Glazed Ceramics

Rare early Canton Chinese Export porcelain Rose Medallion bowl with lid. Features include outstanding intricately painted birds, flower...

Victoria Littlejohn fish ceramic wall plaque / Trivet, circa 1975.

Fabulous abstract depiction of a Japanese Samurai in ceramic tile, 12 pcs framed and matted. Beautiful tiles, in absolute stunning colors with exquisite lines. In excellent vintage c...

A large and highly impressive antique salt glazed Bellarmine dating from the 17th or early 18th century. The stoneware Bellarmine stands on a narro...

A large, deep blue bowl designed by Ewald Dahlskog at Bo Fajans in Gefle in 1940s. The bowl is 33.5 x 19.5 cm in diameter and in excellent condition except from a minor stain on the ...

Late 19th century Imari plate. This is a lovely deep plate with scalloped edges. The central medallion has hand painted florals in a jardinier...

In 1917, Gustavsberg hired Kåge to make its dinnerware and other everyday products more beautiful—he would serve as the company's Artistic Director until 1948. During this fruitful p...

Fat lava vase, vintage Scheurich W-Germany 239-41, dates from 1968, with a satin gloss glaze in 'tango' orange. With impressed number on base. 239-41, W-Germany. High relief trai...

Sculptural German cactus watering can by Fritz Dienes for Hessische Majolika, Germany, 1953, with tri-color glazed ceramic body and sculptural brass handle and spout, great lines, gr...

Wonderful midcentury Israel Lapid pottery pieces featuring trademark Lapid markings on the bottom and dark bluish-grey interior glaze. Lapid is the most renowned and collected kibbut...

Hand-painted 80 years old ceramic vase with checkered decoration manufactured by Gabriel Keramik in Sweden in the 1940s. Partially glazed in white an...

This is an exceptionally large English mid-19th century Victorian Ironstone Platter decorated in a beautifully detailed Japanese Imari pattern. The enameling is sharp with deep coloration and the overlaid gold is in very good original condition. The platter is marked "Stone China" on the reverse. The platter is in very good overall condition with normal patination and very minimal losses to the painted decoration. There is a bit of wear to the underside of the rim which does not detract from the value of the platter. Platers of this size are very uncommon and desirable. This piece could be installed as a work of art or even fitted with a custom table base...

Stoneware lamp bases designed by Kent Ericsson, Carl-Harry Stålhane's partner at Designhuset. Incised signature under the bottom: Designhuset, Sweden, KE, logo Stalhane, original man...

A very fine Art Deco pottery figure of a North American Native figure of a kneeling girl made by Van Briggle Art Pottery in the 1930’s. Van Briggle Art p...

Set of 4 dinner plates, colored drawings with gold and silver highlights, enameled decoration of fish and seabed, green back. Set composed as follows: - 1 plate with a blue fish, si...

Set of Mid-Century majolica or faïence fish service. Marked Sarreguemines France, circa 1950s. Heavily potted, deep yellow ochre glazed earthenware bodies with deep brown rims, an ...

Great authentic piece of pottery from the Provence. Unique and rare glaze. Beautiful weathered. Chips and imperfections help authenticate this water cruche as it was a utilitarian ty...

Beautiful artichoke and leaves 8 pieces crockery /tableware / serveware set. Spain, 1960s This serving set is made in dark green glazed ceramic and it is comprised by: 1 artichoke sugar bowl / sauce tureen with lid+ 1 small serving spoon+ 1 small plate 1 serving small bowl 2 leaf shaped small plates 1 artichoke salt shaker+ 1 artichoke pepper...

A very rare and stylish Doulton Lambeth Marqueterie Ware blue and brown marbled art pottery saucer with gilded designs by Lambeth’s first Art Director Wilton Parker Rix (Doulton Lamb...

This is a Porcelain blue and white, hand gilded Saucer Dish / Bowl made by Miles Mason (Mason's), Staffordshire Potteries, England around the turn of the 18th century, circa 1805. ...

The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...

Our stoneware Sag Harbor lamp is handcrafted using slab-construction techniques. Finish - Dipped glaze parchment & chalk glaze - Antique brass fittings - Black-cloth cord - Full-r...

Handbuilt organic modern vase made from a groggy clay body covered in a matte black glaze with layers of glossy and crawling black glaze on top. Each vase is made by hand in our Broo...

