Italian Sterling Silver

Large oval tea and coffee service in 800 solid silver on feet, completely handcrafted and lightly hammered. The oval shape, particularly difficult to make as it is completely shaped ...

An elegant Georgian style tea and coffee set in hand chiseled sterling silver by the Italian silversmith Argenteria Auge. Composed of 4 objects: one teapot, one coffee pot, one suga...

Heart-shaped table box in 925/1000 sterling silver with translucent fired enamel on guilloché above and below. Modern contemporary style. Dimensions cm. 8 x 8.8 high cm. 2.8. Weight ...

This divine Table Box is in 925/1000 sterling silver. Table Box hand-painted miniature has a Rectangular shape with rounded corners. On the cover there is a beautiful hand-engraved...

Large octagonal table frame for round photos diameter cm. 7, in 925/1000 sterling silver gold plated with translucent fired enamel on sunburst guilloche, with Napoleon III French Empire style borders and ornaments. External cm. 17 x 17. Weight gr. 483. Designed by Giorgio Salimbeni in 1978 on the inspiration of previous artefacts from the early 1900s and manufactured in Florence at the headquarters of the Salimbeni company with completely manual execution by artisan artists with a very thick plate and large reinforcements suitable to support numerous high-fire enameling firings at approximately 750 < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...

Plate in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè in Art Nouveau style. Diameter cm. 17.2 high cm. 2.8. Weight gr. 347. Designed by Giorgio Sal...

Discover a pinnacle of luxury with this parallelepiped handbag perfume holder, crafted from 925/1000 sterling silver and finished with a screwed cap. This masterpiece features exquis...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Antique Milanese silver oil cruet consisting of an oval tray supported by four cast zoomorphic paw shaped feet; the edge of the tray is a ribbon decorated by...

Shaped rectangular table box in 925/1000 sterling silver gold plated with fine hand-etched fire-enameled engraving painted like lapis lazuli stone and...

Shaped box in 925/1000 sterling silver gold plated with painted fire enamels like lapis lazuli stone and beautiful miniature hand painted by the painter Beatrice Mellana reproducing ...

Entirely handmade solid sterling silver centerpiece. The shaped and edged oval bowl with a double line rim, rests on a foot which is also oval shaped. The body of the centerpiece is...

Cartier sterling silver tableware covered vegetable dish with exterior egg and dart rim design & side handles. The covered bowl is in great condition. Minor wear. Maker' mark undersi...

Rectangular frame in 925/1000 sterling silver gold plated with two-tone enamel stripes on guilloché and fine hand engravings French Empire style. With 2 oval photo holders, internal ...

Baroque oval silver tray. Made in Milan, Italy in the mid-19th century. Completely hand engraved with scrolls and central flowers. The swirls and flo...

Rectangular tray with rounded corners in 925/1000 sterling silver with translucent fired enamels with two-tone stripes on guilloche and hand engravings, cm. 9.5 x 18. For fountain pe...

Sterling Silver champagne bucket 1970's Italian work 800 silver hallmark Weight: 1.034 grams

Rectangular photo frame in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè with 2 oval borders internal size cm. 4 x 5.2 and ornaments with festoons a...

Jewelery box in solid 800 silver in Baroque style. This box was made by faithfully and perfectly copying the fashion jewelry boxes in the noble houses and villas in Italy in the 18t...

Handmade centerpiece in 800 silver, Italy, 1980s It can be used as a fruit bowl. Very elegant and precious object, it is in excellent condition. State stamps present. Small signs ...

A pair of geometric candlesticks. designed by Cleto Munari (1907-1998). Great sculptural pieces created in very limited edition by the Italian architect Cleto Munari. they are hand crafted in solid .925/1000 sterling silver. In 1985 Cleto Munari, set up a workshop-studio for the manufacture of unique objects in collaboration with some of the greatest architects, designers, artists, and writers in the world, among them Mario Botta, Alessandro Mendini, Alvaro Siza Vieira...

Table box in the shape of a four-leaf clover in sterling silver 925/1000 gold plated and real malachite stone petals. Dimensions cm. 12 x 12 x 2.5 . Silver weight gr. 340. Designed b...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Parti...

Rectangular table frame with concave corners for oval photo cm. 5.5 x 8.5 in 925/1000 sterling silver gold plated with translucent fired enamels on guilloche, with French Empire Napo...

Superb thermos designed and produced by Cartier in the early 1900s, hallmarked. The thermos is made entirely of 925 sterling silver. The thermos is cylindrical in shape, the base is ...

