Glazed Ceramics

Set of midcentury multi color fish Plates and Platters as Wall Decoration A funny collection of twelve european glazed ceramic, porcelain and...

Midcentury Swedish vase from Rörstrand, designed by Carl-Harry Stålhane. The vase is in very good condition except from some minor white marks in the glaze from the production why it...

A footed spherical vase with an aquamarine hares fur glaze by Eva Stæhr Nielsen for Saxbo. Stamped with the Saxbo crown symbol, model number 85, and “SAXBO COPENHAGEN”.

Spanish 19th century green and beige ceramic terracotta bowl / centerpiece Green and Off White colors. Beautiful handcrafted terracotta lebrillo bowl with glazed ceramic finishing in shades of green and beige This traditional Spanish pottery lebrillo is beautiful used as fruits bowl, serving bowl or as a centerpiece. Also amazing to be exhibited in a cupboard with other pottery pieces as a collection. A good addition in any rustic or traditional style kitchen but also a charming accent in a modern or contemporary kitchen. Measures: 28 cm diameter x 12 cm height ( 11,02 in diameter x 4,72 in H ) Spanish Terracotta Lebrillo...

An exceptional pair of Art Nouveau purple and blue streak glazed art pottery candlesticks dating between 1909 and 1922. The stoneware candlesticks are heavily potted standing on wide rounded bases with tall graduating column stems with bud shaped tops with flat rounded rims. The candlesticks are decorated in streaked blue and purple glazes over a lighter red glazed ground and both have clear glazed foot rims with recessed bases. The candlesticks are both impressed ASHBY GUILD...

A glazed ceramic large fish platter in brown and toffee colors manufactured by Secla ceramics factory. Portugal, 1960s. A very interesting piece du...

A fine Belgian large figurative swan planter or vase featuring an elegantly modeled swan in white with hand painted accents.

Scandinavian Modern matte chalk white spherical ceramic table lamp with anthracite black and lilac blue splashed accents and small drops. Designed and handmade by Danish ceramic arti...

Lovely hand-painted ceramic flower vase from Vallauris, France. Signed Vallauris, JH and numbered 503. Gold trim finish and beautiful floral details makes this hand-painted ceramic...

A fine large Italian cream-ware or white glazed ceramic pedestal bowl with rose topiary top, featuring a fitted lid with a relief of roses (or rosettes) and bocage around the circumf...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

Beautiful duck figure sculpture in off white beige glazed terracotta. Spain, 1960s This handcrafted glazed terracotta duck figure with unglazed beak is in excellent condition. Mat...

Lisa Larson for Gustavsberg. Rare lion couple in glazed stoneware. 1970's. In very good condition. Stamped. Measures: 16 x 7.5 cm.

A brown stoneware vase in the Rubus-serie designed by Gunnar Nylund at Rörstrand, it is 16 cm (6.4") high. It is in mint condition. Gunnar Nylund was born in Paris 1904 with parents...

White splash ball vase created by Otto and Vivika Heino of Ojai, California. Vase measures 5" by 5" by 4.5" and is signed Otto + Vivika Heino. In very good vintage condition.

Large ceramic wall plaque features an abstract motif of a fish in bright turquoise glaze with mauve and blue outline on light mottled mauve background. The contrast between high glo...

A stunning antique Thomas Forester hand painted art pottery vase decorated with large flowering blooms dating from around 1890. The lightly potted earthenware vase stands on a narrow...

This elegant antique jar was hand-crafted in Spain circa 1760; round in shape with narrow base and neck, the vessel features a rolled rim at the top accented with a mustard color gla...

Stunning white plisse porcelain vase by Ambrogio Pozzi for Rosenthal. The rounded pleat design reflects the light beautifully. Signed, see last photo. In good vintage condition, no c...

These petite Japanese dishes are patterned with a bright, cobalt blue design of flowers and leaves, arranged to form a large, five-petal plum or cherry blossom. A type of porcelain w...

