Glazed Ceramics

A gray and brown vase with lovely handles designed by Eva Jancke-Björk at Bo Fajans in Gefle in the 1940s. It is 13.5 cm high and about 18 cm in diameter. The vase is in excellent co...

Handmade stoneware table lectern manufactured at the workshop of Apparatu in Barcelona. Different clay bodys are mixed with natural fibers like corn, str...

Hand-painted French ceramic carafe and set of six cups from the 1950s. These pieces capture the joie de vivre of mid-century with whimsical hand-painted motifs, charming circular pat...

Art Deco Grès ceramic vase with birds by Charles Catteau. For Boch Frères, Keramis. Signed Ch Catteau, Model number D 1009, 898 Belgium, 1925. This decor is illustrated in the foll...

A lovely Midcentury Swedish vase in ceramics designed by Carl-Harry Stålhane at Rörstrand. The vase has a lovely yellow glaze. The vase is 10.5 cm high and in mint condition. Car...

1960s Italian Egyptian themed, hand painted decorative plate. Reminiscent of Desimone painted designs, marked on the back in the clay Italy. The profile of two Egyptian heads facing ...

A French glazed ceramic vessel signed and dated with initials EG 1955. A gréât example of French 1950’s glazed ceramics.

A large, deep blue bowl designed by Ewald Dahlskog at Bo Fajans in Gefle in 1940s. The bowl is 33.5 x 19.5 cm in diameter and in excellent condition except from a minor stain on the ...

These are a near pair of rare Portuguese Majolica of Caldas da Reina jugs or pitchers created by the important majolica designer Manuel Marfa c. 1860-1870. The jugs are in the form ...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950’s. Excellent condition. Signed on the base...

Crafted by one of America's finest Arts and Crafts potteries long after the era was over, this charger, glazed in a lovely, deep forest green, was made by Pewabic Pottery in Detroit for an annual holiday event hosted by the Detroit Institute of Arts...

A lovely green/turquoise vase designed by Gunnar Nylund at Rörstrand, it´s 24.5 cm (7") high. It´s in excellent condition except from some minor marks and marked as 1st quality. G...

A round, lovely ceramic bowl designed by Sylvia Leuchovius at Rörstrand, the bowl is 14 cm (5.6") in diameter and 3 cm (1.2") high. It is in excellent condition and marked as 1st qua...

A large floor vase designed by Gunnar Nylund at Rörstrand, the vase is 39.5 cm high and it is in very good condition except from some scratches in the glaze.

Italian Mid-Century Modern Glaze ceramic red vase by Bitossi 1960s. Stamp on the bottom made in Italy, original ceramic in typical Bitossi red colour.

A small brown ceramic vase designed by Carl-Harry Stålhane at Rörstrand. The vase is 11 cm (4.4") tall and in excellent condition except from some minor stains in the glaze. The vase...

Danish Mid-Century Modern handmade and hand decorated stoneware vase by designer Einar Johansen. Grey base with brown lines accentuating the geometric pattern on all four sides. Manu...

A lovely brown speckled vase designed by Gunnar Nylund at Rörstrand, the vase is 28 cm (11.2") high. It´s in excellent condition except from some m...

A blue, miniature ceramic vase designed by Gunnar Nylund at Rörstrand, the vase is 6.5 cm (2.6") tall. It is in mint condition and marked as 1st quality. Gunnar Nylund was born in ...

Beautiful West German Scheurich Koralle ceramic vase. Marked '288-30' on bottom. Regarded as the golden age of ceramics, highly collectable 1950s-1970s Art Pottery is known for exper...

Jean Lurçat 1892-1966 Plate - Red & White – White Siren c1955 Inscribed ''Dessin J. Lurçat Sant Vicens. verso Hand-painted glazed ceramic 25 cm diameter

Spanish glazed terracotta spotted vase, Spain, circa 1960s. Marine blue, white, black. It has a mark on the bottom (IOX). Beautiful to be used as flower v...

Late 19th century stamped Villeroy and Boch sunflower plate. The plate is white all over with an embossed design as a background for the star of the show - the glorious sunflower! ...

A brown & gray lidded bowl designed by Carl-Harry Stålhane at Rörstrand The bowl is 9 cm (3.6") in diameter and about 5 cm (2") high. It is in excellent condition and marked as 1...

An exotic decorated, restlessly looking horse stands on an oval base plate; a Chinese man with typical headgear looks out from behind him and clings to the animal's mane. In the fore...

1960’s Scheurich Keramik West German Ceramic Vase. Numbered on base: W. Germany 289-41. With olive green/brown, ochre, and white glaze. Lovely condition!

Wonderful collection of miniature ceramics. These ones are the work of John Andersson, signed ”JA”, and produced at Höganäs in Sweden. There are two vases and one bowl. The sculpture...

Pretty Nordic almue style ceramic vase with hand-painted admiral blue floral decor on white crackle glaze. Manufactured by Søholm on the Danish island of Bornholm in the early 1940s....

Rare and iconic budded vase by Danish master of stoneware Axel Salto in terra-cotta and celadon green glaze. Made at the terracotta manufacturer "P.Ibsens Enke" in the 1930s. Signed ...

