Plate Imperial Viennese Porcelain View of Baden Sorgenthal Period Dated 1802

QUITE RARE PICTURE PLATE OF VIENNESE IMPERIAL PORCELAIN MANUFACTORY: Stunning quality / edged areas are decorated with so-said Grotesque (Italian: GROTTESCHI) pattern. - Material is PORCELAIN (multicoloured painted). DATED 1816 (year's mark at reverse side visible: '816) Blue Beehive Mark (underglazed) of Austrian Imperial Porcelain...

Porcelain picture plate with a finely painted polychrome veduta: In the centre, a view of the Viennese summer palace of Schönbrunn with its gardens, as seen from the hill opposite, w...

Porcelain picture plate with polychrome painted botanical illustration: In the centre a finely painted bouquet with roses and forget-me-nots against a black background. The plate rim...

Porcelain picture plate with a finely painted polychrome veduta: The plate shows a view of the Vienna Hofburg, the 'Leopoldinischer Trakt', Leopoldine Wing, with the Ceremonial Apart...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

The so-called ‘Crowther Plate’ dated January 1770: Octagonal, painted in blue underglaze with the monogram ‘RC’ in a floral cartouche and with elaborate scroll, pendant and cell a...

Royal Copenhagen Christmas plate in porcelain, from 1947. Marked. First factory quality. Perfect condition. Dimensions: D 18.5 cm.

Royal Copenhagen Christmas plate in porcelain, from 1948. Marked. First factory quality. Perfect condition. Dimensions: D 18.5 cm.