Glazed Ceramics

This early 20th century spongeware comes out of a rare set and is in excellent condition. This item has minor wear consistent with its age.

Beautiful artichoke and leaves 8 pieces crockery /tableware / serveware set. Spain, 1960s This serving set is made in dark green glazed ceramic and it is comprised by: 1 artichoke sugar bowl / sauce tureen with lid+ 1 small serving spoon+ 1 small plate 1 serving small bowl 2 leaf shaped small plates 1 artichoke salt shaker+ 1 artichoke pepper...

Mid-century pattern Vetrata vase by Aldo Londi for Bitossi Italy. Black, blue, orange and yellow on a brushed background.

A vase with a lovely green glaze designed by Gunnar Nylund at Rörstrand, the vase is 14.5 cm (5.8") high and 7 cm (2.8") in diameter. It is in mint condition and marked as 1st qualit...

A captivating ceramic bowl from Belgium, crafted circa 1960 by the renowned Perignem atelier, an emblem of postwar artistic revival and modernist experimentation. This piece exemplif...

A stylish and impressive antique English majolica pottery game pie dish and cover by renowned and sought after maker Minton and dated 1867. The earthenware dish stands raised on four...

Set of five miniature stoneware vases and bowls from Höganäs and Swedish studio ceramicists. Charming collection of five unique miniature glazed stoneware pieces, including Höganäs a...

CHAMBERLAIN'S WORCESTER - Rare ceramic serving bowl on stand - transfer decorated in pink with floral borders and sprays featuring roses and passion fruit flowers - hand painted highlights - 1230 painted pattern mark to both pieces - impressed CHAMBERLAINS mark on the stand only...

A ceramic vase with a lovely glaze designed by Carl-Harry Stålhane at Rörstrand, it´s 32 cm (12.8") high. It´s in excellent condition, it is marked as 2nd quality because a small whi...

Roger Capron, the celebrated French mid-century ceramist, created a large body of work notable for its elegance, varied sources of inspiration, and expert execution. This beautiful, ...

Beautiful ceramic bottle vase decorated with circles. Manufactured by Dümler and Breiden. Germany, 1950s. This elegant pottery vase in brown and gr...

MOORCROFT - 'Clematis' - Vintage Arts & Crafts ceramic vase - hand painted with a blue background - impressed stamps to the base - U.K. - circa 1950-86. Excellent condition - no lo...

On offer is a ceramic bowl entitled Visage de Faune (A.R.256) by Pablo Picasso (1881-1973). The interior surface of the bowl features a striking rendition of the bespoken drawing the...

An exceptional Art Deco ceramic vase designed by Charles Catteau for the Keramis manufactory in La Louvière, Belgium, created in 1941. Glazed ceramic with enamel and gilt detailing,...

1960’s Scheurich Keramik West German Ceramic ‘Rooster’ decorative wall plate with original Ruscha label. Two holes on rear for wall hanging. Orange, yellow, beige, brown glaze with t...

A lovely Midcentury Swedish vase in ceramics designed by Carl-Harry Stålhane at Rörstrand. The vase has a lovely green glaze. The vase is 12.5 cm high and in mint condition. This vas...

Brilliantly glazed in chartreuse-yellow and Mediterranean blue-green, this unique and important Art Deco bowl was made by Erwin Winterhalder in Cupertino. The artist was born in Swit...

A lovely green ceramic vase designed by Ewald Dahlskog at Bo Fajans, Sweden in the 1930s. The vase is 18 cm (7.2") tall and in excellent condition. Ewald Dahlskog (1894–1950) was on...

This is an early English porcelain Milk Jug or Pitcher, made by C. J. Mason (The same factory who produced Mason's Ironstone) during the period of William IVth, circa 1830-1835. The...

This is an early English porcelain Sauce Tureen or Sucrier, made by C. J. Mason (The same factory who produced Mason's Ironstone) during the period of William IVth, circa 1830-1835. ...

