Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Coalport John Rose Porcelain Dessert Service, Imari Pattern, ca 1805

About the Item

This is a rather stunning 25-piece dessert service made by John Rose at Coalport around the year 1805. It consists a centre piece on four feet, two oval dishes, two shell dishes, two square dishes, two sauce tureens with covers and stands, and twelve plates. I have six more plates available, which will be up in the shop soon and which I'd be happy to add at a good discount. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. The set is made of early porcelain, from before the time that bone china became the standard; you can see that the porcelain is slightly greyish and a little uneven in places. This type of pattern was called the "Japan" style, and it was imitating the beautiful Imari style from Arita, Japan. The style became very popular in the early 19th Century. Today, we call it the "Imari" style, as this type of porcelain was shipped out of the harbour of Imari. There were many of these patterns around; this one is exceptionally beautiful with a large exotic flower held in a wreath, a cute underglaze blue boundary, and a rim with roots and flowers. The items are unmarked, as is usual for that era. An unusual and very rare feature of this service is that sauce tureens; they have handles and knobs in the shape of sun-like medalions - something I have never seen before. Provenance: there are old Sotheby's New York labels on many of the items; the service has been part of the Frank Herrmann collection. CONDITION REPORT The service is in excellent condition with only a few flaws: one of the tureen covers has been broken and is repaired with rivets - it is not entirely stable but still fine to use; one of the tureens has its side handle riveted; a couple of plates have some crazing. Other than this, there is hardly any wear, no damage, and no other repairs. The entire service is good for use and of course stunning on display. Antique British porcelain is never perfect. Kilns were fired on coal in the 1800s, and this meant that china from that period can have some firing specks from flying particles. British makers were also known for their experimentation, and sometimes this resulted in technically imperfect results. Due to the shrinkage in the kiln, items can have small firing lines or develop crazing over time, which should not be seen as damage but as an imperfection of the maker's recipes, probably unknown at the time of making. Items have often been used for many years and can have normal signs of wear, and gilt can have signs of slight disintegration even if never handled. I will reflect any damage, repairs, obvious stress marks, crazing or heavy wear in the item description but some minor scratches, nicks, stains and gilt disintegration can be normal for vintage items and need to be taken into account. There is widespread confusion on the internet about the difference between chips and nicks, or hairlines and cracks. I will reflect any damage as truthfully as I can, i.e. a nick is a tiny bit of damage smaller than 1mm and a chip is something you can easily see with the eye; a glazing line is a break in the glazing only; hairline is extremely tight and/or superficial and not picked up by the finger; and a crack is obvious both to the eye and the finger. Etcetera - I try to be as accurate as I can and please feel free to ask questions or request more detailed pictures! DIMENSIONS centre piece 26cm X 20cm (10.25" X 8") and 9cm (3.5") tall; plates 21.5cm (8.5") diameter.
  • Creator:
  • Dimensions:
    Height: 1 in (2.54 cm)Width: 1 in (2.54 cm)Depth: 1 in (2.54 cm)
  • Sold As:
    Set of 25
  • Style:
    George III (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    ca 1805
  • Condition:
    Wear consistent with age and use. The service is in excellent condition with only a few flaws: one of the tureen covers has been broken and is repaired with rivets - it is not entirely stable but still fine to use; one of the tureens has its side handle riveted; a few plates crazed.
  • Seller Location:
    London, GB
  • Reference Number:
    Seller: A-COA2911stDibs: LU4805137687202

More From This Seller

View All
Coalport John Rose Pearlware Dessert Service, Orange with Silver Vines, ca 1800
By John Rose, Coalport Porcelain
Located in London, GB
This is a stunning and extremely rare dessert service made by John Rose at Coalport probably around the year 1800, shortly after Rose bought up the Caughley factory. It consists of a large centre piece comport, one sauce tureen with cover, two oval dishes, two square dishes, two shell dishes, and eight plates. The service is beautifully decorated in the Neoclassical style. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. John Rose had bought up the local Caughley factory in 1799. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. This service is made of pearlware, which leads us to believe that it might have been made at the old Caughley premises, which had kilns for pearlware - the later Coalport items are not known to be made of pearlware but the shape of the dishes and the sauce comport are clearly a Coalport shape. All items have a beautiful deep orange ground - they were done in different firings as the colour is not entirely consistent, which makes the service very charming. The rims are set off with a beautiful vine pattern in silver, which makes the service even more rare as this was not done often. The items are unmarked, as is usual for that era, except the odd "B", which is probably the gilder's tally mark. CONDITION REPORT The service is in good usable condition with some minor flaws: there is some crazing and wear throughout, which is to be expected of pearlware of this era. The centre piece comport has a slight crack through the side, which is not very visible. One of the plates has a chip on the front of the rim as well as three lines coming off the rim; one has a chip on the underside of the rim; and one has a line coming off the rim. Neither of these stand out and the plates are entirely stable. Antique British china...
Category

Antique Early 1800s British Neoclassical Dinner Plates

Materials

Pearlware

John Rose Coalport Plate, Abundant Flowers, T. Baxter Studio, ca 1805 (1)
By Coalport Porcelain, Thomas Baxter
Located in London, GB
This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...
Category

