South American Serveware, Ceramics, Silver and Glass

Contemporary Brazilian extra long " canoe shaped" glass platter. Silver mettalic interior, dark grey exterior in color. Decorative pinched ends.

Francisco Brennand - Recife - Brazil (1927-2019) Ceramic egg, c. 1970 Egg-shaped painted ceramic with stylized plant motifs. Punch from the Oficina Bre...

Mariae bar tray by Fakasaka Design Dimensions: W 63 cm D 37 cm H 7 cm. Materials: polished bronze. FAKASAKA is a design company focused on production of high-end furniture, lig...

Uplift your table with this stunning handwoven rattan napkin holder. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a modern way. From ...

A beautiful yellow crocodile embossed leather tray, perfect for the desk, bedside table, or use as a serving piece. Fully wrapped in embossed leather ...

A beautiful hand carved leaf tray in natural, clear rock crystal quartz. Finely carved from a super clear quality of rock crystal and polished to a brilliant high gloss finish. A stu...

Uplift your table with these stunning handwoven rattan placemats in natural and coloured rattan with lemon motif. Finely crafted by expert artisans, these pieces all showcase the cla...

Arrebol Escalonado by Studioroca. Dimensions: 18 x 18 x 30.5 cm. Materials: volcanics rocks essential oils diffuser. Studioroca is a Mexico City design studio focused on architecture, interior design and contemporary furniture. Its penchant for collaboration, the promotion of local talent, artisanal skills and natural materials, and its ever-present pull toward sustainable practices have seen the studio create highly emotive environments and unique functional pieces that speak of a forward-thinking, borderless approach to design. Intro Through architecture, interior design and furniture, STUDIOROCA portrays a distinct Mexican aesthetic, where sophisticated, elegant designs become bold statements of strong masculine lines and dark moody shades that contrast dramatically with elongated curves and highly textured surfaces. Based in Mexico City, the studio has, since its inception, offered much more than simple design solutions, its impetus always being to meaningfully improve lives through design. By promoting, supporting and offering a platform for other Mexican designers in its two stores in Polanco and Condesa, STUDIOROCA has been at the forefront of the modern-day Mexican design movement for over 15 years. The studio’s ability to artfully blend its own architecture and interior design with both local and international product is testament to its glocal outlook. While proudly Mexican and inherently influenced by the country’s culture and craftsmanship, its designs talk to a cosmopolitan, international sense of style. STUDIOROCA’s respect for the environment and reverence of traditional skills has led to the pursuit of sustainable practices, while its affinity for collaboration and promotion of artisanal skills has seen the studio produce work in conjunction with countless talented designers and craftspeople. Its confidently utilitarian designs are the result of risk-taking, boundary-pushing processes that emerge from STUDIOROCA’s constant quest to establish innovative solutions, while simultaneously respecting each of its projects’ unique locations, incorporating the surrounding environment into the design language. Working closely with clients, a personal rapport ensures delving into the core of every design requirement, leading to the ultimate achievement of deeply embedded needs. Ultimately, what STUDIOROCA presents is a fresh iteration of Mexican design, a version which is at once moving, intoxicating and comforting. History STUDIOROCA was founded by Carlos Acosta and Rodrigo Alegre. When, in 2002, the two independent Mexico City architects were commissioned to work collaboratively on the architecture and interiors of a new spa, they were frustrated by the lack of affordable furniture available, and embarked on designing their own pieces for the project. And so STUDIOROCA was born. Initially a furniture store in the heart of the then up-and-coming leafy suburb of Condesa, it has developed into a fully fledged architecture and interior-design studio, with another store in the city’s high-end design district of Polanco, which opened in 2011. Its line of furniture, all designed and manufactured in Mexico, had humble production beginnings in a small kitchen-design factory, a foundation that has carried through into the studio’s current philosophy of small-scale, high-quality production. In conjunction with its own range of functional pieces, STUDIOROCA has always invited other local designers to showcase their work in its two stores, and, what started with three additional designers’ pieces in 2002, has led to collaborations with many more, now presenting the limited-edition work of 28 Mexican designers through its UNION- brand, while continuing to retail exclusive international brands such as Tom Dixon, Moooi and GAN. 2 More recently, the studio’s architectural and interior projects have included large housing developments and hotels, fully employing STUDIOROCA’s 360-degree approach to design. Founders and team Architects by training, founders Carlos Acosta and Rodrigo Alegre prefer to follow an unconventional, integrated model of design that incorporates its many varied facets, allowing their two unique approaches to complement one another. Rodrigo, who graduated from Universidad