Soft is a collection of sensual and tactile ceramic pieces in which Kiki looks at vernacular shapes to re-imagine them. The Netherlands has a long history of craft and Dutch designer...

Rare Large Milk-White Vase by Gunnar Nylund for Rörstrand, Sweden, 1950s The vase is marked as 1st quality and is in excellent condition. Gunnar Nylund (1904-1997) was a renowned S...

wonderful 'S-Handle' mugs, handcrafted by Los Angeles based ceramicist Jed Farlow for Farlow Design. High fired stoneware with matte white speckled glaze. Designed with a human-cente...

Clearly showing the influences of the Vienna Secession and the Wiener Werkstatte, at a time when Vienna led the Germanic world's interpretation of Art Nouveau and Art Deco, this cyli...

On offer is a ceramic bowl entitled Visage de Faune (A.R.256) by Pablo Picasso (1881-1973). The interior surface of the bowl features a striking rendition of the bespoken drawing the...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Vintage duck terrine mold, pate mold designed by the studio of Michel Caugant, collector's item from the 60s-70s. Entirely handmade item in glazed earthenwa...

Art Deco Royal Doulton fully marked jardinière on stand. Dark cobalt blue with green and brown ground and pink flowers. Planter on stand from th...

American mid 20th century glazed stoneware geometric sculpture signed and dated 1966. Raw stoneware, a little glaze and some cobalt and iron were the standard elements of the day, al...

Kähler Art Nouveau ceramic bowl. Decorated with polychrome glaze in a typical art nouveau pattern. Signed HAK for Herman A. Kähler. Approx. 1900-1910.

Janne Fagerfäldt (b. 1941) Sweden Unique sculpture in glazed stoneware. In excellent condition. Signed. Diameter 10 cm 3.93 inch Height 14cm 5.51 inch.

A lovely black and brown vase designed by Carl-Harry Stålhane at Rörstrand Atelier, it´s 10.5 cm (4.2") high and it´s in excellent condition. Carl-Harry Stålhane is one of the to...

A Japanese porcelain stem bowl with beautifully decorated glazed surface by Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist...

Gorgeously glazed in hues of soft brown and ivory, this tall, elegant vase depicting a stylized antelope was hand-glazed by artisans at the famous Rookwood Pottery in Cincinnati at t...

A stoneware glazed bowl by British studio potter John Ward (1938-2023) circa 1980-1990s of the last quarter of the 20th century. The bowl features a distinct form with a wide flanged...

A beautiful stoneware vase with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1974. Excellent condition. Incised Yngve Blixt, Höganäs. Yngve Blix...

Brown blue glazed vase by Desire Stenj, interesting striated details on the faces with a recessed square opening. Signed and marked.

This Mid-Century Modernist Ceramic Vase is a beautiful example of Post War European Ceramics, realized in Hódmezovasarhely Majolikagyár, Hungary circa 1960. With a Stunning textural ...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Antique glazed ceramic plate decorated in cobalt blue on a cream background, inspired by the Fajalauza-style Iberian earthenware tradition from Granada. The piece features a stylized...

Beautiful vintage midcentury West German vessel or vase by Carstens Tonnieshof made post war circa 1950s with a turquoise blue and black glaze with gold details and white lines of dr...

Maison Lecan presents this mid-20th-century zoomorphic modernist ceramic, depicting a stylized fish with dynamic lines and pronounced relief. Typical of Vallauris production (embosse...

Raku pottery decorative platter or catchall bowl features designs of swimming tortoises, done in semi-glossy off-white glaze. The glaze contrasts the multicolored metallic Raku fini...

The unique Solar collection conjures the spirit of the mystical universe. Natale’s solar candles encompass mysticism and pairs it with clean architectural lines in an evocative and e...

Scheurich produced this tall cylindrical vase with a repeating relief-molded onion pattern — elongated ogee shapes running vertically across the body and echoed on the wide flared ri...

A 19th Century French glazed earthenware plate by H. B. Boulanger Choisy-le-Roi. Hand-painted urn of flowers in magenta, green and brown. Marked verso: Terre de Fer H.B Choisy-le-Roi...

1950s Aldo Londi Ceramic Bitossi Pendant Lamp for Raymor. This rare and sculptural Italian ceramic lamp is executed with multicolored glazed horizontal stripes and geometric circula...

Object 2 Atlantis Collection by Angeliki Stamatakou One of a kind, 2022 Dimensions: H16 x W11 cm. Materials: Stoneware, handmade glaze. Colors: blue, pink, ivory. Angeliki Sta...

Beautiful sculpture in brown earthenware modeled in the expression of a woman in polychrome glaze with blue hair, made in Germany, 1930s. Erwin Spuler (1906-1964), who initially studied at the School of Applied Arts in Stuttgart, studied with Georg Scholz...

Vintage Large Fat Lava Floor Vase with Cobalt Blue Drip-Glaze 88-40 W-Germany' Large Bay W Germany Classic fat lava Cobalt Blue drip-glaze Floor vase Glazed pottery. Stamped on the...

Large ceramic wall plaque features an abstract motif of a fish in bright turquoise glaze with mauve and blue outline on light mottled mauve background. The contrast between high glo...