Antique Early 1800s English George III Porcelain

Materials

Porcelain

Coalport John Rose Plate, Abundant Flowers, T. Baxter Studio, ca 1805 (2)
By Coalport Porcelain, Thomas Baxter
Located in London, GB
This is a stunning and extremely rare plate made by Coalport around the year 1805, and decorated in the London studio of Thomas Baxter. We have one more of these plates in stock, pl...
Category

Antique Early 1800s English George III Porcelain

Materials

Porcelain

Coalport John Rose Plate, Greek Keys, Flowers by Thomas Baxter, ca 1805
By Coalport Porcelain, Thomas Baxter
Located in London, GB
This is a stunning and extremely rare plate made by John Rose in Coalport around the year 1805, and decorated with abundant flowers by the famous painter Thomas Baxter. The flowers a...
Category

Antique Early 1800s English George III Porcelain

Materials

Porcelain

Derby Porcelain Part Dessert Service, Red Botanical, John Brewer, 1795-1800
By John Brewer, Crown Derby
Located in London, GB
This is a stunning part-dessert service made by Derby between about 1795 and 1800, painted with named botanical studies by John Brewer. The service consists of a lidded sauce comport on a stand, two kidney shaped dishes, two lozenge shaped dishes, one lozenge shaped low footed comport...
Category

Antique 1790s English George III Dinner Plates

Materials

Porcelain

Minton Porcelain Dessert Service, Turquoise, Equestrian Horses, Victorian, 1871
By Minton
Located in London, GB
This is a beautiful dessert service made by Minton in 1871, consisting of two high comports, four low comports, and ten plates. All items have a white ground with a bright turquoise ...
Category

Antique 1870s English Victorian Porcelain

Materials

Porcelain

You May Also Like

Regency Large Coalport Porcelain Dessert Service-Thirty Nine Pieces
By Coalport Porcelain
Located in Downingtown, PA
Regency-period Coalport Porcelain service is of the finest quality in terms of the porcelain itself and the decoration, each shape is particularly well designed with a distinctive shape. The centre of each piece has a floral design based upon Chinese Export "famille rose" with pink and yellow flower swirls. The ground with a distinctive aqua blue. The crimped rims have a wide border pattern alternating between a mazarine blue reverse flower-head design with a cracked ice gilt decoration and a diaper pattern on a yellow ground with flowerheads issuing forth. The service consists of the following 39 pieces: One Tazza (9 3/4 inches wide x 7 inches high) Two circular sauce tureens and covers (7 inches high x 6 1/2 inches wide) Four oval dishes (12 inches x 8 1/2 inches x 2 3/4 inches) Four shell dishes (10 1/4 inches 9 1/2 inches) Five rectangular dishes...
Category

Antique Early 19th Century English Regency Porcelain

Materials

Porcelain

Ten Coalport Octagonal Imari Dessert Plates Aesthetic Movement Dated 1891
By Coalport Porcelain
Located in Great Barrington, MA
Imagine serving a first course or dessert course on these unusually shaped plates, all decorated in the Imari style and color way, highlighted in gold. The octagonal shape with notched rims adds a dramatic visual to the traditional round table...
Category

Antique 1890s English Aesthetic Movement Porcelain

Materials

Porcelain

Large English Porcelain Imari Pattern Dessert and Tea Service, Spode, circa 1815
Located in New York, NY
Iron-red uppercase Spode mark and pattern 2213. Richly painted in the Imari palette and enriched in pale-blue, green and gold with flowering shrubs and a tree, the border with alternate radiating panels of the same shrubs and of gilt double diamonds...
Category

Antique 1810s English Dinner Plates

Materials

Porcelain

Coalport Coffee Can Porcelain Hand Painted Cornflowers Pattern, circa 1805
By Coalport Porcelain
Located in Lincoln, Lincolnshire
This is a good quality coffee can that we attribute to the Coalport porcelain works, Shropshire, England, made during the John Rose period of the George 111rd years, circa 1805. The coffee can is nominally parallel, tapering slightly to the base, with a simple loop handle, with a slight lower kink and pointed attachments. It has a shallow foot recess with obtuse corner and is unmarked to the base. The pattern is beautifully hand painted in the French Chantilly style with cornflower sprigs in gold gilt and blue with red & green leaf detail to the lower half with an upper border continuous cornflower pattern, all between gold gilt rings with further gilt decoration to the outer handle and gilding around the lower rim. We date this piece to the late George third...
Category

Antique Early 19th Century English George III Ceramics

Materials

Porcelain

Coalport John Rose Thumb and Finger Pattern Teacup & Saucer
By John Rose, Coalport Porcelain
Located in Stamford, CT
Early 1800s Coalport John Rose Thumb and Finger teacup and saucer: Hand painted, richly colored and detailed cup and saucer with hand painted gold band. No makers mark or signature. ...
Category

Antique Early 1800s English Regency Porcelain

Materials

Porcelain

John Rose Coalport TRIO Porcelain Gilded Royal Garter Pattern, Circa 1800
By Coalport Porcelain
Located in Lincoln, Lincolnshire
This is an early porcelain trio comprising a coffee can, tea cup and saucer, all in gilded patterns, which we attribute to Coalport, John Rose & Co., Shropshire, England, made at the...
Category

Antique Late 18th Century English George III Ceramics

Materials

Porcelain

Recently Viewed

View All