Anáhuac Norte, is able to envision how color and texture will combine as he explores the emotive nuances he wishes to create within a new environment. His abstract thoughts are brought to life by Carlos, the rational half of the design duo. Trained at Universidad Iberoamericana, with a student exchange to the University of Texas, Carlos’ ability to grasp volumes and spaces brings dreams to fruition through the perfect positioning of wall divisions, furniture pieces and light-streaming windows. Their small dedicated team of designers and architects plays an integral role in realizing the studio’s ambitious visions, with over 200 projects having been completed by this intimate team. Beyond designing, these passionate professionals offer practical solutions, bringing their experience in all forms of design to manifest in big-picture thinking that pays attention to detail, celebrates collaboration and goes the extra mile. The approachable, personal style with which the STUDIOROCA team works is a reflection on the responsibility its people place on themselves as architects and designers who venture beyond the drawing board. Sustainability STUDIOROCA’s focus on sustainability has seen the company establish itself as a trailblazer in the realization of buildings and furniture pieces that are produced with a sense of conscience and responsibility, taking into account the full production chain, from material source to distribution of wealth. The studio has done away with environmentally harmful varnishes on its furniture pieces, and now only use FSC-certified hardwood. It also pledges to keep materials to a minimum, a consideration most appreciated in its 77 range of furniture, where only the necessary functional structures have been designed, and where small leftover pieces of wood from bigger cuts are utilized, rather than sourcing new pieces. This approach continues in its architecture and interior designs, with 80% of materials sourced locally. This, coupled with its use of solar panels, the harvesting of rainwater, and the inclusion of indigenous gardens in its projects, has led to STUDIOROCA’s application for Leadership in Energy and Environmental Design (LEED) certification, which is currently under review. For the studio, sustainability has a much further reach than the natural environment, however. Its projects take into account social, cultural and economic sustainability too, by ensuring its production chain – from the craftspeople producing hand-worked elements, to its low-environmental-impact manufacturing line – all sits within Mexico so that the 3 communities benefiting financially are those who have been an integral part of the process. Architecture In STUDIOROCA’s architectural projects, authentic materials that are true to their Mexican origin, such as local mountain rocks, regional marble and indigenous wood, are utilized in new ways to highlight their natural rawness, deep texture and prized imperfections, imbuing buildings with unique character. It’s through such character that every structure portrays its personality, suited to the people who live, work and relax within it. This unpretentious use of materials follows through to metals, which are encouraged to rust and patinate as the building interacts with nature’s elements and becomes part of the environment surrounding it, giving projects an essential sense of place, where the here and now is as important as the then and there. Interior design STUDIOROCA’s interior style leans toward textured materials and dark hues contrasted with paler wood and lighter accent tones. These evocative, luxurious interiors are enlivened by carefully considered lighting that enhances the tonality of moody dark browns, deep blues and a spectrum of blacks, and highlights textures through illuminated reflections. Where environments dictate a paler palette, textures and materials make up the necessary contrast. Local willow wood on wall panels, flooring made from recinto volcanic rock, and countertops decorated with Mexico’s retapado marble become talking points, made even more appealing with plant life and greenery introduced indoors. Furniture Combining its deep respect for handcrafted, artisanal product, and its future-forward approach to technology and innovation, STUDIOROCA’s range of furniture places emphasis on high-quality offerings, producing its ranges in low quantities, often customized to suit the specific requirements of its varied projects. Veering away from industrialized production lines, it employs sophisticated hand-worked machinery, in line with its approach to sustainability and simplicity. The studio’s premiere collection (2002-2008) was shaped by a groundbreaking application of materials and forms, resulting in award-winning designs that set contemporary Mexican design on the map. Pieces from this collection were shown at Fabrica Mexicana and Museo de Arte Moderno in Mexico City and in the MoMA store in New York. The 2008 Eco collection initiated a change in the production of STUDIOROCA’s furniture pieces, adapting a sustainable view regarding design – a philosophy that continues to guide the studio’s practices today. Sourcing FSC-certified wood, eliminating varnishes, and using local materials wherever possible, this collection was the start of a conscious undertaking to work with local artisans and support local industry, an outlook that was celebrated at the launch of the Eco range at the Mexican Gallery...

