Early 1800s Porcelain

An elegant and rare pair of Meissen serving dishes from the Marcolini period. The pair of legume dishes is made of the finest porcelain. Under each saucer we find the Meissen manufac...

An unusual pair of antique Chinese blue poudre porcelain and Chinese gilt bronze-mounted vases in the ancient archaic Chinese style. These vases date to the late 1700s-early 1800s, i...

Any porcelain made at the Pinxton porcelain factory is rare, but to find a complete tea service is even rarer! This wonderful service was made around...

This is a stunning and extremely rare dessert service made by John Rose at Coalport probably around the year 1800, shortly after Rose bought up the Caughley factory. It consists of a large centre piece comport, one sauce tureen with cover, two oval dishes, two square dishes, two shell dishes, and eight plates. The service is beautifully decorated in the Neoclassical style. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. John Rose had bought up the local Caughley factory in 1799. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. This service is made of pearlware, which leads us to believe that it might have been made at the old Caughley premises, which had kilns for pearlware - the later Coalport items are not known to be made of pearlware but the shape of the dishes and the sauce comport are clearly a Coalport shape. All items have a beautiful deep orange ground - they were done in different firings as the colour is not entirely consistent, which makes the service very charming. The rims are set off with a beautiful vine pattern in silver, which makes the service even more rare as this was not done often. The items are unmarked, as is usual for that era, except the odd "B", which is probably the gilder's tally mark. CONDITION REPORT The service is in good usable condition with some minor flaws: there is some crazing and wear throughout, which is to be expected of pearlware of this era. The centre piece comport has a slight crack through the side, which is not very visible. One of the plates has a chip on the front of the rim as well as three lines coming off the rim; one has a chip on the underside of the rim; and one has a line coming off the rim. Neither of these stand out and the plates are entirely stable. Antique British china...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

This is one of a pair of beautiful plates made by William Billingsley at the Mansfield Pottery, between 1799 and 1802. The plates, manufactured by Coalport, have a pleasing slightly diapered shape. They were decorated with beautiful monochrome sepia flowers and a simple gilt rim by William Billingsley. Please see separate listing for the matching plate; I would be happy to offer some discount if you interested in purchasing both plates. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley trained and worked at Derby, and then started his own pottery at Pinxton. He then left to start a decorating studio at Mansfield, where he decorated wares from various potteries, among which Derby, Coalport, Whitehead and others. After that, he spent a period in Worcester, and then went to Wales where he set up a pottery in Nantgarw, worked at the Swansea pottery for a while and then returned to Nantgarw. While in Nantgarw he created some of the best porcelain ever made, but racking up great debts. He ended up running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The plate is marked with an impressed 7, the number associated with Billingsley. The attribution of this plate to William Billingsley is due to the fact that he painted nearly identical flowers on a Coalport jug...

This is a striking square serving dish made by Chamberlains in Worcester around 1805. The dish bears the Fine Old Japan pattern, often called the Nelson pattern. Robert Chamberlai...

This is a stunning and extremely rare plate made by John Rose in Coalport around the year 1805, and decorated with abundant flowers by the famous painter Thomas Baxter. The flowers a...

This is a stunning and extremely rare plate made by Derby between about 1795 and 1800. This plate is not only beautiful, it is a true piece of history. The plate has a nice ribbed r...

This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...

This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...

Coalport Porcelain Chinoiserie Dish with Yellow Dragon Circa 1805-10 The Coalport porcelain shaped oval dish is painted in an Imari coloration with the center depicting a yellow dragon with green scales...

This is a stunning and extremely rare part dessert service made by Barr Flight & Barr in Worcester, and painted with naturalistic flowers by William Billingsley between 1808 and 1810. The service consists of one deep central oval dish, four slightly smaller oval dishes, two round one-handled dishes, and six plates. We also have a pair of Derby ice pails available in a separate listing, painted by William Billingsley in a very similar style. These would make a great match. Provenance: The Charles Dawson Collection. One of the items has a label of the London Ceramic...

Spode double handled sugar bowl and cover. Oval-shaped porcelain body, gilt with diamond and vine motifs, the base impressed with an “S” and numbered “6...

Early 1800s Coalport John Rose Thumb and Finger teacup and saucer: Hand painted, richly colored and detailed cup and saucer with hand painted gold band. No makers mark or signature. ...

This is a beautiful orphaned teacup made by Spode in about 1810. It bears a lavish Japanese-inspired Imari pattern. Spode was the great pioneer among the Georgian potters in England. Around the year 1800 he perfected the bone china recipe that has been used by British potters ever since, and he was also the leading potter behind the technique of transferware, making it possible for English potters to replace the Chinese export china, which had come to an end around that time, with their own designs. This was fundamental to a thriving industry that would last for about 150 years and provide half the world with their tableware. Spode porcelain is regarded as one of the highest quality porcelains around; for a soft-paste porcelain it is surprisingly hard and fine, and has a wonderful bright white colour. The pattern on this can is called "Dollar" pattern, a very famous pattern that was used by English potters in the 18th and early 19th Century. It is obvious why it is called “dollar” - but its origin is less obvious! It is thought that this pattern was derived from a very old Chinese pattern depicting a tree with elaborate foliage that hides a Chinese character representing longevity or happiness. Traditionally, this went with a an image called “Taotie”, which was used on very ancient bronze vases...

This is a rather stunning 25-piece dessert service made by John Rose at Coalport around the year 1805. It consists a centre piece on four feet, two oval dishes, two shell dishes, two...

In the "Dragon in Compartment" pattern.

Pair of Old Paris Miniature, Gilt Decorated Footed Urns with garden scenes, c1800. Miniature urns of this type are rare and the decoration is exceptional. The urns have bolted construction with scrolling handles and molded face mask terminals. The beautiful hand painted panels are of a seated young man and woman in traditional dress in a neoclassical garden with classical urns, landscaping, architecture and a fountain. Fine condition with mild typical wear to the gilt. Trent Antiques has been a respected name in antiques for...

Porcelain picture plate with fine polychrome painted scenery: In the mirror five winged cupids dressed as hunters with dog in a summer landscape agains...

An early Worcester Flight & Barr bright yellow beaker with gilding and a finely painted sepia scene of a landscape. The scene, possibly painted by John Pennington, shows two figures ...

Rare early Canton Chinese Export porcelain Rose Medallion bowl with lid. Features include outstanding intricately painted birds, flower...

An incredible and rare pair of French Paris Porcelain First-Empire Period Winged Sphynx-form double- handled porcelain vases with mythological scenes of Venus and Cupids after Richar...

A very unusual and quite large pair of Empire period Sèvres Porcelain pale Celeste blue and faux porphyry ground vases. Each vase is intricately hand painted with meticulous detail and further adorned with 24-karat hand painted gilt decoration. The bases are a very unusual hand painted faux porphyry porcelain. Each vase and base is marked with various pressnumera and Sèvres signs...