Octagonal table box in 800/1000 silver gold plated with translucent enamel on guilloché and beautiful enamel miniature hand painted by the painter Renato Dainelli in early 1900s Engl...

Shaped snuff box in 925/1000 sterling silver gold plated with fire-enameled stripes and fine oval enameled miniature in center cm. 3 x 4 hand-painted by ...

Rectangular table box with rounded corners in 925/1000 sterling silver gold plated with two-tone translucent fired enamels with guillochè stripes and hand-engraved motifs. George V E...

Rectangular table box with rounded corners in 925/1000 sterling silver brossè with very fine hand engraving, also on the sides, of “ramage” with leaves and bunches of grapes fire-ena...

21th Century Italian Sterling Silver 4 Lights Candelabra 4 flame sterling silver candelabra. The base was made with the ella fusion technique and modeled with acanthus leaves. Subs...

Table pen holder with long ballpoint pen in sterling silver 925/1000 gold plated with very fine fire-enamelled miniatures hand-painted by the painter Renato Dainelli in Arabic style ...

Rectangular table frame for oval photos cm. 3 x 4 in 925/1000 sterling silver gold plated with translucent fired enamel, plum purple, on guilloche, with French Empire Louis XVI style...

Embrace a timeless treasure that echoes grandeur: an exquisite oval-shaped photo frame, sculpted from 925/1000 gold-plated sterling silver. Its translucent enamel adorns a sunburst g...

Pair of sterling silver candlesticks, depicting Hercules holding the world. The figure of Hercules and the candle holder are in 925 silver while the world and the base are in rutinia...

Behold the epitome of elegance and craftsmanship: a square table photo frame, meticulously crafted from 925/1000 gold-plated sterling silver. This masterpiece features translucent fi...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). Elongated, plain baluster form wit...

Small table clock in gold-plated 925/1000 sterling silver with translucent enamel fired on guilloche, with columns in neo-classical Hellenic style. Swiss mechanical movement from Mai...

1000 Silver Cutlery Set 25 items all with ARG 1000 (1000 Silver) brand A broken teaspoon that will be soldered. Thanks

Sterling silver sugar bowl in the form of a small bucket, from which a curious bunny playfully peeks out. Entirely handcrafted by the artisan silversmith atelier Fratelli Lisi in Flo...

Cymbiola silvered shell 8". Creel and Gow has been working with the same atelier in Rome, Italy for over 20 years to make our signature silvered shells. Our workshop has been operate...

Rare Italian Silver bed headboard Italian barocco style. One sheet of sterling silver embossed and chiselled by hand with typical Italian Barocco swirls....

4640-5320 - Rectangular tray with rounded corners in 925/1000 sterling silver with translucent fired enamels on guilloché, cm. 9 x 17.5. For fountain pen (4568-5201) with two-tone st...

Oliera completamente fatta a mano "Ulivo" in argento massiccio. La forma è tonda caratterizzata da inserti realizzati con la tecnica della fusione, cesellati e successivamente saldat...

Rectangular table box with rounded corners in 925/1000 sterling silver with fire-enamelled Art Deco design. Dimensions cm. 10.4 x 13.4 x 3.2. Weight gr. 530. Designed by Giorgio Sali...

Rectangular table box in gold-plated 925/1000 sterling silver with fine hand-engraved ornaments in late Napoleon III Empire style and transparent brown fired enamel over hand-engrave...

Rectangular table frame for oval photo in 925/1000 sterling silver gold plated with translucent two-tone fired enamels on guillochè and with various ornamen...

Pair of beakers in sterling silver. The cup of the beaker is chiseled with a torchon motif and internally gilded. Under the cup, just above the stem, bunches of grapes and vine lea...

Rectangular table box in sterling silver 925/1000 gold plated with very fine hand-engraving Baroque style on the lid, fire-enamelled in 2 colours. In the center an ancient oval plate...

Picture Frame is in 925/1000 sterling silver and gold plated 24 carats. Picture Frame has white fired enamels on guilloché. Picture Frame has an hand-painted floral miniature by the ...

Oval table box in 925/1000 sterling silver gold plated with fired enamel, with “paillons” in pure gold on the upper circle, fine miniature fired enamelled with an image of “fox hunti...

Large gold-plated 925/1000 sterling silver shaped photograph frame with translucent fired enamel on guillochè and rich friezes in Louis XVI French Empire style. External measurements...

Strombus pugilis fully silvered shell. Creel and Gow has been working with the same atelier in Rome, Italy for over 20 years to make our signature silvered shells. Our workshop has b...