Uplift your table with this stunning handwoven rattan napkin holder. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a modern way. From ...

Salta province is called the beautiful, and this adjective introduces us to its profound beauty. Its fertile valleys, windy desert, colorful mountains and blue sky are the images tha...

Art Deco silver plate three-part cobbler type cocktail shaker, marked on the bottom "OSIRIS" / "Industria Argentina".

Dimensions: 31 x 31 cm // 12,1" x 12,1" 50 x 50 cm // 19.6" x 19.6" Inspired by the trails of the Chalten Mountain, in the south of the Andes mountain range, this family of tray...

With the concept of intermingle materials from our earth, soft marbles and manually hammered alpaca, this sophisticated and elegant line is created, and it includes trays, champagne ...

Inspired by the trails of the Chalten Mountain, in the south of the Andes mountain range, this family of trays, flower vases, containers and picture frames is born. The mountain hiki...

The LAGO collection of circular shapes on trays and champagne glasses, made with a combination of materials such as alpaca silver and onyx, black, brown and cream. Our pieces are ma...

Not everything is organic in northern Argentinean hills. As we cast our eyes on the landscapes, we also find geometry that makes us travel with our imagination. Mini square, rectangu...

Measurements : 6.1" x 2.75" 9.8" x 5.5" 23.4" x 10.6" With its beauty and elegant movement and curves, the calla lily brings us the concept for this family of handmade trays with fi...

Measures: 10" x 10" x 1.9" 12" x 12" x 1.9" Inspired by the trails of the Chalten Mountain, in the south of the Andes mountain range, this family of trays, flower vases, containe...

Sterling silver tea pot.

With its beauty and elegant movement and curves, the calla lily brings us the concept for this family of handmade trays with fine alpaca and goat horn. They...

With its beauty and elegant movement and curves, the calla lily brings us the concept for this family of handmade trays with fine alpaca and goat horn. T...

The unique and intense color of the Malbec wine represents us. The old storing barrels coated with its characteristic burgundy dye is the inspiration for our...

The unique and intense color of the Malbec wine represents us. The old storing barrels coated with its characteristic burgundy dye is the inspiration for our...

Castor is the animal Beaver in spanish. There a enormous quantities of them in Argentina. They were brought from Canada in 1940. It is a modern rustic clean collection. Our piece...

Salta province is called the beautiful, and this adjective introduces us to its profound beauty. Its fertile valleys, windy desert, colorful mountains and blue sky are the images tha...

With the concept of intermingle materials from our earth, soft marbles and manually hammered alpaca, this sophisticated and elegant line is created, and it includes trays, champagne ...

With the concept of intermingle materials from our earth, soft marbles and manually hammered alpaca, this sophisticated and elegant line is created, and it includes trays, champagne ...

Candle holder, Large Quartz Points by Aver Dimensions: D 14 x H 28 cm Materials: Quartz, Steel, Polyvinyl chloride, Resin.  