A brown teapot in ceramics with a lovely harfur glaze designed by Carl-Harry Stålhane at Rörstrand, Sweden in the 1950s. The teapot is 21,5 cm high and in...

Three miniature vases designed by Gunnar Nylund at Rörstrand, the vases have lovely pattern. They are between 6.5 - 10.5 cm (2.6 . 4.2") tall. They are all in excellent condition and...

A fine large Italian cream-ware or white glazed ceramic 'bowl of fruit' basket or centerpiece with mixed fruit topiary top - featuring a relief of mixed fruits around the circumferen...

Lovely hand-painted ceramic flower vase from Vallauris, France. Signed Vallauris, JH and numbered 503. Gold trim finish and beautiful floral details makes this hand-painted ceramic...

A Wedgwood Fairyland lustre vase designed by Daisy Makeig-Jones ca. 1920 and decorated with the 'Castle on a Road' pattern. Daisy Makeig-Jones is best known for the Fairyland Lustre...

A turquoise vase with a lovely glaze designed by Gunnar Nylund at Rörstrand, the vase is 23 cm (9.3") high and 17 x 14 cm (6.8" x 5.6") in diameter. It´s in excellent condition excep...

A lovely turquoise naturally shaped vase designed by Ewald Dahlskog at Bo Fajans, Sweden in the 1930s. The vase is 15 cm (6") high and in excellent condition. It has a lovely glaze.

A large lovely blue vase with a lovely crystalline glaze in silver designed by Isak Isaksson in Sweden. The vase is 30.5 cm (12.2") tall and about 18 cm (7.2") wide and it is in exce...

Scandinavian Modern matte chalk white spherical ceramic table lamp with anthracite black and lilac blue splashed accents and small drops. Designed and handmade by Danish ceramic arti...

A highly unusual vase by Jean Mayodon, one of France's leading artists in the Art Deco era, this piece depicts two scenes of nude male hunters with several deer. One of the hunters i...

Antique Chinese Green Blue glazed Shiwan pottery teapot dates to China’s Kuang Hsu Dynasty and is of the late 19th century. The vibrant teal-green glaze pot...

Known for his long career spanning a range of 20th Century movements, Jean Luce's Art Deco vase is a gilt orb etched with a motif of overlapping, matte black rectangles in intaglio. ...

Anthropomorphic ceramic sculptures by Dominique Pouchain (circa 1980s) Sculpture or vases Glazed stoneware Both signed. Height 55 and 22 cm Very good condition

A fine large Italian cream-ware or white glazed ceramic pedestal bowl with rose topiary top, featuring a fitted lid with a relief of roses (or rosettes) and bocage around the circumf...

This elegant antique jar was hand-crafted in Spain circa 1760; round in shape with narrow base and neck, the vessel features a rolled rim at the top accented with a mustard color gla...

Beautiful pottery jug/handled vase, Italy late 1950s-1960s. Signed. A stunning form and décor, body shaped as a jug, glossy white spray-glaze has a mottled texture, decorated using ...

Beautiful and vivid light blue vintage Mid-Century Modern vase from the 1960s. Distinct slim and precise white stripes on light blue base with glazed interior in black and green arou...

Traditionally shaped fruit dish by contemporary French ceramist and colorist Claire de Lavallée.   

Bitossi (Manufacturer) - Aldo Londi (Designer) - rare mid century studio pottery vase - hand made - featuring a color block palette of mustard and brown glazes with a white glazed in...

Amazing midcentury blue glazed terracotta ceramic vase. This fantastic item was designed by Aldo Londi for Bitossi in Rimini, Italy, during the late 1950s or early 1960s. This mag...

A lovely ceramic piece to add interested hung on a wall or placed on a table. Measures: 9.5" wide 7.5" deep 2.5" tall.

A stylish and impressive antique English majolica pottery game pie dish and cover by renowned and sought after maker Minton and dated 1867. The earthenware dish stands raised on four...

This pair of 1960s turquoise glazed ceramic Chinese Pho Dogs (also known as Foo Dogs or Fu Lions) are decorative guardian figures that reflect traditional Chinese symbolism and craft...

BAKER & CO. LTD. - Antique ceramic serving platter - large size - transfer decorated in blue/green on a cream ground - undecorated cent...

We are pleased to offer this pair of English porcelain tureens painted with a striking chinoiserie decoration. They were made by Copeland Spode circa 1840. The decoration on these tu...

