Rare Engravings of Council of War in Bantam and Javanese Local Traders, 1614

Insula Kilduyn. Orig. copper-engraving after details from J. H. van Linschoten's map taken from his account of the three expeditions undertaken by Willem Barents in 1594, in an attem...

Antique print titled 'Bantam'. Copper engraving of the Dutch attack on the Portuguese fleet off Bantam in 1601 depicted as the victory of Admiral Wolfert Harmensz and his 5 ships over 30 Portuguese ships. The ships in the battle include the Sultan of Bantam’s war galleys (ghali); ocean-going craft with sails, oars and a prow battering ram built according to Mediterranean standards learnt from Portuguese renegades and Turkish shipwrights. They were built to allow them to shoot the large cannon...

One of the first maps of the Indonesia islands of Java, Bali, Sumbawa etc. in early days of the Dutch Indies. Also showing Banten, Jakarta (Jacatra), Indr...

Antique map titled 'The Counti of Warwick the Shire Towne and Citie of Coventre described'. Map of Warwickshire, England. Includes inset town plans of Warwic...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

A Victorian framed print of "SHIPS OF WAR - Screw Gun Boat" by Day and Son, Lithographers to the Queen. Plate 84: The Modern System of Naval Architecture, Joh...