Oliera italiana in Argento di provenienza lombarda, della città di Brescia 1812/1872. Servizio da tavola, cestello ovale in argento contenente le ampolle dell'olio e dell'aceto. Su d...

Wonderful big vase with shaped round body embossed, chiselled and engraved with oak leaves. On the body are soldered melting made acorns Above the handles are placed two children. Th...

A rare silver reliquary arm with relic bone, with the coat-of-arms of Cosme Roger (1671-1710), bishop of Lombez, France, with original bone relic Poss...

Antique Italian Silver Pitcher, GLASS CLARET JUG Decorative Crystal Flask Silver plated Head 1880s with a bird & human mask mounted scroll handle, the body with etched leaves decorat...

This trophy-shaped cup is part of the Frutta collection and, like the other pieces in the series, is made entirely in silver with chiseled decorations depicting a variety of fruits a...

Rectangular photo frame in 925/1000 silver with geometric design and fire-enameled with Chinese influence style. External cm. Internal 11.6 x 14.6 cm. 6 x 9. Weight gr. 194. Created in Art Deco style for Cartier USA in the 1980s, inspired by drawings by Louis Cartier from the early 1900s. Manufactured in Florence in the Salimbeni company headquarters with completely manual execution by artisan artists with high thickness plate and large reinforcements suitable to support numerous high-fire enamelling firings at approximately 750° < 800° C. It is a new object that has never been used but is considered vintage because it was built more than 20 years ago. The hallmarks struck to the underside of this fine box include: manufacturer's mark: 391FI metal mark fineness:925 Art Deco was also born in France and is the abbreviation of "Art Decoratif". With more decisive and geometric features than Art Nouveau, therefore more evident and "harder", with always contrasting and strong colours, Art Deco spread throughout the world, from Shanghai's China to the under construction New York and in various parts of Europe. Many artists and designers of the time dedicated themselves to the creation of drawings, paintings, objects for personal use and furniture, interior furnishings, entire buildings and skyscrapers, in this new style. Sandoz in Paris, Lalique with its crystals, Puiforcat with its silverware, Erté with its "ante litteram" fashion designs, Tiffany with its table lamps, Louis Cartier with its objects inspired by the Far East (hence the connection with Shanghai). Salimbeni was able to interpret and propose new objects inspired by Art Deco, in precious metals, semiprecious stones and fired enamels, when, exhibiting at jewelery exhibitions in the United States, and more precisely in New York, he made contact with Cartier buyers first, and also with Tiffany later, and for them he created objects in this style inspired by the original drawings of Louis Cartier, obtained from the buyer of the time, but with absolutely different and original designs and interpretations. Many of the objects produced by Salimbeni for Cartier in the United States had taken inspiration from famous Cartier objects belonging to famous people. An example of all is Mary Pickford's set consisting of a powder compact, cigarette case, pill case and evening handbag. About cooperation Salimbeni and Cartier. Our first meetings with the Cartier USA Company took place through the Giorgini Company, the first "Buying Office" set up in Florence immediately after the Second World War, which had the purpose of bringing together Florentine, and also Italian, producers with American buyers, who especially appreciated the artistic objects still manufactured by artisans who still took inspiration from the Italian Renaissance, using techniques handed down from generation to generation. Mrs. Gina Pestelli, wife of a Florentine retail jeweller, was in charge of contacts with Cartier USA, above all an employee, while her daughter, also for Giorgini, took care of the fashion that in those years was affirmed in Florence with the events of "Pitti ". With their help, we began to supply frames and boxes in sterling silver gold plated with malachite and other semi-precious stones. At the same time, the official buyer of Cartier, Mr. William Smith, began to appreciate and commission the first objects with fired enamels, a process of which we have always been specialists. In 1975 we began exhibiting at the prestigious New York Jewellery Association Show, which we participated in both the February and July editions, for a good 26 years until 2001. In New York in those years the "Art deco style" was still very much appreciated, still mindful of the beautiful early 20th century architecture of the great buildings such as the "Crysler" or the "Empire State". We then began to produce frames, boxes, evening bags, "objets de vertu" and other objects in "art deco style" which were very popular with Mr. Smith who gave us some photocopies of Louis Francois Cartier drawings to reproduce them. Thus, numerous cigarette cases, powder compacts, evening bags, frames and table boxes were created exclusively for Cartier USA which, at the time, had the prestigious "Silver Department" on the first floor of the Cartier store on Fifth Avenue. An evening bag, with matching cigarette case and powder compact, were redone on the design created for a gift given to Mary Pickford at the time. In a 1986 Cartier...