Glazed Ceramics

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl. Rune coffee service in glazed stoneware for four people. 1960s / 70s. Consisting of four coffee cups with saucers and four plat...

Stunning handmade French Country turquoise glazed ceramic table lamp from Vallauris (village on the French Riviera where Picasso, Matisse, Jean Marais were working). Will be rewired...

Italian artist Marcello Fantoni ceramic vase is glazed stoneware made circa 1970s. This piece was acquired directly from the artist by the seller, who was a personal friend of Marcel...

A classic 60s design. Of Fat lava handled vase in the classic sixties 'Sundown' decor; with a rough glaze of dark earth-colour over the yellow and red. From the Scheurich (Europ Li...

Christina Muff, Danish contemporary ceramicist (b. 1971). Very large sculptural unique vase in glazed stoneware. Beautiful cream / pink glaze with minerals from Danish beaches. Me...

Arabia, Finland. Two candlesticks, two dishes, two tea caddies and a jug in glazed stoneware. Retro, 1960s / 70s. The jug measures: 17 x 6.6 cm. The tea caddy measures: 9 x 9 cm. ...

Lisa Larson for Gustavsberg, Rare figure, "Johanna", glazed ceramics. 20th century. Marked. In perfect condition. Measures: 15.5 x 10.5 cm.

Unique handmade Danish modern ¨vase with brown glazing by German sculptor and designer Haico Nitzsche for Danish Søholm Pottery. Manufactured on the Dani...

Keith Simpson has made these types of ceramic vehicles intermittently over the past years. He likes to make the underdog car models. Keith says, "They are like the cars that you migh...

Lladro, Spain. Very large two-piece figurine in glazed ceramic. Girl with a bowl. 1970/80s. In excellent condition. Marked. Dimensions: 43.0 x 32.0 x 26.0 cm.

Berndt Friberg (1899-1981) for Gustavsberg Studio. Miniature vase with narrow neck in glazed ceramic. Glaze in yellow and brown tones. Mid-20th century. In perfect condition. Signe...

19th century multicolored majolica leaf dish with a very crisp pressing of the mold.

La Femme de Marrakech by Celine Lepage(1882-1928) France. Exceptionally important ceramic white glazed figure with original seal and signed label. Authen...

Vintage Mid-Century Modern glazed art pottery, ceramic decorative bowl, two compartment dish, vide poche in brown and beautiful shades of blue. Base is covered with felt. Practical as well as decorative bowl for Your keys on top of a sideboard, dresser, credenza, hallway table or as a desk top tray...

Ole Bjørn Krüger (1922-2007), Danish sculptor and ceramicist. Huge unique sculpture in glazed stoneware. Beautiful glaze in turquoise and black shades, 1960s / 70s. Measures: 50 x 1...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

A figurative midcentury French decorative ceramic plate. The apparent very talented artist who hand-crafted this eye catching object, depicts a woman dancing with two friends. The wonderful form and colors on the black background reflect the artist's painterly attention to detail. A beautiful addition to a collection of mid-Century modern French pottery...

Christina Muff, Danish contemporary ceramicist (b. 1971). Unique seedpod vessel made from stoneware clay, with matte blue and brown glaze. Measuring: W 18 x H 19 cm. In excellent...

Square blue glazed platter / ashtray with rounded corners, designed by Carl-Harry Stålhane for Rörstrand, Sweden 1960s. Subtle circular lines, deep...

Michael Andersen pottery from Bornholm. Large figure of fisherman's wife. Measures: 23.5 x 16 cm. Perfect condition.

Totem Pulmo Module Vase by Pia Chevalier 5 modules. Each one is unique Materials: Glazed stoneware. Dimensions: Ø 30 x H 40 cm. Pia Chevalier is a French contemporary designer. Ind...

Lovely purple Studio Pottery ceramic handmade hot chocolate set includes one pitcher and four cups. Beautiful age-appropriate condition with no chips...

A stunning pair of ceramic Hollywood Regency style candlesticks. Each piece is shaped in a faux ruffle style, giving the look of a ruffled piece of fabric. The middle is glazed in a ...

The unique Solar collection conjures the spirit of the mystical universe. Natale’s solar candles encompass mysticism and pairs it with clean architectural lines in an evocative and e...

A ceramic vessel in the form of a footed bowl or chalice, studio crafted by Brother Thomas Bezanson (1929-2007) circa 1970s. Covered in a brill...

Ipsen's, Denmark. Bowl in hand-painted and glazed ceramics. 1920s / 30s. Model number 608. Measures: 20.5 x 7 cm. In excellent condition. Stamped.

A beautiful ceramic vessel in the form of Bo, the so-called monk's alms bowl from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this piece was made as a decorative center piece for display. It was brilliantly decorated with underglaze paint of a green-on-green bamboo motif, using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. To create design that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Six Belgian miniature vases in glazed ceramics. Mid-20th century. Largest measures: 4.5 x 3.5 cm. In excellent condition.

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A set of 3 wonderfully hand-painted Chinese blue & white ceramic spoons circa 1850. They bear a floral pattern design and beautiful, sculptural shape. A ...