A dove blue vase with a lovely glaze designed by Gunnar Nylund at Rörstrand, the vase is 25 cm (10") high and 8.5 cm (3.4") in diameter. It´s in excellent condition and marked as 1st...

Ceramic vase 407-28 with handle, in brown and orange glaze, West Germany circa 1970's.

Sculptural ceramic vase from the renowned pottery center of Vallauris, France features an asymmetrical form with flowing, organic edges and a pinched spout opening. Gray volcanic-tex...

Very nice complete ceramic drinking set designed by Magdalithe, France in the 1960s. This ceramic set is in good condition and complete: 6 cups, a jug and seven plates. Measures: H...

Large glazed ceramic brown jug with mottled taupe glaze and concentric circle detail by Scheurich Keramik West, Germany. Originally sold through Raymor. Mea...

A substantial coffee or cocoa mug with golden matte glaze.

1960’s Burkart Keramik (Switzerland) ceramic ‘Wild Horses’ decorative wall plate. With makers mark on the reverse side. Two holes on rear for wall hanging. Red black, grey, & whi...

A globose vase designed by Ewald Dahlskog at Bo Fajans in Gefle in the 1930s. This vases was first presented at the Stockholm exhibition in 1930, ...

Mid-20th Century Italian Basket Tureen with Cabbage and Crab Lid ___________________________________________________________________________ Eye-catching hand painted glazed ceramic ...

Art Nouveau Majolica glazed tableware set of 10 pieces Leaves pattern in relief. Sarreguemines Majolica is a type of earthenware, decorated with colored lead glazes. Majolica was m...

UNGEMACH POTTERY COMPANY (UPCO) - Vintage ceramic 'faux bois' planter - molded decoration - green glaze throughout - signed on the base - United States - circa 1950's. Excellent v...

A 19th century English George Jones Majolica glazed ceramic plate with grapevine pattern in green and brown, center medallion and ochre banded rim. Mottled color on reverse side with...

This is an early English, PAIR of porcelain Tea Cups and Saucers, made by C. J. Mason (The same factory who produced Mason's Ironstone) during the period of William IVth, circa 1830-...

A lovely blue flattened round ceramic vase with a stunning crystalline glaze designed by Isak Isaksson in Sweden. The vase is 9.5 cm (3.8") tall and about 20 cm (8") wide and it is i...

A vibrant green and yellow oyster plate in the Vallauris style, six wells with a lemon center.

COPELAND SPODE - Greek Revival transfer decorated ceramic cabinet plate in brown - featuring panels of Greek Gods and antique urns within a Greek key border - signed on the back (bac...

A beige vase with a stunning beige/white/Yellow glaze designed by Gunnar Nylund at Rörstrand, the vase is 35 cm (14") tall. It´s in excellent condition except from some minor marks i...

The Tripod is built from stoneware slabs and coils in our Brooklyn studio and fired in the traditional Japanese Raku tradition in New Jersey. A clear crackle glaze is applied with a ...

An Italian Baroque Castelli albarllo, also known as a pharmacy or drug jar. It held 'Benedict Laxat' listed as far back as Aristotle as a medication used in by midwives. Beautifully decorated with buildings in landscapes in the free, almost impressionistic style typical of Castelli Maiolica...

Striking Danish Art Deco handmade ceramic decorative bowl by Michael Andersen & Son. Vibrant orange, umber and seafoam green glaze over relief wave-like striped pattern from centre t...

Nice vase from Bitossi by Aldo Londi. The pattern is Stambecchi or Caprone (goat), designed by Aldo Londi. A sgraffito and glazed pattern of goats in grey, brown and orange on a brus...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950’s. Excellent condition. Signed on the base...

Plateelbakkerij- Antique Gouda Art Nouveau ceramic ewer - large size - matte finish glaze with hand painted leaf pattern and triple line borders - re...