Bowl, large quartz points by Aver Dimensions: D 23 x H 10 cm. Materials: quartz, steel, polyvinyl chloride, resin.  

Querandi decorative glass paperweight in 925 silver Decorative Querandi glass paperweights, with a 925 silver design on the inside, are pieces that gi...

O'Connor bowl by Fakasaka Design Dimensions: W 41.5 cm D 16 cm H 9.5 cm. Materials: dark bronze. FAKASAKA is a design company focused on pro...

Uplift your table with this stunning round handwoven rattan basket / tray in hot pink. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a...

Uplift your table with this stunning handwoven rattan bowl / bread basket. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a modern way....

Uplift your table with this stunning handwoven rattan bowl / bread basket. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a modern way....

Uplift your table with this stunning handwoven rattan bowl / bread basket. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a modern way....

Uplift your table with this stunning handwoven rattan tray with rounded corners. Finely crafted by expert artisans, this piece showcases the classical technique of weaving in a moder...

This rectangular top in solid wood, measuring 29 x 16.5 cm, was created by Jean Gillon. The tray bears the WoodArt label with the mention "1/321". The choice of solid wood emphasises...

Uplift your table with this stunning handwoven rattan tray with blue and natural checkered sides and handles. Finely crafted by expert artisans, this piece showcases the classical te...

John Somers Brazilian Pewter Swirling, Curving Serving Dish 'Tigela de Gominhos' The John Somers Brazilian Pewter Swirling, Curving Serving Dish is a stunning example of fine craftsm...

29 Piece set of pottery stoneware with a white ceramic overglaze designed by Jonathan Adler. The pattern is called "Brazilia", which was part of Adler's "Pot à Porter" line, the line was hand made in...

This modern Brazilian ceramic vase, dating from about 1950, bears the signature "Weiss" under its base with the numbers: 512M-077-810-818- Brasil / Weiss. It is made of enamelled cer...

Ceramic Sign: Encra Encra is the signature of the Argentine ceramic school. It was created by decree of President Roberto M. Ortiz on April 9, 1940. It was the first Ceramics school in the City of Buenos Aires, located at Bulnes 45. Its founder and first director was the illustrious Madrid ceramicist Don Fernando Arranz. The teachers of those first years were famous artists such as Aurelio Macchi, Vicente Puig, Nicasio Fernández...

This Brazilian ceramic piece from the Weiss workshop, dating from the 1950s, is a unique and colorful work of art. This room, with a length of 30 cm, is designed to be used as a cent...

Natalie box by Fakasaka Design Dimensions: W 15.5 cm D 15.5 cm H 9.5 Materials: polished bronze, agate. FAKASAKA is a design company focused on production of high-end furniture...

Available today, this Brazilian mid-century modern pipe holder was designed by Jean Gillon for WoodArt and made in Brazil in the 1960’s. Handcrafted from hard rosewood (also known as jacaranda), the pipe holder features clean lines with elegant curves. The rosewood is a deep, dark, and rich tone with stunning natural wood grain. Jean Gillon was a Brazilian furniture designer born in Romania in 1919. He studied at the Architecture and Fine arts Schools at the National University. After immigrating to São Paulo, Brazil in 1956, he founded his first company, Fábrica de Móveis Cidam, in 1961. Gillon's firm designed many luxury hotels, homes, and stores throughout Brazil. He was known for his one of a kind tapestries. His second furniture company, WoodArt, produced full lines of Brazilian rosewood furniture...

John Somers Brazilian Pewter ‘Jarra de Cristal’ Pitcher Dimensions: 7 inches tall Material: Crystal-clear glass body for a sleek and timeless look Sturdy Brazilian pewter handle and...

Jean Dobré/ Tropicart. Rotating wooden platter c. 1960 Signed at the fire Solid wood 10 x 46 x 46 cm

Charlie bowl by Fakasaka Design Dimensions: W 22 cm D 22 cm H 4 cm. Materials: polished bronze. CHARLIE BOWL / ASHTRAY / CENTERPIECE / CANDLE HOLDER / CARD HOLDER FAKASAKA i...

