Silk More Furniture and Collectibles

It does not come with an insert. Linen in the back. Zipper closure. Dry cleaning is recommended. The item above is made from an old and used Suzani therefore it is not in brand...

It does not come with an insert. Linen in the back. Zipper closure. Dry cleaning is recommended. The item above is made from an old and used suzani therefore it is not in brand...

In the most technical sense of the word, "Suzani," in Central Asia, means needle and is used to describe this type of needlework, but to most people, such as decorators or collectors...

This is a traditional silk warp, cotton weft ikat called 'adras'. The lining is a rare pattern as well and it is in wearable condition.

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper closure. Dry Cleaning is reccommended.

A beautiful metallic silk tassel, from Bevilacqua Italy. Established by Luigi Bevilacqua, and operating out of Venice since 1875, Bevilacqua Tessuti p...

Rustic stitches on the pillowcases are hand done and in silk. They do not come with inserts. Linen in the back. Zipper closure. Dry clean is recommended.  

Pair of custom cream colored cut velvet floral patterned pillows with silk backs and cream tassel fringe. Down inserts, zipper closures.

It is made from a late 19th C. Ikat fragment. It does not come with an insert. Cotton in the back. Zipper closure. Dry Clean only.

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper Closure. Dry Cleaning is reccommended.  

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back. Zipper closure. Dry cleaning is reccommended.  

A beautiful pair of silk multicolour tassels, from Bevilacqua Italy. Established by Luigi Bevilacqua, and operating out of Venice since 1875, Bevilacqua Tessuti produces the most exquisite handwoven...

The piece has some condition issues that are visible in the images.      

COLORADO STATE FLAG OF EXCEPTIONAL QUALITY, MADE OF SILK, CIRCA 1911-1920’s, EXTRAORDINARILY RARE IN THIS PERIOD AND THE EARLIEST EXAMPLE THAT I HAVE EVER ENCOUNTERED Early state flags are few and far between. While I am asked for them constantly, most states did not actually have official flags until the 20th century. On May 6th, 1911, Colorado became among the last to adopt a design. The project of doing so was spearheaded by the Denver Chapter of the Daughters of the American Revolution. The bill was introduced by Senator W.H. Sharply and adopted by the Eighteenth General Assembly. The artwork was the product of A.C. [Andrew Carlisle] Carson, President of the Ohio Society of Colorado. The meanings behind the elements in the design are as follows: The large letter "C" stands for Colorado and simultaneously for the Centennial State (Colorado entered the Union in 1876, the year in which our nation celebrated its 100th anniversary of independence), as well as the Columbine State (reflecting the state flower). The red color is included due to the fact that the word Colorado translates to scarlet or red in Spanish. The circle represents the sun, while the gold color symbolizes all-the-year sunshine, Colorado’s status as the greatest gold state, and one Columbine color. It was also included so that the Colorado state flag would have one more color than the U.S. flag. The color white reflects Colorado’s status as the greatest silver state, its eternal mountain snow, and one Columbine color. Lastly, the shade of Yale blue symbolizes all-the-year blue sky and one Columbine Color. Members of the D.A.R. were proud to note that this was also their color. Made sometime between the initial year of the adoption of this design and the 1920’s, this particular flag is the earliest Colorado example that I have ever encountered. The blue and white bars, red “C,” and golden circle are a’’ made of silk taffeta. This was a costly fabric, reserved for the best material a flag-maker produced. The flag is constructed in the manner of a battle flag, to be carried on foot. Squarish in its overall profile, silk was the fabric of choice for flags employed in this function, due to the fact that it was light weight, and thus practical for hand-carrying, while simultaneously formal in appearance, appropriate for the sort of ceremonial use that military presentation often demands. The style of the hoist is also typical for field or parade use. Here the fabric was rolled over to form an open sleeve, through which a wooden staff could be inserted. The sleeve is lined on the interior with black cotton. Leather tabs, at the top and bottom, fit over metal posts on the staff, designed to accept them, to fix the flag in its proper position. The bars were pieced and joined with lineal machine stitching. The hoist and fly ends were finished and hemmed by the same method. The devices are double-appliquéd (applied to both sides) with a machine buttonhole / blanket stitch. Though machines that produced buttonholes were, remarkably, available alongside the earliest standard machines, in the 1850’s and 60’s, the use of this sort of stitch in a running format, for appliqué work, remained highly unusual, even as late as the first half of the twentieth century, probably because it used a ton of thread when compared to the zigzag or satin stitch. It could be expected to appear more often in the hands of a maker of very fine flags, that employed embroidery machines and commissioned custom, fancy work of all sorts. Though unsigned—in no way uncommon in early examples, which were seldom signed—that is precisely the sort of firm that produced the Colorado flag...