Barely an inch tall, super pair of stoneware salts with applied silver decoration by Wilhelm Kage for Gustavsberg, Sweden Delightful Argenta pieces Circa 1955 Stamped Gustavsberg Arg...

Aldo Londi for Bitossi Vase, Ceramic, Orange, Brown, Signed. Small ball form vase with orange glazed body and raw clay collar. Signed on underside of base: 4208 B Italy.

This is a very good example of an English George III period, porcelain, coffee can, made by Spode, England in the early 19th century, circa 1810. The can is nominally straight sided and has the Spode loop handle with a pronounced kick or kink to the lower part, with a lower attachment that curves out slightly from the cup. Spode is the only factory with a handle of this exact shape. The can is decorated with one of their grey "bat printed" designs, showing game birds collected after the shoot. It also has hand painted gilded detail to both rims and the handle. Similar Spode bat printed...

a set of 12 breakfast plates. Made in high quality glazed porcelain Tor Viking Turi design A typical midcentury design item in scandinavian design. Made in Norway marked on the bott...

1960s Italian Egyptian themed, hand painted decorative plate. Reminiscent of Desimone painted designs, marked on the back in the clay Italy. The profile of two Egyptian heads facing ...

Beautiful and large round midcentury ashtray in blue glazed ceramic (Rimini Blu). This amazing piece was designed by Aldo Londi and produced by Bitossi in Italy during 1960s. Thi...

Dusty olive celadon green art deco faience sun-like bowl plate centerpiece by artist and designer Arthur Percy (1886-1976, student of Henri Matisse) for the Gefle porcelain factory i...

This antique Art Nouveau double-handled majolica ceramic vase features a beautifully embossed floral motif and was made by the famous French manu...

A large lovely blue vase with a stunning crystalline glaze designed by Isak Isaksson in Sweden. The vase is 17.5 cm (7") tall and about 16.5 cm (6.6") wide and it is in excellent con...

This set of antique ceramic water filters was crafted in Provence, France, circa 1870. Originally designed as promotional display pieces for a French pharmacy, each vessel advertises...

Large late 19th century stoneware jardiniere, a Royal Doulton Isaac Walton Series Ware piece by Charles Noke (English, 1858-1683). This large jardiniere has three handles and is decorated with several detailed figures; characters based on the 17th century English author Isaac Walton's book The Complete...

A stunning Aesthetic Movement William Brownfield plate with a stylised panel and floral design by Christopher Dresser (British, 1834-1904) dating from around 1876. Christopher Dr...

Victoria Littlejohn fish ceramic wall plaque / Trivet, circa 1975.

These are pair of porcelain blue and white, hand gilded tea cups made by Miles Mason (Mason's), Staffordshire Potteries, England around the turn of the...

Brilliant handmade hand glazed Art Nouveau planter jardinière, 1930s Wonderful Art Nouveau period/ monumental ceramic planter jardinière, handmade and hand-glazed in brilliant blue ...

Large Vase Hohr W-Germany, 1960s Satin finish ('half gloss') W-Germany, 1960s. Stamped on base. W-Germany. Measures: 46 x 23 cm 3.5 kg The piece is in excellent condition and a r...

This is a good, very early, rare blue and white coffee cup in the "Boy on a Buffalo" pattern, probably from the factory of Josiah Spode, stoke on Trent, Staffordshire, England, made...

A blue/gray bowl in ceramics, it is designed by Gunnar Nylund at Rörstrand, the bowl is 10 x 7.5 cm (4" x 3") in diameter. It´s in excellent condition except from a tiny mark on the ...

Set of very decorative, late 19th century blue-green French Majolica asparagus plates, hand-painted in white, green and purple, showing four asparagus spears in relief, and with fluted rims. The underside is stamped "Depose K G Luneville...

The large and rare Majolica group consisting of a nude male figure riding a horse was sculpted by Else Bach for the famous Karlsruhe ceramic works in...