Aldo Londi Bitossi Kwan Yin, Ceramic, Buddha Bust, Blue. Beautiful and calming female Buddha glazed in a vibrant dark blue. It is believed that to have a picture or statue of Kwan Yi...

Two vases of model Argenta and with shape of Surrea designed by Wilhelm Kåge at Gustavsberg, the tallest vase is 19 cm (7.6") high. They are both in excellent condition and marked as...

A fine Majolica vegetable tower or topiary, attributable to the ceramic artisans of Este, Italy, featuring a naturalistic relief of vegetables upon...

A refined Art Deco lidded jar designed by Einar Luterkort and produced by Upsala‑Ekeby between 1932 and 1938. This elegant Swedish stoneware piece features a soft celadon green glaze...

A beautiful stoneware vase with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1975. Excellent condition. Incised Yngve Blixt, Höganäs. Yngve Blix...

Gilbert Valentin, France 1928-2000 Les Archanges charger Vallauris France 1950s Signed on the underside, as pictured. Measuring 18" diameter. In very good condition. Gilbert Valen...

A large, deep blue bowl designed by Ewald Dahlskog at Bo Fajans in Gefle in 1940s. The bowl is 33.5 x 19.5 cm in diameter and in excellent condition except from a minor stain on the ...

Italian creamware lion mask cachepot.. Antique neoclassical creamware soup tureen cachepot with three ringed lion masks supported on tripod tapering legs with lion paw feet on circul...

A sculpture of a polar bear in ceramics with a stunning white glaze designed by Gunnar Nylund at Rörstrand. It is in excellent condition except from a minor stain in the glaze on the...

A boldly strutting rooster fills a framed ceramic tile from Roger Capron for Vallauris, France Dark wood framed tile with cream background and dark brown detailed etching Circa 1970...

Rare and unusual square ceramic tray, charger, or plaque features striking geometric decor in Art Deco style. The reserved mocha brown and warm burnt cinnamon colors of the pattern are juxtaposed with the off-white background; the colorway is rather unique to the typical Longwy color palette. The use of craquelure, cracked, or crazed, glaze, that acquires additional visual effect during firing, as well as ceramic cloisonne technique, with prominent lines dividing the pattern, adds extra dimension and texture to the piece. The tray is marked with the round "Primavera Longwy France...

BAKER & CO. LTD. - Antique ceramic serving platter - large size - transfer decorated in blue/green on a cream ground - undecorated cent...

Wonderful two-person set, consisting of a butter dish and two plates. The set is made of ceramic, glazed and hand painted, of the Art Nouveau period, made around 1910, in Austria. ...

This stunning, vintage, Mid-Century Modern hand thrown clay vase was made by Görge Hohlt (1930-2022), circa 1970s in the Hohlt Katzbach Werkstatt / Studio. The Katzbach studio was bu...

This is a very rare ironstone vase, in the Chinese style, all hand painted in the coloured dragon pattern, made by the Mason's factory in the early 19th century. Both the vase shape and the pattern are very rare. The vase has a bottle shape with a fairly tall neck, having two dolphin head handles, with attached loops. (NOTES ON SHAPE This vase style is a copy of a much earlier Chinese bronze vase shape produced in the Ming, Hongwu period of 1368 - 1398, which had similar decorative animal head side handles with loops. ( See the book Chinese Ceramics by He Li, page 216, published by Thames & Hudson. ). Also On view at The Met Fifth Avenue in Gallery 204; The square handles and rings illustrate the metal origins of the shape of the vase. Similar examples have been excavated in Chinese tombs dating to the fifteenth and sixteenth century, suggesting that the shape was particularly popular at that time.) This vase is beautifully hand decorated in a more complex variant of the Coloured Chinese Dragon pattern, with strong coloured enamels depicting a green dragon on one side and a pink dragon...

Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...

Object 2 Atlantis Collection by Angeliki Stamatakou One of a kind, 2022 Dimensions: H16 x W11 cm. Materials: Stoneware, handmade glaze. Colors: blue, pink, ivory. Angeliki Sta...