38 star antique American parade flag with scattered star orientation, made of silk, with generous scale and vivid colors, Colorado Statehood, 1876-1889 38 star American national p...

Elaborate sailor’s souvenir embroidery from the orient with a beautiful hand-painted image of Washington crossing the Delaware, surrounded by a large eagle, federal shield, crossed flags, a cannon, cannonballs, and anchor, circa 1885-1910: Between roughly 1880 and 1915, American sailors visiting the orient could obtain beautiful needlework embroideries on shore, with patriotic American themes. These extraordinary works of art were acquired as mementos of a long voyage, often with the hope that they might be presented as gifts for loved ones and friends. Using silk floss, elaborately embellished with both silver and gold metallic bullion thread...

Katie Larmour Studio is the original vintage scarf pillow maker. Gaining notability for her unique idea and creations back in 2013 - featured in the likes of the Financial Times, and first selling here on 1stdibs in 2016 - our creations are of the absolute top most quality, craftsmanship and finesse. Thank-you for looking.\ Title: Set of 4 matching rare vintage French cartier panther bracelet designer silk scarf pillows...

13 HAND-EMBROIDERED STARS AND EXPERTLY HAND-SEWN STRIPES ON AN ANTIQUE AMERICAN FLAG MADE IN PHILADELPHIA BY SARAH M. WILSON, GREAT-GRANDDAUGHTER OF BETSY ROSS, SIGNED & DATED 1911: ...

It is made from a late 19th C. Ikat fragment. It does not come with an insert. Cotton in the back. Zipper closure. Dry Clean only.

It does not come with an insert but a bag made to size to accommodate insert materials. Linen in the back Zipper closure dry cleaning is recommended.

England, 19th Century Paisley shawl/blanket Measures: H 169 x W 165 cm.  

This is a traditionally, hand made yorgan 'quilt' designed and got made by Ayca Sarcand from a project of hers she calls 'Yorganlar Fora'.

48 crocheted stars on a very graphic, three-dimensional flag made from silk ribbon and crocheted rings, WWI Era (U.S. involvement 1917-18) Homemade, ha...

Rare violet & yellow Suffragette parade banner, the plate example illustrated in the text reference on the subject, made ca 1910-1920. Hand-painted banners...

This is a traditionally, hand made yorgan 'quilt' designed and got made by Ayca Sarc from a project of hers she calls 'Yorganlar Fora'.

An example to a less known group of suzanis from the town called Jizzakh, dating back to 1900s.

This seems to be a utilitarian ikat rather than a wall hanging since it is quilted from a few different ikat bits . All the Central Asian skates are warp faced and so is this, silk w...

Rare & Beautiful American Parade Flag With Images Of Teddy Roosevelt And His Great White Fleet, 1907-1909, Ex-richard Pierce Collection: 46 star parade ...

Pillow was made from an late 19th C. Bukhara suzani from Uzbekistan It does not come with an insert but a bag made to size to accommodate insert materials. . Linen in the back. Zi...

It does not come with an insert but a bag made to size to accommodate insert materials. Linen in the back. Zipper closure. Dry clean only.