Bohemian Ceramic Vase Designed by Nikolaus Kannhäuser Manufactured by Amphora Riessner Stellmacher & Kessel, Turn-Teplitz circa 1898 "ivory porce...

1970s Mid-Century Modern handcrafted ceramic, pottery lemon basket or fruit plate in glazed dark green and black with yellow lemons, made in Vallauris. M...

Maiolica sugar bowl Antonio Ferretti Manufacture Lodi, Circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 3.54 x 4.52 x 3.54 in (9 x 11,5 x 9 cm) Weight: 0.394 lb (0.179 kg) State of conservation: small and slight chips on the edges. The small sugar bowl has a swollen and ribbed body resting on a flat base. The cap-shaped lid follows the rib of the container and is topped with a small knob in the shape of a two-colored fruit. The sugar bowl is painted “a piccolo fuoco” (third fire) with the characteristic floral motif of bunches and isolated semis. An example which closely corresponds to this one is kept at the Civic Museum in Lodi (G. Gregorietti, Maioliche di Lodi, Milano e Pavia, Catalogo della Mostra, Milano, 1964 n. 137). This decorative style represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and later introduced by Antonio Ferretti to Italy. The production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces starting from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, was able to commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables, both with or without contour lines, as well as in purple or green monochrome. After efforts to introduce more industrial production techniques to the sector succeeded, even the Ferretti manufacture, in the last decade of the eighteenth century, started heading towards decline despite its attempts to adapt production to neoclassical tastes. In 1796 the Napoleonic battle for the conquest of the Lodi bridge over the Adda definitively compromised the furnaces. Production resumed, albeit in a rather stunted manner, until Antonio's death on 29 December 1810. (M. L. Gelmini, pp. 28-30, 38, 43 sgg., 130-136 (for Simpliciano); pp. 31 sgg., 45-47, 142-192 (for Antonio). Bibliography G. Gregorietti, Maioliche di Lodi Milano e Pavia Catalogo della Mostra, Milano, 1964 n. 137; C. Baroni, Storia delle ceramiche nel Lodigiano, in Archivio storico per la città e i comuni del circondario e della diocesi di Lodi, XXXIV (1915), pp. 118, 124, 142; XXXV (1916), pp. 5-8; C. Baroni, La maiolica antica di Lodi, in Archivio storico lombardo, LVIII (1931), pp. 453-455; L. Ciboldi, La maiolica lodigiana, in Archivio storico lodigiano, LXXX (1953), pp. 25 sgg.; S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, pp. 17 sgg.; A. Novasconi - S. Ferrari - S. Corvi, La ceramica lodigiana, Lodi 1964, ad Indicem; Maioliche di Lodi, Milano e Pavia (catal.), Milano 1964, p. 17; O. Ferrari - G. Scavizzi, Maioliche italiane del Seicento e del Settecento, Milano 1965, pp. 26 sgg.; G. C. Sciolla, Lodi. Museo civico, Bologna 1977, pp. 69-85 passim; G. Lise, La ceramica a Lodi, Lodi 1981; M. Vitali, in Storia dell'arte ceramica...

Handmade stoneware lectern manufactured at the workshop of Apparatu in Barcelona. It serves as a standing desk or pedestal. Different clay bodys are mixed with natural fibers like co...

a set of 12 breakfast plates. Made in high quality glazed porcelain Tor Viking Turi design A typical midcentury design item in scandinavian design. Made in Norway marked on the bott...

These original Carstens vintage vase was produced in the 1960s in Germany. It is made of ceramic pottery. The bottom are marked the vase series number 7802-30 Carstens W Germany S...

Sculptural and graphically stunning Scandinavian midcentury modern warm anthracite black and white decorative centerpiece bowl. Hand-carved organic animalistic relief pattern of styl...

SALTSPRING POTTERY - Vintage decorative studio pottery bowl - fine hand made quality - featuring a hand painted border and center medallion set against a grey semi matte glaze - sign...

Bruno Gambone tall stoneware or ceramic vase or bottle in dark brown and matte off-white glaze with incised line around upper area below the bottle neck, Italy, 1970s. Marked with gl...

Rare late 15th or early 16th century Mudejar tile of the so-called ‘Arista’ technique with intricate geometric decoration. Good condition; some chipping to the edges, some wear to ...