Ceramic vase from the 1920s by French artist Gilbert Méténier. Very original free form for this enameled vase in shades of blue and green. Very fine vintage condition, artist's signa...

Roger Guerin Bouffioulx Belgian art pottery tobacco jar with lid, circa 1927 A real treasure for the ceramics' collector.           ...

French ceramic vase, pitcher vase, France, circa 1930 handcrafted and glazed earthenware with horizontal ribs. Beautiful glaze in brown and green tints Perfect condition. ...

A collection of French ceramic fish. Figures, dish and small pan. France 1960/70s. In excellent condition. Marked. Largest (blue fish) measuring: Length 21.0 x Depth 11.0 x Heig...

This ceramic plate was painted by Sandro Cherchi for Ceramiche S. Giorgio in the 1957. Edition number 105, signed at the bottom.

This Trivet, is in Glazed Terracotta. The color are yellow and green. This has been done in 1910, in France

Ipsens Enke, a ceramic vase and a ceramic dish. Malibu and elephant motif. Glaze in orange-green shades. Approx. 1920/30s. In perfect condition. Marked. Model numbers. 749 and ...

Christina Muff, Danish contemporary ceramicist (b. 1971). Large, unglazed unique vessel. Large bulging protrusions emphasize the organic shape. The stoneware clay used for this wor...

Richard Carter's hand thrown butler tray is his signature piece. These trays are physically and technically challenging because of their sheer scale. The ...

An especially rare piece of high style Art Deco ceramics by the renowned Cowan firm just outside Cleveland, this vividly-glazed trivet depicts a pair of ...

A very rare form, but glazed with the gorgeous mottled and streaky glaze that Fulper Pottery was famous for, this fluted, flaring vase is decorated with deep bas relief leaf and bran...

Jeanne Grut for Aluminia. Colossal sculpture in glazed ceramics. Musk ox calf. 1950s. Measures: 41 x 19 cm. Height: 34 cm. In excellent condition. Stamped.

Much as Gio Ponti modernized and energized the porcelain production of the fabled Ginori company in Italy, so too did Guido Andlovitz revolutionize the work of the old Societa Cerami...

Art Nouveau earthenware vase, AMC made in Belgium. AMC stands for the Faiencerie de Wasmuel, A. Mouzin & Cie, in Wasmuel Belgium, started in 1878. Art Nouveau ceramic vase in exce...

Its gold-on-brown glazes softly glistening in the light, this lovely and unique vase by Waylande Gregory depicts a variety of undersea life, including nautilus shells and starfish on...

Wonderful leaf motif dish cigar ashtray, signed Raymor Made in Italy, 415/7.

Lisa Larson for Gustavsberg. Turtle in glazed stoneware. Beautiful glaze in shades of red. 1970s. Measures: 11.5 x 5 cm. In excellent condition. Stamped.

Studio pottery. Using a traditional technique of clay slab to fashion all the vases models slip cast and hand finished with layers of glaze and multiple firings. Sculptural and functional design, interior is glazed as well. Available in matte black...

Berndt Friberg (1899-1981) for Gustavsberg, Sweden. Unique miniature ceramic bowl with blue glaze. Signed and dated '59. Perfect condition. Dimensions: D 4.5 cm x H 2.7 cm. Berndt F...

A stunning dark blue ceramic vase designed by Carl-Harry Stålhane at Rörstrand probably in the 1940s since it is marked Sverige instead of Swede...

Jens H. Quistgaard (1919-2008) for Bing & Grøndahl. Rune teapot with a wicker handle, sugar bowl and cream jug in glazed stoneware. 1960s / 70s. The teapot measures: 22 x 21 cm (i...

Frode Blichfeldt Bahnsen for Palshus. Teapot in glazed stoneware with wicker handle. Beautiful glaze in shades of green. 1960s. Measures: 26 x 18 cm (incl. Handle) In excellent...

This small antique platter or server is unsigned, but presumed to have originated from England and date to approximately 1880 and done in the period V...

Svend Hammershøi for Kähler. Large ceramic flowerpot with dark blue glaze. Signed "HAK". 1940s. Measures: Length 27.5 cm. Height 12 cm. In perfect condition.

Late 19th century German pug dog. Heavy terracotta with brown carmel color glaze. Seated, with the head turned, in active pose. Good confirmation and details of the face, ears, coil...

A cream and brown serving platter for dip and chips. Created to look like an oyster shell, this unique serving platter features a mini version of itself at the center for dip or sals...

Carl Harry Ståhlane (1920-1990) for Rörstrand, vase in dark green and black glaze. Approx. 1960s. Signed. In excellent condition. Dimensions: H 16.0 cm. x D 8.0 cm.

Set of 2 Small Salmon Vases By Doa Ceramics Dimensions: 3.5" Materials: Ceramic. Technique: handcrafted. Freeform. Glazed. Also available in sizes 6".

Le Dauphin, France. Large vase in glazed ceramics. 1970s / 80s. Measures: 37.5 x 21 cm. In excellent condition. Stamped.

Step back in time to the innovative and artistic world of the 1960s Space Age with our Ceramic Wall Plate. Crafted with meticulous attention to detail, this stunning piece encapsulat...