It does not come with an insert but a bag made to size to accommodate insert materials. Linen in the back. Zipper closure. Dry clean only.  

Suzani displays a really good work with an usual lay out of Suzani design pool.

A pair of Fortuny fabric cushions in the Ashanti pattern, gold and silver color way with silk edging. Gold wool fabric with brushed texture backing. The pattern, a Geometric design w...

The Suzani is an outstanding example of its type. It has no lining, it could be lined upon request.  

"EQUAL SUFFRAGE FOR MICHIGAN IN 1916," ADVERTISING FAN FOR THE BISSELL 'CYCO BALL BEARING CARPET SWEEPER,' COMMISSIONED BY ANNA BISSELL (1846-1934), AMERICA'S FIRST FEMALE CEO Oriental-made, twill-woven silk fan with gilt lettering that reads : "Bissell's 'Cyco Ball Bearing Carpet Sweeper' makes sweeping easy," set within an interesting, open, geometric design. A purposefully curved, paper label beneath was applied by the "Michigan Equal Suffrage Association, Kalamazoo, 405 So. Burdick St.," whose byline is along the bottom. On it, a terrific message reads: "OVER 100,000 WOMEN pay taxes in Michigan on property assessed at $177,596,938. In 1910 OVER 175,000 MICHIGAN WOMEN signed a petition sent to Congress asking for Equal Suffrage. 247,373 MICHIGAN MEN voted...

A rare pair of Queen Anne mahogany pole screens with urn finials and embroidered silk work depicting the eastern and western hemispheres of the world as of...

Ikat hanging is in rather good condition with the surface egg white glaze and a Russian printed cotton lining.  

It does not come with an insert but a bag made to the size to accommodate insert materials. Linen in the back zipper closure dry cleaning is recommended.   

This is a printed silk handkerchief from the interwar period, with an Italian aviation theme. This handkerchief features four early aircraft plane models, two of which are seaplanes. The inner field of the handkerchief is pale blue and contained by a black three-line waving border. The outer field is medium blue, with a darker blue at each corner. A white and black fasces rests in each corner. The center of the silk features a golden spread-wing eagle. Above the eagle’s head floats a gold crown. The eagle’s talons grip a shield printed with the Savoy arms, a white cross on a red field. Two gold fasces adorn either side of the shield. In most historical accounts of the early days of military aviation, our reverence for the activities of the American Expeditionary Force and its French and British companions-in-arms on the western front has led us to overlook the immense Italian contribution to the formation of airpower doctrine. The first aerial force projection occurred on Nov. 1, 1911, when Lt. Giulio Gravotta, flying a German-built monoplane, dropped one bomb on Zard and another on Taciura -- in Libya -- during the Italian-Turkish War. This event occurred just a little more than a year after the first flight of an Italian-designed and built aircraft. At about the same time, Gianni Caproni, a young Italian engineer with a passion for innovation and a vast admiration for the Wright brothers, built his first flying machine. By May 23, 1915, the day Italy entered World War I, Caproni had become Italy's leading aircraft designer and manufacturer. Caprooni designed and built a multi-engine bomber with range and bomb capacities to make it a potent offensive weapon. On Aug. 20, 1915, two of these Caproni three-engine bombers attacked the Aisovizza aerodrome with explosive and incendiary bombs, a preview of the most sustained, effective air offensive of the First World War. By early 1916, regular raids against Austro-Hungarian targets were being conducted by seven squadrons of Caproni bombers, with some 540 bombing missions flown by the year's end. Missions were on the increase, both in distance to targets and number of aircraft involved. In late 1917, due to the lack of suitable training facilities in the United States, a contingent of some 500 Americans were sent to Foggia, Italy, to learn military flying. After completing their training, the new pilots were commissioned in the Army Air Service, and the majority of them were sent to France to serve with the American Expeditionary Force. About 75 remained in Italy under the command of Capt. Fiorello LaGuardia...