EUCLID SERVE-WARE COLLECTION is a collectible piece from our serveware series, embodying the same devotion to craftsmanship, material honesty, and intentional design that defines ...

A large sterling silver vessel in an asymmetrical hour-glass vase form with a larger upper conical body balanced on a much smaller base. Crafted by Graziella Laffi (1923-2009), Lima, Peru, Circa 1965. Marked on the rim: G. Laffi, PERU. The vessel was designed as a modern rendition of ancient pre-Columbina drinking vessel used in ceremony. The piece projects a regal and substantial aura due to its thick double wall construction with seamless craftmanship. The exterior surface was decorated with high relief roundels with concentric rings, arranged in geometrical pattern in two difference sizes. It is an impressive presence with its unique form and ornamentation that is modern and ancient at the same time. The vessel weights about 2012 grams. Graziella Laffi was born in 1923 in Florence, Italy to Gino Laffi, a silversmith and artist. Following her family tradition, Graziella enrolled in master classes after elementary school, focusing on design and painting. She next attended Escuela de Bellas Artes de Puerta Romana for three years, where Gino taught, and then to the Accademia di Belle Arti di Firenze, where she concentrated in architecture until the start of World War II. In 1947, Graziella, then twenty-four, immigrated with her parents to Peru. Gino later created a silversmith studio and showroom called Fabrica Laffi on Avenue Mexico, where Graziella initially learned her Craft. The Pre-Columbian culture in her adopted country inspired Graziella to travel and collect, which ultimately influence her design in the silver pieces. Graziella learned the metalworking techniques of the ancient Peruvian civilizations and rejected the current technology. She mostly used hammering, rolling and creating joints as the ancients do. As an ambassador of Peruvian culture, her work promoted the indigenous Peruvian art and rekindled the interest in its ancient heritage throughout South America, the United States and Europe. She exhibited her growing collection of Peruvian artifacts...

Rafael Triboli’s new collection synthesizes the foundational aspects of his practice, bringing together techniques and resources that have long inhabited his repertoire, but now achi...

Charlie bowl by Fakasaka Design Dimensions: W 19.5 cm D 19.5 cm H 3.5 cm. Materials: black/brown bronze. Charlie bowl / ashtray / centerpiece / candle holder / card holder F...

Brutalist coaster 2 by Fakasaka Design. Dimensions: W 11.5 cm D 11.5 cm H 0.8 cm. Materials: black/brown bronze Also available in polished bronze. ...

Sukhasana II bowl by Marcela Cure. Dimensions: W 40.5 x D 28 x H 13 cm. Materials: resin and stone composite. Our Sukhasana II is our bowl version of our Sukhasana sculpture, in...

Spoon designed by Jean Gillon and produced by Italma/WoodArt, dating from the 1960s. Made of solid wood, this spoon is distinguished by its original geometric shape and carefully wor...

Sprouter pot by Estudio Rafael Freyre Dimensions: D 15 x H 8 cm Materials: Andes Stone, Amazonic Wood. Also Available: Other materials and finishes available. The Sprouters se...

PERUVIAN 925 SILVER BELL, MID-20TH CENTURY Beautiful Peruvian silver bell of a woman carved in traditional clothing ...

Vintage silver plate caviar server by St. James of vertical ovoid form on a tapered pedestal rising from a square foot. The egg form container hinged at the center reveling a removab...

Beautiful vintage pitcher in glazed ceramic representing a crow in man's clothing. Signed below "Colonial Loza Sa Ind Argentina". Very good condition and good quality.

This modern Brazilian ceramic vase dates from about 1950. Made from glazed ceramic in shades of green, black and white, it measures 18.5 cm high, 15 cm wide and 12 cm deep. The use ...