored flowers, predominantly red and yellow, mak...

Scandinavian Modern Decorative Vide-Poche Bowl by Ludvig Kyhn, 1950s This elegant Scandinavian Modern decorative vide-poche bowl was designed and handmade by Danish ceramic artist L...

Two maiolica pharmacy flasks Milan, Felice Clerici Manufacture, 1770-1780 They each measure 9.44 in (24 cm) in height x 6.10 in (15.5 cm) in diameter l...

A brown bowl in ceramics, it is designed by Carl-Harry Stålhane at Rörstrand, the bowl is 12 x 8.5 cm wide. It´s in excellent condition except from some craquelure and air-bubbles on...

Stig Lindberg for Gustavsberg. Twelve Coq coffee cups with saucers in glazed stoneware. Beautiful glaze in brown shades. Swedish design, 1960s. The cup measures: 7.5 x 6 cm. Sauc...

A striking antique porcelain saucer from the Sichuan Province in China. This lovely piece depicts still life scenes of mountains and botanica...

Stunning midcentury decorative vessel resembling centuries old Greek or Roman oil jars. This interesting designed piece is from Perpignan, France. The br...

Circa 1920s red clay ewer with classical figures etched and painted in black. Found in England. Unknown maker. No cracks, chips or repairs found. White blurs...

Rambervillers, a French ceramic sculpture in the form of a cyclist with beautiful eosin glaze. "Pont Neuf - Fismes" prize from French cycling...

Blue stool by Milan Pekar Dimensions: W30 x D30 x H40 cm Materials: Glaze, Porcelain Handmade in the Czech Republic Also available: Different colors and patterns Establish...

Arabia, Finland. Art Deco bowl in glazed faience. Beautiful marbled glaze. 1920s/30s. Measures: 27 x 5 cm. In excellent condition. Stamped.

Almost fauvist in its bold use of color, this large (15-inch) platter features a female figure with long tresses framed by boughs laden with fruit or flowers, all executed in a tropi...

A ceramic (earth ware) lidded jar with glazed surface by American studio potter Karen Karnes (1925-2016). The mark on the jar indicates that the piece was m...

Black glazed vase by Swedish master ceramicist Stig Lindberg. From light brown on the edges to dark black. It is the Japanese tenmoku glaze also used by the ancient Chinese. Elegant ...

The piece is in excellent condition and a real beauty! A real treasure for the ceramics' collector. There was a lot of craftsmanship and time necessary to make these vases. ...

A Gunnar Nylund vase in hare's fur glaze of tans and mossy green. Crafted by Rorstrand in the 1960s, and inscribed {R Sweden GN}.

A glazed ceramic vase in slender spindle form from the Chang Ware series by Royal Doulton (England, founded 1815) circa 1920-30s. The vase was decorated with thick and dripping glaze in rich mottled polychrome colors. The glaze shows overall irregular crackles, a signature characteristic of Chang Ware. The base is hand-marked "NOKE", Royal Doulton in rectangle and initial HN (for Harry Nixon). Developed by Charles J. Noke (1858-1941), Doulton's Art Director, as part of his experimentation into Chinese flambé glazes during the 1920s. Fired at very high temperatures, they were introduced commercially by Doulton in 1925 in response to popular demand for eastern style ceramics. They were applied primarily by Harry Nixon (1886-1955). The name Chang Ware was used by Doulton in reference to the possibly mythical Song potter, Chang the Elder, although it bears little relationship to Song ceramics.

Large unique glazed ceramic dish. White base, decorated with blue and light green. Made by Dorrit May Dorrit May worked with the Danish cera...

Made in Italy by Giovanni Bertoncello, 1970s. It is made in brown and orange hand-glazed ceramic. This vase is signed on the bottom. It is a vintage piece, therefore it might show s...

The unique Solar collection conjures the spirit of the mystical universe. Natale’s solar candles encompass mysticism and pairs it with clean architectural lines in an evocative and e...

Painted with freshness and sophistication, this pair of Italian Art Deco plates depict elegant, stylized horses, one ridden by a blue-coated man in a bicorn ...

Jan de Rooden small stoneware bowl Jan de Rooden, J.W.M , Dutch ceramist Born in Nijmegen 1931- died in Amsterdam 2016, the Netherlands A salt gla...

Gunnar Nylund was a renowned Swedish ceramic artist and designer known for his work with Rörstrand, a prominent Swedish porcelain and ceramics manufacturer. "Rubus" refers to a spec...

A lovely ceramic piece to add interested hung on a wall or placed on a table. Measures: 10" wide 2.5" tall 7.5" deep.   

Pair of early 19th century plates by John Dawson & Co., Sunderland, Durham. The impressed mark dates from 1799-1837. These plates have lovely transfer in b...

Stig Lindberg (1916-1982), Gustavsberg Studio. Miniature bowl with brown glaze. From the 1960s. Signed. In perfect condition. Dimensions: H 30 mm x D 33 mm.

Pair of glazed ceramic flower vases by Delphin Massier, France, circa 1890.

Set of 8 glazed ceramic kitchen canisters / storage pots and jars. Spain, 1930s Rare find. Handcrafted in off-white ceramic with dark brown inscriptions and floral decorative painted details in shades of green and garnet. A highly decorative set of 6 antique kitchen canisters...

Snow Gray Ceramic Bowl by Alexandre Kostanda. France, circa 1960. Signed on the bottom. Alexandre Kostanda (1921-2007) for Vallauris. Kostanda was a ceramic artist living and workin...

Six Early 20th century plates and a compote Centerpiece made by the Max Roesler company which produced fine stoneware in Rodach, Germany. It is an antique set of plates and a Fruit b...

One of the masters of Scandinavian Art Deco and Mid-Century design in the 1930s, 1940s and 1950s, Vicke Lindstrand is best known for his work in glass for Orrefors in the 1930s and f...

In 1917, Gustavsberg hired Kåge to make its dinnerware and other everyday products more beautiful—he would serve as the company's Artistic Director until 1948. During this fruitful p...

A green vase designed by Gunnar Nylund at Rörstrand, the vase is 23 cm (9.2") high. It is in mint condition and marked as 2nd quality. Gunnar Nylund was born in Paris 1904 with par...