Phulkari, wedding shawl is in reasonable condition.

It does not come with an insert but a bag made to the size to accomodate the insert materials.   

PATRIOTIC SILK KERCHIEF OF THE CIVIL WAR PERIOD, WITH AN ENGRAVED IMAGE OF GEORGE WASHINGTON, CROSSED 34 STAR FLAGS, AN EAGLE, AND "UNION FOREVER" SLOGAN: Patriotic kerchiefs that date prior to the 1876 Centennial of American Independence are rare among surviving 19th century textiles. Printed on silk and made during the opening years of the Civil War, this example consists of a white ground with red and blue borders. Inside is a prominent, copper engraved, device that consists of a large image of George Washington, crowned by a spread winged eagle that grasps a billowing streamer in its beak and talons. The ribbon boasts the Federal sentiment "Union Forever." The likeness of Washington is derived from Gilbert Stuart's Athenaeum portrait. Below this is a facsimile of Washington's signature, cradled by crossed American flags, each with 34 stars arranged in circular medallions. Although political textile historian Herbert Ridgway Collins associated this kerchief with the centennial of American independence,* there is overwhelming evidence that it was produced earlier. The large scale is much more indicative of kerchiefs produced in the 1860's and prior. Made of silk, the binding is hand-stitched, which is also common of those produced before 1876. When these facts are added to the pro-Union Civil War slogan and flags in the 34 star count, the combination of all these factors points firmly to Civil War period manufacture. Kansas was admitted into the Union as the 34th state on January 29th, 1861, about two-and-a-half months before the Confederate assault on Fort Sumter that marked the beginning of the Civil War. The 34th star was officially added on July 4th of that year and the star count remained official until July 4th, 1863. Further evidence can be found in an example of this kerchief that resides in the collection of the Adams County, Pennsylvania Historical Society, with firm provenance to a woman by the name of Emma Yount. The story goes like this: “With the Battle of Gettysburg looming and the countryside in turmoil, the Union cavalry rode into Gettysburg on the afternoon of June 30, 1863. The troopers dismounted and lounged in the town while awaiting further orders. During that time, the seven year old daughter of innkeeper Israel Yount, Emma, was playing outside their home when a cavalryman asked her to come and visit with him while he was resting. The cavalryman told her that he missed his young daughter at home and asked if little Emma would hug and kiss him on the cheek to remind him of his daughter, who he felt he might not ever see again. Emma asked her mother if she could do as the cavalryman suggested, and her mother considered the circumstances and allowed Emma to do so. Before leaving, the cavalryman gave young Emma a silk handkerchief he was carrying that featured George Washington's image and patriotic border and flags. Emma kept that handkerchief until her death in 1946 and it was then donated to the Adams County Historical Society.” The trio of brass rings, hand-sewn along the top edge, would have been added by a former owner so that it could be hung vertically. The textile itself is both beautiful in design and rare. Outside of an example pictured by Collins in his book “Threads of History” (Smithsonian Press, 1979), and the copy in the Adams County Historical Society, only three others like it are known to have surfaced, including this example. This condition is excellent for the period and it survives as an exceptional relic of the War Between the States. It is of interest to note that kerchief bears marked similarities to another, especially rare, pro-Union variety, that was produced in London for the American market. Notably larger in scale, but very much alike in terms of the fabric, the printing, the shades of red and blue, the verbiage, and the general overall graphic feel, it was produced by Foster & Porter, a known, English maker of printed kerchiefs. Instead of featuring George Washington, the imagery centers on a large cannon...

Light blue silk displays two fragments of 19th century French embroidery of gold thread scrolls on ivory, bordered by beautiful antique Italian gold thread needle work lace. The cent...

Carefully worked in fine silk, this outstanding Greek Island embroidery is decorated by a horizontal repeat of Directional floral devices conta...

Pair of 18th century French silver and gold samice fragment with cross and fleur de lis motif mounted on light blue Italian silk pillow. The borde...