Four Regency Hand Painted Porcelain Dishes by Coalport, circa 1805

A pair of Coalport cobalt blue square covered vegetable serving dishes decorated with gilded bands of interlocking scrolls and finials. Hand paint...

Six Regency side plates by Coalport with hand painted panels of fruit, circa 1805. Cobalt borders support a gilded band of interlocking scrolls and finials with a gold dentil border....

Five Regency side plates by Coalport with hand painted panels of flowers, circa 1805. Cobalt borders support a gilded band of interlocking scrolls and finials with a gold dentil bord...

Chamberlain Worcester three footed porcelain pot or vase of the French style decorated with gilded lion’s feet and cobalt and gilt trellis with a hand painted panel depicting a view of the city of Worcester and its cathedral. Signed Worcester Chamberlain...

A beautiful "Somno" side table made of high quality Cuban mahogany with a grey marble top. This French Empire piece dates from the early 19th century, circa 1805. Meaning sleep in ...

Pair of Spode spill vases, circa 1820. Cobalt blue and gilt with finely painted scenic panels, both depicting Cathedral City views. Marked to bases 'Durham/Spode' and 'The Cathedral ...

This is a good quality coffee can that we attribute to the Coalport porcelain works, Shropshire, England, made during the John Rose period of the George 111rd years, circa 1805. The coffee can is nominally parallel, tapering slightly to the base, with a simple loop handle, with a slight lower kink and pointed attachments. It has a shallow foot recess with obtuse corner and is unmarked to the base. The pattern is beautifully hand painted in the French Chantilly style with cornflower sprigs in gold gilt and blue with red & green leaf detail to the lower half with an upper border continuous cornflower pattern, all between gold gilt rings with further gilt decoration to the outer handle and gilding around the lower rim. We date this piece to the late George third...

This hand painted porcelain dessert service features the exquisite Blue Chrysanthemum pattern, combining deep blue with the allure of gold. It's a fabulous combination! The golden chrysanthemum leaves are richly gilded, creating a beautiful contrast against the deep blue background. The 32-piece service consists of 21 dessert plates and all the serving shapes: a centerpiece and pairs of square-shaped dishes, shell-shaped dishes, oval-shaped dishes, and a fabulous pair of sauce tureens with their underplates. Made by Coalport in England...

These four exquisite Coalport "Church Gresley" pattern dishes are decorated with black trapezoids, pink roses, cornflower sprigs, and fabulous gilding! In our opinion, the exceptiona...

This is a beautifully hand-painted English coffee can, from the late George III period, of the very early 19th century, circa 1805. This coffee can is nominally straight sided with ...

This pair of dishes were hand-painted at Coalport in England in the early 19th century. The colors are fabulous; we see pink, purple, orange, blue, green, yellow, and turquoise. Flo...

This is a spectacular pair of oval dishes made by Coalport between 1815 and 1820. The dishes bear the famous and very wonderful bird pattern with the number 759. Panels with stunning hand painted birds and flowers are set in a cobalt blue background with rich gilt decoration. This pattern is very desired and doesn't come to the market often, so this is a rare opportunity. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. The stunning thing about pattern 759 is that each bird is different, as well as each flower formation. All birds and flowers are painted carefully in their own colours; they are all different species. Each bird is an individual with its own expression; in fact I once had a large dinner service...