Scandinavian Modern vase designed and signed by Gunnar Nylund (1904-1997) for Rörstrand.

Miniatures Collection: 19 Glazed Ceramic Vases and Bowls by Various Makers, Including Wilhelm Kåge – Sweden and England. Normal wear and tear, micro-damage may occur.

Pair of beautiful earthenware pitchers, France, circa 1800-1850.

Two ceramic sculptures designed by Bertil Lundgren at Rörstrand in 1970s. The sculptures are in excellent condition and stamped Rörstrand BL. They are all in excellent condition.

Our stoneware Sag Harbor lamp is handcrafted using slab-construction techniques. Finish - Dipped glaze parchment & chalk glaze - Antique brass fittings - Black-cloth cord - Full-r...

UNGEMACH POTTERY COMPANY (UPCO) - Vintage ceramic 'faux bois' planter - molded decoration - green glaze throughout - signed on the base - United States - circa 1950's. Excellent v...

Color Number 1 showtime vase by Jaime Hayon Dimensions: Diameter 19 x H 33 cm Materials: Made in two pieces in enameled stoneware porcelain; mono-color (interior and external in ...

A superb antique relief moulded Continental Maiolica dish or plaque relief moulded with a side profile portrait of a figure wearing a military helmet and with the words DUX D'URBINUS...

A "Paradiso" stoneware bowl/astray with robust forms, glossy green glaze, and nature floral motifs in relief. By Gunnar Nylund for Rörstrand. Paradiso sticker scraps. Diameter 15 c...

Decorate a shelf or a kitchen counter with this elegant antique milk pitcher. Created attributed to Sarreguemines, France in the 1900s. The milk j...

Green Earth - Vintage studio pottery vase - elegant and minimalist design - featuring an asymmetrical mouth with glazed accent rim - over-a...

An unusual early modernist almond green and white vase. Designed by Anna-Lisa Thomson, for Upsala-Ekeby, Sweden, 1940. Stamped. Very good c...

A really large bottle / vasein rustic stoneware in brown & gray color designed by Annikki Hovisaari at Arabia in Finland in the Mid 20th century. It is 42 cm (16.8") high and in exce...

French ceramist Eric Astoul (b. 1954, Morocco) infuses his sculptures with the essence of ancient and modern earthenware he has encountered along his travels in France, England, Japa...

Huge ceramic bowl by Guido Gambone with brown and orange glaze. Signed on the bottom with the donkey mark. Guido Gambone (1909 – 1969) is one of ...

Georges Jouve cylindriacl white glazed vase France c 1950"s. Matte white exterior exhibiting the most desirable subtle texture with a shiny turquoise and dark green interior glazes....

Rose and Erni Cabat glazed porcelain Feelie vase citron chartreuse yellow green, USA, 1970-1985 Incised signature to underside 'Cabat' and numbered. This li...

Fantastic handmade salad serving bowl. The perfect piece for making a bold statement, this large ceramic salad bowl is great for functional use or as beautiful decoration in your home. Use it for serving your favorite salads, keeping your weekly fruits out on the counter or as decorative centerpiece bowl. Each serving bowl is glazed by hand in a matte glaze with hand painted black splatters that resemble Pollock’s artistic work. Because of their handcrafted nature, all salad bowls are one-of-a-kind and hand washing is recommended. Try combining it with our dipping and cereal bowls from the Rock Collection to create your own unique handcrafted splatterware set...

Tom has painted and drawn all his life, and loves working in ceramics, which he finds a very expressive and tactile medium. He particularly like making plates, as they look fantastic hanging on walls as pictures, as well as displayed on tables and shelves. They are also functional, and an integral part of a good meal - one of the best and most important things in life. Animals and ??sea creatures on ceramics are part of a long tradition, and were a particular favourite of the ancient Greeks and Romans. Tom sees...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...